Sentences with phrase «new white cube gallery»

Not exact matches

NEW YORK - «I've always wanted to make art that trashed up a good white - cube gallery.

Pensato has remarked on numerous occasions, most recently in the New York Times, how she has «always wanted to make art that trashed up a good white - cube gallery».

Sous la Lune at Institute of Contemporary Arts Singapore, Lasalle College of the Arts, by Adeline Chia Vandy Rattana at Sa Sa Bassac, Phnom Penh, by Vera Mey aaajiao at Gallery Yang, Beijing, by Edward Sanderson Peepshow at Long March Space, Beijing, by Li Bowen Yeh Wei - Li at Hanart TZ Gallery, Hong Kong, by Stephanie Bailey Thinking Tantra at Jhaveri Contemporary, Mumbai, by Niru Ratnam Discordant Harmony at Hiroshima City Museum of Contemporary Art, by Dean Kissick Ken Kagami at Misako & Rosen, Tokyo, by Dean Kissick Seoul Babel at Seoul Museum of Art, by Tiffany Chae Heri Dono at Mizuma Gallery, Singapore, by Sherman Sam A Fact Has No Appearance: Art Beyond the Object at National Gallery Singapore, by Mark Rappolt Ni Youyu at Museum of Contemporary Art, Taipei, by Aimee Lin White Cube... Literally at Gallery Isabelle van den Eynde, Dubai, by Kevin Jones Corruption: Everybody Knows... at e-flux, New York, by Ming Lin Tadanori Yokoo at Albertz Benda, New York, by Joshua Mack Song Yige at Marlborough Fine Art, London, by Matthew McLean Maria Taniguchi at Ibid, London, by Ming Lin

Within that tradition, the space was conceived not as a typical white cube gallery, but as a new public space for the entire community — and this is reflected in a new approach to programming.

Gilbert & George have a new exhibition opening on Friday 18th at the White Cube Bermondsey gallery which will hold a generous offering of over sixty new works by the partners in crime.

At London's legendary White Cube gallery prolific American sculptor Larry Bell presents a survey of new sculpture and paper based works: Mirage Collage and the Light Knots.

Courtesy: the artist, Sfeir - Semler Gallery, Hamburg and Beirut, Galerie LeLong & Co., New York, and White Cube, London; photograph: White Cube / George Darrell

This year's Spring Edition features 90 galleries with 24 new exhibitors among them, including Gagosian, Hauser & Wirth, Marian Goodman Gallery, White Cube, Wildenstein & Co..

Special thanks to Alexander and Bonin Gallery; Alexander Gray Associates, New York; Lalo Baeza; Katherine E. Bash; The Big Bend Sentinel; Ted Bonin; Alexia Bonomi; Brian Briggs; Peter Burleigh; Carl Freedman Gallery; Casey Kaplan Gallery; Joe Cashiola; Ross Cashiola; Vicente Celis; The Chinati Foundation; Corvi - Mora; Rob Crowley; Alan Dickson; JD DiFabbio; David Fenster; Cuca Flores; Peyton Gardner; Gavin Brown's Enterprise, New York; Jennie Lyn Hamilton; Mark Hannan; Hauser & Wirth; Kristian Henson; Judd Foundation; Noah Khoshbin; Charles Mary Kubricht; Marfa Public Radio; Matthew Marks Gallery; Tom Michael; Katherine Rae Mondo; Riley O'Bryan, Piotr Orlov; Crisol & Francisco Rosas; Mike Simonetti; Gory Smelley, Brooke Stroud; Noemi Tovar; The Watermill Collection; White Cube; Wilkinson Gallery, London; Vilma Gold, London; and Eric Zimmerman.

Selected solo exhibitions include The Public Art Fund, New York; Roger Bjorkholmen Gallery, Stockholm, Sweden; Postmasters Gallery, New York; White Cube, London, U.K. Selected group exhibitions in 2000 include The New Museum of Contemporary Art, New York; Seoul Biennial, Seoul; and Apex Art, New York.

