Not exact matches
He finds room across his sprawling yet intimate canvas for winks to prior masters and their
work, too, as in a quick glance at a
neon sign above a storefront near the movie palace
named «Laughton,» which indicates a key visual influence, Charles Laughton's only feature as director, the memorably wicked and watery «Night of the Hunter» (1955).
Where Strider Arcade / Genesis and Strider NES featured varied industrial and natural environments, Strider 2014 is set entirely within a city landscape, layered with a subtle rasterized visual filter to emphasize the futuristic setting: From the moment Hiryu drops in from his glider, to the not - quite - final moments of the game, players venture through all areas of the techno - industrial Kazakh City; while it lacks the Egyptian and jungle themes of classic Strider titles, players are introduced to pristine governmental architecture, dank industrial
working areas, the
neon - engulfed underground slums, and cybernetic research facilities to
name a few.
A clever installation by Roy McMakin (above) combines a red
neon ampersand with a concrete table and benches that spell out the
name of the
work: «Love & Loss.»
This month, Phillips — whose googleability went way down after Tom Hanks portrayed a certain real - life hero, Captain Phillips, first
name Richard — will have his first solo museum show in the United States, a survey of old and new
work at Dallas Contemporary called «Negation of the Universe,» which will be joined by his headline - grabbing public sculpture Playboy Marfa, the
neon - lit, 40 - foot - tall roadside sign commissioned by the magazine and broadcasting the artist's queasy fusion of commercialism and art.
For this new body of
work, the LA - based artist who initially made his
name with his
neon works that play on hip - hop themes will be focusing on two ideas.
The exhibition, based on paintings, sculptures, installations and photographs from the Sonnabend collection, granted on long - term loan to the Foundation Civic Museum of Venice, affords a comprehensive view of the contemporary art panorama, through artworks by Robert Rauschenberg, Andy Warhol, Roy Lichtenstein, Jim Dine, Tom Wesselmann, Robert Morris, Sol Lewitt, Anselm Kiefer and Jeff Koons, just to
name a few, and including
works never exposed in Venice, like None Sing /
Neon Sign by Bruce Nauman and Inflatable Flower (Yellow) by Jeff Koons.
Other
works are still on schedule including a 1963 silkscreen painting by Robert Rauschenberg, offered at $ 8.5 million, and Dan Flavin's
neon sculpture
named after Russian constructivist artist Vladimir Tatlin and valued at $ 2.5 million.
YOUR
NAME HERE resurrects drawings and photographs from Monk's time in southern California alongside new sculptural
works in
neon, marble, fabric and leather, that are interspersed with the second installment of a project that has been three years in the making, the «Rew - Shay Hood Project», 2008 - 2011.
Yes, P - Diddy picked up his Tracey Emin
neon and New York dealer Christophe van de Weghe parted hands with Gerhard Richter's «Abstraktes Bild» for $ 2.8 million USD, but collectors appeared to be looking beyond the safety - first approach and adding more difficult
works by less - establish
names too.
Previously code -
named Project
Neon, this is the latest refinement of the ongoing
work that started years ago as «Metro style apps.»