Sentences with phrase «nature of painting presents»

The highly personal nature of painting presents a new manner of storytelling for Beckley.

Not exact matches

Heidegger is here thinking deeply into the nature of what is presented in Van Gogh's painting, thinking to experience the deep inner quiddity, the «existential inscape» of a simple pair of shoes.

The first hundred and fifty or so pages of his Leviathan show forth his attempt to paint that portrait of human being, but by almost universal agreement, he failed — that is, he could not both present human being as a part of the new nature and at the same time do justice to our direct experience of what it is to be human.

The most authentic statement of Manet's sense of his situation as a man and as an artist may well be his two versions, painted in 1881, of The Escape of Rochefort, in my opinion unconscious or disguised self - images, where the equivocal radical leader, hardly an outright hero by any standards, is represented in complete isolation from nature and his fellow men: he is, in fact, not even recognizably present in one of the paintings of his escape from New Caledonia.

David Richard Gallery will present an exhibition of abstract paintings from the 1970s by Leon Berkowitz (1911 - 1987) that features subtle and misty transitions of color evocative of the gradual shifts in the forces of nature and the inspiration for the series.

Intensified by the subtle smell of oil paint and the presence of decomposing corn sculptures, its corporeal and abject nature creates a thought - provoking viewing experience that aims to destabilise the codified conditions of display present within the initial painting.

The retrospective of paintings by Cornelia Foss, presented in Guild Hall's Woodhouse Gallery, includes works that emphasize the artist's relationship to the ecology of the East End and also incorporates ruminations on nature from New York's Central Park (in addition to a series of portraits of family and friends).

Julia Whitney Barnes Julia Whitney Barnes, a New York based artist known for her vivid, luminous paintings which cull naturalistic imagery from an abstracted ground as well as her nature infused ceramic works, presents a series of painted porcelain vignettes.

The exclusive nature of works in «Spirit Drawings», in that they have been so rarely seen, further increases the value of witnessing the works amongst the Courtauld Gallery collection, as these almost psychoanalytical paintings find themselves amid works by Lucien Freud, Vincent van Gogh et al and present a melancholy narrative of overlooked themes and talent from a refreshingly alternative angle.

Dr. Nicole Myers, The Lillian and James H. Clark Curator of European Painting and Sculpture, presents a new exhibition, Art and Nature in the Middle Ages.

2005 Surrealism USA, National Academy Museum, New York, NY; Phoenix Art Museum, Phoenix, AZ Artists and Nature on Eastern Long Island: 1940s to the Present, Spanierman Gallery, East Hampton, NY Organic New York, Michael Rosenfeld Gallery, New York, NY The Second Time Around: The Art of Recycling Spring, The Columbus Museum, Columbus, GA Eye Contact: Painting and Drawing in American Art, Michael Rosenfeld Gallery, New York, NY

Painted in 2015, the present work reflects renowned artist Yayoi Kusama's continued investigation of the compulsive nature of her being and the quasi-psychedelic manner in which she is able to publicly relate her experiences through painting.

The idea of physical limits created by the very nature of painting is permanently present in these works.

Pasadena, CA — The Norton Simon Museum presents Taking Shape: Degas as Sculptor, an illuminating exhibition that explores the improvisational nature of Edgar Degas's artistic practice and considers the affinities between sculpting, painting and drawing in his oeuvre.

This exhibition presents works of art — photography, collage, and paintings — that exist at the intersection of nature, culture, artifice, and perception.

In addition to the exhibition of her woodblock prints, the Clark presents As in Nature: Helen Frankenthaler Paintings, which focuses on nature as a long - standing inspiration for the aNature: Helen Frankenthaler Paintings, which focuses on nature as a long - standing inspiration for the anature as a long - standing inspiration for the artist.

Characteristic of Dawson's practice, these works present an exploration of the continuities of nature and civilization, and a belief in the enduring vitality of beauty and painting as a primary form of visceral and visual communication.

Challenging aesthetic norms of what sculpture or painting or installation or plain photographic documentation is, Smit's artistic practice presents a series of new works that are the result of the serendipitous nature of life interpreted as an errare.

While influences of Jackson Pollock are clearly present within this technique of applying paint directly onto a horizontal canvas spread across the studio floor, Louis's work resists the rather active and gestural nature of Pollock's compositions and instead embodies a distinctly meditative quality.