Recent solo exhibitions include Giò Marconi, Milan (2015); a site - specific commission for Luxembourg & Dayan, New York (2015); the Institute of Contemporary Art, Philadelphia (2014, together with Jayson Musson); Carl Kostyál, Stockholm (2014); White Cube, London (2014); David Risley Gallery, Copenhagen (2014); Joe Sheftel Gallery, New York (2012 and 2013); the Institute of Contemporary Art, Maine College of Art, Portland (2013); Oko, New York (2013, together with Borna Sammak); and the Institute of Contemporary Art, Philadelphia (2012).

His work has been included in solo exhibitions at White Cube, London, and James Cohan Gallery, New York.

Most recently he exhibited at London's White Cube Hoxton, and this coming spring an exhibition will open at New York's Mnuchin Gallery (formerly, the L&M Gallery), his third solo show to date at that plush East Side venue.

2017 On Bodies: GMF x UNT, The Goss - Michael Foundation, Dallas, Texas «The Critic as Artist» curated by Michael Bracewell and Andrew Hunt, Reading Museum, London, UK ISelf Collection, Self - Portrait as the Billy Goat, Whitechapel Gallery, London Dreamers Awake, curated by Susanna Greeves, White Cube, London, UK As Above, So Below: Portals, Vision, Spirits & Mystics, Irish Museum of Modern Art, Dublin, Ireland The Ends of Collage: New York, Luxembourg & Dayan, New York, NY The Ends of Collage: London, Luxembourg & Dayan, London, UK La Movida, HOME, Manchester, UK Coming Out: Sexuality, Gender and Identity, Walker Art Gallery, Liverpool, UK Daughters of Penelope, Dovecot Studios, Edinburgh, Scotland

3 April — 9 May 2009 White Cube Hoxton Square is pleased to present an exhibition of new work by Ashley Bickerton, his third at the gallery.

Zensur, Anton Kern Gallery, New York Eberhard Havekost: 1996 - 2006 Paintings from the Rubell Family Collection, The Art Gallery at Florida Gulf Coast University, Fort Myers, FL, and Tampa Museum of Art, Tampa, FL Background, White Cube, London

25) David Hammons: The artist's first major London gallery show (at White Cube) will certainly help the artist open his own planned art space in Yonkers, New York.

Published by White Cube, London and James Cohan Gallery, New York / Shanghai, on the occasion of Fred Tomaselli, March 27 - May 16, 2009, White Cube, London.

In the summer of 2013, Raymond Pettibon took over one of David Zwirner's gallery spaces in New York, transforming the high - ceilinged, garage - like white cube into his studio in order to prepare a show of drawings and collages within — and sometimes directly on — its walls.

1996 «Lari Pittman: New Paintings,» White Cube, London, UK, September 13 — October 26, 1996 «Lari Pittman,» Los Angeles County Museum of Art, Los Angeles, CA, June 23 — September 8, 1996; Contemporary Arts Museum, Houston, TX, November 1, 1996 — January 5, 1997; Corcoran Museum, Washington D.C., February 8 — April 7, 1997; catalogue «Lari Pittman: Works on paper, 1982 to 1995,» curated by Elizabeth Brown, Hammer Museum, Los Angeles, CA, January 30 — March 10, 1996; University Art Museum, University of California, Santa Barbara, Santa Barbara, CA, March 16 — April 21; catalogue 1995 «Lari Pittman: Like You,» Regen Projects, Los Angeles, CA, November 11 — December 9, 1995 «Lari Pittman,» Studio Guenzani, Milan, Italy, January 19 — February 28, 1995 1994 Jay Gorney Modern Art, New York, NY, 1994 Texas Gallery, Houston, TX, 1994 1993 Rosamund Felsen Gallery, Los Angeles, CA, 1993 «Lari Pittman: Paintings & Works on Paper, 1989 — 1993,» Mandeville Gallery, University of California, San Diego, La Jolla, CA, 1993 Jablonka Galerie, Cologne, Germany, November 6 — December 12, 1993 1992 Jay Gorney Modern Art, New York, NY, 1992 1991 Rosamund Felsen Gallery, Los Angeles, CA, 1991 1990 Rosamund Felsen Gallery, Los Angeles, CA, 1990 1989 Rosamund Felsen Gallery, Los Angeles, CA, 1990 1988 Rosamund Felsen Gallery, Los Angeles, CA, 1988 1987 Rosamund Felsen Gallery, Los Angeles, CA, 1987 1986 Patty Aande Gallery, San Diego, CA, 1986 1985 Rosamund Felsen Gallery, Los Angeles, CA, 1985 1984 Rosamund Felsen Gallery, Los Angeles, CA, 1984 1983 Rosamund Felsen Gallery, Los Angeles, CA, 1983 1982 «Lari Pittman: Code of Honor,» curated by Paul Schimmel, Newport Harbor Art Museum, Newport Beach, CA, December 17, 1982 — January 23, 1983 «Lari Pittman: Sunday Painting,» Los Angeles Contemporary Exhibitions, Los Angeles, CA, June 9 — July 9, 1982 Selected Group Exhibitions:

