Sentences with phrase «new gallery system»

Not exact matches

It also displays the three newest images added to a gallery and provides filters, a direct - messaging system and social media integration.

«In the dismal gallery of failing urban school systems,» wrote Associated Press reporter Adam Nossiter in April of 2005, several months before Katrina, «New Orleans may be the biggest horror of them all.»

The Early Access release of Quake Champions will also feature the new Church of Azathoth and Tempest Shrine maps, Rune Challenges, a new Lore System that will unlock «high - end Lore Skins,» in - game voice chat, new customization options, and features like a movement tutorial and shooting gallery that will help get new players up to speed.

From its engorged character roster (there are 19 combatants) to its excellent selection of game modes including a slick multiplayer suite, and onto its plethora of neat extras including new and improved graphics and sound options (you can switch between old and new), colour editor, replay system, beginner - friendly «Lite» control option and art - stuffed gallery mode, this classic versus fighter is better than ever on Nintendo Switch.

Cronin's works has also been featured in numerous group exhibitions, including Global Positioning Systems, Perez Art Museum Miami, FL (2014 - 15); 1993: Experimental, Jet Set, Trash and No Star, New Museum, New York, NY (2013); Come Together: Surviving Sandy, Industry City, Brooklyn, NY (2013); Watch Your Step, The FLAG Art Foundation, New York, NY (2012); Because We Are, Station Museum of Contemporary Art, Houston, TX (2010); and Sh (out): Contemporary Art and Human Rights, Gallery of Modern Art, Glasgow, Scotland (2009).

Recent solo exhibitions include Evil Earth System, Good Children Gallery, New Orleans (2016); Evil Earth, Culture Center Tobacna, Ljubljana (2015), The Eumenides, UNO Campus Art Gallery, New Orleans (2014), How to do Things With Words, SKUC, Ljubljana (2014); No Country Other Than Liberty, SIZ at Mali Salon, Rijeka (2013); andWhatever the Object, GfZK, Leipzig (2013).

Following his years as a student at Cal Arts and teaching in Nova Scotia, he describes his early years in New York with the artist April Gornik, just as Wall Street money begins to encroach on the old gallery system and change the economics of the art world.

Since Ritchie exhibited The Universal Adversary at Andrea Rosen Gallery in 2006, his process of synthesizing and expressing complex systems and cosmologies to create new forms and explore new myths has increasingly expanded across disciplines and into collaborative projects with physicists, composers, writers, actors, architects and engineers, aimed at developing a group of visual and performance environments that can theoretically sustain not one, but every possible representation of the universe.

In New York, Haring found a thriving alternative art community that was developing outside the gallery and museum system, in the downtown streets, the subways and spaces in clubs and former dance halls.

Discrete Systems is a new body of work, conceived as an immersive multimedia installation for the gallery.

