Sentences with phrase «new ikon»

As an owner of the «17 / ’18 M.A.X. Pass, I heard many people talking about a new Ikon Pass and guessing what resorts will be included.

Not exact matches

The new gearbox and engine combo make the overall experience so much better compared to the old setup that you'll start thinking that it is time for Ford to slap on «The Josh Machine» sticker that came on the windscreen of the Ikon on the Freestyle as well!

Destinations Ikon Pass par état / province Californie: Squaw Valley Alpine Meadows, Mammoth Mountain, June Mountain, Big Bear Mountain Resort Colorado: Aspen Snowmass, Steamboat, Winter Park Resort, Copper Mountain, Eldora Mountain Resort Maine: Sugarloaf, Sunday River Montana: Big Sky Resort New Hampshire: Loon Mountain Utah: Deer Valley Resort, AltaSnowbird Vermont: Stratton, Killington Resort, Sugarbush Resort Virginie - Occidentale: Snowshoe Wyoming: Jackson Hole Mountain Resort Alberta, Canada: SkiBig3 Ontario, Canada: Blue Mountain Québec, Canada: Tremblant Colombie - Britannique: Revelstoke Mountain Resort, CMH Heli - Skiing & Summer Adventures

Ikon Pass Destinations by Location California: Squaw Valley Alpine Meadows, Mammoth Mountain, June Mountain, Big Bear Mountain Resort Colorado: Aspen Snowmass, Steamboat, Winter Park Resort, Copper Mountain, Eldora Mountain Resort Maine: Sugarloaf, Sunday River Montana: Big Sky Resort New Hampshire: Loon Mountain Utah: Deer Valley Resort, AltaSnowbird Vermont: Stratton, Killington Resort, Sugarbush Resort West Virginia: Snowshoe Wyoming: Jackson Hole Mountain Resort Alberta, Canada: SkiBig3 Ontario, Canada: Blue Mountain Quebec, Canada: Tremblant British Columbia: Revelstoke Mountain Resort, CMH Heli - Skiing & Summer Adventures

Recent solo exhibitions include Whitford Fine Art, an exhibition of his early 80's steel sculptures; other significant exhibitions include Hayward Gallery and Serpentine Gallery, Guggenheim, Venice, Ikon Gallery, Birmingham, Galerie Josine Bockhoven, Amsterdam, Robert Steele Gallery, New York, Bodo Niemann Gallery, Berlin, Waddington & Shiell Gallery, Toronto, Musee Dʼart Moderne, France and The National Gallery, Australia, Flowers Gallery, London, Whitford Fine Art, London, and Henry Moore Institute, Leeds.

She has also participated in various group exhibitions at the Hamburger Kunsthalle, 2008, the Institute of Contemporary Art, Boston, 2000, P.S. 1, New York, 1999, Ikon Gallery, Birmingham, 1997, and Tate Liverpool, 1995.

There is no more appropriate moment to examine new and recent contemporary art from Iraq and we are privileged that this talk will be led by curator and Director of Ikon Gallery in Birmingham, Jonathan Watkins, who curated the highly acclaimed Pavilion of Iraq at the 55th International Art Exhibition at the Venice Biennale in 2013.

2012 Barber Institute of Fine Arts, Birmingham 2011 RWA, Bristol 2010 Artsdepot, London 2009 Alan Cristea Gallery, London 2007 Ikon Gallery, Birmingham 2006 Galerie Lelong, Zurich The New Art Centre Sculpture Park and Gallery, Roche Court, Salisbury 2005 Alan Cristea Gallery, London Tate Modern, London 2004 Focus London Galerie Lelong, Zurich Kunstmuseum Bonn, Bonn

Patterson has exhibited in Chisenhale Gallery, London; Ikon Gallery, Birmingham; MOMA, New York; Museum of Contemporary Art Chicago; Brooklyn Museum of Art, Brooklyn; The Victoria and Albert Museum and Tate Britain, London.

, Ikon Gallery, Birmingham 2011, and New Wooabbeleri, Focal Point Gallery, Southend - On - Sea 2010.

During the 1980's my early work was associated with «New Image Painting» and significant exhibitions during this period include a solo show, «Journeying in Search of Hidden Treasures» at the Ikon Gallery, Birmingham, UK, «Problems of Picturing» at the Serpentine Gallery, London and «Between Identity & Politics — A New Art», Gimpel Fils, London and New York.