Group exhibitions include «Sappers and Shrapnel», Art Gallery of South Australia, Adelaide, 2016; «So far», Ten Cubed, Melbourne; «Percy Grainger: In the Company of Strangers», The Gallery at Bayside Arts & Cultural Centre, Melbourne, 2015; «Five Perspectives», The Young, Wellington; In Free Circulation, Mothers Tankstation, Dublin, 2014; «Melbourne Now», National Gallery of Victoria, Melbourne; «Future Primitive», Heide Museum, Melbourne; «Theatre of the World», La Maison Rouge, Paris; Murray White Room at Art Basel, Hong Kong, 2013; «The Theatre of the World», Museum of Old and New Art (MONA), Hobart, 2012; «Monanism», MONA, Hobart; «The Five Obstructions», Margaret Lawrence Gallery, Melbourne, 2011; «Primavera», Museum of Contemporary Art, Sydney; and «Freehand: Recent Australian Drawing», Heide Museum, Melbourne, 2010.

He has had recent solo shows at Ingalls & Associates, Miami (2006); The Kitchen, New York (2006); Sutton Lane Gallery, London (2005); Milwaukee Art Museum, Milwaukee (2004); White Columns, New York (2003); Corcoran Museum, Washington D.C. (2001); and Jay Jopling / White Cube, London (2000).

The South Gallery II of White Cube Bermondsey is turned into a magical, wondrous and captivating space filled with new works by Cerith Wyn Evans.

And yet, their work has been the subject of exhibitions at prominent galleries and institutions like Gagosian Gallery in New York, the White Cube Gallery in London, the Tate Britain in London, the Triumph Gallery in Moscow, and PS1 Contemporary Art Center in New York.

The artist is represented by Gagosian Gallery in New York, Bevery Hills, and London, White Cube Bermondey, White Cube Mason's Yard, and White Cube London.

Artworks Courtesy of: Nick Cave; Theaster Gates; Barbara Kasten; Chris Ware; BAM Hamm Archives; Bortolami Gallery; Cranbrook Art Museum; Margaret Jenkins Dance Company; The New Yorker magazine and Condé Nast; James Prinz Photography; Jack Shainman Gallery; Sara Linnie Slocum; Chris Strong Photography; & White Cube.

The new walls radically alter the experience of the pristine white cube gallery space, in which Esra Ersen, originally from Istanbul, is showing an engaging documentary video with street children in her hometown.

Despite O'Doherty's debunking of this context, the white cube mode of exhibiting continues to underpin much exhibition - making in the West, from commercial galleries that are designed to look like modern art museums (think of David Zwirner's minimalist 30,000 square foot space on 20th Street in New York) to websites such as Contemporary Art Daily that tend to privilege the flattened picture surfaces of post-minimalist paintings, which look good filtered through the even light of a laptop screen.

Despite O'Doherty's debunking of this context, the white cube mode of exhibiting continues to underpin much exhibition - making in the West, from commercial galleries that are designed to look like modern art museums (think of David Zwirner's minimalist 30,000 square foot space on 20th Street in New York) to

Harvey solo exhibitions include shows at London's White Cube Gallery (2009, 1994), Galleria Marabini, Bologna (2009, 2007, 2005) Mary Boone (2002) and Tanya Bonakdar, New York (1995).

White Cube's new space breaks the records for the largest commercial gallery in the UK, even Europe

At White Cube, Antony Gormley's new exhibition was simply mind - blowing — definitely my favourite gallery show.

