Sentences with phrase «new modern art galleries»

Not exact matches

The fantastic A New Tomorrow: Visions of the Future in Cinema program currently screening at Brisbane's Gallery of Modern Art includes two dystopian features that delve beyond the humour to explore the reality of the dichotomy of both unwanted and desperately needed offspring, courtesy of Andrew Niccol's 1997 effort Gattaca and Alfonso 2006 offering Children Of Men.

His work is in the permanent collection of New York's Museum of Modern Art and the British Museum and has been exhibited at the Tate, Centre Pompidou, MoMA, Whitney Museum of American Art, Berlin Kunsthalle, PS1, Whitechapel Gallery, and London's Institute of Contemporary Arts.

Nevertheless, the painting, which features Christina Olson reaching toward her home in the distance, was purchased during its first showing at a New York Gallery in 1948 by Alfred Barr, the founding director of the Museum of Modern Art (MoMA).

The new Holiday Inn Express hotel is conveniently located in Bocagrande, the most modern area of Cartagena, which is home to numerous leisure attractions such as hotels, shops, restaurants, nightclubs and art galleries.

Standing in the middle of a medley of restaurants, shopping, and galleries, our pet - friendly urban oasis offers modern furnishings, an on - site art exhibit, and the most incredible panoramic views of New York City from our glass - enclosed rooftop deck.

Piri Halasz reviews ten current and recent painting exhibitions in New York including: Jim Dine and Thomas Nozkowski at Pace, Going Into the Dark at The Painting Center, Walt Kuhn: American Modern at DC Moore, Marina Adams: Coming Through Strange at Hionas Gallery, Walter Robinson: Indulgences, Recent Paintings & Works on Paper at Dorian Gray (through March 31), Franz Kline: Coal and Steel at Mishkin Gallery, Baruch College, Christine Hughes and Francine Kornfeld at Art 101, Jean - Michel Basquiat at Gagosian (through April 6), and Thornton Willis: Steps at Elizabeth Harris (through April 13).

It can be seen and felt in New York galleries, on the walls of major art institutions like the Museum of Modern Art and the New Museum, watching a Trisha Brown performance on Chelsea's High Line, and even viewed on TV — take the HBO production Cinema Verite, about the world's first reality show, An American Famiart institutions like the Museum of Modern Art and the New Museum, watching a Trisha Brown performance on Chelsea's High Line, and even viewed on TV — take the HBO production Cinema Verite, about the world's first reality show, An American FamiArt and the New Museum, watching a Trisha Brown performance on Chelsea's High Line, and even viewed on TV — take the HBO production Cinema Verite, about the world's first reality show, An American Family.

The National Gallery of Art in Washington, D.C., paid $ 4.5 million in 2001 for Serra's massive steel sculpture Five Plates, Two Poles (1971), according to sources, and New York's Museum of Modern Art spent around $ 12 million in 1999 for Rauschenberg's combine painting Factum II (1957).

Jacquette has exhibited her works at galleries throughout the world, including Amsterdam's 1K Projectspace and New York's Museum of Modern Art.

Williams's critically - acclaimed 2014 - 2015 retrospective, The Production Line of Happiness, was exhibited at The Art Institute of Chicago, The Museum of Modern Art in New York, and the Whitechapel Gallery in London.

Humphries» work is in the permanent collections of the Museum of Modern Art, New York; The Whitney Museum of American Art, New York; the Solomon R. Guggenheim Museum, New York; the Metropolitan Museum of Art, New York; the Albright - Knox Gallery, Buffalo; the Carnegie Museum of Art, Pittsburgh; the Dallas Museum of Art, Dallas; the San Francisco Museum of Modern Art, San Francisco; the Tate Modern, London; Foundation Louis Vuitton, Paris; and Museum Brandhorst, Munich.

He has had solo exhibitions at the Tate Gallery, London (1986); the Whitney Museum of American Art, New York (1992); Whitechapel Art Gallery, London (1998); the Kunsthalle Basel (2000); The Metropolitan Museum of Art (2001); and the Irish Museum of Modern Art, Dublin (2009).

Neptune Fine Art ---- Gallery Director Chris Neptune, recently moved into DC from New York, specializes in Modern and Contemporary aArt ---- Gallery Director Chris Neptune, recently moved into DC from New York, specializes in Modern and Contemporary artart.

1996 «Modern Masters», Salander - O'Reilly Galleries, New York, NY 1988 «Art for All», Edmonton Art Gallery, Edmonton, Alberta 1988 «Studio Watch», Edmonton Art Gallery, Edmonton, Alberta 1987 «Modern Masters», Salander - O'Reilly Galleries, New York, NY 1986 «Gender & Gesture», Women's Studies Symposia, Picker Art Gallery, Colgate University, Hamilton, NY 1986 «The Mid Year Show», Butler Art Institute, Youngstown, OH 1985 «Pre Post Modern», curated by John Link, Richard R. Brush Art Gallery, St. Lawrence University, Canton, NY 1985 «Two Americans», an exhibition with Keiko Saito, Nicola Jacobs Gallery, London, Eng 1982 «10 Years of Acquisitions», The Hirshhorn Museum and Sculpture Garden, Washington, DC 1983 «Selection from the Collection», The Hirshhorn Museum and Sculpture Garden, Washington, DC 1982 «The Syracuse Show» juried by Lawrence Alloway, Everson Museum of Art, Syracuse, NY 1978 «New Acquisitions», Boston Museum of Fine Arts, Boston, MA 1977 «The Syracuse Show», juried by Clement Greenberg, Everson Museum of Art, Syracuse, NY 1976

