Sentences with phrase «nature of the art produced»

Though he was speaking specifically in the context of Happenings, his quote could easily describe the nature of art produced by many of the earth artists, minimalists, installation, and performance artists of later decades.

In Before Pictures, his remarkable new memoir - cum - cultural history, Crimp provides an account of New York in the»70s that's in keeping with the shape - shifting, category - defying nature of the art produced in the city at that time.

Not exact matches

In one sense the discovery of human individuality was necessary for the development of human rights, the economic individualism orientated to profit and free market produced the modern economy; the separation of human being from nature coupled with the autonomy of the world of science helped the development of technology; and the autonomy of different areas of life like the arts and the government, each to follow purposes and laws inherent in it, did make for unfettered creativity in the various fields.

In reality the enlightened man stripped of his nature lives on in the atomised community that produces the anarchic teenagers taking over our town centres each Saturday night and the busy abortuaries of our state of the art hospitals.

Using a mix of live - action sequences, animation and satellite data, the NASA - produced film Water Falls melds science with art to convey the dynamic nature of the water cycle.

Striving to produce exclusive automobiles that are truly one - of - a-kind pieces of art, Rolls - Royce has released two cars indicative of the brand's elegant nature at their Summer Studio in Sardinia, where the company annually hosts many of the their finest guests and best customers.

Newest guidebook includes 125 itineraries to discover the art and the nature of the most beautiful wine - producing areas of Italy GREENVILLE, S.C. (May 29, 2013)-- Michelin has released the newest...

The Baltimore Museum of Art's (BMA) next Art After Hours on November 3 is inspired by the art in four amazing exhibitions: iridescent spheres and spider webs in Tomás Saraceno: Entangled Orbits; colorful, swirling collages in Spiral Play: Loving in the «80s; digitally produced textiles and sculptures in Annet Couwenberg: From Digital to Damask; and the intense, immersive environment of Phaan Howng: The Succession of NatuArt's (BMA) next Art After Hours on November 3 is inspired by the art in four amazing exhibitions: iridescent spheres and spider webs in Tomás Saraceno: Entangled Orbits; colorful, swirling collages in Spiral Play: Loving in the «80s; digitally produced textiles and sculptures in Annet Couwenberg: From Digital to Damask; and the intense, immersive environment of Phaan Howng: The Succession of NatuArt After Hours on November 3 is inspired by the art in four amazing exhibitions: iridescent spheres and spider webs in Tomás Saraceno: Entangled Orbits; colorful, swirling collages in Spiral Play: Loving in the «80s; digitally produced textiles and sculptures in Annet Couwenberg: From Digital to Damask; and the intense, immersive environment of Phaan Howng: The Succession of Natuart in four amazing exhibitions: iridescent spheres and spider webs in Tomás Saraceno: Entangled Orbits; colorful, swirling collages in Spiral Play: Loving in the «80s; digitally produced textiles and sculptures in Annet Couwenberg: From Digital to Damask; and the intense, immersive environment of Phaan Howng: The Succession of Nature.

Her sound - producing kinetic sculpture has shown at the Hyde Park Art Center, the Peggy Notebaert Nature Museum, the Chicago Children's Museum, and is on permanent display at the University of Chicago.

Ambitious group shows such as Star City, Aquatopia, Kafou: Haiti, Art and Voudou or Rights of Nature have been produced here.

The remarkable naturalism and minutely observation of nature never deserted the American landscape artist and just a few of them surrendered to the spontaneity of European movement's idiom, while the rest continued producing realistic style portrait art and Barbizon School landscape paintings.

ZERO was established in the aftermath of World War II; seeking new beginnings, with idealistic and utopian ambition, the group strove to produce a radical and optimistic global art that dissolved boundaries and embraced elemental forces of nature.

While he viewed the wallpapers he created there as independent from the art he produced during this time (he once referred to the wallpaper as «hack» work), their designs were, like his art, all based in nature, and they reflected the art - historical influences that had excited and informed him as a student at the Cleveland School of Art, which he attended from 1912 to 19art he produced during this time (he once referred to the wallpaper as «hack» work), their designs were, like his art, all based in nature, and they reflected the art - historical influences that had excited and informed him as a student at the Cleveland School of Art, which he attended from 1912 to 19art, all based in nature, and they reflected the art - historical influences that had excited and informed him as a student at the Cleveland School of Art, which he attended from 1912 to 19art - historical influences that had excited and informed him as a student at the Cleveland School of Art, which he attended from 1912 to 19Art, which he attended from 1912 to 1916.

