Not exact matches
Their
paintings can combine thickly applied
paint, layered and
textured to create visual tactile experience, with sections that are delicate and tender, appearing to be applied with
near washes.
At the museum, on the wall
near where Still's
painting once stood, Still summed up his philosophy of art: «I never wanted color to be color,
texture to be
texture, images to become images.
And throughout the 1960s several artists produced black
paintings with differing degrees of hue and
texture, such as in Frank Stella's geometric
paintings of think white lines on
near - black backgrounds.