Sentences with phrase «new approaches to painting»

The second aspect of the exhibition features boundary - breaking art from Brazil which reveals new approaches to painting and sculpture in São Paulo and Rio de Janeiro.

Language as medium also allowed for new approaches to painting and sculpture, and Lawrence Weiner famously uses works as the medium for his sculptures, which require the participation of the viewer to be realized in thought.

For more than four decades, beginning in 1915 in Munich, Hofmann's art took a back seat to his role as the selfless, generous guide to a brazen new approach to painting.

It was a conscious effort to find his own new approach to painting: «Since I had just come back from Canada and was again searching for a subject, I started making these quite homely paintings, paintings of quite modest subjects».

Maybe this new approach to painting was the only way left for Patrick to commune with her.

It seemed that if one wanted to get away from such things as the American scene or social realism and perhaps cubism, this offered a possibility of a way out, and the hope that given a subject matter that was different, perhaps some new approach to painting... might also develop.»

His very large format canvases from the late 1960s show a new approach to painting and the artist working with simplification of form and magnification of detail.

Bischoff embraced this new approach to painting, incorporating his interest in metaphysical thought and ancient art.

I had the unique opportunity to speak with him about citizenship in a globalized world and industry, his inspirations and the beginning of a new approach to his painting style.

Not exact matches

We tend to take an all - or - nothing approach when it comes to sexuality, painting with broad brushes across complex people, ignoring nuance and making up a new law, one that — let's be honest — usually puts women at risk of abuse or shame - based rhetoric.

This week the approach takes a major step forward with a combined genetic and linguistic study that paints a picture of how people entered and spread across Australia, giving birth to new languages as they went.

«When the car manufacturer approached us to develop a new technique for analyzing the glittery flakes in car paint, we felt OCT could provide a solution,» said Shen.

When I was approached by DecoArt to work with their new Outdoor Living paints available at Hobby Lobby, I knew I wanted to take on a project and do something to help spruce up our yard.

New York About Blog Fumero's intent was always to be direct with his approach to painting.

Field of Lost Shoes doesn't tread any particularly new ground, but it certainly treads over very solid ground and Wiedmann has painted on a particularly grand canvas, writing emotionally rich music that is very easy to like and will surely prove very popular amongst those people who like the no - holds - barred - when - it - comes - to - emotions approach of 1990s John Barry or James Horner (and who are willing to give this score a chance).

The effect is a little like a Roger Brown painting, and it works: This looks like it's going to be a new approach to the basic street and rock images.

New York About Blog Fumero's intent was always to be direct with his approach to painting.

Already by the mid-1960s, painting had lost its authority as the dominant artistic medium and instead galleries had begun to show much more heterogeneous experimental and sometimes politically and socially provocative work in new media (film, video, and photography), as well as confrontational live art and other kinds of participatory and performance - based approaches.

Can you talk about how your approach to a painting or a new group of paintings evolves?

The sudden fusion of these disparate schools of thought and technique would birth a wide body of new works and approaches to painting and sculpture, with artists like Klee and Miró driving forward radical new ideologies in the creation of abstract works.»

Romanian - born, identical twin brothers Gert & Uwe Tobias show new ceramcis and paintings in Rodolphe Janssen's solo presentation (A5), while alternative approach to painting, no less informed by historical precedents, can be found in the work of Belgian - Syrian Farah Atassi, whose stand François Ghebaly Gallery (D1) is dedicated to.

The basic point about Louis's work and that of other Color Field painters, sometimes known as the Washington Color School in contrast to most of the other new approaches of the late 1950s and early 1960s, is that they greatly simplified the idea of what constitutes the look of a finished painting.

Brennan conceives each new work by first mixing a specific color, which then determines his particular approach to making the painting.

The exhibition brings together a selection of nine paintings on monochrome stone (slate and white marble) by Italian painters such as Sebastiano del Piombo, Titian, Daniele da Volterra and Leandro Bassano, which reflect the consolidation of a new approach to artistic techniques that emerged in the early decades of the 16th century.

Coming of age as an artist in 1950s New York, Katz developed his unique approach to contemporary representational painting during the height of Abstract Expressionism.

Though the wrestler paintings present a new approach to less explored motifs, these works reuse and play with a visual vocabulary found throughout Dunham's paintings and drawings.

It also brought a new, open airiness to the painted surface and was credited with releasing color from the gestural approach and romantic rhetoric of Abstract Expressionism.

In the years since then, he has worked consistently in series, pioneering new approaches to form, color, narrative, and abstraction with innovative paintings, prints, sculptures, and architectural installations.

With his return to painting, Dubuffet adopted an energetic new language to approach everyday subject matter.

Mike Calvert, ever independent in his attitude to group excursions, takes an almost contrarian approach, choosing painting as his medium for representing a «new style of computer aesthetic» at #ETINTERBRO, while — during an obliviously dangerous first night swim in the buoyant salt water of a pitch black Dead Sea — he describes a Milan gallery's outrage over an exhibition with fellow brotherhood member Miltos Manetas in 2001.

Considered one of the most important painters of the twentieth century, Still was among the first generation of Abstract Expressionist artists who developed a new, powerful approach to painting in the years following World War II.