In May 2010, Quinn revealed a series of new sculptures at London's White Cube gallery including The Ecstatic Autogenesis of Pamela based on film actress Pamela Anderson and Chelsea Charms based on pornography model Chelsea Charms.

At London's legendary White Cube gallery prolific American sculptor Larry Bell presents a survey of new sculpture and paper based works: Mirage Collage and the Light Knots, which will continue until the 12 January 2014.

Over the last two and a half years, his popularity has ramped up, with a dozen shows in New York, London and in Europe at galleries like White Cube, Yvon Lambert and Gagosian.

Courtesy Paula Cooper Gallery, New York, and White Cube, London.

(FT) Of Algorithms and Architecture — Esteemed artist Julie Mehrehtu, whose work is currently in solo shows at Marian Goodman Gallery in New York and White Cube in London (not to mention highly coveted by collectors worldwide) shares 500 words with Artforum about her artistic practice and mark - making process.

Phillips also achieved a landmark price for the American artist Mark Bradford, when his very large mixed - media canvas Biting the Book (2013), bought from a show at London's White Cube that closed only a year ago, attracted multiple telephone bids before selling to a client speaking to Philips's New York — based president Michael McGinnis, for a record # 2.5 million ($ 3.9 million), double the estimate and four times the gallery retail price for such a work.

Tomaselli lives and works in Brooklyn and is represented by James Cohan Gallery in New York and White Cube Gallery in London.

The Young British Artists revitalised (and in some cases spawned) a whole new generation of contemporary commercial galleries such as Karsten Schubert, Sadie Coles, Victoria Miro, Maureen Paley's Interim Art, and Jay Jopling's White Cube.

These included artistic spaces such as award - winning art gallery New School House Gallery and white cube space According togallery New School House Gallery and white cube space According toGallery and white cube space According to McGee.

Now that SFMOMA's three - year renovation to add 100,000 - square - feet of galleries is complete, New Work has its first dedicated space: a white cube that sits at the juncture between the new Snøhetta - designed expansion and the existing Mario Botta buildiNew Work has its first dedicated space: a white cube that sits at the juncture between the new Snøhetta - designed expansion and the existing Mario Botta buildinew Snøhetta - designed expansion and the existing Mario Botta building.

Made in Commmons at Stedelijk Museum Bureau Amsterdam; Liu Wei at White Cube Mason's Yard, London; Subodh Gupta: Everything Is Inside at National Gallery of Modern Art, New Dehli; Naiza Khan: The Weight of Things at Koel Gallery, Karachi; Liang Yue: The Quiet Rooms at Shanghart H - Space, Shanghai; Liu Ding: Lake Washington at Antenna Space, Shanghai; Marrakech Biennale 5; Florian Pumhösl at Miguel Abreu Gallery, Eldrige and Orchard streets, New York; 3rd Colombo Art Biennale: Making History; Bienal Internacional de Arte Contemporáneo de Cartagena de Indias \ n

