Sentences with word «neoplasticism»

Thus, radically simplified world of neoplasticism with basic two and three dimensional elements in his paintings and objects meditate the spiritual values.
However, von Wiegand did not restrict herself to the formal constraints of pure Neoplasticism.
Like von Wiegand, TPG members were interested in Theosophy and drew inspiration from Buddhism, and like many abstract artists, they were influenced by neoplasticism as well as Wassily Kandisnky's theories on color and the spiritual.
Though there is a long tradition of geometric abstraction abroad that dates back to Russian Constructivism (Kasimir Malevich) and Dutch Neoplasticism (Piet Mondrian), the European artists were concerned with a balanced relationship of parts within a whole, whereas Reinhardt, Newman and Rothko stressed the unity of the painting over all other surface incidents.
He evolved a non representational form which he termed Neoplasticism.
Solomon's Seven Within (2014) would fit the De Stijl mode of reducing a landscape to a grid and its simple colors are close enough to fit with the reductionist thinking of Nieuwe Beelding (neoplasticism in English).
See Ilya Bolotowsky, «On Neoplasticism and My Own Work: A Memoir,» Leonardo2, no. 3 (July 1969): 221 — 30; and Nancy J. Troy, Mondrian and Neo-Plasticism in America (New Haven, Conn.: Yale University Art Gallery, 1979).
Elements of Balzer's work run parallel to contemporary influences on graphic, industrial, and architectural design, the flatness of the vibrantly colored foils create a contemporary twist on the theories of non-representational neoplasticism, cubist sculpture and the Japanese Superflat movement.
Nassos Daphnis» work is decidedly intellectually based in the fundament of spirit and while he is complicit as an abstract imagist in the hard edge, geometric abstraction and neoplasticism schools, his methods and intent lie in a spiritual and philosophical realm beyond that of his contemporaries.
She incorporated Mondrian's iconic grid but jettisoned the constraints of pure neoplasticism and embraced a variety of influences and practices.
Is this what Mondrian meant by Neoplasticism — a new plastic art (or maybe latex)?
This exhibition will concentrate on Diller's work from the early 1930s, a period in which Diller's art evolved from Cubism to non-objective Neoplasticism, as he developed a personal language based on three major compositional themes.
He evolved a non-representational form which he termed Neoplasticism.
Mondrian named his style «neoplasticism,» his translation of his own Dutch
Indeed, the artist has close connections to the German Bauhaus way of thinking as well as to Russian Suprematism and the Dutch De Stijl movement, or neoplasticism.
I view it as an artwork less to do with the ideas evident in modernist abstraction, even though the deconstructed language of democracy and freedom (Neoplasticism) and a meditative and immersive void (Color Field Painting) hovers on the surface.
The rapid and breathtaking succession of avant - garde movements, which invented new ways of understanding space, are represented in groups of works devoted to dadaism, constructivism, neoplasticism, surrealism and abstraction - création.
Despite changes within the membership as well as in the art world, the AAA has continued strong for seventy - five years, a testament to the nurture and care of these artists who strongly believe that the abstract impulse can happily encompass diverse approaches and identities, from the dynamic structural symmetry of Mondrian, to a biomorphic, surrealist - inspired abstraction, to the rigid, grid - like forms of neoplasticism.
In early 1950 in Paris he met Sonia Delaunay, Georges Vantongerloo and Francis Picabia and was heavily influenced by Mondrian's doctrine of neoplasticism.
After demobilisation in 1946, Noland enrolled at Black Mountain College, an experimental school in his home state of North Carolina, where he studied under a German - born American artist and color theorist Josef Albers, as well as under Ilya Bolotowsky, an abstract painter, and professor who introduced him to neoplasticism, a style of geometric art invented by a Dutch painter Piet Mondrian.
Reminiscent of early forms of abstract modern art — a moment of convergence that did not actually occur in art history between cubism, constructivism and neoplasticism — her paintings emerge through a process of layering and accrual, with the finished work being «a concentrate of the many paintings underneath».
This, of course, would be in opposition to the neoplasticism of Mondrian, in which form suggests an extension of what is happening within the visible space beyond the edges of the frame.
For eighteen months, she also stopped painting in order to embark on a study of neoplasticism, after which she concluded that Mondrian's art was not analytical, but intuitive.
In twentieth - century art, neoplasticism, minimalism, and some forms of abstract expressionism are often seen as materials in search of the sublime.
Ms. Jaffe's paintings, reminiscent of Leger's circuses, Matisse's cutouts and Mondrian's Neoplasticism, provide ample breathing room, allowing her playful geometries to evolve and take flight — to feel both dancing across and embedded within their ground planes.
[3] At Black Mountain, where two of his brothers also studied art, Noland studied with Ilya Bolotowsky, a professor who introduced him to neoplasticism and the work of Piet Mondrian.
The principles of Neoplasticism or De Stijl, reflect Mondrian's decision to limit his formal vocabulary to the three primary colors, three primary values, and two primary directions.
«ABSORBED BY COLOR: Art in the 2oth Century» presents an overview of color theory and its manifestations in the 20th century, including Pointillism, Fauvism, Synchronism, Neoplasticism, Abstract Expressionism, and Op art.
This includes Pointillism, Fauvism, Synchronism, Neoplasticism, Abstract Expressionism, and Op art.
De Stijl encompassed painting, sculpture, furniture, architecture and design, and its central philosophy of «neoplasticism» was summarised by Piet Mondrian, who declared: «Art... should find its expression in the abstraction of form and colour, that is to say, in the straight line and the clearly defined primary colour.»
At Black Mountain, where two of his brothers also studied art, Noland studied with Ilya Bolotowsky, a professor who introduced him to neoplasticism and the work of Piet Mondrian.
The Dutch painter Piet Mondrian (1872 - 1944) created a geometrical abstract style known as neoplasticism, which had widespread influence on modern painting, architecture, and design.
Connections have been drawn with the work of Mimmo Rotella, Jackson Pollock, and Richard Diebenkorn, and one may speak of Neoplasticism and Analytical Cubism, but the true reference here is Hélio Oiticica, who brought street life and the favela to his pictorial works, pushing us to experience color and form through the body and life itself.
These works are perhaps closest to the neoplasticism of Mondrian, who lived in London from 1938 to 1940 and was in close contact with Nicholson and his wife.
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