Cubism: Cubism was a revolutionary new approach to representing reality invented in around 1907 by artists Pablo Picasso and Georges Braque who aimed to bring different views of subjects together in the same picture, resulting in paintings that appear fragmented and abstracted.

[iv] This new approach led first to his «imaginary landscape» paintings and the to the «burst» paintings — immediately recognizable for their large round bursts of color placed over dark lines — which distinguish his mature style.

This summer New Art Exchange in Nottingham, UK, presented Dub Versions, a solo exhibition of Anderson's new and recent paintings paired with related source materials to illustrate the artist's uniquely forensic approach to image - makiNew Art Exchange in Nottingham, UK, presented Dub Versions, a solo exhibition of Anderson's new and recent paintings paired with related source materials to illustrate the artist's uniquely forensic approach to image - makinew and recent paintings paired with related source materials to illustrate the artist's uniquely forensic approach to image - making.

The artist's new works will continue his distinctive approach to painting, in which his works are both painterly and sculptural and also textural and figurative.

A little - recognized aspect of the work of Winslow Homer — one of America's most iconic artists — is the relationship between his painting and photography, and the role of the relatively new medium on his approach to image making.

In the new work Ford begins to loosen up, combining a more gestural painting approach and larger scale shifts with the tighter, more illustrative technique from previous outings.

These pieces might seem like nothing new - sculptors have been working in 3D forever - but because they developed from his work in painting, they reflect a new approach to sculpture.

Quiet, reflective and mysterious, new paintings by Brooklyn - based artist Jules de Balincourt continue an intuitive approach to image - making, where the world we inhabit is filtered through the artist's own psychological landscape.

We conducted an interview with Grabner via email about the trajectory of contemporary painting, the redemptive art scene outside of New York, and her feminist, artist - first approach to curating the Biennial.

Paintings, prints, photographs, video, ceramics, and sculpture highlight the diverse approaches to creative expression found in Southern New Mexico and West Texas.

Thai born, New York based Udomsak Krisanamis» richly textured collaged paintings reflect his highly personalised approach to language.

A more nuanced reading of Cage opens new ways of understanding the White Paintings and their relationship to his composition 4» 33», a work whose approach to silence has often been misunderstood.

But in paintings like this one, Herrera — along with artists like Ellsworth Kelly and Frank Stella — began to introduce cool new sensibility, and a clear, formalist approach.

As a student in 1949 at the Art Students League of New York, for example, he laid paper on the floor of the building's entrance to capture the footprints of those entering and exiting.10 The creation of receptive surfaces on which to record, collect, or index the direct imprint of elements from the real world is especially central to the artist's pre-1955 works.11 Leo Steinberg's celebrated 1972 article «Reflections on the State of Criticism» isolated this particular approach to surface as collection point as the singular contribution of Rauschenberg's works of the early 1950s, one which galvanized a new position within postwar art. 12 Steinberg coined the term «flatbed picture plane» to account for this radical shift, through which «the painted surface is no longer the analogue of a visual experience of nature but of operational processes.&raqNew York, for example, he laid paper on the floor of the building's entrance to capture the footprints of those entering and exiting.10 The creation of receptive surfaces on which to record, collect, or index the direct imprint of elements from the real world is especially central to the artist's pre-1955 works.11 Leo Steinberg's celebrated 1972 article «Reflections on the State of Criticism» isolated this particular approach to surface as collection point as the singular contribution of Rauschenberg's works of the early 1950s, one which galvanized a new position within postwar art. 12 Steinberg coined the term «flatbed picture plane» to account for this radical shift, through which «the painted surface is no longer the analogue of a visual experience of nature but of operational processes.&raqnew position within postwar art. 12 Steinberg coined the term «flatbed picture plane» to account for this radical shift, through which «the painted surface is no longer the analogue of a visual experience of nature but of operational processes.»

He has shown dark paintings in darkened rooms, created theatrical environments — like the Tate's The Upper Room or his British Pavilion at the Venice Biennale, and his more recent exhibition at New York's New Museum), and created work for the Royal Opera House, to extend the way we might approach and look at his work.

Chronicling an abstract personal account of his relationships, studio practice, and his sense of history through a spectrum of techniques, New York - based artist Richard Aldrich has in recent years placed himself at the forefront of a new approach to the medium that re-thinks how a painting is made, how it is experienced, and ultimately what it all meaNew York - based artist Richard Aldrich has in recent years placed himself at the forefront of a new approach to the medium that re-thinks how a painting is made, how it is experienced, and ultimately what it all meanew approach to the medium that re-thinks how a painting is made, how it is experienced, and ultimately what it all means.

Her signature approach to representational painting was forged in a crucible of artists and poets who championed the centrality of personal experience in creative production, paying particular attention to the ways in which one's perceptions of New York City could be translated into art.

For his first solo exhibition at CB1 Gallery, extravagant promises, the artist has taken a new approach to the images which have eluded the transfer to paintings.

Golub (Chicago, 1922 — New York, 2004), since his formative years in Chicago, developed a personal approach to figurative painting, detaching himself from the dominant styles of New York School's Action Painting and Abstract Exprespainting, detaching himself from the dominant styles of New York School's Action Painting and Abstract ExpresPainting and Abstract Expressionism.