1988 Cultural Geometry, Deste Foundation for Contemporary Art, Athens (curated by Jeffrey Deitch, catalogue) Collection Sonnabend: 25 Years of Selection and Activity, Museo Nacional Centro de Arte Reina Sofía, Madrid; traveled to CAPC Musée d'art contemporain, Bordeaux, France; Art Cologne, Cologne, Germany; Hamburger Bahnhof Museum für Gegenwart, Berlin; Galleria Nazionale d'Arte Moderna, Rome; Museo d'Arte Moderna e Contemporanea, Trento, Italy; Musée Rath, Geneva; Sezon Museum of Art, Tokyo; Miyagi Museum of Art, Sendai, Japan; Fukuyama Museum of Art, Hiroshima, Japan; National Museum of Art, Kyoto, Japan (catalogue) Galerie Lelong, New York A Drawing Show, Cable Gallery, New York Hover Culture, Metro Pictures, New York Art at the End of the Social, The Rooseum, Malmö, Sweden (curated by Collins & Milazzo, catalogue) Australian Biennale, Art Gallery of New South Wales, Sydney, Australia; travelled to National Gallery of Victoria, Melbourne, Australia (catalogue) La Couleur Seule: L'Experience du monochrome, Musée Saint Pierre, Lyon, France (catalogue) Hybrid Neutral, Modes of Abstraction and the Social, I.C.I. Exhibition: University Art Gallery, The University of North Texas, Denton, TX; travelled to J.B. Speed Art Museum, Louisville, KY; Alberta College of Art, Alberta, Canada; The Contemporary Arts Center, Cincinnati, OH; Richard F. Brush Art Gallery, Gainesville, FL; Santa Fe Community College Art Gallery, Gainesville, FL (curated by Collins & Milazzo, catalogue) Works Concepts Processes Situations Information, Galerie Hans Mayer, Düsseldorf, Germany (curated by Robert Nickas) American Art of the Late 80s: The Binational, Museum of Fine Arts and Institute of Contemporary Art, Boston, MA; travelled to Städtische Kunsthalle, Düsseldorf, Germany; Kunsthalle, Bremen, Germany; Württembergischer Kunstverein, Stuttgart, Germany (catalogue) Carnegie International, Carnegie Museum of Art, Pittsburgh, PA (catalogue) New Works, Daniel Weinberg Gallery, Los Angeles A Debate on Abstraction: Systems and Abstraction, The Bertha and Karl Leubsdorf Art Gallery, Hunter College, New York (catalogue) Viewpoints: Postwar Painting and Sculpture from the Guggenheim Museum Collection and Major Loans, Solomon R. Guggenheim Museum, New York Three Decades: The Oliver Hoffman Collection, The Museum of Contemporary Art, Chicago (catalogue)

2014 The Chosen, Jewish Museum, Miami Beach, FL MIA - ATL, Curated by William Cordoba; Saltworks Gallery, Atlanta, GA Dialog — Monolog, Syker Vorwerk Zentrum für Zeitgenössische Kunst, Bremen, Germany Overview Galleries / Global Positioning Systems, Pérez Art Museum Miami, Miami, FL The past is more infinite than the future, Curated by William Cordova, MDCC North Campus Gallery, Miami, FL MIA - BER, Curated by William Cordova, Verein Berliner Künstler, Berlin, Germany Perder la forma humana, Una imagen sísmica de los anos ochenta en America Latina, Curated by Red Conseptualismos del Sur at MUNTREF, Buenos Aires, Argentina Radio Miami Rosell Meseguer, Curated by Glexis Novoa, Art Center of South Florida, Miami, FL Caribbean: Crossroads of the World, Pérez Art Museum Miami, Miami, FL Lost in Landscape, Cuarated by Gerardo Mosquera at Museo di arte moderna e contemporanea di Trento e Rovereto, Trento, Italy Cuban America, Curated by Yuneikys Villalonga & Susan Hoeltzel, Lehman College Art Gallery, New York, NY

Now, with Wheeler bringing another one of his immersive light installations to the gallery this month (an approximation of the engulfing light the artist sees out his airplane window flying over New Mexico), Zwirner staffers have innovated a way to contend with the expected crush: a reservation system that will allow visitors to call ahead to reserve a spot in the work.

will explore the rise in new itinerant gallery models and communal sharing systems.

BERNSTEIN After Yale I went to New York and wanted to be part of the gallery system.

But there are surely echoes and affinities between the writing and thinking promoted by Alfred H. Barr Jr. at the Museum of Modern Art, by Albert Gallatin with the publications of his Gallery of Living Art at New York University, by Duncan Phillips through the Phillips Collection and books such as his 1937 The Leadership of Giorgione, and by John Graham (who exhibited at the Phillips Collection) with his eccentric underground classic, System and Dialectics of Art.

It is exciting to see new ideas from emerging British artists working outside the mainstream of the gallery system.

Creator spatial dynamic hydro - cybernetic systems for 42d International Exhibition Art - La Biennale di Venezia, 1986, Digital Visions - Computers and Art, Everson Museum of Art, 1987, Contemporary Arts Center Cincinnati, 1987, International Business Machines Corporation Gallery of Science and Art, New York City, 1988, Phenomena Art Expo, Fukuoka, Japan, 1989, Wonderland of Science - Art Kanagawa International Art Science Exhibition, Kawasaki, Japan, 1989, Vienna Messe - Wiener Festwochen, 1989, Kanagawa International Art & Science Exhibition, Kawasaki, Japan, 1989, Artec 91, International Biennale in Nagoya, Japan, 1991 (Artec Grand Prix winner), Homage à Denise Rene - Cybernetic Arts, Musée National d'art Modern Center Georges Pompidon, 2001, Shanghai International Biennale for Contemporary Arts, Shanghai Art Museum, 2004.

