Sentences with phrase «near silence for»

Not exact matches

For a thousand years Rachel rested in deep silence out there in her makeshift tomb along the roadside near Bethlehem.

Gillibrand slammed the GOP for its «near silence» on sexual misconduct allegations against former Republican National Committee finance chairman Steve Wynn.

Rep. Bill Owens broke his silence on the mosque / Islamic center proposed for construction near Ground Zero, telling me during a «Capital Tonight» interview set to air this evening that he agrees the project should be relocated to a less controversial site.

The president's decision to break his silence last Friday on the mosque proposed for construction near Ground Zero raised the volume on an already controversial issue, catapulting it into the political stratosphere and becoming an issue in races all over New York and the nation — even after (or maybe because?)

Sen. Kirsten GillibrandKirsten Elizabeth GillibrandOvernight Health Care — Sponsored by PCMA — Trump hits federally funded clinics with new abortion restrictions Dem senators ask drug companies to list prices in ads Gillibrand to publish children's book about suffragists MORE (D - N.Y.) on Monday slammed the GOP for its «near silence» on sexual misconduct allegations against former Republican National Committee (RNC) finance chairman Steve Wynn.

It was a promise for action that stood in dramatic contrast to his near - silence on the politically difficult issue in the months preceding the November election.

And like its predecessor, «The Strangers: Prey at Night» works because of the simultaneous familiarity and unfamiliarity of these villains with their covered, immovable faces, near - silence and seemingly unknowable motives for murder.

If Julian's character is revealed most clearly in his silence and the odd fantasies in his mind, Crystal is a collection of her stiff posture, the stern look on her face, and the way she poses with her cigarette held out an odd angle, waiting for her son to light it — refusing to make even the slightest effort to do something for herself when her trusty servant is near.

His near mathematical use of long still takes paired with silence encourage the viewer to reflect inwardly; a sense of introspection forwards the film's harmonized rhythm from beginning to end — a remarkable quality for a young director.

The fabric hood has three layers and is acoustically engineered for near silence on the move when it's raised.

Glory remembers the relevant things: the heavy thumping of the soldier's boots as they marched near the shallow grave her mother frantically dug for them to hide in; the green strip of fabric ripped from the hem of her mother's dress to cover her mouth and nose so she could breathe easier under the dirt; the feel of her mother's hands — shredded and bleeding — in hers as they lay there together, hoping for silence and not discovery.

, you are lying on the floor of your place looking up, a small draft runs through the room, between the door and the window, and all things seem perfectly still, wind only disturbs concrete in imperceptible ways, or it may take millions of years to be noticed and, as the air runs through the space, all your plants move and all is animated and all is alive somehow, and here are the thoughts of all men in all ages and lands, they are not original with me, and that wind upon your plants is the common air that bathes the globe, and we have no ambitions of universalism, and I'm glad we don't, but the particles of air bring traces of pollen and are charged with electricity, desert sand, maybe sea water, and these particles were somewhere else before they were dragged here, and their route will not end by the door of this house, and if we tell each other stories, one can imagine that they might have been bathed by this same air, regrouped and recombined, recharged as a vehicle for sound, swirling as it moves, bringing the sound of a drum, like that Kabuki story where a fox recognizes the voice of its parents as a girl plays a drum made out of their skin, or any other event, and yet I always felt your work never tells stories, I tend to think that narrative implies a past tense, even if that past was just five seconds ago, one second ago was already the past, and human memory is irrelevant in geological time, plants and fish know not what tomorrow will bring, neither rocks nor metal do, but we all live here now, and we all need visions and we all need dreams, and as long as your metal sculptures vibrate they are always in the Present, and their past is a material truth alien to narrative, but well, maybe narrative does not imply a past tense at all and they are writing their own story while they gently move and breathe, and maybe nothing was really still before the wind came in, passing through the window as if through an irrational portal to make those plants dance, but everything was already moving and breathing in near complete silence, and if you're focused enough you can feel the pulse of a concrete wall and you can feel the tectonic movements of the earth, and you can hear the magma flowing under our feet and our bones crackling like a wild fire, and you can see the light of fireflies reflected in polished metal, and there is nothing magical about that, it is just the way things are, and sometimes we have to raise our voice because the music is too loud and let your clothes move to a powerful bass, sound waves and bright lights, powerful like the sun, blinding us if we stare for too long, but isn't it the biggest sign of love, like singing to a corn field, and all acts of kindness that are not pitiful nor utilitarian, that are truly horizontal as everything around us is impregnated with the deadliest violence, vertical and systemic, poisonous, and sometimes you just want to feel the sun burning your skin and look for life in all things declared dead, a kind of vitality that operates like corrosion, strong as the wind near the sea, transforming all things,

