Sentences with phrase «need developmental editing»

Others have pointed out that after writing several books and running arcs past beta readers, they don't need developmental editing.
I'm an editor as well, but if any of my clients need developmental editing (something I don't do), I'm sending them to you.
The DE can help you decide if you need developmental editing or some other level of editing instead.
If you've worked with a writing coach it's unlikely you need developmental editing, but you should always, and I mean always, hire a proofreader or copy - editor.
Those issues should be corrected in the second pass (or first pass, if you don't need developmental editing).
Nonfiction manuscripts such as memoirs, biographies, self - help, inspirational, or informational books often need developmental editing.
Note: some people don't even need a developmental edit.
During the panel, when more people had shown up, they very specifically said that it was a Really Bad Idea to only get copy editing and the Everyone Needed Developmental Editing — clearly directed at me.
Help me get a much - needed developmental edit on my manuscript.
Need developmental edits?
They have no idea how amateurish their writing is (telling, POV errors, sloppy syntax, etc.) and are staggered to find that their work does NOT need a copy edit — it needs a developmental edit and another draft.
If you have such a manuscript that needs developmental editing, contact her.
Provided, of course, you are sure that you definitely need a developmental edit, and that you don't mind paying through your nose for the favour.

Not exact matches

«As a first time author, I was in need of developmental editing, copy - editing, and proofreading for my debut novel, Death by DNA.
Whether you need a deep developmental edit that smooths out the logic, language, and flow of your manuscript, a copy edit that polishes its style, or a thorough final proofread that buffs the prose to high shine, we can make sure that your words have precisely the impact that you are looking for.
Just wondering... Is there a substantial difference in the costs of developmental editing between a work that lies basically in an initial outline form and a work that is nearly finished that needs substantial developmental editing?
The other kind of editor you may need, before you even get to the copy edit, is a developmental editor.
Developmental editing may be just what you need.
A step - by - step guide to the editing process and everything you need to know about self - editing, beta readers, developmental editors, copy editors, proofreaders.
If you need an expert for your developmental edit then you may have to pay more for that expert's time.
If you JUST finished your book, what you really need is some good critique partners to sit down and read your whole manuscript, but if you decide to hire an editor, have them do developmental editing only.
Within editing, you'll need someone for a developmental edit and someone else for a proofreading edit.
While there is a general approach to the text that I need to adhere to (it comes from discussions between the editorial director, the company founders, and the client), I can work directly with the writer to make sure we reach those goals — through developmental discussions and line editing.
You'll probably be surprised by the number of developmental editing tools available for free, or on an as - needed basis, to help you get your book into your prospect's hands as quickly as possible.
To me, critique partners are developmental editors — some have more experience than others, but when I'm swapping critiques with someone, we are (usually) doing an in - kind swap for developmental editing (sometimes it's more of a line edit or copyedit, depending on need or skill of the person involved).
Copyediting and Developmental Editing: All the steps you need to make sure your book is edited properly.
If you just need a different perspective, or someone to bounce ideas around with, then developmental editing is still beneficial.
Whether you need proofreading, copy editing, or developmental editing services, we are here to help.
I highly recommend getting two rounds of proofreading / copyediting, especially if you DO need developmental / substantive editing before the book goes to your copyeditor.
Authors generally need copy editing, line editing, developmental editing, substantive editing and / or research.
If you're offering content or developmental editing, you need to know the language of critique and literary terms.
To get this information, I would ask your publisher (and the editor) the following questions: Do you think my book needs any developmental / substantive editing before I go into copyediting?
If you need developmental / substantive editing, line / content editing, or proofrea...
If the editor says it needs developmental and substantive editing, work with the editor to get it strengthened.
Your story may even need a structural or developmental edit.
There's no writer in the world who doesn't need both developmental and line editing.
I can handle spelling and grammar checks for your manuscript as well — and if you need a thorough developmental edit, with heavy emphasis on plot and character and inconsistencies within, I'm your guy as well.
In an earlier blog post we talked about the importance of developmental editing and why the focus on big - picture stuff — structure, book - spanning issues like plot or organization, character development, dialogue, and that sort of thing — needs to come first, before you spend too much time worrying about the finer points of style and wording.
It does us no good to check the grammar of a scene if our developmental edits reveal that we need to rewrite the whole thing.
The first step before querying a fiction literary agent is to finish your novel and revise, send to critique partners and / or professional freelance editors (contact Midnight Publishing to discuss our editing packages for developmental editing, copy editing, and proofreading to address any of your book's needs before querying it to agents).
You've encountered these before: why it's essential to get an agent, how to attract the agent, why you need to revise, revise, and revise again, how a writer's critique group can provide useful feedback, why it helps to share your manuscript with editing professionals (developmental editors for plot and style problems, line or copy editors for making the grammar and syntax road - worthy)... and all the rest.
Developmental editing is my favourite phase, and I find that I need to allow a long time for things to «fester» in my head.
In short, developmental editing is feedback from an editor on where a manuscript currently stands with relation to where it needs to go, along with suggestions for how to get from here to there, step by step.
That is because a developmental edit on your manuscript is going to look at the story as a whole — the scenes, the characters, any plot holes, whether it is compelling, what scenes / descriptions can be cut, what scenes need more description / action, etc..
When you do that rewriting, you're creating fresh text that needs to be copy edited (and, if you choose, stylistically edited), so there's no point in doing these edits before the developmental editing is done — they should be done afterward.
In addition, the advent of affordable, high - quality self - publishing has created a whole new need for developmental editing, because as authors cut gatekeepers out of the loop altogether and connect directly with their readers, someone still needs to bring an objective eye to the process.
Inkslinger offers a unique, integrated approach to author mentorship that involves not only developmental editing but also boutique book design and the building of web & social media presence specifically tailored to the needs of authors.
I've got some exciting editing projects in the works right now, and with NaNoWriMo wrapping up, I've been getting a lot of new inquiries about developmental editing — which is usually the service people need most after speed - writing a novel.
At Edit Resource, we can take feedback from a developmental editor, agent, or in - house editor and turn a book around so it meets a publisher's needs.
I will provide whatever help a writer needs, including developmental editing, mentoring, or just helping you sort out your plot.
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