Sentences with phrase «nature of the work seems»

Not exact matches

In trying to explain how these instruments of monetary control work, I'm tempted, if only for the time being, to revert to some old - fashioned terminology that, whatever its other shortcomings, seems more useful than modern terms are for shedding light upon the nature of money creation.
While not wanting to over-read his work in a different direction, I would say there would seem to be some doubt as to how theological Barzun's idea of nature was.
For although our work - dominated values concerning the nature of humankind seem to be in transition, Americans remain curiously ill - prepared to play authentically.
Speaking of Jesus in this way may seem to make him merely one of many great men, exceptional but not superhuman, not the divine being he is believed by Christians to be; but however his person and nature are understood, I for one can not believe that even in him God acted in any way inconsistent with the same natural laws and operations by which he works today.
But sure, the relevant issues are more in regard to effectivity, such as that two machines with drivers can harvest a field quicker than a dozen or so men, and while a life without any work can be boring and / or decadent very quickly (and similarly such with no physical activity whatsoever), an overall system e.g. where productivity and numbers are «alpha and omega» seems to be very out of touch not only with nature.
29 What restrains God's omnipotence, it seems, is something given within God, something in God's nature which necessitates God's working out of God's plans in relationship to creation and within time, but it still remains God who is working it out.
Of course, process theology is associated with the work of Whitehead, and Whitehead has been severely criticized by Buchler for his arbitrary use of a principle of ontological priority.4 Yet there seems to be nothing in the nature of process theology which requires that some entities be considered «more real» than otherOf course, process theology is associated with the work of Whitehead, and Whitehead has been severely criticized by Buchler for his arbitrary use of a principle of ontological priority.4 Yet there seems to be nothing in the nature of process theology which requires that some entities be considered «more real» than otherof Whitehead, and Whitehead has been severely criticized by Buchler for his arbitrary use of a principle of ontological priority.4 Yet there seems to be nothing in the nature of process theology which requires that some entities be considered «more real» than otherof a principle of ontological priority.4 Yet there seems to be nothing in the nature of process theology which requires that some entities be considered «more real» than otherof ontological priority.4 Yet there seems to be nothing in the nature of process theology which requires that some entities be considered «more real» than otherof process theology which requires that some entities be considered «more real» than others.
It seems to undermine everything we think we know about how the universe works, and calls into question the very nature of reality itself.
But considering the nature of so much of your work (which I love BTW) and your discussions concerning your personal journey (which you have been pretty open about), it would seem that all of the responses (whether they be agreement, rebuttal, or concern) would be appropriate.
It would thus seem that some understanding of the theory of feeling in Bradley's work might prove to be, not merely a matter of antiquarian interest, but of use in determining the nature and status of Whitehead's thought in the history of modern philosophy.
Now I'm working mostly on my own projects a stronger style informed by all the things that make me excited to be alive seems to have formed — things like colour, the magic of nature, shapes in mid-century design and cute faces.
Medical sleuthing, O'Rahilly says, works best by studying patients who seem to defy all sorts of standard diagnoses: «I study the experiments of nature to illuminate the normal.»
«In studying monstrosities», they wrote, «we seem to catch forbidden sight of the secret work - room of Nature, and drag out into the light the evidences of her clumsiness».
The proton seems to be 0.00000000000003 millimeters smaller than researchers previously thought, according to work published in the July 8 issue of Nature.
So, from our vantage point, it seems that the only option consistent with the professional nature of scientific work is to increase salaries above the threshold.»
With so much work needed in studying the nature of stem cells and using them to study disease processes, therapies based on ES cells seem very far down the line, noted Lorenz Studer of Memorial Sloan - Kettering Cancer Center in New York, who pointed out that so far there have only been two published papers on therapeutic cloning, both of them in mice.
Malick seems to remind us that although we've been watching scenes of mother nature interspersed with the «plot», the entire thing is really the work of the Almighty.
Their initial work was... fresh doesn't seem like a particularly good descriptor... different from what other people were doing, so it was easy to hide the conservative, tried and true nature of their stories.
While its price tag might seem too steep for a game that has been around for a few years now, the action - packed nature of the game, along with its variety make it a piece of work that is definitely worth checking out.
Beautifully lensed by Darius Khondji, masterfully directed by Haneke, boasting two great performances and a commitment to the narrative that might be too much for some, «Amour» is nevertheless the work of a filmmaker who isn't afraid to ask the big questions about human nature, and coming out of «Amour» it seems the director has hope for us yet.
His notable exceptions, such as the outstanding «Topsy - Turvy» and this movie, require him to work in a somewhat different vein, and be more attentive to composition and atmosphere and period - accurate psychology; but it's just as compelling a mode, because Leigh's emotionally reserved nature comes through more strongly, and seems attuned to his buttoned - up, often repressed characters, who shove negative thoughts way down inside themselves, practically to the bottoms of their feet, and soldier on.
Domhnall Gleeson plays the overeager CIA agent who doesn't seem to be accountable to anyone despite the risky nature of his work.
