Sentences with phrase «negative space formed»

Intriguing pairings will encourage visitors to consider commonalities between seemingly disparate works, such as Giovanni de Vecchi's 16th - century drawing of a corpse alongside contemporary artist Olafur Eliasson's conceptual sculpture of negative space formed by glacial ice melted within a concrete block, The Presence of Absence (Nuuo Kangerlua, 24 September 2015 # 3).

This new triptych appears alongside a sculpture from Colen's recent Canopic series, solid silver casts taken from the negative space formed by roadside guardrails mangled in automobile accidents.

With specimens from Hantaï's painterly «Mariale» series (1960 - 62) to the almost Matisse - like «Meuns» (1967 - 8) and the frenetic «Études» (1968 - 1971), where the negative space forms take on a wing - like nature, the Mnuchin Gallery succinctly paints a portrait of Hantaï's dramatic evolution in a short span of time.

Since the 1950s, Kusama (b. 1929, Matsumoto, Japan) has created a multitude of hypnotic works that emphasize the negative spaces formed by dots or holes — earning her recognition as the «polka dot queen.»

Not exact matches

When the worksheet is complete, there is space for each sentence to then be translated into English, or alternatively sentences could be written out in the negative form.

The empty spaces, the negative areas of the tunnels, which are largely open - top trenches, lend a dramatic aspect to what is a cohesive single form visually — a selection of disparate shapes tied together by blades.

She lowered her eyes and lumbered away from me, down the hall - not a silhouette so much as a kind of negative space, a form cut out of the domesticity.

By pairing similar colors in close proximity to one another, Dole - Recio creates the illusion of three - dimensionality through shadow and relief, an idea that she explores more directly by layering geometric forms, and by removing sections from the composition, creating both physical relief and negative space.

The title — Inner Cuts — alludes to the seam between the pieces of plywood, and what this gap reveals is the basic distinction between an intended form and the space around it: an awareness that «negative space» is just as active in defining the image as the form it surrounds.

Creating contrast within negative space Stasis: Heavenly Bodies presents images infused with celestial light, textures and organic forms.

During those years, Youngerman greatly expanded the scale of his paintings, developing softer, more organic forms, an interest in color optics, and a sense of space in which shapes fluctuate between positive and negative.

«Eric Dever abridges color and form to minimalist equations in reductive suites of serial paintings, while Linda Miller, Bonnie Rychlak and Stacy Fisher examine the presence / absence of negative vs. positive space in evocative works that question corporeality, identity and presence.

The paper itself forms a palpable negative space, which Kelly says is as important in his work as his reductivist organic and geometric shapes.

«My desire was to predict and measure the infinity of the unbounded universe, from my own position in it, with dots — an accumulation of particles forming the negative spaces in the net.

The negative space between forms also assumes a significant role as the stretchers» bellowed - out and curved - in edges acts with the forms to compress or expand the central field.

Removed from their intended location, their arched forms and cutout shapes appear arbitrary until the viewer imagines the resulting negative space as doors, windows and arches.

Woodman's pieces activate the space like a stage, stretching out beyond the picture plane and spilling onto the floor, charging every surface and negative space with the audacity and exuberance of her eccentric forms.

The metallic - looking surface of the graphite covers almost entire pages, revealing in the negative space elements of the racing form — tiny american flags, stacks of dollars, coins, and little horses jumping off the page.

These artists embraced and emphasized the negative space of the paper, the qualities of printed ink, as well as the distinct edges and surfaces of both the paper and printed forms.

(One picture brings to mind Robert Longo's famous falling men from the 1980s, but the black form in the Breuer might just as well be negative space.)

My concerns are always about composition; how one shape acts with another, positive, negative space - depth and weight and most important - what kind of space the forms exist in.

This emphasizes a resistance of gravity, allowing negative space to unravel and become part of the form.

Judd felt that both positive and negative spaces were integral to form, with the relationship between the artwork and its environment also being key.

Shape, form and negative space and balance are the central elements of each piece.

Trained as a photographer, Tatiana Kronberg is interested in objects and the negative space that surrounds them as well as the positive form that space implies when the object itself is absent.

By the»70s, his ink and gouache compositions, like July 2, 1972, had successfully blended the cutout forms of Matisse's that inspired his early work, with his own gestural lightness, his own way of infusing lyrical design with white space in a dance of positive and negative elements.

