Sentences with phrase «new lumas»

After new Lumas are discovered, Rosalina ends up adopting each one as her own and forms her new family.

Not exact matches

For instance, the Wii Remote is used to collect Star Bits, which are mostly used to feed gluttonous Lumas that grant access to new planets.

The work was first shown at David Zwirner in New York in 2016 before traveling later that year to LUMA Arles and the Stedelijk Museum Amsterdam, and is co-produced by Sadie Coles HQ, London.

In the past she has collaborated with various institutions including Centro Atlantico de Arte Moderno (CAAM), Las Palmas de Gran Canaria, ES; Durban Art Gallery, ZA; Joburg Art Fair, Johannesburg, ZA; Johannesburg Workshop in Theory and Criticism (JWTC), Johannesburg, ZA; LUMA / Westbau, Pool, Zurich, CH; New Museum, Museum as Hub, New York, US; and Raw Material Company, Dakar, SN, amongst others.

Work by Wolfson is held in public collections worldwide, including The Broad, Los Angeles; Cleveland Museum of Art, Cleveland, Ohio; Fondazione Sandretto Re Rebaudengo, Turin; Galleria d'Arte Moderna e Contemporanea di Bergamo, Italy; Fonds national d'art contemporain (FNAC), France; LUMA Foundation, Zurich; Magasin III Museum and Foundation for Contemporary Art, Stockholm; Moderna Museet, Stockholm; Museum of Contemporary Art Chicago; Museum Ludwig, Cologne; The Museum of Modern Art, New York; Stedelijk Museum voor Actuele Kunst (S.M.A.K.), Ghent; Tate, London; and the Whitney Museum of American Art, New York.

She has forthcoming solo exhibitions at SculptureCenter, New York, The Hepworth Wakefield and Fondazione Sandretto RE Rebaudengo, Turin (all 2015), as well as an upcoming group show at LUMA Foundation, Zürich.

From 5 — 9 October, Pattison will realize a new installation at Frieze London as part of Frieze Projects, the fair's celebrated non-profit programme.Curated in 2016 by Raphael Gygax, Frieze Projects and the Frieze Artist Awardare supported by the LUMA Foundation.

Yeah, LUMA Foundation, Zurich (2013 - 14); Cine Dreams: Stan VanDerBeek, Jeronimo Voss, Katie Paterson, Nicola Trussardi Foundation, Milan (2014); New Forms Festival, Vancouver (2014) and Poemfield, The Box, Los Angeles (2014).

Olaf Breuning has collaborated with the Public Art Fund, Maja Hoffman's LUMA Foundation and Art Basel for large public installations at New York's Central Park, Elevation 1049 in Gstaad and Collins Park, Miami.

Edwards will additionally curate the Frieze Artist Award — an international open call for an emerging artist to realize a site - specific work — which launches at Frieze New York 2018, supported by the LUMA Foundation.

Major solo presentations of the artist's work have been staged at institutional venues including Schirn Kunsthalle, Frankfurt (2015); Nam June Paik Art Center, South Korea (2013); Seattle Art Museum (2013); Tate Liverpool (2012); LUMA Foundation, Arles, France (2012); Deste Foundation, Hydra, Greece (2011); Cincinnati Art Museum, Cincinnati (2010); Museo d'Art Contemporanea Roma, Rome (2009); Museum of Modern Art, New York (2007); Aspen Art Museum (2006); Musée d'Art Moderne de la Ville de Paris (2005); The Fabric Museum and Workshop, Philadelphia (2002) and Serpentine Gallery, London (2001).

The symposium is part of an ongoing collaboration between CCS Bard and the LUMA Foundation, which is currently developing a new centre for cultural production in Arles, France.

The LUMA Foundation is also pleased to present a symposium titled «The Human Snapshot,» which brings together many of today's leading thinkers to discuss the effect of the photographic image, its distribution through new media, and its impact on human rights.

Work by Wolfson is held in public collections worldwide, including The Broad, Los Angeles; Cleveland Museum of Art; Fondazione Sandretto Re Rebaudengo, Turin; Fonds national d'art contemporain (FNAC), Paris; Galleria d'Arte Moderna e Contemporanea di Bergamo, Italy; LUMA Foundation, Zurich; Moderna Museet, Stockholm; Museum of Contemporary Art Chicago; Museum Ludwig, Cologne; The Museum of Modern Art, New York; Stedelijk Museum voor Actuele Kunst (SMAK), Ghent; and the Whitney Museum of American Art, New York.