She and her team find a pristine wilderness, but they also notice quickly that the rules of nature and evolution seem to work a little differently.
Oh, here we go: «At no point does this seem like new territory, but outside of being about ten minutes too long, it's a film that works despite its rather traditional dramatic nature
Of course, that is how it always seems to work in these situations and I thought due to the sporadic nature this would be a pain to resolve with service.
Perhaps because of the independent nature of the Bearded Collie, the Beardoodle doesn't seem to suffer from separation anxiety and is quite comfortable being left on his own — which makes him a great fit for working families.
Doesn't harm skin Cats don't get sick from grooming The Bad: Hard to get product down to skin (due to the fine nature of cat fur) Doesn't seem to kill as quickly as the shampoo (still observing its effects over longer period of time) It suds like shampoo when worked into fur.
Just as movies work by quickly flashing still images that blend together into a cohesive illusion of movement, the shades of red, black and cream on the snake seem to blend into a greenish hue, turning the warning nature of its basic coloring into traditional camouflage, as it disappears into the greenery.
We've also had so much practice with these games as they have evolved over the years that we understand how most of them work and now it seems almost second nature to know hat it takes to beat most of them.
From speaking with many staff members at Nintendo, as long as it seems like the nature of the work is for the benefit of Nintendo and is not benefiting the creator in any form that can measured financially, the have little problem with most stuff online.
Something else that can harm the flow and enjoyment of the game are the slight difficulty spikes and the unfair nature of the game, which seems to effectively work against you in order to make you fail.
It seems like an odd fit given the orchestral nature of previous MGS soundtracks (and those tracks are still present too), but it actually works.
While trying to be overly serious, Forces» story seems too melodramatic to be dark and gritty, but at the same time it oddly works because of the lighthearted nature of the series.
However, the popular nature of plein air movement seems a double - edged sword; more people now care about landscape painting but on the other hand the work often suffers from being geared toward mass consumption.
When dealing with an artist as subtle as Arturo Herrera, the manner of interpretation is by nature complex, further complicated by what at first seems like wildly varied and distinct bodies of work, each adopting the formal affectations of the medium at hand: architectural interventions, collage, abstract paintings, biomorphic abstractions, hybrid paintings, photography, sculpture, mail art.
Considering the different nature of their practices Emily Speed and David Webb seem a curious pairing, but similarities start surfacing when examining their work through the lens of a shared fascination with a certain visual culture.
Although it seems as if the narrative nature of their works centered around the recognizable yellow characters is once again in the focus, with this exhibition OSGEMEOS are moving forward by practically creating an in situ intervention consisting of paintings and a sound installation.
You'll often find art of this nature tucked in a back corner or small, darkly lit side room where it seems an afterthought and secondary to rest of the works on view.
Gorky's work seems to be a careful analysis of memory, emotion and shape, using line and color to express feeling and nature.
Such works as the Ferragosto series seemed to reflect the vibrant, culturally rich nature of his newly adopted home.
In these earlyworks there is a lyricism, a tenderness of touch, of surface, and content, while the more recent work of the same subject matter is tougher, sharper, bolder and more imposing materially, thus proposing another kind of youthfulness in older age though the return to landscape or nature as a thematic seems to bracket the period of cooler irony of Artschwager's most noted works, emerging in the era of Pop Art and continuing through the era of appropriation art.
«home i» and «home ii» consist of two bronze coats, filled with tension as the movement of the work seems to be suspended in time; wurm's focus upon the lingering nature of dwelling is embodied in these sculptural forms.
«Every viewer will see in Burtynsky's work the aspects of nature, and of man's engagement in nature, that seem most significant to him at the time.
Hung low on the wall so that the line is about waist high for this viewer, the gesture was as much mental as physical, which seems appropriate given that many consider the point of LeWitt to be the conceptual nature of his work.
Her use of traditional forms — weaving, knitting, sewing and stitching — may at first seem crafty, but there's always something more sinister, more undecided in her work which suggests other ideas about the human condition that go beyond our attraction to nature.
The orderly nature of the lines seems to contradict the haphazard nature of their making, yet Nawa's work forces viewers to consider the effects of air pressure, distance, and the motion of the pendulum as agents in making the work.
In the uniformity and repetition of the shapes, they seem to underline the formality of fixing nature into a stillness, but what unites these works with her more naturalistic landscapes are the deft, confident strokes of paint that seem to arrive effortlessly on the canvas, and their contradiction with the more preciously applied marks that flicker and activate the painting's surface, along with our eye.
That sense informed the ragtag, anxious nature of his early pieces, work that seems to gain political relevance with each passing year.
Devoid of urban elements and even the passage of time, these works display an affectionate symbiosis between woman and environment, while also narrating the distinction of human experience — elegant garments seem to frolic throughout the landscape without fully coalescing, while nature itself maintains a somewhat masculine, rugged quality.
The protagonists of these works, derived from pictures in magazines or scientific books, are captured while engaging in activities whose exact nature seems both mundane and mysterious («they're just sitting there breathing,» Borremans told an interviewer), but the artist manages to freight these protagonists, and the air around them, with great emotional tension.
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