Sentences with phrase «never painted in oil»

Not exact matches

The same goes for taking that class you have always been interested in, but never took in school like oil painting, coed yoga, or Italian cooking.

I never thought to sell my art work since I seriously started to paint in oil as a medical student.

More than 20 large - scale oil paintings will be on view alongside 50 never - before - exhibited works from the 1930s, which show the artist working in watercolor and gouache on paper.

It's never poured, I prep a tin in which I mix up a couple of tubes of oil paint with a lot of turpentine, a lot or a little less depending on what I want to do.

The exhibition will feature never before seen canvas oil paintings; tulle portraits, a continuation of the artist's «Gaze» series presented by C24 Gallery in 2012.

Though the pastiches of Willem de Kooning and Franz Kline aren't unappreciative, Mr. Rauschenberg has never displayed an affinity for oil paint — he can't pick up a brush without swaddling it in irony.

The line cutting through the oil paint is never a clean dark path — the stylus makes an edge and the oil paint moves away in its own fashion; also the areas of white oil color have their own character and vary in density resulting from Lee's method of application.

Technology plays a major role in her art, however it never takes precedence over the desired aesthetic effect — her computer is the equivalent of oil paint, palette, and brushes.

Drawn from major public and private collections in the United States, the paintings are accompanied by more than one hundred beautifully fluid studies in various media: drawings, oil sketches, sculptures, digital composites, photographs, and prints — many never previously seen by the public.

Timothy Taylor Gallery, London until 12 July 2014 Jazz and blues have always exerted an influence on the abstract paintings of Sean Scully RA, but he has perhaps never acknowledged its influence as clearly as his new remarkable quintych at Timothy Taylor — A Kind of Red (2013), comprised of five large - scale oil - on aluminium panels, in response to Miles Davis's modal classic A Kind of Blue.

A student of Josef Albers at Yale University, Sheila Hicks received a solid pictorial training; two oil paintings from 1954 and 1957, never exhibited before, are to be displayed in this exhibition.

Whilst Ayres's paintings have never been representational, the forms in these new works seem reminiscent of leaf and flower shapes clearly seen in works such as Apadana, Cynthu's Hill, and Helen's Glade, all oil on canvas and executed in 2011.

This major «six - footer» oil painting, has never been exhibited in Suffolk before, where Constable was born in 1776.

Drawn from the finest and most comprehensive collection of his work, the Turner Bequest, held at Tate Britain in London, the exhibition features over 100 works of art including oil paintings and watercolours, some of which have never been previously exhibited.

Complementing these remarkable oil paintings are fifty never - before exhibited works on paper from the 1930s, which demonstrate the artist's mastery of watercolor and gouache early in his career.

An exhibition of Scully's oil paintings has not been shown in Wisconsin, and because of the large scale of this work the Chazen was never able to show it in the past.

If figurative work has been unstylish in recent years within the micro-trending art world in favour of more lazy conceptual and minimal works, then let this show serve to reassert the things viewers could never really get rid of liking anyway, like skill and sincerity and immediate, emotional, gutsy work; thoughtful and intense and odd works, rendering and likeness and oil paint, works that may even celebrate that very un-cool topic, beauty.

We pass from room to room: first, Me, Jesus and the Children, a monumental trompe l'oeil spray painting of Dan's chest, a Jesus piece, and cartoon cherub psychopomps who crash the viewer into its solid plastic face; then, Whatever, a 5» x 6» scene extracted from Pinocchio, where an extinguished candle lights a room; two walls of Confetti, the Moments Like These Never Last series, as varied in aura as they are in approach and technique; four walls of indomitable Trash paintings; four more of his Miracle works, oil medium and raw pigment powder conjurations so boundless they literally escape their backings.

The auction record for a work by Harry Kernoff was set in 2008, when his oil painting, entitled A Bird Never Flew On One Wing, was sold at James Adams, in Dublin, for $ 180,000.

The current exhibition at Marlborough Gallery in New York, «Avigdor Arikha: Works From the Estate,» presents 56 oil paintings, pastels, watercolors, drawings, and lithographs, some of which have never been seen in public before.

In comparison, a similarly sized drawing, «Still Life (Bowl, Pitcher, and Jug)» (c. 1921), made while de Kooning was a student in the evening program at Rotterdam's Academie (where, by the way, no oil painting instruction was offered), is not only confirmation of de Kooning's abilities to fulfill the rigorous requirements of academic drawing (not to mention the stamina to work on something for what was likely a year), but also a powerful reminder that his respect for tradition would never waveIn comparison, a similarly sized drawing, «Still Life (Bowl, Pitcher, and Jug)» (c. 1921), made while de Kooning was a student in the evening program at Rotterdam's Academie (where, by the way, no oil painting instruction was offered), is not only confirmation of de Kooning's abilities to fulfill the rigorous requirements of academic drawing (not to mention the stamina to work on something for what was likely a year), but also a powerful reminder that his respect for tradition would never wavein the evening program at Rotterdam's Academie (where, by the way, no oil painting instruction was offered), is not only confirmation of de Kooning's abilities to fulfill the rigorous requirements of academic drawing (not to mention the stamina to work on something for what was likely a year), but also a powerful reminder that his respect for tradition would never waver.

I have an old door in my painting studio as a table... I never worry about it getting slopped up with oil paints or acrylic.