Modeling her CG animations on the allegorical paintings of Casper David Fredrich, Fu continues her aspirations in the sublime from her painting background into experimental digital media, exploring the nature of physical and metaphysical limits, as the work also mirrors the fundamental aspect of Chinese Traditional Landscape Painting, which often presents a type of virtual space where the significance of the individual and linear perspective is blurred into a voluminous lapainting background into experimental digital media, exploring the nature of physical and metaphysical limits, as the work also mirrors the fundamental aspect of Chinese Traditional Landscape Painting, which often presents a type of virtual space where the significance of the individual and linear perspective is blurred into a voluminous laPainting, which often presents a type of virtual space where the significance of the individual and linear perspective is blurred into a voluminous landscape.

Considerations of commerce and consumerism; objects of desire; and curated lifestyles are clear and are presented within an intriguing, constructed framework that illustrates a clear investigation into the nature of figurative painting.

To critics who question the corporate nature of Mr. Zwirner's operation, Mr. Zwirner said they have only to look to the art — namely the acclaimed exhibitions the gallery has presented in just the last year — like the show of Yayoi Kusama's Infinity Rooms that had people lining up around the block in the cold; the exhibition of Alice Neel's paintings and drawings; and the quirky installations of Mr. Gonzalez - Torres.

Primarily documentary in nature, the exhibition presents photographs, correspondence, contracts, price lists, reproductions of sold key paintings plus original works on paper and graphics by Pollock.

Suzanne Caporael presents a survey of prints and paintings in her exhibition Manifest Nature.

Nature Studies II is the second part of a semester - long, group exhibition that presents the landscape / nature genre in contemporary painting and photogNature Studies II is the second part of a semester - long, group exhibition that presents the landscape / nature genre in contemporary painting and photognature genre in contemporary painting and photography.

The straightforward nature of the paintings is deceptive, as the works evoke different moods depending on the quality of light and context of the site presented.

While her contemporaries staged the relations between painting and photography, Sillman chose instead to look at other mass media forms of image making, selecting the diagram as her lever to open the historical nature of painting to the present.

Adrian Ghenie highlights an era that questioned man's significance, the existence of God, and the question of Creationism — through a use of paint that suggests the anamorphic nature of identity through the evolution of scientific understanding, and contradiction of the Baconian flesh that presents it.»

This month they are presenting their sixteenth show with British artist Anish Kapoor, which will include new large - scale silicone «paintings» and work on paper:» The show explores the affective nature of painting from the multiple perspectives of Kapoor's varied working practice.

The multiplicitous nature of Weiser's paintings is also present in his use of different kinds of paint: oil abuts enamel, on top of matte medium, three - dimensional fabric paint, acrylic, and tempera.

The William Ris Gallery is pleased to present Seen and Unseen: Paintings and Drawings by Scott McIntire, a solo exhibition of 40 paintings and drawings that explore the interconnection of art, nature and science and the environmental effects of tePaintings and Drawings by Scott McIntire, a solo exhibition of 40 paintings and drawings that explore the interconnection of art, nature and science and the environmental effects of tepaintings and drawings that explore the interconnection of art, nature and science and the environmental effects of technology.

Named after his old home, «Ganjiakou 3o3» is Zhu's first solo exhibition in Shanghai and is poised to present a series of paintings and installations rendered from 1979 to the present day, each dealing with aspects of intimacy and the paradoxically public nature of Apartment Art.

The first gallery is haunted by the spirit of the French impressionist painter Claude Monet, who — at the turn of the last century — was chasing the present, while painting his unruly garden: «I am just running after nature without being able to catch her up».

Subverting traditional landscape painting, my recent work presents cropped views of conservatory biomes, where «nature» is an idealized version of the real thing.

«Mexican Slip», the group show presented at Hilario Galguera Gallery, exhibits contemporary art as the anticipation of a new nature: a cinematic travel on a huge landscape made of videos, paintings and sculptures, where nature, urban elements and machinic ones have melted.