New Forms for Contemporary Image Production, the inaugural series of exhibitions at the LUMA Foundation's Parc des Ateliers, Arles, France.

Other programming highlights of the fall include an exhibition curated by Tirdad Zolghadr, LUMA Fellow and CCS Bard Senior Academic Advisor, and Fionn Meade, Independent Curator, along with first - year CCS Bard students, at Family Business, Maurizio Cattelan and Massimiliano Gioni's exhibition space in New York City, opening on October 12, 2012; the CCS Bard Speakers Series, including Sarah Pierce, Gregg Bordowitz, and Julia Bryan - Wilson; and the Nova Benway Conference, Methods and Models: Experimental Education at the Hessel Museum of Art, on October 18, 2012.

Darja Bajagić and Jasper Spicero will both be showing new projects in the exhibition «Americans 2017», opening May 19th at LUMA Westbau, curated by Simon Castets and Hans Ulrich Obrist for 89plus in partnership with the LUMA Foundation.

An exhibition curated by Tirdad Zolghadr, LUMA Fellow and CCS Bard Senior Academic Advisor, and Fionn Meade, Independent Curator, along with first - year CCS Bard students, will be on view at Family Business, Maurizio Cattelan and Massimiliano Gioni's exhibition space in New York City.

Originally commissioned by the LUMA Foundation for LUMA Arles in France, this project investigates new possibilities for archives and artistic production, which is one of its primary concerns.

Part of the Pop Surrealism and New Contemporary Movements, his collage work is exhibited with Thinkspace Gallery in LA, Parlor Gallery in Asbury Park, ArtClubFrance in Paris, Lumas in Berlin and more.

This afternoon in the Frieze auditorium, Bard's Tom Eccles introduced a new project by the LUMA foundation, a studio, residency, and Frank Gehry designed center, which will be accompanied by a summer festival in Arles, France.

Julien's work is held in collections that include: Tate, London; the Museum of Modern Art, New York; Centre Pompidou, Paris; the Solomon R. Guggenheim Museum, New York; the Hirshhorn Museum and Sculpture Garden, Washington DC; the Albright - Knox Art Gallery, Buffalo, New York; Fondation Louis Vuitton, Paris; the LUMA Foundation, Arles; the Kramlich Collection; the Zeitz Museum of Contemporary Art (Zeitz MOCAA), Cape Town.

In the past she has collaborated with various institutions including Centro Atlantico de Arte Moderno (CAAM), Las Palmas de Gran Canaria, ES; Durban Art Gallery, SA; Joburg Art Fair, Johannesburg, SA; Johannesburg Workshop in Theory and Criticism (JWTC), Johannesburg, SA; LUMA / Westbau, Pool, Zurich, CH; New Museum, Museum as Hub, New York, US; and Raw Material Company, Dakar, SN, amongst others.

Julien is represented in both public and private collections including the Museum of Modern Art, New York; Tate Modern; Centre Pompidou; Guggenheim Collection; Hirshhorn Collection, Albright - Knox; the Irish Museum of Modern Art; the National Museum of Norway; Brandhorst Collection; Fundación Helga de Alvear, Madrid; Goetz Collection; the Louis Vuitton Art Foundation; LUMA Foundation; and the Zeitz Foundation.

Albright - Knox Art Gallery, Buffalo, New York, USA Art Institute of Chicago, Chicago, USA Bard College, Centre for Curatorial Studies Museum, New York, USA Centre Pompidou, Paris, France Collecià ² n Helga de Alvear, Madrid, Spain De La Cruz Collection, Miami, Florida, USA De Pont Museum Collection, Tilburg, Netherlands Deutsche Bank Art Collection, Frankfurt, Germany Goetz Collection, Munich, Germany Government Art Collection, London, UK Guggenheim Museum, New York, USA Hirshhorn Museum and Sculpture Garden, Smithsonian, Washington, USA Irish Museum of Modern Art, Dublin, Ireland Linda Pace Foundation Collection, San Antonio, Texas, USA Louis Vuitton Foundation, Paris, France LUMA Foundation, Arles, France Margulies Collection, Miami, Florida, USA Milwaukee Art Museum, Wisconsin, USA Moderna Museet, Stockholm, Sweden Musac, (Castile and León Museum of Contemporary Art) León, Spain Museum of Contemporary Art Kiasma, Helsinki, Finland Museum of Modern Art, New York, USA Museum Brandhorst, Munich, Germany National Museum of Art, Architecture & Design, Oslo, Norway Stoschek Collection, Dusseldorf, Germany Tate Modern, London, UK Towner Eastborune and The Whitworth, United Kingdom (Moving Image Art Fund) The Wonderful Fund Collection, UK The Zeitz Foundation Collection Germany Wemhöner Collection, Herford, Germany