«A legitimate abstract work of art can be produced only on the basis of profound knowledge of nature.»

For this exhibition, she created Earth Paintings, a series of nature inspired abstract works, including Wind and Crepe Myrtle Concerto (1973) which art historian Sharon Patton considers «one of the most Minimalist Color - Field paintings ever produced by an African - American artist.»

Curated by James Putnam, Research Fellow at London College of Fashion, University of the Arts London and produced by Alteria Art the exhibition includes work by 28 established and emerging international contemporary artists, surveying the influence of nature and its processes on their work.

[8] His art generally strives to explore the nature of art rather than producing what is traditionally called «art».

Brazilian street artist Luis Seven Martins, aka L7m, has produced these beautiful illustrations of exotic birds that merge the principles of graffiti with abstract art and nature.

Cummings produces intricate, detailed works which draw on representations of nature within art history, rather than scientific accuracy.

The project, entitled SOUNDWORKS, aims to take a broader look at the range of work being produced in audio arts today and embraces the ephemeral and peripatetic nature of sound through the creation of an online platform that doubles as a virtual exhibition space.

2000 The Work Shown in this Space is a Response to the Existing Conditions and / or Work Previously Shown Within the Space III, Neuger Riemschneider, Berlin, DE Sequences, Galerie Roger Pailhas, Marseille, FR La Frontière, Recit d'Expériences, one of several exhibitions collectively entitled «Réseau Galleries / Multilangages de l'Art», Institut d'Art Contemporain - FRAC Rhône - Alps, Villeurbanne / Collège de Prévessin - Moëns (Ain), Academie de Lyon, FR TransAct - Platform for Transitional Activities in the Cultural Field, «Museum in Pro-gress» in cooperation with «Art Pool», Vienna, AT Shoot: Moving Pictures by Artists, Malmö Konsthall / The Cinema Spegeln / Restaurant Hipp, Malmö, SW; Living Art Museum, IS, as part of Kyikar Myndir show, Reykjavik, IS Never Exhibited: Works from the Marieluise Hessel Collection, Center for Curatorial Studies, Bard College, Annandale, New York, US Copyright / Copywrong, Ecole Régionale des Beaux - Arts de Nantes, Nantes, FR Thirtieth Anniversary Benefit Silent Auction, White Columns, New York, US Two by Two for Aids and Art, Dallas Museum of Art, Dallas, Texas, US Dust and Dirt, De Witte Zaal in cooperation with SMAK, Ghent, BE L'Elemento Verbale Nell» Arte Contemporanea, Galleria Martano, Torino, IT; Galleria Martano, Milan, IT Sentimental, Galerie Yvon Lambert, Paris, FR Die Natur der Dinge, NRW - Forum Kultur und Wirtschaft, Düsseldorf, DE Pure, one of several simultaneous exhibitions around UK, collectively entitled On the FRAC Track: A Selection of International Art from the Collection of Fonds Régional d'Art Contemporain (FRAC), Nord - Pas de Calais, Maidstone Library Gallery, Maidstone, UK Under the Apple Tree, Galleria Massimo de Carlo, Milan, IT A Tribute to Robert Hopper, Yorkshire Sculpture Park, West Yorkshire, UK From Here to There - Passageways at Solitude, Akademie Schloss Solitude, Stuttgart, DE Topologies, White Box, New York, US Multiple Configurations: Displaying the Contemporary Portfolio, Busch - Reisinger Museum, Harvard University, Cambridge, Massachusetts, US Heimatweh — Fernlust, Galerie Herbert Winter, Vienna, AT In the Mirror of Space and Time, Listasafns ASÍ, Reykjavik, IS Árátta, Listasafn Kópavogur, Reykjavik, IS Recent Works on Paper, Leo Castelli Gallery, New York, US Présumés Innocents: l'Art Contemporain et l'Enfance, Musée d'Art Contemporain, Bordeaux, FR l'Oeuvre Collective, les Abattoirs, Toulouse, FR Arteast 2000 + The Art of Eastern Europe in Dialogue with the West, from the 1960s to the Present, Moderna Galerija Ljubljana, SL Works by Peter Friedl, Thomas Hirschhorn, Lawrence Weiner, Arndt & Partner [Gallery], Berlin, DE (E Così Via)(And So On): 99 Artisti Della Collezione Marzona, Galleria Comunale d'Arte Moderna e Contemporanea, Rome, IT Collection Lambert en Avignon: Rendez - vous # 1, Rendez - vous # 2, January 12 - December 31, Hôtel de Caumont, Avignon, FR Wallpapers, Art Gallery of Nova Scotia & Nova Scotia College of Art and Design, Halifax, CA Orbis Terrarum: Ways of Worldmaking, Museum Plantin - Moretus, Antwerp, BE Drawings 2000, Barbara Gladstone Gallery, New York, US Von Edgar Degas bis Gerhard Richter / Arbeiten auf Papir aus der Graphischen Sammlung..., Kunstmusem Winterthur, Winterthur, US; Nationalgalerie Prag, CZ; Rupertinum, Salzburg, AT; Westfälischer Landesmuseum, Münste, DE; Neues Museum, Nürnberg, DE Proposals from Halifax: An Exhibition of Selected Typescripts, Flyers, Posters, Catalogues, Books, Mailers and Postcards of a Conceptual Nature Produced From 1969 to 1999 by Affiliates of the Nova Scotia College of Art and Design (NSCAD), Library and Archives - National Gallery of Canada, Ottawa, CA Stanze, Museums für Moderne Kunst / Museo d'Arte Moderna, Bozen / Bolzano, IT Tempus Fugit - Time Flies, Nelson - Atkins Museum of Art, Kansas City, Kansas, US In Process: Photographs from the 60s and 70s, Curt Marcus Gallery, New York, US Many Colored Objects Placed Side by Side to Form a Row of Many Colored Objects: Anton & Annick Herbert Collection, Casino Luxembourg - Forum d'Art Contemporain, LUBeyond Preconceptions: The Sixties Experiment, Independent Curators Inc., New York, US; traveling exhibition Hard - Pressed: 600 Years of Print and Process, International Print Center, New York, US Changing Perceptions: The Panza Collection, Guggenheim Museum, Bilbao, ES Talking Heads: Arti e Letterature nell» era della Globalizzione, Commune di Padova - Settore Attività Culturali, Padua, IT Festival de les Arts, Fundació Pro-Penedès, Barcelona, ES Editions and Multiples 1990 - 2000, Helga Maria Klosterfelde, Hamburg, DE Collection Lambert, Fundacio ProPenedès, Barcelona, ES