PPOW Gallery, New York, NY 1987 «Contemporary Arts Council» Museum of Modern Art, Saatchi Corp., New York, NY 1986 «Painting and Sculpture Today: 1986, «Indianapolis Museum of Art, Indianapolis, IN

2015 Painting 2.0: Expression in the Information Age, Museum Brandhorst, Munich (November 14, 2015 — April 30, 2016) Marks Made: Prints by American Women Artists from the 1960s to the Present, Museum of Fine Arts, St. Petersburg, Florida (October 17, 2015 — January 24, 2016) A Few Days, Lennon, Weinberg, Inc., New York (October 7 — December 19) The Ceramic Presence in Modern Art: Selections from the Linda Leonard Schlenger Collection and the Yale University Art Gallery, Yale University Art Gallery, New Haven, Connecticut (September 4, 2015 — January 3, 2016) America is Hard to See, Whitney Museum of American Art, New York (May 1 — September 27) What is a Line?

Work by the artist is held in public collections including The Broad Art Foundation, Santa Monica, California; Hirshhorn Museum and Sculpture Garden, Washington, D.C.; Los Angeles County Museum of Art; Museum of Contemporary Art, Tokyo; The Museum of Modern Art, New York; National Gallery of Art, Washington, D.C.; San Francisco Museum of Modern Art; Solomon R. Guggenheim Museum, New York; Stedelijk Museum, Amsterdam; Tate Gallery, London; and the Whitney Museum of American Art, New York.

In 1965, retrospective exhibitions were organized by the Tate Gallery, London, The Museum of Modern Art, New York, and the Stedelijk Museum, Amsterdam.

He has had solo exhibitions at D'Amelio Terras, New York; Postmasters, New York; Krannert Art Museum, Champaign, IL; Fawbush Gallery, New York; Hirschl & Adler Modern, New York and more.

1976 Anthology Film Archives, New York, NY 1975 Sonnabend Gallery, New York, NY Cineprobe, Museum of Modern Art, New York.

He has had solo exhibitions at Tate Gallery, London (1986); the Whitney Museum of American Art, New York (1992); Whitechapel Art Gallery, London (1998); the Kunsthalle Basel (2000); The Metropolitan Museum of Art, New York (2001); and the Irish Museum of Modern Art, Dublin (2009).

Latham's work is in the collections of The Museum of Modern Art, New York and the Tate Gallery, London, among other major museums.

Traveled to: Vancouver Art Gallery, Canada, 1974; Everson Museum of Art, Syracuse, New York, 1975; High Museum of Art, Atlanta, 1975; San Francisco Museum of Modern Art, July 5 — August 17, 1975; Mint Museum of Art, Charlotte, North Carolina, 1975; Tyler Museum of Art, Texas, 1975; Arkansas Arts Center, Little Rock, 1976; Illinois State University, Normal, 1976; Winnipeg Art Gallery, Manitoba, Canada, 1976; Herbert F. Johnson Museum of Art, Cornell University, Ithaca, New York, 1976.

, curated by Anne Umland, Museum of Modern Art, New York Someone else with my fingerprints, Galerie Chantal Crousel, Paris Overtake: The Reinterpretation of Modern Art, curated by René Zechlin and Matt Parker, Lewis Gluckman Gallery, University College Cork, Cork Degree Zero, Richard Telles Fine Art, Los Angeles Introvert, extrovert, Makes no Difference, curated by John Armleder, Galerie Catherine Issert, Saint Paul de Vence The Lath Picture Show, Friedrich Petzel Gallery, New York Uncertain States of America: American Art in the 3rd Millenium, (Guyton \ Walker), curated by Daniel Birnbaum, Hans Ulrich Obrist and Gunnar Kvaran, Le Musée du Serignan, Serignan; Herning Art Museum, Herning / Copenhagen; The Centre for Contemporary Art, Zanek, Ujazdowski, Warsaw DUMP: Postmodern Sculture in the Dissolved Field, curated by Andrea Kroksnes, Nasjonalmuseet for Kunst, Arkitektur og Deisg, Oslo Stuff: International Contemporary Art from the Collection of Burt Aaron, Museum of Contemporary Art, Detroit Seth Price / Kelley Walker / Continuous Project, (Continuous Project), Modern Art Oxford, Oxford En Foco: El CoLeccionismo en Puerto Rico - Parte 1: Apropiacion, Autoria y Autenticidad - Wade Guyton, Seth Price, Josh Smith, Kelley Walker, Aaron Young, Museo de Arte de Puerto Rico, Santurce Imagination Becomes Reality, ZKM Center for Art and Media Karlsruhe, Germany Very Abstract and Hyper Figurative, curated by Jens Hoffmann, Thomas Dane Gallery, London For the People of Paris, Sutton Lane (c / o Galerie Ghislaine Hussenot), Paris À Moitié Carré, À Moitié Fou / Half Square, Half Crazy, curated by Vincent Pécoil, Lily Reynaud, Dewar and Elisabeth Wetterwald, Centre National d'Art Contemporain de la Villa Arson, Nice Hard Hat Dispatch, curated by Fabrice Stroun and Balthazar Lovay, Dispatch, New York Tbilisi 4: Every Day is Saturday, curated by Daniel Birnbaum, Tbilisi String Show, curated by Josh Smith, Greene Naftali Gallery, New York

His work has been the subject of numerous one - person museum exhibitions in the United States and Europe, including Tate Gallery, London (1986); the Museum of Contemporary Art, Los Angeles (1991); the Whitney Museum of American Art, New York (1992); the Whitechapel Gallery, London (1998); Kunsthalle Basel (2000); the Metropolitan Museum of Art, New York (2001); the Irish Museum of Modern Art, Dublin (2009); Kunsthaus Graz, Austria (2016); and the Museum of Fine Arts, Boston (2016).

