Sentences with phrase «new aesthetic object»

However, he finds more than just inspiration in the works of these artists; he does not simply copy the work of his artistic forebears but uses their work «as a pretext» («como pretexto») to create an entirely new aesthetic object.

Impassioned by artists of the past ranging from Zurbarán to Velázquez, Matisse to Lichtenstein, Valdés finds more than just inspiration in their paintings; he uses their work «as a pretext» (como pretexto) to create an entirely new aesthetic object — a painting or sculpture that while clearly sourced from a known composition is a uniquely brilliant wk of art in itself.

Not exact matches

But despite its pixilated aesthetic, the game — in which the core objective is not destruction but the creation of new materials and objects — is beloved by children and serious gamers alike.

Doing a long series of arithmetical calculations or working all day entering data at a computer terminal may result in almost total «an - aesthesia,» while proving a new mathematical theorem or writing a complex computer program may bring about intense involvement and the enjoyment of vivid immediate experience.8 «Aesthetic» experience in the more usual sense of tile term can also y ~ ry fi - om trivial to highly intense, even when it relates to a single object; one is reminded of the cliche situation in which one member of a couple listens in rapture to a concert while the other writhes in boredom.

New York, NY About Blog This blog is dedicated to exploring and cultivating contemporary aesthetic interpretations of the book as an art object, while preserving the traditional practices of the art of the book.

Evoking the rebellious post-Pop aesthetic of New York, Laska often incorporates recycled waste materials and found objects into her paintings, sometimes reworking parts of earlier canvases entirely.

And while it has been popular of late to display actual handmade African - American quilts, such as the ones exhibited in upscale New York galleries, Huckaby's act of repainting quilts disarms them as fetishized aesthetic objects while folding their weighted cultural meaning into the history of painting.

Commingling artistic and scientific references, Zarka's new sculptures, drawings, and collages advocate the utility of forms that are ostensibly purely aesthetic and, conversely, emphasize the aesthetic value of useful objects.

He wrote: «The new American painting is not «pure» art, since the extrusion of the object was not for the sake of the aesthetic.

In 1977, his deceptively simple act of re-photographing advertising images from The New York Times Magazine and presenting them as his own ushered in an entirely new, critical approach to making art — one that questioned notions of originality and the privileged status of the unique aesthetic objeNew York Times Magazine and presenting them as his own ushered in an entirely new, critical approach to making art — one that questioned notions of originality and the privileged status of the unique aesthetic objenew, critical approach to making art — one that questioned notions of originality and the privileged status of the unique aesthetic object.

Their new ideas of conceptual performance and object relations in dance in - formed Mangolte «s own filmic aesthetic as much as the enigmatically anti-expressive styles of film director Robert Bresson and the structuralist realism of Chantal Akerman for whom she was director of photography.

Pia Camil wants people to donate objects of power, aesthetic interest, and of poignancy for her new installation, A Pot For A Latch, at the New Musenew installation, A Pot For A Latch, at the New MuseNew Museum.

Artist David Brooks describes how his experience with artifacts from Papua New Guinea inspired a newfound understanding of art objects existing beyond an aesthetic experience, with the potential to connect to functional, real - world elements.

Later series used destructive strategies to mine new aesthetic effects such as violently smashing objects during public happenings or performance art events, and burning them.

When seen in concert with these images, the otherwise unadorned furniture objects become imbued with new formal potential, as if by sleight of hand, ready to re-enter domestic spaces with a newly aesthetic agenda.

Contrary to common associations to rugs — an object that inherently possesses a strong sense of history and references to defined artistic and aesthetic movements — the purpose of this project is to provide a new and extraordinary channel for art to be made available through an alternate medium.

The traces to traditional art mediums and the representation of mundane material make the works unfamiliar yet aesthetic; by stripping objects off its original function, replacing them within an art context, and combining them to form a new sculptural entity, Stramrud unavoidably points at Surrealist juxtaposition techniques with its aim to create an image of poetic reality.

By incorporating a selection of memorabilia and design objects into the works that reinterpret the Interlocking Sculptures, the project expands this notion and approximates new aspects in which the formal becomes historical, whilst the exhibition itself becomes a sort of stage linking the aesthetic to the social and political.

Fried loathed the minimalists - Donald Judd, Robert Morris, Carl Andre - artists who emerged in New York in the 1960s, wanting to do something different from the generation of Pollock and Rothko, and who simply presented «objects» to the viewer, brutally shorn of traditional aesthetic values.

Performance art would never have been what it was without Laurie Anderson, who ushered in an entirely new aesthetic — matched only by Nam June Paik — that combined new technologies, absurdity, poetry, and found - objects.

We are compelled to imagine a time when architectural spaces and objects were new representations of manufacturing, design, and aesthetic tastes and trends.

In contrast to James Bridle's notion of the so - called «New Aesthetic» (recently critiqued on AFC), Tap does not pit digital images against «real» objects, but rather explores the temporal materiality of digital compression through the language of paint.

A substantial number of citizen action groups — Wutbürger (angry citizens)-- have fiercely objected to the construction of new wind parks for noise and aesthetic reasons, for example.

The addition of a secondary lens is crucial for what Apple has worked hard for to deliver with its new premium iPhone: the Bokeh effect or the aesthetic effect in photography that blurs the out - of - focus object / s in a picture.