Honors in Sculpture Skowhegan School of Painting and Sculpture 1982 Carnegie - Mellon University SELECTED SOLO EXHIBITIONS 2015 Les Guérillères, Sandra Gering Inc, New York, NY 2014 Julia Kunin & Jackie Gendel, Jeff Bailey Gallery, Hudson, NY 2013 Golden Grove, Barry Whistler Gallery, Dallas, TX 2012 Nightwood, Greenberg Van Doren Gallery, NY, NY 2002 Rotes Wildleder, Deutches Leder Museum, Offenbach, Germany 2000 Cephalopoden, Bellevuesaal, Wiesbaden, Germany 1999 Crimson Suede, Stefan Stux Gallery Project Room, New York, NY Rambling Conversation series, Four Walls, New York, NY Old Gallery, Tbsili, Georgia SELECTED GROUP EXHIBITIONS 2016 Dysfunction, BCA / Burlington City Arts, Burlington, VT In a Field with No Bounds, New City Galerie, Burlington, VT NY, NY: Clay, CAC / Clay Art Center, Port Chester, NY 2015 Who, Lesley Heller Workspace, New York, NY 2014 2Q13, Women Collectors Women Artists, Lloyd's Club, London, England The Body is Present: Women at Work, Ramapo College Art Galleries, NJ Cleaning House, MAMŰ Galéria, Budapest, Damjanich Zsolnay, Kapolna Gallery, International Ceramic Studio, Kecskemet, Hungary Natures Knot, Luise Ross Gallery, New York, NY 2013 Treasures for the German Leather Museum.

From 5 November the Museum will present paintings, watercolours and drawings by the prominent Irish artist William McKeown, whose monochrome works defined by their highly - finished surfaces explore the delicate qualities of nature.

Co-sponsored with the Regione Piemonte Department of Culture and Tourism, «Colori Tra Cielo e Terra (Colors Between Heaven and Earth): The Four Seasons and Other Vivaldi Inspirations» presents lively, colorful paintings inspired by nature and classical music.

Not unlike Lynda Benglis» physicality of forms, gestural folds and darkened areas appear as portals that achieve transcendent depths, while the wide array of materials render paint qualities present as something derived from nature.

Made up mostly of brightly hued paintings drawn from observations of nature and meditations on space, the exhibition presents Thomas's output in four phases.

Sophia Contemporary is proud to present Im / material: Painting in the Digital Age, a group show of young contemporary artists investigating the nature of painting in today's digiPainting in the Digital Age, a group show of young contemporary artists investigating the nature of painting in today's digipainting in today's digital age.

According to Alloway, the main feature of these diverse artists was that their paintings, which constituted «a development of some of the potentialities present in Action Painting», contained «allusions to nature» that «however... are not allowed to disrupt the autonomy of the paint.»

The exhibition presents 14 artworks that highlight Kahlo's engagement with nature in her native country of Mexico, as seen in her garden, decoration of her home and in the complex use of plant imagery found in her paintings.

Murat Akagündüz's exhibition «Vertigo» presents a series of white on white oil paintings depicting some of world's highest mountain peaks as seen on Google Earth, and explores the transformation of the human - nature relationship within the landscape tradition.

The exhibitions and their ambitious joint catalog present a sometimes perplexing, always fascinating artist who makes us ponder the boundaries between abstraction and reference, and think hard about the very nature of painting itself.

Barbara Groot's solo show in Quogue presents a range of her contemporary abstract paintings inspired by nature.

By manipulating light and color, these highly detailed paintings present a sense of Presence that one can experience when alone and attentive in nature.»

This exhibition traces a narrative of Schor's work since the early 90s to the present, from Semi-colon in a Flesh Comma (1994) which punctuates the text of the female body, and Undue — a section of War Frieze, her major 1991-1994 200 - running feet long multiple canvas work on militarism and aggression, painted in the aftermath of the first Gulf War but still as timely today — through representations of the nature of artmaking itself — the sign, the trace — to the empty thought balloon when grief has left the artist at a loss for words, to her most recent works schematically figuring the artist as thinker, reader, writer in an uncertain world.

He specialised in ideal - landscapes, a traditional form of landscape painting that aims to present an idyllic view of nature which is even more beautiful and harmonious than nature itself.

Gerald Peters Gallery will present «American Realism: A Survey,» which features painting, drawing and sculpture to explore the pluralistic nature of the realism movement, long a staple of American art.