Miriam Schapiro's art can be found in numerous private and public collections such as: The Museum of Modern Art and The Whitney Museum of Art, New York, New York; The Boston Museum of Fine Arts, Boston, Massachusetts; The National Gallery of Art and The Hirshhorn Museum, Washington, D.C.; The La Jolla Museum of Art, La Jolla, California; The Minneapolis Institute of Art, Minneapolis, Minnesota; The Indianapolis Museum, Indianapolis, Indiaart can be found in numerous private and public collections such as: The Museum of Modern Art and The Whitney Museum of Art, New York, New York; The Boston Museum of Fine Arts, Boston, Massachusetts; The National Gallery of Art and The Hirshhorn Museum, Washington, D.C.; The La Jolla Museum of Art, La Jolla, California; The Minneapolis Institute of Art, Minneapolis, Minnesota; The Indianapolis Museum, Indianapolis, IndiaArt and The Whitney Museum of Art, New York, New York; The Boston Museum of Fine Arts, Boston, Massachusetts; The National Gallery of Art and The Hirshhorn Museum, Washington, D.C.; The La Jolla Museum of Art, La Jolla, California; The Minneapolis Institute of Art, Minneapolis, Minnesota; The Indianapolis Museum, Indianapolis, IndiaArt, New York, New York; The Boston Museum of Fine Arts, Boston, Massachusetts; The National Gallery of Art and The Hirshhorn Museum, Washington, D.C.; The La Jolla Museum of Art, La Jolla, California; The Minneapolis Institute of Art, Minneapolis, Minnesota; The Indianapolis Museum, Indianapolis, IndiaArt and The Hirshhorn Museum, Washington, D.C.; The La Jolla Museum of Art, La Jolla, California; The Minneapolis Institute of Art, Minneapolis, Minnesota; The Indianapolis Museum, Indianapolis, IndiaArt, La Jolla, California; The Minneapolis Institute of Art, Minneapolis, Minnesota; The Indianapolis Museum, Indianapolis, IndiaArt, Minneapolis, Minnesota; The Indianapolis Museum, Indianapolis, Indiana.

His paintings, sculptures, and works on paper have been the subject of numerous exhibitions: The Stedelijk Museum, Amsterdam, 1982; Tate Gallery, London, 1982; Whitechapel Gallery, London, 1987; Kunsthalle Düsseldorf, Düsseldorf, 1987; Centre Georges Pompidou, Paris, 1987; Whitney Museum of American Art, New York, 1987; San Francisco Museum of Modern Art, San Francisco, 1987; Museum of Fine Arts, Houston, 1987; Musée d'Art Contemporain, Nîmes, 1989; Staatliche Graphische Sammlung, Munich, 1989; Palais des Beaux - Arts, Brussels, 1989; Fruitmarket Gallery, Edinburgh, 1989; Museum of Contemporary Art, Chicago, 1989; Museo de Arte Contemporáneo, Monterrey, 1994; Fundació Joan Miró, Barcelona, 1995; Galleria d'Arte Moderna di Bologna, Bologna, 1996; Schirn Kunsthalle, Frankfurt / Main, 2004; Museo Nacional Centro de Arte Reina Sofía, Madrid, 2004; Rotonda della Besana, Milan, 2007; Tabakalera, Donostia - San Sebastián, 2007; Museo di Capodimonte, Naples, 2009; The Art Gallery of Ontario, Toronto, 2010; Museo Correr, Piazza San Marco, Venice, 2011; J.F. Willumsens Museum, Frederikssund, 2013; The Brant Foundation Art Study Center, Greenwich, 2013; Dallas Contemporary, Dallas, 2014; Gagosian Gallery, New York, 2014; Dairy Art Centre, London, 2014; Museu de Arte de São Paulo, São Paulo, 2014, NSU Art Museum Fort Lauderdale, Fort Lauderdale, 2014; University of Michigan Museum of Art, Ann Arbor, 2015; Almine Rech Gallery, Paris, 2015; Vito Schnabel Gallery, St. Moritz, 2016; Blum & Poe, LA, 2016; and Aspen Art Museum, Aspen, 2016.

His works are represented in prominent collections internationally, including The British Museum, London; Carnegie Museum of Art, Pittsburgh, Pennsylvania; Museum of Contemporary Art, Los Angeles; The Museum of Modern Art, New York; National Gallery of Canada, Ottawa; Tate Gallery, London; Victoria and Albert Museum, London; and the Walker Art Center, Minneapolis, Minnesota.