Frieze Projects Supported by the LUMA Foundation and curated for the first time by Raphael Gygax (Migros Museum für Gegenwartskunst, Zurich), the non-profit programme of new artist commissions will feature Sibylle Berg & Claus Richter; Martin Soto Climent; Coco Fusco (UK debut, co-commissioned with Liverpool Biennial); Operndorf Afrika (Opera Village Africa); Julie Verhoeven; and Samson Young.

The primary concern of LUMA is to investigate new possibilities for archives and artistic production.

In it, she discussed the firm's most recent work, including the expansion and renovation of the Museum of Contemporary Art San Diego; LUMA Arles, a new center for contemporary arts in southern France; and the Sunset Park Material Recovery Facility, the largest facility of its kind in the United States.

Works include: Sleepwalkers (MoMA, New York — 2007); Sonic Pavilion (INHOTIM, Brumadinho — 2009); Frontier (Rome — 2009 & Basel — 2010); Black Mirror (Athens / Hydra Island — 2011); Altered Earth (Arles, produced by LUMA Foundation — 2012); SONG 1 (Hirshhorn Museum, Washington DC — 2012); MIRROR (Seattle Art Museum, Seattle — 2013).

Her work has been exhibited in various institutional shows around the world, including Black Friday, Whitney Museum of American Art, New York, NY, USA (2016); Repetition, Villa Empain, Boghossian Foundation, Brussels, Belgium (2016); Imitation of Life at HOME, Manchester (2016); In Search of Lost Time, The Brunei Gallery, London (2016); 89plus: Filter Bubble, LUMA Westbau, Zurich, Switzerland (2015); 2015 Triennial: Surround Audience, New Museum, New York, NY, USA (2015); Common Grounds, Villa Stuck, Munich, Germany (2015); Extinctions Marathon: Visions of the Future, Serpentine Gallery, London, UK (2014); Virgin with a memory, Cornerhouse, Manchester, UK (2014); Do It, Manchester Art Gallery, Manchester, UK (2013); The 9th Gwangju Biennale, South Korea (2012); For your Eyes Only, St. Paul Street Gallery, Auckland, New Zealand (2012); Dowse Museum, Wellington, New Zealand (2012); Genre Specific Xperience, New Museum, New York, NY, USA (2011); Bendari & the Bunduqia, Waqif Art Centre, Doha, Qatar (2007) and We Few: A Comic Palindrome, Townhouse Gallery, Cairo, Egypt (2005).

Julien is represented in both public and private collections, including the Museum of Modern Art, New York; Tate Modern; Centre Pompidou; Guggenheim Collection; Hirshhorn Collection, Albright - Knox; Goetz Collection; the Louis Vuitton Art Foundation; LUMA Foundation; and the Zeitz Foundation.

For the LUMA Foundation in Arles, this exhibition investigates new possibilities for archives and artistic production, which is one of its primary concerns.

The artist has collaborated with the Public Art Fund, the LUMA Foundation and Art Basel on large public installations in New York, Gstaad and Miami, respectively, but he is also at home with the more intimate scale of the sketchbook page.

In 2012 he presented a performance, The Cleaners» Late Summer Party with COMME des GARÇONS, at the Serpentine Gallery, London; participated in To the Moon Via the Beach at Maja Hoffman's LUMA Foundation in Arles, France and had a solo presentation with Modern Art, London at the Independent, New York.

Julien's work is in many important public and private collections including Tate Modern, Centre Pompidou, the Museum of Modern Art (New York), Los Angeles Museum of Contemporary Art, Guggenheim Museum, the Albright - Knox Museum, the Irish Museum of Modern Art, the National Museum of Norway, Brandhorst Collection, Fundación Helga de Alvear, Goetz Collection, the Louis Vuitton Art Foundation, LUMA Foundation, the Zeitz Foundation and the Kramlich Collection.

Past projects include the Neue Galerie in New York, which, like the Frick, was originally designed in 1914 by Carrère and Hastings; the Clark Art Institute, Williamstown, MA; LUMA Arles, a new center for contemporary art in Southern France; and galleries for David Zwirner and Hauser & Wirth, amongst otheNew York, which, like the Frick, was originally designed in 1914 by Carrère and Hastings; the Clark Art Institute, Williamstown, MA; LUMA Arles, a new center for contemporary art in Southern France; and galleries for David Zwirner and Hauser & Wirth, amongst othenew center for contemporary art in Southern France; and galleries for David Zwirner and Hauser & Wirth, amongst others.