In gallery news: David Zwirner now represents the Joan Mitchell Foundation, with an exhibition planned for next year in the gallery's New York space — «The gallery is proud to be entrusted to help with the extraordinary legacy of Joan Mitchell, one of the most important and original American painters to emerge in the second half of the twentieth century», Zwirner commented; Lehmann Maupin have announced representation of the Estate of Heidi Bucher — «Her exploration of spaces — often designated as feminine, particularly domestic environments and objects — is very much in line with Lehmann Maupin's programming and closely ties into the work of artists such as Do Ho Suh and Liza Lou,» director Anna Stothart said; New York's James Cohan Gallery represents Matthew Ritchie; LA's Kayne Griffin Corcoran now represents painter Mary Obering (her work is on show at their booth at Frieze New York); London's White Cube have opened an office on New York's Upper East Side; and Mexico City gallery kurimanzutto also opened a space in New York's Upper East Side yesterday, inaugurated with new work by Abraham Cruzvigallery news: David Zwirner now represents the Joan Mitchell Foundation, with an exhibition planned for next year in the gallery's New York space — «The gallery is proud to be entrusted to help with the extraordinary legacy of Joan Mitchell, one of the most important and original American painters to emerge in the second half of the twentieth century», Zwirner commented; Lehmann Maupin have announced representation of the Estate of Heidi Bucher — «Her exploration of spaces — often designated as feminine, particularly domestic environments and objects — is very much in line with Lehmann Maupin's programming and closely ties into the work of artists such as Do Ho Suh and Liza Lou,» director Anna Stothart said; New York's James Cohan Gallery represents Matthew Ritchie; LA's Kayne Griffin Corcoran now represents painter Mary Obering (her work is on show at their booth at Frieze New York); London's White Cube have opened an office on New York's Upper East Side; and Mexico City gallery kurimanzutto also opened a space in New York's Upper East Side yesterday, inaugurated with new work by Abraham Cruzvigallery's New York space — «The gallery is proud to be entrusted to help with the extraordinary legacy of Joan Mitchell, one of the most important and original American painters to emerge in the second half of the twentieth century», Zwirner commented; Lehmann Maupin have announced representation of the Estate of Heidi Bucher — «Her exploration of spaces — often designated as feminine, particularly domestic environments and objects — is very much in line with Lehmann Maupin's programming and closely ties into the work of artists such as Do Ho Suh and Liza Lou,» director Anna Stothart said; New York's James Cohan Gallery represents Matthew Ritchie; LA's Kayne Griffin Corcoran now represents painter Mary Obering (her work is on show at their booth at Frieze New York); London's White Cube have opened an office on New York's Upper East Side; and Mexico City gallery kurimanzutto also opened a space in New York's Upper East Side yesterday, inaugurated with new work by Abraham CruzvillegNew York space — «The gallery is proud to be entrusted to help with the extraordinary legacy of Joan Mitchell, one of the most important and original American painters to emerge in the second half of the twentieth century», Zwirner commented; Lehmann Maupin have announced representation of the Estate of Heidi Bucher — «Her exploration of spaces — often designated as feminine, particularly domestic environments and objects — is very much in line with Lehmann Maupin's programming and closely ties into the work of artists such as Do Ho Suh and Liza Lou,» director Anna Stothart said; New York's James Cohan Gallery represents Matthew Ritchie; LA's Kayne Griffin Corcoran now represents painter Mary Obering (her work is on show at their booth at Frieze New York); London's White Cube have opened an office on New York's Upper East Side; and Mexico City gallery kurimanzutto also opened a space in New York's Upper East Side yesterday, inaugurated with new work by Abraham Cruzvigallery is proud to be entrusted to help with the extraordinary legacy of Joan Mitchell, one of the most important and original American painters to emerge in the second half of the twentieth century», Zwirner commented; Lehmann Maupin have announced representation of the Estate of Heidi Bucher — «Her exploration of spaces — often designated as feminine, particularly domestic environments and objects — is very much in line with Lehmann Maupin's programming and closely ties into the work of artists such as Do Ho Suh and Liza Lou,» director Anna Stothart said; New York's James Cohan Gallery represents Matthew Ritchie; LA's Kayne Griffin Corcoran now represents painter Mary Obering (her work is on show at their booth at Frieze New York); London's White Cube have opened an office on New York's Upper East Side; and Mexico City gallery kurimanzutto also opened a space in New York's Upper East Side yesterday, inaugurated with new work by Abraham CruzvillegNew York's James Cohan Gallery represents Matthew Ritchie; LA's Kayne Griffin Corcoran now represents painter Mary Obering (her work is on show at their booth at Frieze New York); London's White Cube have opened an office on New York's Upper East Side; and Mexico City gallery kurimanzutto also opened a space in New York's Upper East Side yesterday, inaugurated with new work by Abraham CruzviGallery represents Matthew Ritchie; LA's Kayne Griffin Corcoran now represents painter Mary Obering (her work is on show at their booth at Frieze New York); London's White Cube have opened an office on New York's Upper East Side; and Mexico City gallery kurimanzutto also opened a space in New York's Upper East Side yesterday, inaugurated with new work by Abraham CruzvillegNew York); London's White Cube have opened an office on New York's Upper East Side; and Mexico City gallery kurimanzutto also opened a space in New York's Upper East Side yesterday, inaugurated with new work by Abraham CruzvillegNew York's Upper East Side; and Mexico City gallery kurimanzutto also opened a space in New York's Upper East Side yesterday, inaugurated with new work by Abraham Cruzvigallery kurimanzutto also opened a space in New York's Upper East Side yesterday, inaugurated with new work by Abraham CruzvillegNew York's Upper East Side yesterday, inaugurated with new work by Abraham Cruzvillegnew work by Abraham Cruzvillegas.