Her research into belief systems and ethnographic collections informs her practice, notably her installation about one of the first large uprisings on the African continent, Rumours that Maji was a lie... (2014), first shown at the Jeu de Paume in Paris last year, and later developed as a new project, Kinjeketile Suite, which was exhibited this year at the South London Gallery.

Recent and upcoming exhibitions include: Systems Now, Elvehjem Museum of Art, University of Madison, WI; Microwave, Sicardi Gallery, Houston TX; Almost replicating, Cristinerose Josee Bienvenu Gallery, New York.

New lighting, humidity and temperature control systems will be installed for the gallery which will re-open in early 2017.

Dara Birnbaum, Tiananmen Square: Break - In Transmission, 1990 Five - channel color video, four - channel stereo sound, surveillance switcher and custom - designed support system, Dimensions variable Installation view at S.M.A.K. - Stedelijk Museum voor Actuele Kunst, Ghent, 2009 Courtesy of the Artist and Marian Goodman Gallery, New York / Paris / London Photo credit and Copyright: Dara Birnbaum

The Warehouse Gallery March 9 — May 29, 2010 Stiles, an emerging new media artist, musician, and designer of electronic systems based in DeRuyter, New York, realized a computer based installation for his first solo - museum exhibition at The Warehouse Gallenew media artist, musician, and designer of electronic systems based in DeRuyter, New York, realized a computer based installation for his first solo - museum exhibition at The Warehouse GalleNew York, realized a computer based installation for his first solo - museum exhibition at The Warehouse Gallery.

A central theme of the Gallery's exhibition is the increasing mobility of the art world as a result of new modes of transportation including jet aviation and the interstate highway system during the late 1950s and 1960s, when artists, dealers, and works of art moved more swiftly between the coasts and Europe and with increasing regularity.

The European artist collective Troika will make its North American debut with «Cartography of Control,» a new exhibition at Kohn Gallery that explores the roles that systems and serendipity play in contemporary life.

Traveled to: Hirshorn Museum and Sculpture Garden and the Corcoran Gallery of Art, Washington, D.C. (jointly), October 1 - November 27; Toledo Museum of Art, Toledo, Ohio, January - February 26, 1978 1982 Visual Arts Museum, New York (handmade paper works) 1983 Duke University Museum of Art, Durham, North Carolina (handmade paper works) Museo de Arte Moderno, Mexico, D.F. 1984 University Art Museum, University of California, Berkeley 1985 Museo de Bella Artes, Bilbao, Spain, September 1986 The Butler Institute of American Art, June 20 - August 31 Hunter Museum of Art, Chattanooga, Tennessee, November 9 - January 4 1987 Artist - in - Residence, Pratt Institute, New York, September 1986-1987 1990 Edmonton Art Gallery, Edmonton, Alberta, Canada November 17 - January 6, 1991 1994 The Museum of Art, Houston, «Kenneth Noland: The Circle Paintings» The Museum of Fine Arts, Ft. Lauderdale, Florida, «Kenneth Noland: The Circle Paintings» 1995 Leo Castelli Gallery, New York, «Kenneth Noland: A Selection of Paintings» Gana Art Gallery, Seoul, South Korea 1996 Mosaic mural at the new Rome, Italy subway system located at central Colosseum statiNew York (handmade paper works) 1983 Duke University Museum of Art, Durham, North Carolina (handmade paper works) Museo de Arte Moderno, Mexico, D.F. 1984 University Art Museum, University of California, Berkeley 1985 Museo de Bella Artes, Bilbao, Spain, September 1986 The Butler Institute of American Art, June 20 - August 31 Hunter Museum of Art, Chattanooga, Tennessee, November 9 - January 4 1987 Artist - in - Residence, Pratt Institute, New York, September 1986-1987 1990 Edmonton Art Gallery, Edmonton, Alberta, Canada November 17 - January 6, 1991 1994 The Museum of Art, Houston, «Kenneth Noland: The Circle Paintings» The Museum of Fine Arts, Ft. Lauderdale, Florida, «Kenneth Noland: The Circle Paintings» 1995 Leo Castelli Gallery, New York, «Kenneth Noland: A Selection of Paintings» Gana Art Gallery, Seoul, South Korea 1996 Mosaic mural at the new Rome, Italy subway system located at central Colosseum statiNew York, September 1986-1987 1990 Edmonton Art Gallery, Edmonton, Alberta, Canada November 17 - January 6, 1991 1994 The Museum of Art, Houston, «Kenneth Noland: The Circle Paintings» The Museum of Fine Arts, Ft. Lauderdale, Florida, «Kenneth Noland: The Circle Paintings» 1995 Leo Castelli Gallery, New York, «Kenneth Noland: A Selection of Paintings» Gana Art Gallery, Seoul, South Korea 1996 Mosaic mural at the new Rome, Italy subway system located at central Colosseum statiNew York, «Kenneth Noland: A Selection of Paintings» Gana Art Gallery, Seoul, South Korea 1996 Mosaic mural at the new Rome, Italy subway system located at central Colosseum statinew Rome, Italy subway system located at central Colosseum station.

