Sentences with phrase «near the end of the film with»

Not an overt comedy, the story gets pretty dark, but this seems really unbalanced, especially near the end of the film with the conclusion of the drug dealing storyline.

Okay, how about a blow - by - blow rundown of a climactic Deadite infused fight scene near the end of the film with Shiloh Fernandez and Lou Taylor Pucci?

Plus that heart - stopping moment near the end of the film with the girl and the TV and the... just watch it again.

Tiger Lily has a fight scene near the end of the film with Blackbeard.

There is a sentimental and touching scene near the end of the film with Williams and Stiller saying goodbye which, obviously, carries much more meaning that it did when it was filmed.

Not exact matches

During an early screening of Roland Emmerich's latest disaster flick 2012, which opens today, laughter erupted in the audience near the end of the film thanks to corny dialogue and maudlin scenes (among the biggest guffaw getters: a father tries to reconnect with his estranged son on the telephone, only to have the son's house destroyed just before he could say anything).

Miguel, pleading with the specter of his great - great - grandmother — the one who was ditched by a musician all those years ago — articulates a portion of it near the end of the film: «You don't have to forgive him, but we shouldn't forget him.»

The action does pick up near the end of the film when Edward approaches the vampire's ruling body, known as the Volturi, with a death wish.

In a film that features nearly every character constantly, dourly announcing how much is at stake, the stunt ending reveals that nothing we've been watching for damn near three hours has actually mattered and the obviously reversible nature of this semi-apocalypse will keep our heroes from ever meaningfully having to reckon with defeat.

And seriously, what kind of a film has tons of repetitive driving / chase / race sequences only to end with another one that's not anywhere near as ambitious as some of the ones before it?

References to older films of the genre, witty dialogue (including a monologue delivered by Carradine near the end that is probably the best thing Tarantino has ever written), extreme violence, a soundtrack filled with all kinds of extraordinary pop songs; even an entire backstory sequence completely done in Anime.

But the score, much like the film, has this kind of old Hollywood movie making feel to it, and though it gets a bit sappy near the end, it's still filled with a lot of tension.

The one redeeming moment of Down with Love is a monologue by Zellweger near the end of the film where everything comes out into the open.

In the end, I was defeated by the prospect of dealing with Frankenheimer's later films — not because they were all as bad as Prophecy (or that any of the others are near as bad as Prophecy, or that anything could be), but because many of them are really, really good in really, really difficult ways to quantify.

He is incredible and despite coming across as slightly too nasty nearer the end of the film, he does have a touching moment with Dave Franco that will warm the heart.

The film is set in 1938, near the beginning of the Shōwa era in Japan, a tempestuous period that ended in 1989 with Hirohito's death and included such major traumatic events as the Sino - Japanese War, WWII, and the Allied occupation of Japan.

Although the film moves at a steady pace, and has some funny scenes (especially the one where the farmers sing), the writers unfortunately seem to disconnect with the characters near the end of the film.

Fans of «The Room» should stay for the end credits as Franco re-enacts several scenes from the film with a near - perfect synchronicity.

There are a handful of moments which make Handsome Siblings worth putting up with the muck, the best of which is the setup to, and action within, the tournament itself near the end of the film.

Released near the end of 1985 locally and the spring of 1987 in the US, My Life as a Dog (Mitt liv som hund in its native tongue) would earn Hallström Academy Award nominations for Best Director and Best Adapted Screenplay (the latter shared with three co-writers), two categories rarely recognizing foreign films.

His near mathematical use of long still takes paired with silence encourage the viewer to reflect inwardly; a sense of introspection forwards the film's harmonized rhythm from beginning to end — a remarkable quality for a young director.

Sutton does manage to work in a great bit near the end of the film where Bobby asks Gil what he wants from him, and, after a moment of pondering, Gil can't come up with an answer.

Walker's character utters these words to the nickel - slick pimp with a Tony Montana attitude near the end of the film.

The Francos, meanwhile, end up with a film about loneliness and loyalty, a sweet takeaway but nowhere near as disquieting as the reality of Wiseau's psychological barricading (undiagnosed though it may be).

Ashby captures this tension in a brilliant sequence near the end of the film, when Copee, who is threatening Elgar with an axe after learning that his wife is carrying Elgar's child, stops and slowly lowers his weapon.

Near the end of the series run, however, he transitioned from TV actor to international film icon in Sergio Leone's 1964 classic Western A Fistful of Dollars, launching a long collaboration with the director that included For a Few Dollars More, and The Good, The Bad and the Ugly.

Because almost every scene or sequence tells an individual story and the one overriding constant is something understandable to damn near anyone (really wanting something for Christmas), the film becomes a kind of endless Moebius strip, an eternal December that can begin and end at any point but always returns to Ralphie peering in that store window and always concludes with the boy lying in bed, cradling his gun.

The WALL - E director has been busy with reshoots recently, signaling that the film is nearing the end of its production.