Rhode's upcoming exhibition at North Carolina Museum of Art opens September 26, 2015, adding to an impressive list of solo shows in the last decade that includes Artists Space in New York, Haus der Kunst in Munich, Hayward Gallery in London, Kulturhuset in Stockholm, Los Angeles County Museum of Art, Museum of Art Lucerne, National Gallery of Victoria in Melbourne, Neuberger Museum of Art at SUNY - Purchase, Rose Art Museum at Brandeis University, and White Cube in London.

The new gallery confirms White Cube's ties with the country.

Other sales included Joan Mitchell's Abstract Expressionist work Syrtis (1961), which sold for $ 6.75 m at White Cube; Self - Eater (2003) by Dana Schutz, which found a new owner at $ 400,000 from Petzel Gallery; and two pieces by Alberto Burri, which were bought by international collectors for $ 1.3 m and $ 450,000 from Mazzoleni, experts in post-war Italian art.

Selected solo exhibitions include Raqib Shaw, Manchester Art Gallery, Manchester (2013); Of Beasts And Super-beasts, Galerie Thaddaeus Ropac, Paris (2012); Paradise Lost, White Cube — Mason's Yard, London (2011); Absence of God, Kunsthalle Wien Karlsplatz, Vienna (2009); Raqib Shaw at the Met, The Metropolitan Museum of Art, New York City (2008); Art Now — Raqib Shaw, Tate Britain, London (2006); Raqib Shaw — Garden of Earthly Delights, Museum of Contemporary Art, Miami (2006); Raqib Shaw, Victoria Miro Gallery, London (2004).

From Picasso to Ai Weiwei — Rediscovering Ceramics in Art, Herbert Gerisch - Stiftung, Neumünster, Germany EXPO 1: NEW YORK, Cinema Module, MoMA PS1, New York, NY, United States The Gesture and the Sign, White Cube, São Paulo, Brazil Contemporary Future: To Invent, Create and Imagine the Future, CAB Art Center, Brussels, Belgium An Endless Theatre: the convergence of contemporary art and anthropology in observational cinema, University of Edinburgh, Edinburgh, Scotland, England Fun House, Richard Gray Gallery, New York, NY, United States Beg, Borrow and Steal, Palm Springs Art Museum, Palm Springs, CA, United States, (travelling exhibition) Black Cake, Team Gallery, New York, NY, United StaNEW YORK, Cinema Module, MoMA PS1, New York, NY, United States The Gesture and the Sign, White Cube, São Paulo, Brazil Contemporary Future: To Invent, Create and Imagine the Future, CAB Art Center, Brussels, Belgium An Endless Theatre: the convergence of contemporary art and anthropology in observational cinema, University of Edinburgh, Edinburgh, Scotland, England Fun House, Richard Gray Gallery, New York, NY, United States Beg, Borrow and Steal, Palm Springs Art Museum, Palm Springs, CA, United States, (travelling exhibition) Black Cake, Team Gallery, New York, NY, United StaNew York, NY, United States The Gesture and the Sign, White Cube, São Paulo, Brazil Contemporary Future: To Invent, Create and Imagine the Future, CAB Art Center, Brussels, Belgium An Endless Theatre: the convergence of contemporary art and anthropology in observational cinema, University of Edinburgh, Edinburgh, Scotland, England Fun House, Richard Gray Gallery, New York, NY, United States Beg, Borrow and Steal, Palm Springs Art Museum, Palm Springs, CA, United States, (travelling exhibition) Black Cake, Team Gallery, New York, NY, United StaNew York, NY, United States Beg, Borrow and Steal, Palm Springs Art Museum, Palm Springs, CA, United States, (travelling exhibition) Black Cake, Team Gallery, New York, NY, United StaNew York, NY, United States

What he posited as one of the «new ways of existing» away from a «traditional white - cube model» was a display of four David Adamo sculptures in the lobby of Finsbury Circus House, a newly renovated office building just around the corner from Liverpool Street station, listed as an «Ibid Gallery London» exhibition in collaboration with art consultancy HS Projects.