Stiles, an emerging new media artist, musician, and designer of electronic systems based in DeRuyter, New York, realized a computer based installation for his first solo - museum exhibition at The Warehouse Gallenew media artist, musician, and designer of electronic systems based in DeRuyter, New York, realized a computer based installation for his first solo - museum exhibition at The Warehouse GalleNew York, realized a computer based installation for his first solo - museum exhibition at The Warehouse Gallery.

1977 35th Biennial Exhibition of Contemporary American Painting, Corcoran Gallery of Art, Washington, DC Pattern, Grid and System Art, Wilson Gallery, Lehigh University, Bethlehem, PA Hirshhorn Museum and Sculpture Garden, Smithsonian Institution, Washington, DC Summit Gallery, New York, NY Pattern, Grid and System Art, Ralph Wilson Gallery, Lehigh University, Bethlehem, PA

Not only did the Saatchi Gallery encourage a new generation of artists to start promoting their work outside the recognised gallery system, but it also raised the bar for contemporary art across Gallery encourage a new generation of artists to start promoting their work outside the recognised gallery system, but it also raised the bar for contemporary art across gallery system, but it also raised the bar for contemporary art across London.

The Mexican artist often works with local artisans to fabricate her labor - intensive objects; for her solo presentation at the New Museum Lobby Gallery in January of 2016, Camil installed a maze of free - standing wire - frame panels that acted as a display system for a ceremonial gift exchange.

Ten exhibitions on through October you don't want to miss: Prospect.3, New Orleans; Mariana Castillo Deball at Hamburger Bahnhof, Berlin; Tony Conrad at Inverleith House, Edinburgh; David Altmejd at Musée d'Art Moderne de la Ville de Paris; Puddle, Pothole, Portal at SculptureCenter, New York; Martin Soto Climent at T293, Rome; Stephen Shore at 303 Gallery, New York; Korakrit Arunanondchai at Carlos / Ishikawa, London; Will Boone at Jonathan Viner, London; One Million Years — System and Symptom at Kunstmuseum Basel.

Renovations will allow for improved public access with a visible street - side front entrance on Huntington Avenue, new climate and relative humidity control systems that will allow for year - round programming, an elevator, new curatorial offices, a new gallery education room, an expanded preparatory workshop, and visitor amenities.

Ken Currie, exhibiting new work this summer at the Scottish National Portrait Gallery (until 22 September), has been outspoken about painting's apparent lack of status in the current art school system but nevertheless it is painters in whom the National Galleries of Scotland have invested their efforts this summer.

Made to function (physically and conceptually) outside of the commercial gallery system, and thus a critique of the value of art and commercial real estate, Open House represents Matta - Clark's career - long desire to create a new way of seeing through the transformation of discarded objects into new works of art.

November 2016 basically dynamited any lingering interest for me in working within the New York gallery system, at least as it's organized now — with the 50/50 split, cyclical show expectations, social climbing, etc..