He has been included in numerous significant group exhibitions including Display — between art and arts & crafts, Applied Arts Pavilion, the 57th Biennale di Venezia (2017); Okoyama Art Summit (2016), Viehof Collection: International Contemporary Art, Deichtorhallen, Hamburg (2016); You've Got to Know the Rules... to Break Them, de la Cruz Collection, Miami (2015); Beyond the Supersquare, The Bronx Museum of Arts, New York, US (2014); KölnSkulptur # 7, Skulpturenpark Köln, Cologne (2013); Print / Out, MoMA Museum of Modern Art, New York (2012); Art of Communication: Anri Sala, Yang Ah Ham, Philippe Parreno, Jorge Pardo, National Museum of Art, Deoksugung (2011); The Jewel Thief, The Frances Young Tang Teaching Museum and Art Gallery, Skidmore College, Saratoga Springs, (2010); theanyspacewhatever, Solomon R. Guggenheim Museum, New York (2008); Indart and arts & crafts, Applied Arts Pavilion, the 57th Biennale di Venezia (2017); Okoyama Art Summit (2016), Viehof Collection: International Contemporary Art, Deichtorhallen, Hamburg (2016); You've Got to Know the Rules... to Break Them, de la Cruz Collection, Miami (2015); Beyond the Supersquare, The Bronx Museum of Arts, New York, US (2014); KölnSkulptur # 7, Skulpturenpark Köln, Cologne (2013); Print / Out, MoMA Museum of Modern Art, New York (2012); Art of Communication: Anri Sala, Yang Ah Ham, Philippe Parreno, Jorge Pardo, National Museum of Art, Deoksugung (2011); The Jewel Thief, The Frances Young Tang Teaching Museum and Art Gallery, Skidmore College, Saratoga Springs, (2010); theanyspacewhatever, Solomon R. Guggenheim Museum, New York (2008); Inarts & crafts, Applied Arts Pavilion, the 57th Biennale di Venezia (2017); Okoyama Art Summit (2016), Viehof Collection: International Contemporary Art, Deichtorhallen, Hamburg (2016); You've Got to Know the Rules... to Break Them, de la Cruz Collection, Miami (2015); Beyond the Supersquare, The Bronx Museum of Arts, New York, US (2014); KölnSkulptur # 7, Skulpturenpark Köln, Cologne (2013); Print / Out, MoMA Museum of Modern Art, New York (2012); Art of Communication: Anri Sala, Yang Ah Ham, Philippe Parreno, Jorge Pardo, National Museum of Art, Deoksugung (2011); The Jewel Thief, The Frances Young Tang Teaching Museum and Art Gallery, Skidmore College, Saratoga Springs, (2010); theanyspacewhatever, Solomon R. Guggenheim Museum, New York (2008); InArts Pavilion, the 57th Biennale di Venezia (2017); Okoyama Art Summit (2016), Viehof Collection: International Contemporary Art, Deichtorhallen, Hamburg (2016); You've Got to Know the Rules... to Break Them, de la Cruz Collection, Miami (2015); Beyond the Supersquare, The Bronx Museum of Arts, New York, US (2014); KölnSkulptur # 7, Skulpturenpark Köln, Cologne (2013); Print / Out, MoMA Museum of Modern Art, New York (2012); Art of Communication: Anri Sala, Yang Ah Ham, Philippe Parreno, Jorge Pardo, National Museum of Art, Deoksugung (2011); The Jewel Thief, The Frances Young Tang Teaching Museum and Art Gallery, Skidmore College, Saratoga Springs, (2010); theanyspacewhatever, Solomon R. Guggenheim Museum, New York (2008); IndArt Summit (2016), Viehof Collection: International Contemporary Art, Deichtorhallen, Hamburg (2016); You've Got to Know the Rules... to Break Them, de la Cruz Collection, Miami (2015); Beyond the Supersquare, The Bronx Museum of Arts, New York, US (2014); KölnSkulptur # 7, Skulpturenpark Köln, Cologne (2013); Print / Out, MoMA Museum of Modern Art, New York (2012); Art of Communication: Anri Sala, Yang Ah Ham, Philippe Parreno, Jorge Pardo, National Museum of Art, Deoksugung (2011); The Jewel Thief, The Frances Young Tang Teaching Museum and Art Gallery, Skidmore College, Saratoga Springs, (2010); theanyspacewhatever, Solomon R. Guggenheim Museum, New York (2008); IndArt, Deichtorhallen, Hamburg (2016); You've Got to Know the Rules... to Break Them, de la Cruz Collection, Miami (2015); Beyond the Supersquare, The Bronx Museum of Arts, New York, US (2014); KölnSkulptur # 7, Skulpturenpark Köln, Cologne (2013); Print / Out, MoMA Museum of Modern Art, New York (2012); Art of Communication: Anri Sala, Yang Ah Ham, Philippe Parreno, Jorge Pardo, National Museum of Art, Deoksugung (2011); The Jewel Thief, The Frances Young Tang Teaching Museum and Art Gallery, Skidmore College, Saratoga Springs, (2010); theanyspacewhatever, Solomon R. Guggenheim Museum, New York (2008); InArts, New York, US (2014); KölnSkulptur # 7, Skulpturenpark Köln, Cologne (2013); Print / Out, MoMA Museum of Modern Art, New York (2012); Art of Communication: Anri Sala, Yang Ah Ham, Philippe Parreno, Jorge Pardo, National Museum of Art, Deoksugung (2011); The Jewel Thief, The Frances Young Tang Teaching Museum and Art Gallery, Skidmore College, Saratoga Springs, (2010); theanyspacewhatever, Solomon R. Guggenheim Museum, New York (2008); IndArt, New York (2012); Art of Communication: Anri Sala, Yang Ah Ham, Philippe Parreno, Jorge Pardo, National Museum of Art, Deoksugung (2011); The Jewel Thief, The Frances Young Tang Teaching Museum and Art Gallery, Skidmore College, Saratoga Springs, (2010); theanyspacewhatever, Solomon R. Guggenheim Museum, New York (2008); IndArt of Communication: Anri Sala, Yang Ah Ham, Philippe Parreno, Jorge Pardo, National Museum of Art, Deoksugung (2011); The Jewel Thief, The Frances Young Tang Teaching Museum and Art Gallery, Skidmore College, Saratoga Springs, (2010); theanyspacewhatever, Solomon R. Guggenheim Museum, New York (2008); IndArt, Deoksugung (2011); The Jewel Thief, The Frances Young Tang Teaching Museum and Art Gallery, Skidmore College, Saratoga Springs, (2010); theanyspacewhatever, Solomon R. Guggenheim Museum, New York (2008); IndArt Gallery, Skidmore College, Saratoga Springs, (2010); theanyspacewhatever, Solomon R. Guggenheim Museum, New York (2008); Index.

