Not exact matches
In trying to explain how these instruments
of monetary control
work, I'm tempted, if only for the time being, to revert to some old - fashioned terminology that, whatever its other shortcomings,
seems more useful than modern terms are for shedding light upon the
nature of money creation.
While not wanting to over-read his
work in a different direction, I would say there would
seem to be some doubt as to how theological Barzun's idea
of nature was.
For although our
work - dominated values concerning the
nature of humankind
seem to be in transition, Americans remain curiously ill - prepared to play authentically.
Speaking
of Jesus in this way may
seem to make him merely one
of many great men, exceptional but not superhuman, not the divine being he is believed by Christians to be; but however his person and
nature are understood, I for one can not believe that even in him God acted in any way inconsistent with the same natural laws and operations by which he
works today.
But sure, the relevant issues are more in regard to effectivity, such as that two machines with drivers can harvest a field quicker than a dozen or so men, and while a life without any
work can be boring and / or decadent very quickly (and similarly such with no physical activity whatsoever), an overall system e.g. where productivity and numbers are «alpha and omega»
seems to be very out
of touch not only with
nature.
29 What restrains God's omnipotence, it
seems, is something given within God, something in God's
nature which necessitates God's
working out
of God's plans in relationship to creation and within time, but it still remains God who is
working it out.
Of course, process theology is associated with the work of Whitehead, and Whitehead has been severely criticized by Buchler for his arbitrary use of a principle of ontological priority.4 Yet there seems to be nothing in the nature of process theology which requires that some entities be considered «more real» than other
Of course, process theology is associated with the
work of Whitehead, and Whitehead has been severely criticized by Buchler for his arbitrary use of a principle of ontological priority.4 Yet there seems to be nothing in the nature of process theology which requires that some entities be considered «more real» than other
of Whitehead, and Whitehead has been severely criticized by Buchler for his arbitrary use
of a principle of ontological priority.4 Yet there seems to be nothing in the nature of process theology which requires that some entities be considered «more real» than other
of a principle
of ontological priority.4 Yet there seems to be nothing in the nature of process theology which requires that some entities be considered «more real» than other
of ontological priority.4 Yet there
seems to be nothing in the
nature of process theology which requires that some entities be considered «more real» than other
of process theology which requires that some entities be considered «more real» than others.
It
seems to undermine everything we think we know about how the universe
works, and calls into question the very
nature of reality itself.
But considering the
nature of so much
of your
work (which I love BTW) and your discussions concerning your personal journey (which you have been pretty open about), it would
seem that all
of the responses (whether they be agreement, rebuttal, or concern) would be appropriate.
It would thus
seem that some understanding
of the theory
of feeling in Bradley's
work might prove to be, not merely a matter
of antiquarian interest, but
of use in determining the
nature and status
of Whitehead's thought in the history
of modern philosophy.
Now I'm
working mostly on my own projects a stronger style informed by all the things that make me excited to be alive
seems to have formed — things like colour, the magic
of nature, shapes in mid-century design and cute faces.
Medical sleuthing, O'Rahilly says,
works best by studying patients who
seem to defy all sorts
of standard diagnoses: «I study the experiments
of nature to illuminate the normal.»
«In studying monstrosities», they wrote, «we
seem to catch forbidden sight
of the secret
work - room
of Nature, and drag out into the light the evidences
of her clumsiness».
The proton
seems to be 0.00000000000003 millimeters smaller than researchers previously thought, according to
work published in the July 8 issue
of Nature.
So, from our vantage point, it
seems that the only option consistent with the professional
nature of scientific
work is to increase salaries above the threshold.»
With so much
work needed in studying the
nature of stem cells and using them to study disease processes, therapies based on ES cells
seem very far down the line, noted Lorenz Studer
of Memorial Sloan - Kettering Cancer Center in New York, who pointed out that so far there have only been two published papers on therapeutic cloning, both
of them in mice.
Malick
seems to remind us that although we've been watching scenes
of mother
nature interspersed with the «plot», the entire thing is really the
work of the Almighty.
Their initial
work was... fresh doesn't
seem like a particularly good descriptor... different from what other people were doing, so it was easy to hide the conservative, tried and true
nature of their stories.
While its price tag might
seem too steep for a game that has been around for a few years now, the action - packed
nature of the game, along with its variety make it a piece
of work that is definitely worth checking out.
Beautifully lensed by Darius Khondji, masterfully directed by Haneke, boasting two great performances and a commitment to the narrative that might be too much for some, «Amour» is nevertheless the
work of a filmmaker who isn't afraid to ask the big questions about human
nature, and coming out
of «Amour» it
seems the director has hope for us yet.
His notable exceptions, such as the outstanding «Topsy - Turvy» and this movie, require him to
work in a somewhat different vein, and be more attentive to composition and atmosphere and period - accurate psychology; but it's just as compelling a mode, because Leigh's emotionally reserved
nature comes through more strongly, and
seems attuned to his buttoned - up, often repressed characters, who shove negative thoughts way down inside themselves, practically to the bottoms
of their feet, and soldier on.
Domhnall Gleeson plays the overeager CIA agent who doesn't
seem to be accountable to anyone despite the risky
nature of his
work.
She and her team find a pristine wilderness, but they also notice quickly that the rules
of nature and evolution
seem to
work a little differently.