Labyrinths, Devin Borden Hiram Butler Gallery, Houston, Texas Burning Desires: Acquisitions 1997 - 2001, El Paso Museum of Art, El Paso, Texas Escape from the Vault: The Contemporary Museum's Collection Breaks Out, The Contemporary Museum, Honolulu, Hawaii New Directions in Contemporary Art, Eisentrager - Howard Gallery, Department of Art and Art History, University of Nebraska - Lincoln, Lincoln, Nebraska Made in U.S.A., Devin Borden Hiram Butler Gallery, Houston, Texas Monochrome, Mostly, Arlington Museum of Art, Arlington, Texas Line, Devin Borden Hiram Butler Gallery, Houston, Texas Domestic: Artists Transforming the Everyday, Arlington Museum of Art, Arlington, Texas Systems Order Nature, Devin Borden Hiram Butler Gallery, Houston, Texas 110 Years: The Permanent Collection at the Modern Museum of Fort Worth, The Modern Art Museum of Fort Worth, Fort Worth, Texas

CA Spectral Hues, curated by Sharon Bliss, Palo Alto Art Center, Palo Alto, CA Art Market, with Chandra Cerrito Contemporary, San Francisco, CA Building the Art House, curated by Katherine Connell and Emma Spertus, Rosenberg Library, City College of San Francisco, San Francisco, CA Big Idea, curated by Sue Collier, Leslie Ford, Jack McWhorter and JoAnn Rothschild, The Painting Center, New York, NY Along the Lines, Harrington Gallery, curated by Julie Finegan, Pleasanton, CA 2016 Plus +1, Trestle Contemporary Art Gallery, Brooklyn, NY Group show, November - December 2016, Galleri Urbane, Dallas, TX Palette, curated by Kelly Inouye, Theodora Mauro and Lisa Solomon, ampersand international arts, San Francisco, CA Small Works, Trestle Gallery, Brooklyn, NY Art Market, with Chandra Cerrito Contemporary, San Francisco, CA 2015 Therely Bare Redux, Zeitgeist Gallery, Nashville, TN Therely Bare Redux, Clara M Eagle Gallery, University of Tennessee, Murray Territory of Abstraction, Pentimenti Gallery, Philadelphia, PA Out of Storage, Studio 110 Projects, Sausalito, CA Art Market San Francisco, (with Chandra Cerrito Contemporary), San Francisco, CA The Airplane Show, B Sakata Garo, Sacramento, CA 2014 un.bound.ed, curated by Brent Hallard and Don Voisine, Root Division, San Francisco, CA (edition) DOPPLER SHIFT, curated by Mary Birmingham, Visual Arts Center, Summit, NJ (catalogue) The Intuitionists, curated by Heather Hart, Steffani Jemison & Jina Valentine, The Drawing Center, New York, NY (catalogue) First / Last, curated by Heather Phillips, Park Life, San Francisco, CA 2013 DOPPLER, Parallel Art Space, Brooklyn, NY (catalogue) Generations IX: The Red / Pink Show, A.I.R. Gallery, Brooklyn, NY Made In Paint: 2012 Artists in Residence, The Sam & Adele Golden Gallery, New Berlin, NY Rituals of Exhibition II, Light Space Project, H Gallery, Chiang Mai, Thailand Rituals of Exhibition, curated by Giles Ryder and Gilbert Hsiao, Don't Be Selfish, Phayao, Thailand POSTE CONCRET II, curated by Richard van der Aa, ParisCONCRET, Paris, FR 2012 Soft