SELECTED SOLO EXHIBITIONS 2016 «Sidereal Rift,» Craig Krull Gallery, Santa Monica 2013 «Some Dry Space,» James Danziger Gallery, New York 2012 «Private Frontiers,» Hosfelt Gallery, San Francisco, CA 2012 «Two Sublimes, Idaho» Craig Krull Gallery, Santa Monica 2011 «Some Dry Space: An Inhabited West,» Blue Sky Gallery, Portland, OR 2010 «Architecture of Subtraction,» Bolinas Museum, Bolinas, CA 2010 «InterMountain,» Craig Krull Gallery, Santa Monica 2009 «100 Suns,» Yours Gallery Foundation, Warsaw, Poland 2009 «New Work,» Hosfelt Gallery, San Francisco 2008 «Some Dry Space: An Inhabited West,» Nevada Museum of Art, Reno 2008 «Bookworks and Photographs,» Galerie Michael Wiesehoefer, Cologne 2008 «100 Suns,» Fleming Museum, University of Vermont, Burlington 2008 «100 Suns,» Knoxville Museum of Art, Tennessee 2007 «Edge Of The West,» Galerie Luc Bellier, Paris 2007 «Los Angeles 07.27.05,» Craig Krull Gallery, Santa Monica 2007 «Bookworks,» Hosfelt Gallery, New York 2007 «Near Planet,» Hosfelt Gallery, San Francisco 2006 «100 Suns,» Hosfelt Gallery, New York 2006 «Full Moon,» Hasselblad Center, Goteborg, Sweden 2005 «Hover,» Hosfelt Gallery, San Francisco 2005 «Arid Flows: Los Angeles and Its Deserts,» Natural History Museum of LA County, CA 2005 «100 Suns: For Robert, Ernest & Edward's Berkeley, 1945 - 1962», University of California, Berkeley 2004 «100 Suns,» Casino Luxembourg, Luxembourg 2004 «Silence and the Big Blast,» Wood Street Galleries, Pittsburgh 2004 «100 Suns,» Auditorium Arte, Rome 2004 «100 Suns,» Frehrking + Wiesehofer Gallery, Cologne 2004 «Some Dry Space,» Craig Krull Gallery, Santa Monica 2003 «100 Suns,» Hosfelt Gallery, San Francisco 2001 Metropolitan Transit Authority / Arts For Transit, Grand Central Station, New York 2000 «Full Moon,» Museum of Contemporary Art, Sydney 2000 «Full Moon» American Museum of Natural History, New York 1999 «Full Moon,» Hayward Gallery, London 1999 «Full Moon,» Huis Marseille / Foundation for Photography, Amsterdam 1999 «Full Moon,» San Francisco Museum of Modern Art 1995 «Blue Fall,» Chrysler Museum, Norfolk, VA 1995 «Ranch & Oblivion,» Robert Koch Gallery, San FranciFor Robert, Ernest & Edward's Berkeley, 1945 - 1962», University of California, Berkeley 2004 «100 Suns,» Casino Luxembourg, Luxembourg 2004 «Silence and the Big Blast,» Wood Street Galleries, Pittsburgh 2004 «100 Suns,» Auditorium Arte, Rome 2004 «100 Suns,» Frehrking + Wiesehofer Gallery, Cologne 2004 «Some Dry Space,» Craig Krull Gallery, Santa Monica 2003 «100 Suns,» Hosfelt Gallery, San Francisco 2001 Metropolitan Transit Authority / Arts For Transit, Grand Central Station, New York 2000 «Full Moon,» Museum of Contemporary Art, Sydney 2000 «Full Moon» American Museum of Natural History, New York 1999 «Full Moon,» Hayward Gallery, London 1999 «Full Moon,» Huis Marseille / Foundation for Photography, Amsterdam 1999 «Full Moon,» San Francisco Museum of Modern Art 1995 «Blue Fall,» Chrysler Museum, Norfolk, VA 1995 «Ranch & Oblivion,» Robert Koch Gallery, San FranciFor Transit, Grand Central Station, New York 2000 «Full Moon,» Museum of Contemporary Art, Sydney 2000 «Full Moon» American Museum of Natural History, New York 1999 «Full Moon,» Hayward Gallery, London 1999 «Full Moon,» Huis Marseille / Foundation for Photography, Amsterdam 1999 «Full Moon,» San Francisco Museum of Modern Art 1995 «Blue Fall,» Chrysler Museum, Norfolk, VA 1995 «Ranch & Oblivion,» Robert Koch Gallery, San Francifor Photography, Amsterdam 1999 «Full Moon,» San Francisco Museum of Modern Art 1995 «Blue Fall,» Chrysler Museum, Norfolk, VA 1995 «Ranch & Oblivion,» Robert Koch Gallery, San Francisco

The trouble with Hansen is that I beleive he has acheived near deity status, it's as though he can not be touched lest his superiors are branded & tarred as victimising him for telling the truth, or Big Guvment is silencing him!

Rousing cheers met hundreds of lawyers and notaries as they filed into Place Émilie - Gamelin — one of the focal points for nightly protests in Quebec's widening political and social crisis — following a solemn march in near silence that began almost two hours earlier at Montreal's Palais de Justice, the main courthouse.

When we point out that the burden really lies upon those who would toss aside centuries of history on short - term, flimsy evidence, who ignore the actual evidence of heavy consolidations with more to follow, who would saddle us with a change that would be irreversible regardless of how much harm it later engendered, who would risk so much of what the legal profession has stood for, who refuse to work anywhere near as hard on real solutions to real problems as they do on this pig - in - a-poke, then we are met with silence or insults.

Musk's relative silence about Neuralink — and Mark Zuckerberg's near - silence about Facebook's brain - computer interface project, for that matter — may have something to do with the fact that an important part of developing neural implants is testing them on animals.

Using near field communication technology, SmartTags let you store device preferences for a variety of locations and situations — like opening and controlling volume on the music player if you head out for a run, turning on GPS and Bluetooth in the car or turning on your alarm and silencing your ringer at night.