Sentences with phrase «never seen in another film»

With The Shining, Kubrick, from the opening shot, created a sense of dread and doom that I have never seen in another film to date.

This is per The Hollywood Reporter, which notes that Coogler gets into what's up with Killmonger's mom — an American woman who fell in love with his father, Wakandan prince N'Jobu, and who's never seen in the film itself — in the movie's commentary track.

Not exact matches

Even if you never see the film in full, these few minutes — wisely released as the trailer — are well worth your time.

oh dear I am out of touch with films — though I did see twilight some years ago but never was a huge fan — but I am quite au fait with chopping up asparagus finely for a salad — in fact I have given it to sylvia raw at times — though never thought of shaving it.

Working side - by - side in a small restaurant and collaborating as celebrities on something like a TV show, with handlers and layers upon layers of pre - and post-production people, are totally different worlds; they may never even see each other while the show's filming.

Never more so than tonight, when I see Tune for the Blood, a new locally - made film about young farmers in Herefordshire.

To me, that comes home early in the film when a pediatrician in New York expresses his astonishment at seeing cases of measles — he'd never seen a single case until an outbreak in his community.

The adept tool users have been filmed inserting sticks into objects to transport both items at once — a feat that has never been seen in non-humans.

Star Wars Math In case you haven't seen The Empire Strikes Back (the second film in the original Star Wars trilogy) in a while, (or if, heaven forbid, you've never seen itIn case you haven't seen The Empire Strikes Back (the second film in the original Star Wars trilogy) in a while, (or if, heaven forbid, you've never seen itin the original Star Wars trilogy) in a while, (or if, heaven forbid, you've never seen itin a while, (or if, heaven forbid, you've never seen it!)

Having gotten to both film these workouts and workout to them, I can truly say I've never seen higher quality workout videos or more dynamic ones in my 15 years in the fitness world.

Linus and the rest of the beloved Peanuts gang as you've never seen them before — in a brand - new feature film from the imagination of Charles M. Schulz and the creators of Ice Age.

Also here is Guinevere's dress from Camelot, a film which I never thought I'd want to see again till now I've seen a close - up of the most interesting wedding dress ever, made by hundreds of skilled cutters, embroiderers and seamstresses and sewn in with thousands of tiny, translucent shells and pumpkin seeds.

Kate Winslet has made the shock confession that she never actually fancied her Titanic co-star Leonardo DiCaprio, as the film approaches its 20th anniversary «Titanic» costars Leonardo DiCaprio and Kate Winslet were spotted relaxing by the pool at his villa in Saint - Tropez, France — see the photos

I've never actually seen «Lady Windermere's Fan» performed, on stage or on film, but I'll guess that, given its numerous adaptations over the years, that it is generally delivered in a much funnier and respectable fashion than it is in A Good Woman.

it is funny in deed but, when their is someone to cover Sandler's movie their most likely gonna never make a film again Oh look see Denis Dugan and Frank Coraci BOOOOOO!!!!!!!!! you suck stop making adam sandler movies here is the problem they are directors who don't care about cinematography or shots of using the camera all they care is comedy!!!!!!! see Tyler Perry yeah their just like this big joke.

A perversely disturbing and highly uncomfortable film that bursts with overwhelming sexual intensity as the characters engage in a compulsive fetishistic psychopathology that is strangely telling, even if it will probably leave most viewers repelled and make them never want to see it again.

This is never clarified in the film), is the biggest dork ever seen, though you get the impression he is meant to be a hot guy.

This film is an absolute masterpiece that portrays the «war is hell» theme in a way that truly has never been seen before in film.

Either the film is trying to subvert expectations of Chekhov's Gun, or it just doesn't want to exploit certain setups, like a drone that doesn't get much of a payoff and a circular saw in the garage that is shown but never used.

It's just that the film feels so unusually empty; even if he has subtly snuck his usual hallmarks into the mechanics of the narrative itself, he's populated the foreground with characters who never come alive as anything more than archetypes, who trade in so much exposition it's hard to see how any audience member could be overwhelmed with confusion at the story being told.

McAdams and Weisz are on fire in Disobedience showing sides to their talents that we've never seen before in this truly unique film.

Never before seen video and photos are also included in this film.

When Hollywood tackles terrorism, it rarely offers the degree of ambiguity on display in In the Fade and I have never seen a studio - funded film opt for this kind of uncompromising endinin In the Fade and I have never seen a studio - funded film opt for this kind of uncompromising endinIn the Fade and I have never seen a studio - funded film opt for this kind of uncompromising ending.

The performances are also exemplary, but it is primarily a film of great moments — the climactic sequence of the young conscript reaching out for a butterfly in the sun — that, once seen, are never forgotten.

Peaking early, Swift never quite matched his earlier accomplishments in later years, although glimmers of his low - key social commentary could be seen in such films as Candleshoe (1977) and the short - lived TV series Grindl (1963).

On the one hand, it's exciting to see the always envelope - pushing Lee working without a studio - or distributor - imposed safety net... But while the film never lacks for ambition, it fails to satisfy emotionally or intellectually in the ways Lee intends.

In feature films, she tends to play people whose inner wildness is either triumphantly unleashed («Spy,» say) or was never leashed to begin with (see «The Heat»).