At Birmingham's Ikon Gallery from 10th October 2015 to 17th January 2016, Scroll Down And Keep Scrolling, is the most comprehensive exhibition of Fiona Banner's work to date, re-presenting key early projects alongside recent and unseen works that span a period of 25 years.This exhibition is accompanied by a major new artist's book of the same title.

She has had solo exhibitions at DHC, Montreal (2011), MOCA, Miami (2010), KW Institute for Contemporary Art, Berlin (2009), Palais de Tokyo, Paris (2009), the Swiss Institute, New York (2006), and Ikon Gallery, Birmingham (2001), and has participated in the Biennale di Venezia (2009).

Perhaps because of the incandescence of the YBAs in the 1990s, British art in the 1980s often gets short thrift in terms of column inches in histories of modern and contemporary art, but — as Ikon's new show on the decade should demonstrate — it was a period of free - wheeling experimentation, in which figurative painting made a comeback, the variety of abstract styles increased, installation art grew in ambition and cut - and - paste appropriation prevailed.

Her work has been shown at High Desert Test Sites in Joshua Tree, California and at Artists Space, and Jack Hanley Gallery in New York and she has also completed projects at Ikon in Birmingham, England and Artpace in San Antonio, Texas.

The new film Zamach was commissioned by Artangel, Outset Contemporary Art Fund, Louisiana Museum of Modern Art, The Netherlands Foundation for Visual Arts, Design and Architecture and Zachęta National Gallery of Art in association with Annet Gelink Gallery, Sommer Contemporary Art, Ikon Gallery, Netherlands Film Fund, Australian Centre for Contemporary Art and Artis and produced by My - i Productions in association with Artangel.

She has shown extensively for the past five decades, in solo and group contexts, and has been the subject of numerous survey exhibitions including Museu d'Art Contemporani de Barcelona (2003); Generali Foundation, Vienna (2002); New Museum, New York (2000); The Museum of Contemporary Art, Los Angeles (2000); Kunstverein München, Munich (1992); Ikon Gallery, Birmingham, England (1991); and Alternative Museum, New York (1987).

Her work has been the subject of solo shows at Museo del Barrio (New York), Museum Pfalzgalerie Kaiserslautern (Germany) and Ikon Gallery (Birmingham).

Headquartered in New York City, the organization produces the Ikon Review digital platform, art and design exhibitions, film screenings, and creative marketing projects.

«As the inaugural exhibition for Ikon Arts Foundation, we wanted to show the breadth of high - quality work that is being produced in Croatia, as well as its relevance in the contemporary art scene in New York City», writes Linda Mateljan, Ikon Arts Foundation director.

He has exhibited extensively in international solo and group exhibitions and projects including: Tate St Ives; Museo d'Arte Moderna, Bologna; Athens Biennale; Istanbul Biennale; Venice Biennale; Deste Foundation, Athens; PS1, New York; Ikon Gallery, Birmingham; Kunstmuseum Lucerne; Creative Time, New York; Hayward Gallery, London and Tate Britain.

Continental Shift - Artists from the African continent in Europe, Bonnefantenmuseum, Maastricht, The Netherlands Intelligence: New British Art 2000, Tate Britain, London South Meets West, Accra, Ghana and Kunsthalle, Bern, Switzerland 1999 From where - To here, Art from London, Konsthallen Göteborg, Sweden Kunstwelten im Dialog, Museum Ludwig, Cologne Missing Link, Museum of Arts, Bern, Switzerland Heaven, Kunsthalle Düsseldorf, Germany; Tate Gallery, Liverpool Mirror's Edge, Bild Museet, Umeå, Sweden; toured to Vancouver Art Gallery, Canada; Castello di Rivoli, Torino, Italy; Tramway, Glasgow; Charlottenborg, Copenhagen, Denmark Citibank Private Bank Photography Prize, Photographers» Gallery, London In the Midst of Things, Bournville Village, Birmingham Secret Victorians, Arts Council Touring Exhibition, Ikon Gallery, Birmingham; Firstsite, Colchester; Arnolfini, Bristol; Middlesborough Art Gallery; Museum and Art Gallery, Brighton; Armand Hammer Museum, Los Angeles, USA Sensation, Brooklyn Museum of Art, New York, NY, USA 1998 Cinco Continentes y una Ciudad, Museo de la Ciudad de México, México D.F. Personal Effects; Sculpture & Belongings, Spacex Gallery, Exeter; toured to Angel Row Gallery, Nottingham Ethno - antics, Nordic Museum, Stockholm, Sweden Crossings, National Gallery of Canada, Ottawa, Canada Liberating Tradition, Bard Center for Curatorial Studies, New York, NY, USA Transatlantico, Centro Atlantico de Arte Moderno, Canary Islands, Spain Beyond Mere Likeness: Portraits from Africa and the African Diaspora, Duke University Museum of Art, Durham, North Carolina, NC, USA Global Vision; New Art from the»90s, Deste Foundation, Athens, Greece 1997 Sensation: Young British Art from the Saatchi Collection, Royal Academy of Arts, London; toured to the National Gallery of Berlin, Germany and the Brooklyn Museum of Art, New York, NY, USA Portable Personal Histories Museum, Ikon Gallery, Birmingham Trade Routes: History and Geography, 2nd Johannesburg Biennale, South Africa Transforming the Crown: African, Asian and Caribbean Artists in Britain, 1966 - 1996, Caribbean Cultural Center / African Diaspora Institute, New York, NY; Studio Museum, Harlem, NY; the Bronx Museum of the Arts, New York, NY, USA Pictura Britannica, Museum of Contemporary Art, Sydney, Australia; toured to the Art Gallery of South Australia, Adelaide and the City gallery, Wellington, New Zealand What, Trinity Buoy Wharf, London 1996 Pledge Allegiance to A Flag?

