Others have pointed out that after writing several books and running arcs past beta readers, they don't
need developmental editing.
I'm an editor as well, but if any of my clients
need developmental editing (something I don't do), I'm sending them to you.
The DE can help you decide if
you need developmental editing or some other level of editing instead.
If you've worked with a writing coach it's unlikely
you need developmental editing, but you should always, and I mean always, hire a proofreader or copy - editor.
Those issues should be corrected in the second pass (or first pass, if you don't
need developmental editing).
Nonfiction manuscripts such as memoirs, biographies, self - help, inspirational, or informational books often
need developmental editing.
Note: some people don't even
need a developmental edit.
During the panel, when more people had shown up, they very specifically said that it was a Really Bad Idea to only get copy editing and the Everyone
Needed Developmental Editing — clearly directed at me.
Help me get a much -
needed developmental edit on my manuscript.
Need developmental edits?
They have no idea how amateurish their writing is (telling, POV errors, sloppy syntax, etc.) and are staggered to find that their work does NOT need a copy edit —
it needs a developmental edit and another draft.
If you have such a manuscript that
needs developmental editing, contact her.
Provided, of course, you are sure that you definitely
need a developmental edit, and that you don't mind paying through your nose for the favour.
Not exact matches
«As a first time author, I was in
need of
developmental editing, copy -
editing, and proofreading for my debut novel, Death by DNA.
Whether you
need a deep
developmental edit that smooths out the logic, language, and flow of your manuscript, a copy
edit that polishes its style, or a thorough final proofread that buffs the prose to high shine, we can make sure that your words have precisely the impact that you are looking for.
Just wondering... Is there a substantial difference in the costs of
developmental editing between a work that lies basically in an initial outline form and a work that is nearly finished that
needs substantial
developmental editing?
The other kind of editor you may
need, before you even get to the copy
edit, is a
developmental editor.
Developmental editing may be just what you
need.
A step - by - step guide to the
editing process and everything you
need to know about self -
editing, beta readers,
developmental editors, copy editors, proofreaders.
If you
need an expert for your
developmental edit then you may have to pay more for that expert's time.
If you JUST finished your book, what you really
need is some good critique partners to sit down and read your whole manuscript, but if you decide to hire an editor, have them do
developmental editing only.
Within
editing, you'll
need someone for a
developmental edit and someone else for a proofreading
edit.
While there is a general approach to the text that I
need to adhere to (it comes from discussions between the editorial director, the company founders, and the client), I can work directly with the writer to make sure we reach those goals — through
developmental discussions and line
editing.
You'll probably be surprised by the number of
developmental editing tools available for free, or on an as -
needed basis, to help you get your book into your prospect's hands as quickly as possible.
To me, critique partners are
developmental editors — some have more experience than others, but when I'm swapping critiques with someone, we are (usually) doing an in - kind swap for
developmental editing (sometimes it's more of a line
edit or copyedit, depending on
need or skill of the person involved).
Copyediting and
Developmental Editing: All the steps you
need to make sure your book is
edited properly.
If you just
need a different perspective, or someone to bounce ideas around with, then
developmental editing is still beneficial.
Whether you
need proofreading, copy
editing, or
developmental editing services, we are here to help.
I highly recommend getting two rounds of proofreading / copyediting, especially if you DO
need developmental / substantive
editing before the book goes to your copyeditor.
Authors generally
need copy
editing, line
editing,
developmental editing, substantive
editing and / or research.
If you're offering content or
developmental editing, you
need to know the language of critique and literary terms.
To get this information, I would ask your publisher (and the editor) the following questions: Do you think my book
needs any
developmental / substantive
editing before I go into copyediting?
If you
need developmental / substantive
editing, line / content
editing, or proofrea...
If the editor says it
needs developmental and substantive
editing, work with the editor to get it strengthened.
Your story may even
need a structural or
developmental edit.
There's no writer in the world who doesn't
need both
developmental and line
editing.
I can handle spelling and grammar checks for your manuscript as well — and if you
need a thorough
developmental edit, with heavy emphasis on plot and character and inconsistencies within, I'm your guy as well.
In an earlier blog post we talked about the importance of
developmental editing and why the focus on big - picture stuff — structure, book - spanning issues like plot or organization, character development, dialogue, and that sort of thing —
needs to come first, before you spend too much time worrying about the finer points of style and wording.
It does us no good to check the grammar of a scene if our
developmental edits reveal that we
need to rewrite the whole thing.
The first step before querying a fiction literary agent is to finish your novel and revise, send to critique partners and / or professional freelance editors (contact Midnight Publishing to discuss our
editing packages for
developmental editing, copy
editing, and proofreading to address any of your book's
needs before querying it to agents).
You've encountered these before: why it's essential to get an agent, how to attract the agent, why you
need to revise, revise, and revise again, how a writer's critique group can provide useful feedback, why it helps to share your manuscript with
editing professionals (
developmental editors for plot and style problems, line or copy editors for making the grammar and syntax road - worthy)... and all the rest.
Developmental editing is my favourite phase, and I find that I
need to allow a long time for things to «fester» in my head.
In short,
developmental editing is feedback from an editor on where a manuscript currently stands with relation to where it
needs to go, along with suggestions for how to get from here to there, step by step.
That is because a
developmental edit on your manuscript is going to look at the story as a whole — the scenes, the characters, any plot holes, whether it is compelling, what scenes / descriptions can be cut, what scenes
need more description / action, etc..
When you do that rewriting, you're creating fresh text that
needs to be copy
edited (and, if you choose, stylistically
edited), so there's no point in doing these
edits before the
developmental editing is done — they should be done afterward.
In addition, the advent of affordable, high - quality self - publishing has created a whole new
need for
developmental editing, because as authors cut gatekeepers out of the loop altogether and connect directly with their readers, someone still
needs to bring an objective eye to the process.
Inkslinger offers a unique, integrated approach to author mentorship that involves not only
developmental editing but also boutique book design and the building of web & social media presence specifically tailored to the
needs of authors.
I've got some exciting
editing projects in the works right now, and with NaNoWriMo wrapping up, I've been getting a lot of new inquiries about
developmental editing — which is usually the service people
need most after speed - writing a novel.
At
Edit Resource, we can take feedback from a
developmental editor, agent, or in - house editor and turn a book around so it meets a publisher's
needs.
I will provide whatever help a writer
needs, including
developmental editing, mentoring, or just helping you sort out your plot.