John Baldessari, ever the conceptualist, frames the pier with his fingers, while Richard Serra, Dan Graham, Vito Acconci in performance art, and Keith Sonnier give it geometric form with their arrangements of materials and «negative spaces.»

Organic forms envelope the canvas, finding a balance of negative and positive space.

By printing a flat color plate beneath the form, Moser was able to explore the possibilities for altering positive / negative space, balancing the form in a tight relationship with the space it inhabits.

A departure from earlier work in the early 2000s in which Simmons depicted dense abstract environments, Jump Start reveals an investigation into the use of negative space as a more expansive field for carefully positioned abstract forms.

Here the «room» is the space embodied in each piece, either the actual, physical spaces and negative spaces within the sculptural forms, or the metaphorical spaces that the artworks allude to.

Couwenberg plays with familiar curvilinear shapes, color and texture to create deeply layered forms often asymmetrically situated in an expanse of negative space.

Hannes Famira, teacher of Principles of Typeface Design: Pen to Pixel and Typeface Design: Open Studio, succinctly sums up the art of type design: «Crafting type demands a concentrated focus on the rhythm of positive and negative space, form and counter-form and the smoothness and tension of curves.»

Kirsch writes «like abstraction, for which music was both inspiration and justification, Picasso's interest in negative space grew out of thinking about music; not musical form and language, but music production.»

When you take a step back to observe the energetic paintings of Vancouver - based Canadian visual artist Josh Byer, you can't quite figure out if the swirling, chaotic colours form the basis of his work or whether he plays with monochrome lines and negative space.

Gino Miles has always been interested in the classic harmony between man and nature, sing spare visual language to create lyrical forms in tight balance with the negative space around them.

The artist's five self - portrait images, which appear as abstracted geometric forms based on the negative spaces from the drawings, further this critical engagement and analysis of the country's trajectory.

This exhibition showcases black and white photographs that explore the romantic interplay of the dancer's body, form, and frozen movement within both negative space and nature.

The two marble - like leg forms, standing either side of the Song Machine, which are both made from casts, contain the negative of an arm & hand inside another person's leg, suggesting the possibility of intimacy and an overlap in time and space.

These foundational components are cut up into repetitious forms, creating two sets of symbolic outcomes — the planned shape and the unplanned consequences or negative spaces in - between.

Pape's experimental practice spanned drawing, sculpture, engraving, installation, choreography, and filmmaking as she moved between mediums to explore geometric form, positive and negative space, the intellectual and physical participation of the spectator, and above all art's potential to ignite social change.

One of the legacies of Early Forms, how one vessel can transform into another and in its alteration reveal its interior space, is brought to life in Cubic Early Form, 2010 and Turning Point, 2011, as is the intricate choreography of interlocked forms and negative / positive space in Lost in Thought, or the complex shapes cut from wood in Chip, Forms, how one vessel can transform into another and in its alteration reveal its interior space, is brought to life in Cubic Early Form, 2010 and Turning Point, 2011, as is the intricate choreography of interlocked forms and negative / positive space in Lost in Thought, or the complex shapes cut from wood in Chip, forms and negative / positive space in Lost in Thought, or the complex shapes cut from wood in Chip, 2011.

A medium - large format (70 by 70 inches) displays the artist's typical subdivision of the plane with an algorithmic, yet handmade diminishing of proportion, here determined by «I» shaped columns formed in negative space by a series of under - saturated orange entablatures.

In an exhibition whose title asks us to consider the boundaries of drawing, Tuttle uses negative space as a form of mark - making; the absences between each piece of wood create borders that enable the four pieces to become a single object.

The negative spaces between the lines are carefully cut away and are then combined to form his signature multi-dimensional, layered compositions.

His arcing, expressionistic curves recall the lyrical abstraction of Hans Hartung, while his agile finessing of negative space evokes the East Asian idea of «ma» — the passages of supple emptiness enveloping forms in historical Chinese and Japanese landscape painting.

His work takes the shape of blank frames with lines that cut across the negative space and form geometric patterns.

Famous for her sculpture that gives solid forms to negative space, Rachel Whiteread was the first woman to present a solo exhibition at the Pavilion.

Earlier, she convinced the British Army to blow up a garden shed and organized the debris around a light bulb with an awe - inspiring sense of space, movement, shadow, and positive / negative form with Cold Dark Matter: An Exploded View (1991).

Influenced by Shaker domestic interiors and architecture, Victoria Haven's Butter Drawings utilize triangular forms to delineate positive and negative space on the drawing paper.