Mitchell has since been the subject of numerous museum exhibitions, and examples of her work hang in nearly every major public collection of modern art, including the Art Institute of Chicago; Centre Georges Pompidou, Paris; the Guggenheim Museum; the Museum of Contemporary Art, Sydney, Australia; the Museum of Modern Art, New York; the Osaka City Art Museum of Modern Art, Japan; the Samsung Museum, Seoul; the Tate Gallery, London and the Whitney Museum of American Art, Newmodern art, including the Art Institute of Chicago; Centre Georges Pompidou, Paris; the Guggenheim Museum; the Museum of Contemporary Art, Sydney, Australia; the Museum of Modern Art, New York; the Osaka City Art Museum of Modern Art, Japan; the Samsung Museum, Seoul; the Tate Gallery, London and the Whitney Museum of American Art, New Yoart, including the Art Institute of Chicago; Centre Georges Pompidou, Paris; the Guggenheim Museum; the Museum of Contemporary Art, Sydney, Australia; the Museum of Modern Art, New York; the Osaka City Art Museum of Modern Art, Japan; the Samsung Museum, Seoul; the Tate Gallery, London and the Whitney Museum of American Art, New YoArt Institute of Chicago; Centre Georges Pompidou, Paris; the Guggenheim Museum; the Museum of Contemporary Art, Sydney, Australia; the Museum of Modern Art, New York; the Osaka City Art Museum of Modern Art, Japan; the Samsung Museum, Seoul; the Tate Gallery, London and the Whitney Museum of American Art, New YoArt, Sydney, Australia; the Museum of Modern Art, New York; the Osaka City Art Museum of Modern Art, Japan; the Samsung Museum, Seoul; the Tate Gallery, London and the Whitney Museum of American Art, NewModern Art, New York; the Osaka City Art Museum of Modern Art, Japan; the Samsung Museum, Seoul; the Tate Gallery, London and the Whitney Museum of American Art, New YoArt, New York; the Osaka City Art Museum of Modern Art, Japan; the Samsung Museum, Seoul; the Tate Gallery, London and the Whitney Museum of American Art, New YoArt Museum of Modern Art, Japan; the Samsung Museum, Seoul; the Tate Gallery, London and the Whitney Museum of American Art, NewModern Art, Japan; the Samsung Museum, Seoul; the Tate Gallery, London and the Whitney Museum of American Art, New YoArt, Japan; the Samsung Museum, Seoul; the Tate Gallery, London and the Whitney Museum of American Art, New YoArt, New York.

1981 Amerikanische Malerei 1930 — 1980, Haus der Kunst, Munich (November 14, 1981 — January 31, 1982) Ciba - Geigy Collects: Aspects of Abstraction, Sewall Art Gallery, Rice University, Houston (September 8 — October 24) Art Américain: Oeuvres des collections du Musée national d'art moderns, Centre Georges Pompidou, Paris (September 2 — December 2) 45th Annual Mid-Year Show, Butler Institute of American Art, Youngstown, Ohio (June 28 — August 30) 26 Salon de Montrouge, Montrouge, France (spring) 37th Biennial Exhibition of Contemporary Painting: Frank Stella, Joan Mitchell, Richard Diebenkorn, Agnes Martin, Richard Serra, Corcoran Gallery of Art, Washington, D.C. (February 19 — April 5) 1980 The Originals: Women in Art, Graham Gallery, New York (January 15 — February 20)

Traveled to the Bunkamura Museum of Art, Shibuya (August 15 — September 16); Museum of Modern Art, Kamakura (September 29 — October 28); Sapporo Tokyu, Sapporo (November 1 — 13); Tenjin Iwataya, Fukuoka (January 15 — 28, 1991); Daimaru Museum, Umeda, Osaka (February 20 — March 11, 1991); Nagano Tokyu, Nagano (March 15 — 27, 1991); Hiroshima Museum of Art, Hiroshima (April 14 — May 6, 1991); and Matsuzakaya Museum, Nagoya (May 23 — June 9, 1991) L'Art en France 1945 - 1990, Fondation Daniel Templon, Fréjus, France (July 3 — September 16) Contemporary Prints & Multiples, Nora Haime Gallery, New York (June 14 — July 14) Some Seventies Works, Robert Miller Gallery, New York (June 12 — July 31) Polyptyques et paravents: Un Siècle de création, 1890 — 1990 (Part II: Développements dans l'art moderne), Galerie Bellier, Paris (May 10 — June 9) Chuck Connelly, Louise Fishman, Raoul Hague, Alain Kirili, Joan Mitchell, Catherine Murphy, Carl Palazzolo, Tony Smith, Lennon, Weinberg, Inc., New York (January 10 — February 24)