Tony Oursler's nearly 3,000 piece collection of spirit photographs and supernatural ephemera are the subject of his new show at LUMA Foundation, Arles, France.

Spring Season supported by VEON Samsung Hannah Barry Eleanor and Bobby Cayre Lina Condes Pilar Corrias, London Shelly Fox Aarons and Phillip Aarons Christina Gee - Kryca Gladstone Gallery Alexander Mason Hankin Rena and Scott Hoffman Bernard l. Lumpkin and Carmine D. Boccuzzi Maurice Marciano Kimiya Minoukadeh Fondazione Sandretto Re Rebaudengo Fundación Almine y Bernard Ruiz - Picasso para el Arte Graham Steele and Ulysses de Santi Jed Walentas Jonathan Wood Special Projects supported by Blake and Michael Daffey Jim and Jennifer Esposito JMCMRJ Sorrell Foundation The Rothschild Foundation Lily Safra Kate and John Storey Platinum Corporate Benefactors AECOM Bloomberg CHANEL Goldman Sachs My Beautiful City Stage One Weil, Gotshal & Manges Gold Corporate Benefactors COS Laurent - Perrier Silver Corporate Benefactors Gallowglass Health and Safety Veritas Event Services Bronze Corporate Benefactors Casone DP9 Fin Fellows Graham Foundation Maxx Mail USA Peroni Nastro Azzurro Riva1920 SDS Limited Site Engineering Surveys Ltd (SES) The Technical Department Vitra Founding Corporate Members American Express Bloomberg Brookfield Canary Wharf Group Citi Foster + Partners Harrods The Kirsh Foundation and Wendy Fisher Linklaters LLP William Hare Group Limited Annual Corporate Member The Paul E. Singer Foundation Associate Corporate Members CBRE Grants INCA Productions The Communications Store Travers Smith Digital Projects supported by Bloomberg Connects Education Programme supported by Arts Council England The Ernest Cook Trust David Fawkes and family Alexandra Garrison Batia and Idan Ofer Gilberto Pozzi The Sackler Trust And kind assistance from The Royal Borough of Kensington and Chelsea Exhibition Programme supported by Amelie von Wedel, Wedel Art Air de Paris, Paris Art Mentor Foundation Lucerne Bloomberg Philanthropies Candy and Michael Barasch Charles Booth - Gibbon, Paragon Hesta Ltd., Switzerland - Bechtler Family Roberta Benteler Galerie Gisela Capitain Cologne Chaos CHOI&LAGER Gallery DLD Media GmbH Nicoletta Fiorucci ForYourArt Isabelle Georgeaux and Patrick Healy Goethe - Institut Google Cultural Institute Graham Foundation for Advanced Studies in the Fine Arts Gumuchdjian Architects The Hayden Family Foundation The Henry Moore Foundation Joseph Hage Aaronson LLP rodolphe janssen, Brussels David Kordansky Gallery, Los Angeles LUMA Foundation Mulberry Office for Contemporary Art Norway Petzel Gallery, New York Carlos, Francesca and Joel Pinto Galerie Eva Presenhuber, Zurich and New York Frances Reynolds Ruth and Richard Rogers Ringier Collection, Switzerland Marco Rossi - Torino Royal Norwegian Embassy in London Fundación Almine y Bernard Ruiz - Picasso para el Arte Melanie and Michael Sherwood Sotheby's Julia Stoschek Foundation e.V. Düsseldorf Laura and Barry Townsley Victoria Miro Gallery Vionnet Morten Viskum Collection YouTube David Zwirner

Recent group exhibitions include: «00RR000000 0000ZZ0», Gluck 50, Milan (2015); The Contract, Essex Street, New York (2014); Theater Objects: A Stage for Architecture and Art, LUMA Foundation, Zurich (2014); chatbots, tongues, denial, and various other abstractions, Bortolami, New York (2014); Whitney Biennial 2014, Whitney Museum of American Art, New York (2014); Pro-Bio, MoMA / PS1, New York (2013); Better Homes, Sculpture Center, New York (2013); White Petals Surround Your Yellow Heart, Institute of Contemporary Art, Philadelphia (2013); Pro-Choice, Kunsthalle Freiburg (2013); Demanding Supplies, Kunstraum Lüneburg (2011).