She exists (like
nearly everyone in the film exists) to make Jennifer Lawrence's life a living hell, so bold and forceful in the way she walks into a house that isn't hers and immediately takes it over and treats it like her own.
You Don't Mess with the Zohan suffers more from having
nearly everyone in the film a walking stereotype, and more often than not, goes for absurd sight gags rather than reveal underlying truths beneath the ostensibly deliberate social commentary.
Not exact matches
The
film feels incredibly personal to Webber as
nearly everyone in the cast goes by their real name and his son
in the
film is played be his actual child.
The Internship feels every bit like it's made by the same slackers that the two stars represent themselves as being within the story itself, and like their occupation of guys who hock merchandise for a living, this entire
film could be said to be a
nearly two - hour commercial venture meant to sell Google and a few other companies (University of Phoenix and Match.com are mentioned prominently by name) on the minds of
nearly everyone in the audience.
Nearly 10 years to the day after the release of «Iron Man», the
film that started it all, just about
everyone who's part of the Marvel Cinematic Universe characters come together
in «Infinity War».
Not only are our two leads desperate for jobs, but
everyone in the
film from the group's lame mentor (Josh Brener, who can't seem to utter a sentence without throwing
in the word «zizzle» for all his homies) to the perfunctory mean kid (Max Minghella) all act out of a sense of desperation that's
nearly always far too pathetic to be funny.
We think we know him by his symbols, but there is room
in this
nearly three - hour feature to explore
everyone with a realism and depth un-afforded most movies and Hawke joins Arquette
in drawing out their characters to full - flesh by
film's end.
«When all — or
nearly all — is said and done, toward the end of the 2 1/4 - hour final
film in «The Hunger Games» saga, Woody Harrelson, as the cynical Haymitch Abernathy, turns to Jennifer Lawrence «s arrow - slinging heroine Katniss Everdeen and voices what, at that point, is probably what
everyone in the audience is thinking.
The real drawing interest of the
film comes through the intricate nuances caused by the conflicted loyalties for
everyone in the know about what's going on, and the constant peril that the protagonist and antagonist are
in during
nearly every scene.
A nonprofessional Baker discovered from Instagram videos, Vinaite careens through the
film with abandon, sassing and sneering at
nearly everyone who comes
in her path.