Sentences with phrase «necessarily in a sexual way»

I think what we get is that she is attractive, but not necessarily in a sexual way, but in the sense that the viewer is drawn to her, sympathizes with her (because yes, attractive people do get more sympathy).

Not exact matches

From this heavily fortified definitional base George and Bradley reason that sexual acts of the reproductive type typically further the good of marriage, and persons (whether married or not) who engage in sexual acts of the nonreproductive type «necessarily treat their bodies and those of their sexual partners (if any) as means or instruments in ways that damage their personal (and interpersonal) integrity.»

Thus the particular historical exigencies and social possibilities in our own age will necessarily affect the ways in which these values are translated into norms on such issues as women's rights, sexual ethics, social justice, property rights, energy policy or ecological concerns.

As he commented, «if you've ever had anonymous sex in a park or even in a bathhouse, basically it is like having sex with a zombie, and not necessarily in a bad way... having sex with them frees you from the personal and emotional restraints of normal sexual behaviour».65 American scholar Shaka McGlotten echoes this sentiment when he suggests that the «collective zombification» of «contemporary queer sociality» as represented in LaBruce's zombie films, possesses a creativity and «openness» from which «enlivening modes of agency» can be at the very «least» imagined if not cultivated.66 In symbolising the «return of the repressed» LaBruce's zombies evoke the idealised polymorphous body of sexual liberatioin a park or even in a bathhouse, basically it is like having sex with a zombie, and not necessarily in a bad way... having sex with them frees you from the personal and emotional restraints of normal sexual behaviour».65 American scholar Shaka McGlotten echoes this sentiment when he suggests that the «collective zombification» of «contemporary queer sociality» as represented in LaBruce's zombie films, possesses a creativity and «openness» from which «enlivening modes of agency» can be at the very «least» imagined if not cultivated.66 In symbolising the «return of the repressed» LaBruce's zombies evoke the idealised polymorphous body of sexual liberatioin a bathhouse, basically it is like having sex with a zombie, and not necessarily in a bad way... having sex with them frees you from the personal and emotional restraints of normal sexual behaviour».65 American scholar Shaka McGlotten echoes this sentiment when he suggests that the «collective zombification» of «contemporary queer sociality» as represented in LaBruce's zombie films, possesses a creativity and «openness» from which «enlivening modes of agency» can be at the very «least» imagined if not cultivated.66 In symbolising the «return of the repressed» LaBruce's zombies evoke the idealised polymorphous body of sexual liberatioin a bad way... having sex with them frees you from the personal and emotional restraints of normal sexual behaviour».65 American scholar Shaka McGlotten echoes this sentiment when he suggests that the «collective zombification» of «contemporary queer sociality» as represented in LaBruce's zombie films, possesses a creativity and «openness» from which «enlivening modes of agency» can be at the very «least» imagined if not cultivated.66 In symbolising the «return of the repressed» LaBruce's zombies evoke the idealised polymorphous body of sexual liberatioin LaBruce's zombie films, possesses a creativity and «openness» from which «enlivening modes of agency» can be at the very «least» imagined if not cultivated.66 In symbolising the «return of the repressed» LaBruce's zombies evoke the idealised polymorphous body of sexual liberatioIn symbolising the «return of the repressed» LaBruce's zombies evoke the idealised polymorphous body of sexual liberation.

Not necessarily one that resides in heaven with a halo over its head, mind you, but more in the you're in my sexual fantasies kind of way.

Brown notes «In a way, what I really want to happen is all this tension, lewdness and ballsy - ness of a sexual image without necessarily having to describe the image... this idea of figures in motion, figures engaged in something emotional and how figures fuse together.&raquIn a way, what I really want to happen is all this tension, lewdness and ballsy - ness of a sexual image without necessarily having to describe the image... this idea of figures in motion, figures engaged in something emotional and how figures fuse together.&raquin motion, figures engaged in something emotional and how figures fuse together.&raquin something emotional and how figures fuse together.»