As an uberfan of the so - bad - it's - good masterpiece The Room and a solid admirer of The Disaster Artist, The Room co-star Greg Sestero's tell - all book about the making of mysterious vampiric figure Tommy Wiseau's «Tennessee Williams style melodrama as told by an alien who has apparently never seen normal human beings interact» drama - turned - dark - comedy - after - initial - audience - reactions - full - of - howling - laughter, I was a bit reserved in my excitement when I found out that James Franco was going to direct the film adaptation, as well as portraying Wiseau himself.

The film's disappointments lie not so much in Almodovar's controlled, respectful direction as in the strange gaps and displacements of his screenplay, which never seems to supply the scenes we most want to see.

The film never makes it terribly clear if Rupert believes these ideas or if he touts them to get a charge out of people, though it feels like he sees real merit in them.

Filmgoers lucky enough to have seen James Marsh's deeply moving 2008 documentary «Man On Wire» may see «The Walk» as that film's shallower, less elegiac cousin — even if both Marsh and Zemeckis note the grim irony that Petit's free run of the towers would never be possible in the post-9 / 11 security state.

Another thing is how characters in this movie vanish, the two annoying Gangster robots are in the whole film up until the fight with Devastator, you see the green one nearly get sucked into his mouth, he smashes his face against a wall and says «My Eye,» And then the two droids vanish, never mentioned again and never shown again.

The details are no long important, but after legal wrangles and creative fights, a 150 - minute cut was released in a few cities in 2011, and then it practically disappeared, resurfacing in early 2012 after a long campaign by fans, supporters, and folks like me who never had a chance to see the film on its original release.

Although we've seen the struggle for individualism and personal power done many times before, particularly in independent films, Real Women Have Curves never seems to lack for freshness despite it all.

If you haven't pegged the ending in the first twenty minutes, you've never a seen a film before.

Even if you've never seen the 1989 film or read Stephen King «s book, you can probably guess that it's not long before a dead human being ends up buried in that cursed graveyard.

EXTRAS: In addition to both the theatrical and extended cut of the film (featuring 10 minutes of never - before - seen footage), there's a brand new collection of bonus material, including an audio commentary by director Ridley Scott, writer Drew Goddard and author Andy Weir, a making - of featurette, deleted scenes and more.

As anyone who knows anything about LA, its police organization has had long standing problems with corruption and racism, but the film never addresses that even though one can see the roots of it in the material.

On the feature commentary track, Mancini describes more scenes in a similar vein from the script (such as one with Nica bathing in a shower chair that's seen briefly in the film), but says they were never shot due to scheduling constraints.

Once the set up is there, it's easy to see where it's all going, and consequently, the tempo never comes close to the fever pitch required to make this the thrilling action film it needs to be in order to truly entertain.

But yet again, that's the great thing about film... not everyone has to like... I, for one, HATED lost in translation and will NEVER see what the fuss about that movie was.

Said to follow a young Atlanta boy spending his summer in Brooklyn with his grandfather who he's never met, the film will also see Lee get back in front of the camera as Mookie, the main character from his aforementioned breakthrough racially charged film.

I am willing to say that never before have I seen a film which is so consistently harmed by its score; everyone involved in doing it should be thoroughly ashamed.

Fox announces their distrust of critics with this title by splaying «Property of 20th Century Fox Publicity Department» in huge letters across the screen for the duration of the film on both sides of the disc (the first time a major studio has done so since DreamWorks sent out advanced copies of the Gladiator Signature Selection in 2000 — which is why you never saw a review of it at FILM FREAK CENTRAL), in turn prohibiting an ethical assessment of the imfilm on both sides of the disc (the first time a major studio has done so since DreamWorks sent out advanced copies of the Gladiator Signature Selection in 2000 — which is why you never saw a review of it at FILM FREAK CENTRAL), in turn prohibiting an ethical assessment of the imFILM FREAK CENTRAL), in turn prohibiting an ethical assessment of the image.

It's never too late to take a long gander at what we might see dominating the film awards landscape in 365 days, and with that in mind, I've been doing my usual mulling over the possibilities for a few weeks -LSB-...]

The plot's predictable, and there's nothing new in this film, it's just a great collection of new talent (well, new to the cinema anyway... I've never seen the TV show).

Some of these movies include «Popstar: Never Stop Never Stopping,» a comedy film starring Andy Samberg, which is now in theaters and the longevity of which at the box office remains to be seen; «Central Intelligence,» another comedy which stars Kevin Hart and Dwayne Johnson and which will be released on June 17; and «The Shallows,» a movie about a woman trying to escape a shark which stars Blake Lively.

You're getting no more or no less than you'd expect from a movie like The Movie Never Stopped, but I was glad to see Simmons get a chance to help carry a film rather than simply move around the edges of the main story in a supporting role.

I guess that Portugal is rapidly becoming the country du jour of cinema, with Tabu being the finest new fiction film I saw in 2012, while I finally got to see the 4 1/2 hour version of Raúl Ruiz's amazing Mysteries of Lisbon (on Blu - ray discs): it has still never had a theatrical screening in Montreal!

Starting next Saturday, Trespass is launching a new weekly column titled - I Can't Believe I've Never Seen..., in which our writers will review the films missing from their cinematic education.