1999 Dressing Down, Ikon Gallery, Birmingham; toured to Henie Onstad Art Centre, Norway; Northern Gallery for Contemporary Art, Sunderland; Mappin Art Gallery, Sheffield; Oriel Mostyn, Llandudno, Wales (catalogue) Brent Sikkema, New York, USA

Set in an 18th century listed Georgian house, the show features a wide range of artists editions and products, including new editions by Cornelia Parker, Beatrice Milhazes, Richard Deacon, Richard Wilson and Ding Yi; the proceeds of the new editions (launched jointly with Ikon Gallery, Birmingham) will go towards supporting Ikon's 50th anniversary investment fund.

She has previously shown with Deitch Projects, New York and recently has had solo shows with the Ikon Gallery, Birmingham, UK and the Museum of Craft & Folk Art, San Francisco.

Founded in 1966, it was one of that great wave of new institutions that included the Scottish National Gallery of Modern Art, the Camden Arts Centre in London and the Ikon Gallery in Birmingham.

His work has been the subject of numerous solo exhibitions at venues including Museum Dhondt - Dhaenens, Belgium and Musée d'art Contemporain de Montréal (2016); Aspen Art Museum, Colorado, Contemporary Art Gallery, Vancouver, Australian Centre for Contemporary Art, Melbourne, Singapore Tyler Print Institute, Singapore and Proyectos Monclova, Mexico City (2015); Manchester Art Gallery and Centre for Contemporary Art, Derry (2014); Palais de Tokyo, Paris (2012); Haus Konstruktiv, Zurich (2010); Solomon R Guggenheim Museum, New York (2010); Ikon Gallery, Birmingham (2008); MUMOK, Vienna (2007) and the CCA Wattis Institute for Contemporary Arts, San Francisco (2007).

She has completed solo projects at Ikon Gallery in Birmingham, England, Locust Projects in Miami, and at Jack Hanley Gallery, New York.

1999 Love Bites, Ikon Gallery, Birmingham, UK; touring to Cornerhouse, Manchester, UK Zac 99, Musee d'Art Moderne de la Ville de Paris, France Bildung - information, communication and didactics in contemporary fine arts, Grazer Kunstverein, Graz, Austria Getting the Corners, Or Gallery, Vancouver, Canada Shopping, London, (organised by FAT), England GREEN, Exedra (Foundation for Contemporary Art), Hilversum, Netherlands Plug In, Salon 3, London, England Word enough to save a life, Word enough to take a life, Clare College Mission Church, London, England Common People, British Art between Phenomenon and Reality, Fondazione Sandretto re Rebaudengo per L'arte, Torino, Italy Waste Management, Art Gallery of Ontario, Canada Free Coke, Greene / Naftali Gallery, New York, USA Ainsi de suite 3 (deuxième partie), Sétè, France Diary, Cornerhouse, Manchester, UK Lè Grând Præmière Opénïng Shöw, Galleri Nicolai Wallner, Copenhagen, Denmark

Solo exhibitions of Lee Bul's work have been organized at museums throughout the world, including Artsonje Center, Seoul (2016); Vancouver Art Gallery (2015); Palais de Tokyo, Paris (2015); Espai d'art contemporani de Castelló, Castellón, Spain (2015); Musée d'art moderne et contemporain de Saint - Etienne Métropole, France (2015); National Museum of Modern and Contemporary Art, Seoul (2014); Ikon Gallery, Birmingham, United Kingdom (2014); Musée d'Art Moderne Grand - Duc Jean, Luxembourg (2013); Mori Art Museum, Tokyo (2012); Fondation Cartier pour l'art contemporain, Paris (2007); Museum of Contemporary Art Australia, Sydney (2004); Henry Art Gallery, Seattle (2003); The Power Plant, Toronto (2002); New Museum, New York (2002); The Fabric Workshop and Museum, Philadelphia (2001); and The Museum of Modern Art, New York (1997).