Luminosity, curated by Guido Winkler and Iemke van Dijk, IS Projects, Leiden, NL (edition) Art On Paper 2012, The Weatherspoon Museum of Art, Greensboro, NC (brochure) Islands of Order in a Sea of Chaos, curated by Ruth van Veenen, de Vishal, Haarlem, NL Doppler Stop, Amsterdams Grafisch Atelier, Amsterdam, NL (catalogue) Doppler Stop, Kunst & Complex, Rotterdam, NL Doppler Stop, Fluctuating Images / General Public, Berlin, DE Doppler Stop, trenutak.39 / Museum of Contemporary Art, Zagreb, HR Trade - O - Mat, curated by Kathryn Kenworth, Kala Art Institute, Berkeley, CA 2011 A Romance of Many Dimensions, curated by Brent Hallard, Brooklyn Artists Gym, Brooklyn, NY POSTE CONCRET I, curated by Richard van der Aa, ParisCONCRET, Paris, FR BYO, IS Projects, Leiden, NL Stop & Go Rides Again, touring exhibition curated by Sarah Klein, Z Space, San Francisco, US; Kunst & Complex, Rotterdam, NL; Fluctuating Images / General Public, Berlin, DE; Fluctuating Images / Interventionstraum, Stuttgart, DE An Exchange with Sol Lewitt, Massachussetts Museum of Contemporary Art, North Adams, MA (catalogue) ReTrace, Cesar Chavez Art Gallery, San Francisco State University, San Francisco, CA 2010 TOUCH, curated by Brent Hallard, ParisCONCRET, Paris, FR (catalogue) Factor XX, curated by Jenny Balisle, Los Gatos Museum, Los Gatos, CA (catalogue) The Rule of Typical Things, Gregory Lind Gallery, San Francisco, CA 2009 TRANS: form color, Meridian Gallery, San Francisco, CA (catalogue) TRANSformal, Pharmaka, Los Angeles, CA (brochure) The Grid, curated by JT Kirkland, MP5, Portland, OR 2008 Calculated Color, curated by Jane Lincoln, Higgins Art Gallery, Cape Cod, MA (brochure) The Space Between, curated by Cathy Kimbell, San Jose Institute of Contemporary Art, San Jose, CA (brochure) Close Calls, Headlands Center for the Arts, Sausalito, CA (also 2005, 2004) TOUCH, curated by Brent Hallard, Busdori, Tokyo, Japan Out of the Fog: Artists from Headlands Center for the Arts, curated by Dianne Romaine and Holly Blake, Art works Downtown, San Rafael, CA 2007 TRANS: Abstraktion, Weltraum, Munich, DE (brochure) 7 - 07 Hung Liu curates 7 Women Artists in the year of the Pig, b.Sakata Garo, Sacramento, CA (brochure) Bay Area Currents, The Oakland Art Gallery, Oakland, CA Visual Noise, UMC Gallery, University of Colorado, Boulder, CO The Unknown Quantity, Gregory Lind Gallery, San Francisco, CA Systems & Transmutations, Root Division, San Francisco, CA (catalogue) Still, Contemporary Quarterly, curated by Chandra Cerrito, www.ContemporaryQuarterly.com (brochure) 2006 Suitcase: Bus - Dori, curated by Brent Hallard, Tokyo, JP Summertime, Judy Saslow Gallery, Chicago, IL microcosm, curated by Victoria Wagner, Richmond Art Center, Richmond, CA (brochure) Sketch, The Memorial Union Gallery, University of California at Davis, Davis, CA 2005 Contemporary Perspectives, Museum of Contemporary Art, Santa Rosa, CA 2004 and now they aren't.