IN 1988 — Certificate of Excellence, New York ’88 International Art Competition, Art Horizons Exhibition, Larchmont, NY 1986 — Certificate of Excellence, North Coast Collage Society Exhibition, Hudson, OH 1986 — Honorable Mention, Nepenthe Mundi Society Exhibition, Kansas City, MO 1986 — Certificate of Excellence, Metro Art International Exhibition, Greene Street Gallery, Scarsdale, NY 1986 — Favorable Review by art historian & New York Times critic Mr. Hilton Kramer, Ultrasound, R.H. Love Gallery, Chicago, IL 1985 — New Jersey Chapter Award, 2nd Place, American Artists Professional League Exhibition New York, NY 1985 — Personal invitation by internationally known modern master, Kenneth Nolan, to work on the installation of his show 1984 — MWS Letters Award, Midwest Watercolor Society, Neville Public Museum, Green Bay, WI 1983 — Internorth Foundation Award, Midwest Watercolor Society, Davenport Art Gallery, Davenport, IA 1982 — Daniel Smith Award, Midwest Watercolor Society, West Bend Museum of Art, West Bend,Art Competition, Art Horizons Exhibition, Larchmont, NY 1986 — Certificate of Excellence, North Coast Collage Society Exhibition, Hudson, OH 1986 — Honorable Mention, Nepenthe Mundi Society Exhibition, Kansas City, MO 1986 — Certificate of Excellence, Metro Art International Exhibition, Greene Street Gallery, Scarsdale, NY 1986 — Favorable Review by art historian & New York Times critic Mr. Hilton Kramer, Ultrasound, R.H. Love Gallery, Chicago, IL 1985 — New Jersey Chapter Award, 2nd Place, American Artists Professional League Exhibition New York, NY 1985 — Personal invitation by internationally known modern master, Kenneth Nolan, to work on the installation of his show 1984 — MWS Letters Award, Midwest Watercolor Society, Neville Public Museum, Green Bay, WI 1983 — Internorth Foundation Award, Midwest Watercolor Society, Davenport Art Gallery, Davenport, IA 1982 — Daniel Smith Award, Midwest Watercolor Society, West Bend Museum of Art, West Bend,Art Horizons Exhibition, Larchmont, NY 1986 — Certificate of Excellence, North Coast Collage Society Exhibition, Hudson, OH 1986 — Honorable Mention, Nepenthe Mundi Society Exhibition, Kansas City, MO 1986 — Certificate of Excellence, Metro Art International Exhibition, Greene Street Gallery, Scarsdale, NY 1986 — Favorable Review by art historian & New York Times critic Mr. Hilton Kramer, Ultrasound, R.H. Love Gallery, Chicago, IL 1985 — New Jersey Chapter Award, 2nd Place, American Artists Professional League Exhibition New York, NY 1985 — Personal invitation by internationally known modern master, Kenneth Nolan, to work on the installation of his show 1984 — MWS Letters Award, Midwest Watercolor Society, Neville Public Museum, Green Bay, WI 1983 — Internorth Foundation Award, Midwest Watercolor Society, Davenport Art Gallery, Davenport, IA 1982 — Daniel Smith Award, Midwest Watercolor Society, West Bend Museum of Art, West Bend,Art International Exhibition, Greene Street Gallery, Scarsdale, NY 1986 — Favorable Review by art historian & New York Times critic Mr. Hilton Kramer, Ultrasound, R.H. Love Gallery, Chicago, IL 1985 — New Jersey Chapter Award, 2nd Place, American Artists Professional League Exhibition New York, NY 1985 — Personal invitation by internationally known modern master, Kenneth Nolan, to work on the installation of his show 1984 — MWS Letters Award, Midwest Watercolor Society, Neville Public Museum, Green Bay, WI 1983 — Internorth Foundation Award, Midwest Watercolor Society, Davenport Art Gallery, Davenport, IA 1982 — Daniel Smith Award, Midwest Watercolor Society, West Bend Museum of Art, West Bend,art historian & New York Times critic Mr. Hilton Kramer, Ultrasound, R.H. Love Gallery, Chicago, IL 1985 — New Jersey Chapter Award, 2nd Place, American Artists Professional League Exhibition New York, NY 1985 — Personal invitation by internationally known modern master, Kenneth Nolan, to work on the installation of his show 1984 — MWS Letters Award, Midwest Watercolor Society, Neville Public Museum, Green Bay, WI 1983 — Internorth Foundation Award, Midwest Watercolor Society, Davenport Art Gallery, Davenport, IA 1982 — Daniel Smith Award, Midwest Watercolor Society, West Bend Museum of Art, West Bend,Art Gallery, Davenport, IA 1982 — Daniel Smith Award, Midwest Watercolor Society, West Bend Museum of Art, West Bend,Art, West Bend, WI

His work is in the collections of the Albright - Knox Art Gallery, Buffalo; the Art Institute of Chicago; the National Gallery in Washington, DC; the Whitney Museum of American Art, New York and the Museum of Modern Art, New York among many others.