The Korean artist's first solo show in the UK, including her drawings, sculptural pieces, installations and a new commission made for Ikon.

Recent solo exhibitions of Ryan Gander include Museum Dhondt - Dhaenens, Deurla; Palais de Tokyo, Paris; Museo Tamayo, Mexico City; Haus Konstruktiv, Zurich; Solomon R. Guggenheim Museum, New York; Ikon Gallery, Birmingham; and Stedelijk Museum, Amsterdam.

LANGLANDS & BELL: INTERNET GIANTS: MASTERS OF THE UNIVERSE Mar 21 - Jun 10, 2018 Ikon presents an exhibition of new and recent work by British artists Ben Langlands and Nikki Bell, marking the 40th anniversary of their artistic partnership.

2008 Heralded as the new black, Ikon Gallery, Birmingham, UK Heralded as the new black, South London Gallery, London, UK Something Vague, St Gallen Kunstverein, Switzerland, CH Something Vague, Bonner Kunstverein, Bonn, DE How I learnt to use my senses, how I learnt to think and how I learnt to feel, Taro Nasu Gallery, Tokyo, JP Championed by Rigour, Tanya Bonakdar Gallery, New York, US And it came to life, Marz Galleria, Lisbon, PT Basquiat, STORE Gallery, London, UK 2007 GHOSTWRITER SUBTEXT (TOWARDS A SIGNIFICANTLY MORE PLAUSIBLE INTERROBANG), Taro Nasu Gallery, Tokyo, JP More than the weight of your shadow, DAIWA Press Viewing Room, Hiroshima, JP Passengers, CCA Wattis Institute for Contemporary Arts, San Francisco, US Short cut through the trees, MUMOK, Vienna, AT The Last Work, Stedelijk Museum, Amsterdam NL Of Any Actual Person, Living or Dead (with Aurélien Froment), STORE, London, UK 2006 Ryan Gander, Massimo De Carlo, Milan, IT Ghostwriter Subtext, Premier Container, Art Basel Premier with STORE, Miami, US Didactease, Marc Foxx, Los Angeles, USCinema Verso, Whitechapel East Wing, London, UK Spencer, forget about good, Art Basel Unlimited with Annet Gelink Gallery, Basel, CH The title taken from reading that book (with George Henry Longly), Elisabeth Kauffman, Zurich, CH Is This Guilt In You Too --(The study of a car in a field), MUMOK, Vienna, AT Your clumsiness is the next man's stealth, Annet Gelink Gallery, Amsterdam, NL Nine Projects for the Pavilion de l'Esprit Nouveau, MAMbo, GAM, Bologna,new black, Ikon Gallery, Birmingham, UK Heralded as the new black, South London Gallery, London, UK Something Vague, St Gallen Kunstverein, Switzerland, CH Something Vague, Bonner Kunstverein, Bonn, DE How I learnt to use my senses, how I learnt to think and how I learnt to feel, Taro Nasu Gallery, Tokyo, JP Championed by Rigour, Tanya Bonakdar Gallery, New York, US And it came to life, Marz Galleria, Lisbon, PT Basquiat, STORE Gallery, London, UK 2007 GHOSTWRITER SUBTEXT (TOWARDS A SIGNIFICANTLY MORE PLAUSIBLE INTERROBANG), Taro Nasu Gallery, Tokyo, JP More than the weight of your shadow, DAIWA Press Viewing Room, Hiroshima, JP Passengers, CCA Wattis Institute for Contemporary Arts, San Francisco, US Short cut through the trees, MUMOK, Vienna, AT The Last Work, Stedelijk Museum, Amsterdam NL Of Any Actual Person, Living or Dead (with Aurélien Froment), STORE, London, UK 2006 Ryan Gander, Massimo De Carlo, Milan, IT Ghostwriter Subtext, Premier Container, Art Basel Premier with STORE, Miami, US Didactease, Marc Foxx, Los Angeles, USCinema Verso, Whitechapel East Wing, London, UK Spencer, forget about good, Art Basel Unlimited with Annet Gelink Gallery, Basel, CH The title taken from reading that book (with George Henry Longly), Elisabeth Kauffman, Zurich, CH Is This Guilt