In I, The Artwork (2016), Khalili turns his critical gaze towards the infrastructure of the art world in a work designed to make visible the nature of producing, buying and selling work.

Through both writing and visual art, Frances Stark addresses the conditions of creative labor, producing candid and affecting work about the nature of artistic practice and the corresponding yet integral banality of the everyday.

Gerald Forty, then Director of Fine Arts Department at the British Council, and the selection committee, art historian Peter Lasko and art curator Michael Compton, invited Richard Long to produce a site - specific work at the Pavilion because environmental themes were central to his work; Long was fascinated by nature and the act of walking across landscapes.

Tepu, as he is known to his followers produces art which visualises the tiny and often overlooked workings of nature on a large scale.

The Phillips also produces award - winning education programs for K — 12 teachers and students, as well as for adults The museum's Center for the Study of Modern Art explores new ways of thinking about art and the nature of creativity, through artist visits and lectures, and provides a forum for scholars through courses, post-doctoral fellowships, and internshiArt explores new ways of thinking about art and the nature of creativity, through artist visits and lectures, and provides a forum for scholars through courses, post-doctoral fellowships, and internshiart and the nature of creativity, through artist visits and lectures, and provides a forum for scholars through courses, post-doctoral fellowships, and internships.

July 29 — September 3, 2011 Greetings from Paradise - prints & installation by Annie Albagli Annie Albagli was a Teaching Artist in Residence at Pyramid Atlantic Arts Center, where she produced a series of multi-layered, unique screen prints combining images from nature and symbols, and employing a multitude of techniques and materials.

• Gore used opinions of government scientists whose work can not verified • The practice of rainmaking is more art than a science • The practice of stopping global warming is more politics than science • Making rain is local • Stopping warming is global • Rainmakers are positive blaming neither man nor nature for a lack of rain • Warm stoppers are negative blaming humanity for causing warming • Rainmakers do not get paid if they do not produce • Warm stoppers are paid to create alarm about warming

Anchored by a 25 - acre farm providing organic produce throughout the Chattahoochee Hill Country and Atlanta, Serenbe is a 1,000 - acre mixed use, sustainable community offering connections between nature, culture, and the art of living.

The unique nature of Indigenous connection to the land provides the basis for economic enterprises such as wildlife harvesting, natural resource management, fishing, cultural tourism and art produced for sale.