Cronin's works has also been featured in numerous group exhibitions, including Global Positioning Systems, Perez Art Museum Miami, FL (2014 - 15); 1993: Experimental, Jet Set, Trash and No Star, New Museum, New York, NY (2013); Come Together: Surviving Sandy, Industry City, Brooklyn, NY (2013); Watch Your Step, The FLAG Art Foundation, New York, NY (2012); Because We Are, Station Museum of Contemporary Art, Houston, TX (2010); and Sh (out): Contemporary Art and Human Rights, Gallery of Modern Art, Glasgow, Scotland (2009).

2018 Tacita Dean: PORTRAIT, National Portrait Gallery, London Tacita Dean: STILL LIFE, National Gallery, London 2017 Tacita Dean: LA Exuberance, Frith Street Gallery, London 2016 Tacita Dean, Museo Tamayo, Mexico City Tacita Dean, Espace Louis Vuitton, Munich 2014 Print Projects, Statens Museum For Kunst, Copenhagen 2013 JG, Arcadia University Art Gallery, Philadelphia Tacita Dean, Frith Street Gallery, London The Measure of Things, Instituto Moreira Salles, Rio de Janeiro De Mar en Mar, Fundation Botin, Santander Tacita Dean, The Fabric Workshop and Museum, Philadelphia 2012 Five Americans, New Museum, New York Tacita Dean, Norton Museum of Art, Florida 2011 Film, Tate Modern, London Line of Fate, MUMOK, Vienna 2010 Common Guild, Glasgow Craneway Event, Frith Street Gallery, London 2009 Australian Centre for Contemporary Art, Melbourne, Australia Sprengel Museum, Hanover Museum of Contemporary Art, Montreal 2008 In My Manor, Villa Oppenheim Galerie für Gegenwartskunst, Berlin Amadeus, Marian Goodman, Paris DIA, Beacon 2007 Wandermüde, Frith Street Gallery Hugh Lane Gallery, Dublin Tacita Dean, Guggenheim Museum, New York Tacita Dean: Film works, Miami Art Central

Alexander Calder has been the subject of dozens of exhibitions at museums worldwide, including retrospectives at the Museum of Modern Art (1943), Solomon R. Guggenheim Museum (1964), Whitney Museum of American Art (1976), and National Gallery of Art, Washington, D.C. (1998), as well as major exhibitions at museums including Museo Guggenheim Bilbao; The Art Institute of Chicago; the Centre Pompidou, Musée national d'Art Moderne, Paris; The Detroit Institute of Art; Foundation Beyeler, Riehen, Switzerland; Kunsthalle Basel; The Menil Collection, Houston; Metropolitan Museum of Art, New York; Museum of Contemporary Art, Chicago; Museum of Fine Arts, Houston; The Phillips Collection, Washington, D.C.; San Francisco Museum of Modern Art; Stedelijk Museum, Amsterdam; and Walker Art Center, Minneapolis.

Her work is in the permanent collections of many leading museums, including the National Gallery of Art, Washington, D.C.; The Metropolitan Museum of Art; the Whitney Museum of Art; and The Museum of Modern Art, New York.

1991 Tricia Collins and Richard Milazzo, Who Framed Modern Art or the Quantitative Life of Roger Rabbit, exhibition catalogue (New York: Sidney Janis Gallery, 1991).

PINK POP Festival, Bonnefantenmuseum Pavilion, Maastricht, Netherlands Stuart Shave / Modern Art, London, UK Never Alone, Anton Kern Gallery, New York, NY

Notable group exhibitions include FUTURE PRESENT, the Schaulager, Münchenstein, Switzerland (2015); The New Human, Moderna Museet Malmö, Malmö, Sweden, in collaboration with The Julia Stoschek Collection (2015); Sights and Sounds: Global Film and Video, The Jewish Museum, New York (2014); and Harvest, Gallery of Modern Art, Brisbane, Australia (2014).

He had his first solo show at Tibor de Nagy Gallery, New York, in 1960, and has subsequently exhibited at institutions such as The Museum of Modern Art, Whitney Museum of American Art, Queens Museum of Art, New Museum of Contemporary Art, and P.S. 1.

Selected group exhibitions include The Forever Now: Contemporary Painting in an Atemporal World, the Museum of Modern Art, New York (2014 — 2015); 30 Americans, organized by the Rubell Family Collection, Miami, traveling to Contemporary Arts Center, New Orleans (2014), Frist Center for the Visual Arts, Nashville (2013 — 2014), Milwaukee Art Museum (2012), Chrysler Museum of Art, Norfolk, Virginia (2012), Corcoran Gallery of Art, Washington D.C. (2011 — 2012), North Carolina Museum of Art, Raleigh (2011), and Rubell Family Collection, Miami (2008 — 2009); Variations: Conversations in and Around Contemporary Painting, Los Angeles County Museum of Art (2014); Body Doubles, Museum of Contemporary Art, Chicago (2014); Angel of History, Beaux - arts de Paris: L'école nationale supérieure (2013); and In the Holocene, MIT List Visual Arts Center, Cambridge, MA (20Arts Center, New Orleans (2014), Frist Center for the Visual Arts, Nashville (2013 — 2014), Milwaukee Art Museum (2012), Chrysler Museum of Art, Norfolk, Virginia (2012), Corcoran Gallery of Art, Washington D.C. (2011 — 2012), North Carolina Museum of Art, Raleigh (2011), and Rubell Family Collection, Miami (2008 — 2009); Variations: Conversations in and Around Contemporary Painting, Los Angeles County Museum of Art (2014); Body Doubles, Museum of Contemporary Art, Chicago (2014); Angel of History, Beaux - arts de Paris: L'école nationale supérieure (2013); and In the Holocene, MIT List Visual Arts Center, Cambridge, MA (20Arts, Nashville (2013 — 2014), Milwaukee Art Museum (2012), Chrysler Museum of Art, Norfolk, Virginia (2012), Corcoran Gallery of Art, Washington D.C. (2011 — 2012), North Carolina Museum of Art, Raleigh (2011), and Rubell Family Collection, Miami (2008 — 2009); Variations: Conversations in and Around Contemporary Painting, Los Angeles County Museum of Art (2014); Body Doubles, Museum of Contemporary Art, Chicago (2014); Angel of History, Beaux - arts de Paris: L'école nationale supérieure (2013); and In the Holocene, MIT List Visual Arts Center, Cambridge, MA (20arts de Paris: L'école nationale supérieure (2013); and In the Holocene, MIT List Visual Arts Center, Cambridge, MA (20Arts Center, Cambridge, MA (2012).