Other notable solo presentations include a selection of Tony Smith's sculptural maquettes, presented by Pace Gallery (New York, London, Palo Alto, Beijing, Hong Kong, Paris, Seoul), which highlight the artist's modular system of formal and spatial organization.

The firmʼs unique cutting edge research into computer - aided digital design and fabrication technology, new materials and multi-media installations as applied to a range of diverse gallery installations, commercial projects, and more recently a series of prefabricated modular building assembly systems has elicited international acclaim.

Douglas is one of a group of classically trained New York based artists who have chosen the street as the primary place to exhibit their work, finding the immediacy of doing so more liberating than the confines of the traditional gallery system.

In his new show, Finder / Builder, at StolenSpace gallery this April, The Lost object continues with this Zen - like practice but taking it towards the modern age, using more modern tools and incorporating aspects of the Binary System.

At the gallery's basement, the viewer comes across three bodies of work: black photographic paper (coin studies), museum barriers standing in vertical position (distance keepers) and wall painting (model), that act as collage elements and manage in a quite unexpected and paradoxical way to serve as a whole new system of reference.

We're most excited about the all - female South African collective iQhiya, at Transmission Gallery; Mark Leckey, who's installing a booming surround - sound audio system at Tramway; and Lubaina Himid, fresh off her Turner Prize, debuting a new commission at the grand Kelvingrove museum.

Its experimental format, which involves sixteen Manhattan galleries hosting young galleries from across the globe, aims to create a support system among emerging galleries by helping them gain exposure in a new city.

Originally presented at Pelican Bomb Gallery X in New Orleans, November 2017, Queer Tropics features artworks that examine the visual and cultural systems through which one imagines the landscape of the tropics as a site of leisure, sensuality, and play.

2015 Walks and displacements, Andrew Kreps Gallery, New York, USA The Pump, curated by Jennifer Teets, Royal College of Art Dyson Building, London, UK Nature, Art and Ecology, Museo d'Arte Moderna e Contemporanea di Trento e Rovereto, Italy Le Souffleur, Schürmann trifft Ludwig, Ludwig Forum Aachen, Aachen, Germany A Walk, Tripoli Gallery of Contemporary Art, East Hampton, New York, USA Multi-Channel: Currents in Contemporary Video Art, West Texas A&M University, Canyon, USA System of a Down, Ellis King, Dublin, Ireland Être Chose, Treignac Projet, Treignac, France Albert the kid is ghosting, David Roberts Art Foundation, London, UK Anagramma, curated by CURA, Basement Roma, Rome, Italy The Noing Uv It, Bergen Kunsthall, Bergen, Norway

Boston Globe review of Abstract Systems Art New England review of Abstract Systems Abstract Systems, Lasell College, Wedeman Gallery, March 23rd - April 12th, 2017

Group exhibitions and collaborative projects in recent years are Llocs comuns, Can Felipa Arts Visual, Barcelona, ES (2014); Systems Thinking from the Inside, 21st Century, Chisenhale Gallery, London; Total Vitality (by Julia Tcharfas), Bold Tendencies, London; Recent Work by Artists, Auto Italia, London; A Space Base, for Instance, [space], London (all 2013); The Biopolitical City (by Tim Ivison), Architectural Association, London; Summer School: The Eltham Open curated by Alex Ross, Gerald Moore Gallery, London; (On) Accordance, or-bits.com; ROCRO, MACRO, Rome IT; Echo - System, Helsinki World Design Capital, commissioned by the British Council (all 2012); For Inclusion in the Syllabi, Pigeon Wing, London; Rules of Engagement, Angus - Hughes, London; (Architecture in Words Only), Hilary Crisp, London (all 2011); New Wight Biennial: New Romance, UCLA Department of Art, Los Angeles US; Counter Constructs, Auto - Italia South East, London; No Soul For Sale, Panel discussion with members of The Suburban, Vox Populi, and Auto - Italia South East at Tate Modern, London; Utopia and Nature, Residency ASFA, Crete, Greece (all 2010).

Exhibitions include: «New Works» solo, FOLD Gallery, London (2017), «Life Room Seats» commission, Royal Academy Schools, London (2014), «Movable Wall System» commission, Backlit, Nottingham (2013), «Art in Your Park», University of Nottingham, Nottingham (2013), Castle Open, Nottingham Castle, Nottingham (2011), London Art Fair, Business Design Centre, London (2011).

Another new gallery has popped up on Broadway, giving us a good reason to head over to the Kosciuszko stop on the J. Good Work Gallery presents the Alvarino Klein Design Production Systems Team, who will be working on a collection of Abstract Expressionist style paintings, some to be completed the night of the exhibition opening, which have been commissioned by a real estate company in Miami, Fgallery has popped up on Broadway, giving us a good reason to head over to the Kosciuszko stop on the J. Good Work Gallery presents the Alvarino Klein Design Production Systems Team, who will be working on a collection of Abstract Expressionist style paintings, some to be completed the night of the exhibition opening, which have been commissioned by a real estate company in Miami, FGallery presents the Alvarino Klein Design Production Systems Team, who will be working on a collection of Abstract Expressionist style paintings, some to be completed the night of the exhibition opening, which have been commissioned by a real estate company in Miami, Florida.