In You Too --(The study of a car in a field), MUMOK, Vienna, AT Your clumsiness is the next man's stealth, Annet Gelink Gallery, Amsterdam, NL Nine Projects for the Pavilion de l'Esprit Nouveau, MAMbo, GAM, Bologna,new black, South London Gallery, London, UK Something Vague, St Gallen Kunstverein, Switzerland, CH Something Vague, Bonner Kunstverein, Bonn, DE How I learnt to use my senses, how I learnt to think and how I learnt to feel, Taro Nasu Gallery, Tokyo, JP Championed by Rigour, Tanya Bonakdar Gallery, New York, US And it came to life, Marz Galleria, Lisbon, PT Basquiat, STORE Gallery, London, UK 2007 GHOSTWRITER SUBTEXT (TOWARDS A SIGNIFICANTLY MORE PLAUSIBLE INTERROBANG), Taro Nasu Gallery, Tokyo, JP More than the weight of your shadow, DAIWA Press Viewing Room, Hiroshima, JP Passengers, CCA Wattis Institute for Contemporary Arts, San Francisco, US Short cut through the trees, MUMOK, Vienna, AT The Last Work, Stedelijk Museum, Amsterdam NL Of Any Actual Person, Living or Dead (with Aurélien Froment), STORE, London, UK 2006 Ryan Gander, Massimo De Carlo, Milan, IT Ghostwriter Subtext, Premier Container, Art Basel Premier with STORE, Miami, US Didactease, Marc Foxx, Los Angeles, USCinema Verso, Whitechapel East Wing, London, UK Spencer, forget about good, Art Basel Unlimited with Annet Gelink Gallery, Basel, CH The title taken from reading that book (with George Henry Longly), Elisabeth Kauffman, Zurich, CH Is This Guilt In You Too --(The study of a car in a field), MUMOK, Vienna, AT Your clumsiness is the next man's stealth, Annet Gelink Gallery, Amsterdam, NL Nine Projects for the Pavilion de l'Esprit Nouveau, MAMbo, GAM, Bologna,New York, US And it came to life, Marz Galleria, Lisbon, PT Basquiat, STORE Gallery, London, UK 2007 GHOSTWRITER SUBTEXT (TOWARDS A SIGNIFICANTLY MORE PLAUSIBLE INTERROBANG), Taro Nasu Gallery, Tokyo, JP More than the weight of your shadow, DAIWA Press Viewing Room, Hiroshima, JP Passengers, CCA Wattis Institute for Contemporary Arts, San Francisco, US Short cut through the trees, MUMOK, Vienna, AT The Last Work, Stedelijk Museum, Amsterdam NL Of Any Actual Person, Living or Dead (with Aurélien Froment), STORE, London, UK 2006 Ryan Gander, Massimo De Carlo, Milan, IT Ghostwriter Subtext, Premier Container, Art Basel Premier with STORE, Miami, US Didactease, Marc Foxx, Los Angeles, USCinema Verso, Whitechapel East Wing, London, UK Spencer, forget about good, Art Basel Unlimited with Annet Gelink Gallery, Basel, CH The title taken from reading that book (with George Henry Longly), Elisabeth Kauffman, Zurich, CH Is This Guilt In You Too --(The study of a car in a field), MUMOK, Vienna, AT Your clumsiness is the next man's stealth, Annet Gelink Gallery, Amsterdam, NL Nine Projects for the Pavilion de l'Esprit Nouveau, MAMbo, GAM, Bologna, IT

Shahzia Sikander has had solo shows in Whitney Museum (New York), Hirshhorn Museum and Sculpture Garden (Washington D.C), The Renaissance Society (Chicago), MCA (Sydney) and Ikon Gallery (Birmingham), among others.

* Secret Victorians: Contemporary Artists and a Nineteenth - Century Vision, The Minorities Art Gallery, Colchester, England; Traveled To: Arnolfini, Bristol, England; Ikon Gallery, Birmingham, England; Middlesbrough Art Gallery, Middlesbrough, England; UCLA at the Armand Hammer Museum of Art and Cultural Center, Los Angeles, CA; The Fabric Workshop and Museum, Philadelphia, PA; Paul Kasmin Gallery, New York, NY.