Silas Shabelewska - von Morisse began her professional involvement in the art world in 2000 as Gallery Manager and registrar at the Helly Nahmad gallery in New York focusing on Impressionnist and Modern Aart world in 2000 as Gallery Manager and registrar at the Helly Nahmad gallery in New York focusing on Impressionnist and ModeGallery Manager and registrar at the Helly Nahmad gallery in New York focusing on Impressionnist and Modegallery in New York focusing on Impressionnist and Modern ArtArt.

Her work has been extensively exhibited internationally in galleries and museums, and is in leading public collections, including the Museum of Modern Art, New York; Centre Georges Pompidou, Paris; San Francisco Museum of Modern Art, San Francisco; Museum of Contemporary Art, Los Angeles; Tate Modern, London; and the Whitney Museum of American Art, New York.

Scully's work is held in numerous public collections, including The Metropolitan Museum of Art, Museum of Modern Art, and Solomon R. Guggenheim Museum, New York; The National Gallery of Art, the Corcoran Gallery of Art, and Hirshhorn Museum and Sculpture Garden, Washington, D.C.; Modern Art Museum of Fort Worth, Fort Worth; Tate, London; Kunstsammlung Nordrhein - Westfalen K20K21, Düsseldorf; Albertina, Vienna; Museo Nacional Centro de Arte Reina Sofia, Madrid; Instituto Valencia d'Arte Modern, Valencia; Guangzhou Museum of Art, Guangzhou and China Central Academy of Fine Arts, Beijing, China.

Opie's work is held in many major museum collections including the Arts Council, England; British Museum, London, UK; Carnegie Museum, Pittsburgh, PA, USA; IVAM Museum of Modern Art, New York, NY, USA; MoMAT Tokyo, Japan; National Gallery of Victoria, Melbourne, Australia; National Portrait Gallery, London, UK; Städtische Galerie in Lenbachhaus, Munich, Germany; Stedelijk Museum, Amsterdam, Netherlands; Tate Collection, London, UK and the Victoria and Albert Museum, London, UK.

1971 Martha Jackson Gallery Collection, Seibu Department Store, Tokyo (September 7 - 25) American Art of Our Century, Part 2: 1945 to the Present, Whitney Museum of American Art, New York (July 9 — September 6) Younger Abstract Expressionists of the Fifties, Museum of Modern Art, New York (April 26 — July 26) A New Consciousness: The Ciba - Geigy Collection, Hudson River Museum, Yonkers, New York (February 6 — March 7) Art on Paper Invitational, Weatherspoon Art Gallery, University of North Carolina, Greensboro

Tags: Albright - Knox Art Gallery, American Republic Insurance Company, Brazil, City University of New York, College Art Association, Colombia, Columbus Gallery of Fine Arts, Corcoran Gallery of Art, Denver Art Museum, Detroit Institute of Art, Eugene Goossen, Everson Art Museum, France, Gabriele Evertz, Grand Palais, Guatemala, Harris Bank, Hunter College, IBM, John Baldwin, John Simon Guggenheim Memorial Foundation, Johnson & Johnson, Karl Knaths, Kunsthaus Zurich, Kynaston McShine, Marcia Tucker, Massachusetts, Matthew Deleget, Metropolitan Museum of Art, Mexico, Milwaukee Art Museum, Museum of Modern Art, National Endowment for the Arts, New York State Council on the Arts, Nicaragua, Pan-American Highway, Park Place Gallery, Robert Swain, Schering Laboratories, Spain, Switzerland, Tate Gallery, Texas, The American University, Tony Smith, Travenol Laboratories, Tupperware World Headquarters, United Kingdom, University of Buffalo, University of Madrid, Venezuela, Virginia, Virginia Museum of Fine Arts, Walker Art Center, Washington DC, Whitney Museum of American Art, William Agee

Sze's sculptures, installations and works on paper have also been exhibited at the Solomon R. Guggenheim Museum in New York, the Serpentine Gallery in London, the Museum of Modern Art in New York, the Museum of Contemporary Art in Tokyo, the High Museum of Art in Atlanta, the San Francisco Museum of Modern Art, and the Carnegie Museum of Art in Pittsburgh, as part of the 1999 Carnegie International.