Oh, here we go: «At no point does this
seem like new territory, but outside
of being about ten minutes too long, it's a film that
works despite its rather traditional dramatic
nature.»
Of course, that is how it always
seems to
work in these situations and I thought due to the sporadic
nature this would be a pain to resolve with service.
Perhaps because
of the independent
nature of the Bearded Collie, the Beardoodle doesn't
seem to suffer from separation anxiety and is quite comfortable being left on his own — which makes him a great fit for
working families.
Doesn't harm skin Cats don't get sick from grooming The Bad: Hard to get product down to skin (due to the fine
nature of cat fur) Doesn't
seem to kill as quickly as the shampoo (still observing its effects over longer period
of time) It suds like shampoo when
worked into fur.
Just as movies
work by quickly flashing still images that blend together into a cohesive illusion
of movement, the shades
of red, black and cream on the snake
seem to blend into a greenish hue, turning the warning
nature of its basic coloring into traditional camouflage, as it disappears into the greenery.
We've also had so much practice with these games as they have evolved over the years that we understand how most
of them
work and now it
seems almost second
nature to know hat it takes to beat most
of them.
From speaking with many staff members at Nintendo, as long as it
seems like the
nature of the
work is for the benefit
of Nintendo and is not benefiting the creator in any form that can measured financially, the have little problem with most stuff online.
Something else that can harm the flow and enjoyment
of the game are the slight difficulty spikes and the unfair
nature of the game, which
seems to effectively
work against you in order to make you fail.
It
seems like an odd fit given the orchestral
nature of previous MGS soundtracks (and those tracks are still present too), but it actually
works.
While trying to be overly serious, Forces» story
seems too melodramatic to be dark and gritty, but at the same time it oddly
works because
of the lighthearted
nature of the series.
However, the popular
nature of plein air movement
seems a double - edged sword; more people now care about landscape painting but on the other hand the
work often suffers from being geared toward mass consumption.
When dealing with an artist as subtle as Arturo Herrera, the manner
of interpretation is by
nature complex, further complicated by what at first
seems like wildly varied and distinct bodies
of work, each adopting the formal affectations
of the medium at hand: architectural interventions, collage, abstract paintings, biomorphic abstractions, hybrid paintings, photography, sculpture, mail art.
Considering the different
nature of their practices Emily Speed and David Webb
seem a curious pairing, but similarities start surfacing when examining their
work through the lens
of a shared fascination with a certain visual culture.
Although it
seems as if the narrative
nature of their
works centered around the recognizable yellow characters is once again in the focus, with this exhibition OSGEMEOS are moving forward by practically creating an in situ intervention consisting
of paintings and a sound installation.
You'll often find art
of this
nature tucked in a back corner or small, darkly lit side room where it
seems an afterthought and secondary to rest
of the
works on view.
Gorky's
work seems to be a careful analysis
of memory, emotion and shape, using line and color to express feeling and
nature.
Such
works as the Ferragosto series
seemed to reflect the vibrant, culturally rich
nature of his newly adopted home.
In these earlyworks there is a lyricism, a tenderness
of touch,
of surface, and content, while the more recent
work of the same subject matter is tougher, sharper, bolder and more imposing materially, thus proposing another kind
of youthfulness in older age though the return to landscape or
nature as a thematic
seems to bracket the period
of cooler irony
of Artschwager's most noted
works, emerging in the era
of Pop Art and continuing through the era
of appropriation art.
«home i» and «home ii» consist
of two bronze coats, filled with tension as the movement
of the
work seems to be suspended in time; wurm's focus upon the lingering
nature of dwelling is embodied in these sculptural forms.
«Every viewer will see in Burtynsky's
work the aspects
of nature, and
of man's engagement in
nature, that
seem most significant to him at the time.
Hung low on the wall so that the line is about waist high for this viewer, the gesture was as much mental as physical, which
seems appropriate given that many consider the point
of LeWitt to be the conceptual
nature of his
work.
Her use
of traditional forms — weaving, knitting, sewing and stitching — may at first
seem crafty, but there's always something more sinister, more undecided in her
work which suggests other ideas about the human condition that go beyond our attraction to
nature.
The orderly
nature of the lines
seems to contradict the haphazard
nature of their making, yet Nawa's
work forces viewers to consider the effects
of air pressure, distance, and the motion
of the pendulum as agents in making the
work.
In the uniformity and repetition
of the shapes, they
seem to underline the formality
of fixing
nature into a stillness, but what unites these
works with her more naturalistic landscapes are the deft, confident strokes
of paint that
seem to arrive effortlessly on the canvas, and their contradiction with the more preciously applied marks that flicker and activate the painting's surface, along with our eye.
That sense informed the ragtag, anxious
nature of his early pieces,
work that
seems to gain political relevance with each passing year.
Devoid
of urban elements and even the passage
of time, these
works display an affectionate symbiosis between woman and environment, while also narrating the distinction
of human experience — elegant garments
seem to frolic throughout the landscape without fully coalescing, while
nature itself maintains a somewhat masculine, rugged quality.
The protagonists
of these
works, derived from pictures in magazines or scientific books, are captured while engaging in activities whose exact
nature seems both mundane and mysterious («they're just sitting there breathing,» Borremans told an interviewer), but the artist manages to freight these protagonists, and the air around them, with great emotional tension.