His work has been exhibited in group and solo exhibitions in the UK and the US, including at Tate Britain, London, Ikon Gallery, Birmingham, the Studio Museum, Harlem, New York and the Art Gallery of Ontario.

When Art Is Just an Everyday Happening; Terry Grimley Meets the New Director of Birmingham's Ikon Gallery The Birmingham Post (England); July 20, 1999; 700 + words... Gianelli and Richard Ross.

British artist David Tremlett, best known for his site - specific wall drawings, makes a vast new work for Ikon, transforming the second floor galleries with geometric shapes, applied directly to the walls using pastel pigment and engine grease... more

Ikon presents an exhibition of new work by British artists Ben Langlands and Nikki Bell, marking the 40th year of their artistic partnership which started in 1978 while studying Fine Art at Middlesex Polytechnic, London.

Roger Hiorns» exhibition is supported by Corvi - Mora, London; Annet Gelink, Amsterdam; Luhring Augustine, New York and the Ikon Investment Fund.

*** Cornelia Parker (b. 1956, Cheshire) has had numerous solo exhibitions including The Metropolitan Museum of Art, New York, The Whitworth, Manchester, The British Library, London, Ikon Gallery, Birmingham, and Baltic, Gateshead.

The exhibition also includes a new video work documenting Untitled (a retrospective view of the pathway), an off - site project produced by Ikon in June 2016.

Norwegian visual artist and writer Matias Faldbakken is currently exhibiting a new series of works titled Shocked into Abstraction at Ikon Gallery in Birmingham, UK.

Recent solo exhibitions and public projects: We Are Shipwrecked and Landlocked, Kaldor Art Projects, Melbourne (2008); Ikon Gallery, Birmingham (2008); Münster Sculpture Project, Münster (2008); We Burn, We Shiver (with Ugo Rondinone), Sculpture Centre, New York (2008)

1999 From where — To here, Art from London, Konsthallen Göteborg, Sweden 1999 Kunstwelten im Dialog, Museum Ludwig, Cologne 1999 Missing Link, Museum of Arts, Bern, Switzerland 1999 Heaven, Kunsthalle Düsseldorf, Germany; Tate Gallery, Liverpool, England 1999 Mirror's Edge, Bild Museet, Umeå, Sweden; toured to Vancouver Art Gallery, Canada; Castello di Rivoli, Torino, Italy; Tramway, Glasgow; Charlottenborg, Copenhagen, Denmark 1999 Citibank Private Bank Photography Prize, Photographers» Gallery, London, England 1999 In the Midst of Things, Bournville Village, Birmingham 1999 Secret Victorians, Arts Council Touring Exhibition, Ikon Gallery, Birmingham; 1999 Firstsite, Colchester; Arnolfini, Bristol; Middlesborough Art Gallery; Museum and Art Gallery, Brighton; Armand Hammer Museum, Los Angeles, USA 1999 Sensation, Brooklyn Museum of Art, New York, NY, USA

He has exhibited his work nationally and internationally in solo exhibitions at Kaldor Art Projects, Melbourne, Australia; Kunstverein Munster, Germany; Ikon Gallery, Birmingham, England; Sculpture Centre, New York (with Ugo Rondinone); The Modern Institute, Glasgow; Centre d'Art Contemporain, Geneva; Tanya Bonakdar Gallery, New York; FRAC Pays de la Loire, Carquefou, France; Johnen Galerie, Berlin; Galerie Eva Presenhuber, Zurich; Tramway, Glasgow.

Ikon and Plinth are collaborating on a new pop - up exhibition in central London.

Proceeds will support Ikon's 50th Anniversary Investment Fund which will be used for the new commissions and organizing the gallery's artistic programs in the future.

1997 Sensation: Young British Art from the Saatchi Collection, Royal Academy of Arts, London; toured to the National Gallery of Berlin, Germany and the Brooklyn Museum of Art, New York, NY, USA 1997 Portable Personal Histories Museum, Ikon Gallery, Birmingham 1997 Trade Routes: History and Geography, 2nd Johannesburg Biennale, South Africa 1997 Transforming the Crown: African, Asian and Caribbean Artists in Britain, 1966 - 1996, Caribbean Cultural Center / African Diaspora Institute, New York, NY; Studio Museum, Harlem, NY; the Bronx Museum of the Arts, New York, NY, USA Pictura Britannica, Museum of Contemporary Art, Sydney, Australia; toured to the Art Gallery of South Australia, Adelaide and the City gallery, Wellington, New Zealand 1997 What, Trinity Buoy Wharf, London, England