Sentences with phrase «new aquatint»

Lothar Götz has created a new aquatint in an edition of 30 to accompany his site specific wall - painting which spanned the entrance of The London Open 2015, the Whitechapel Gallery's triennial open submission exhibition, from 15 July — 6 September 2015.

Not exact matches

The Foley Square Monument New York, 1996 - 97 charcoal, charcoal pencil, and ink with engraving and aquatint on paper 31 1/2» x 24», signed and dated

Aquatint published by Parasol Press, New York, [edition of 40].

2015 Portfolio of three aquatint prints published by Jennifer Melby Editions, New York, [edition of 20].

1989 Portfolio of four aquatints published by Parasol Press, New York, [edition of 30].

Pace Prints is pleased to present an exhibition featuring James Turrell's Suite from Aten Reign, the artist's newest suite of three aquatint etchings.

In the project space Stephanie Graegin exhibits a new suite of etchings with aquatint «Twelve Thoughts on Family and Other Incidents» that explore both the whimsy and the dark mystery of childhood.

«Crowd Paintings», Cheim & Read, New York «Paintings from Kunsthalle», Basel, Tony Shafrazi, New York «New Work», Greenberg Van Doren, St. Louis, Missouri «Collage Paintings», Velge & Noirhomme, Brussels, Belguim «New Color Aquatints», Baron / Boisanté, New York «Recent Paintings», Bernd Klueser, Munich, Germany «Sculptures & Drawings», Lars Bohman, Stockholm, Sweden «New Paintings», Thomas Cohn, São Paulo, Brazil «Donald Baechler», Locks Gallery, Philadelphia, Pennsylvania «Globes and More», Thaddaeus Ropac, Paris, France

HELEN FRANKENTHALER Earth Slice (H. 59) etching and aquatint in colors, 1978, on mauve HMP handmade, signed and dated in pencil, numbered 9/46 (there were also 12 artist's proofs), with the Tyler Graphics Ltd. blindstamp, Mount Kisco, New York, with wide margins, in very good condition P. 8 3/4 x 19 5/8 in.

HELEN FRANKENTHALER A Page from Book III, from This is Not a Book etching, aquatint, mezzotint and stencil in colors, 1997, on TGL handmade, signed and dated in pencil, numbered 20/60 (there were also 16 artist's proofs), with the Tyler Graphics, Ltd. blindstamp, Mount Kisco, New York, with full margins, pale time staining, traces of pale foxing, otherwise in good condition, framed P. 4 x 17 3/4 in.

Helen Frankenthaler (American, b. 1928) Spring Veil, 1987; Aquatint with drypoint in colors; Signed, dated and numbered 12/51; 17 1/4» x 25 3/4» (sheet); Publisher: 2RC Edizioni d «Arte, Rome; Literature: Harrison 125; Provenance: Staempfli Gallery, Inc., New York (label on verso); Private Collection, New York

HELEN FRANKENTHALER Round Robin etching, aquatint and mezzotint in colors, 2000, on TGL handmade, signed and dated in pencil, numbered 12/30 (there were also 14 artist's proofs), with the Tyler Graphics, Ltd. blindstamp, Mount Kisco, New York, with full margins, traces of extremely minor surface soiling in the margins, otherwise in excellent condition, framed P. 6 7/8 x 16 1/4 in.

Alongside the survey of 50 years of print - making, BAM is also pleased to exhibit a portfolio of aquatints of fourteen New York poets, originally produced in 1978, alongside excerpts from each poet's work.

HELEN FRANKENTHALER A Page from a Book: I - III three etchings with aquatint in colors, 1997, on TGL handmade, all signed and dated in pencil, all numbered 11/60 (there were also 16 artist's proofs for all), all with the Tyler Graphics, Ltd. blindstamps, Mount Kisco, New York, all with full margins, very minor surface soiling, a few lightly skinned areas in the margins, one with a very pale moisture stain at the upper right margin edge, otherwise all in very good condition all P. approx. 4 1/8 x 18 1/4 in.

Helen Frankenthaler American - New York (born1928 --RRB- Aquatint «Ganymede» Circa 1978.

HELEN FRANKENTHALER A Page from a Book III, from This is Not a Book etching, aquatint, mezzotint and pochoir in colors, 1997, on TGL handmade, signed and dated in pencil, numbered 12/60 (there were also 16 artist's proofs), published by Tyler Graphics, Ltd., Mount Kisco, New York, with their blindstamp, with full margins, occasional soft rubbing in the margins, a crease at the upper right sheet corner, otherwise apparently in good condition, not examined out of the frame P. 5 x 21 1/4 in.

Helen Frankenthaler Gateway 1988 Etching, relief and aquatint in colors with hand - stenciled margins, on three panels of TGL Handmade paper, the full sheets, all S. 68 3/4 x 29 1/2 in (174.6 x 74.9 cm) signed and numbered 29/30 in pencil on the right panel (there were also 10 artist's proofs), published by Tyler Graphics, Ltd., Mount Kisco, New York (with their blindstamp), in very good condition, framed.

Jan 2018 Paperworks Studio Lowestoft Lino Cut Printing Course Feb 2017 Chelsea College of Art Colour and Gesture Painting Masterclass Dec 2016 Chelsea College of Art Mixed Media Photography 2004 - 2005 PGCE ART AND DESIGN SECONDARY EDUCATION Anglia Ruskin University Chelmsford 1988 - 1992 BACHELOR OF ARTS (HONS) FINE ART University of Auckland, Elam School of Fine Arts, New Zealand 1990 Society of Arts, 10 Week Etching and Aquatint Course

HELEN FRANKENTHALER Earth Slice (H. 59) etching and aquatint in colors, 1978, on mauve HMP handmade, signed and dated in pencil, numbered 8/46 (there were also 12 artist's proofs), with the Tyler Graphics, Ltd. blindstamp, Mount Kisco, New York, with wide margins, the paper slightly attenuated, a small purple stain in the upper right margin corner (possibly inherent in the paper), remains of old hinges at the reverse of the upper margin corners, otherwise in very good condition P. 8 3/4 x 19 5/8 in.

Alex Katz: New York comprises some 40 paintings and aquatints, focusing mainly, as the title suggests, on his relationship with his native city.

HELEN FRANKENTHALER Ochre Dust (H. 133) aquatint and lithograph in colors, 1987, on Rives BFK, signed and dated in orange pencil, numbered 35/44 (there were also 12 artist's proofs), with the Tyler Graphics Ltd. blindstamp, Mount Kisco, New York, the full sheet, a tiny crease at the upper left corner, otherwise in very good condition, framed S. 24 1/4 x 32 3/4 in.

HELEN FRANKENTHALER (B. 1928) A Page from a Book II; and III two etchings with aquatint in colors, 1997, on TGL handmade, both signed and dated in pencil, numbered «AP 13/16» and «AP 16/16» respectively (the editions were 30 for both), both with the Tyler Graphics, Ltd. blindstamps, Mount Kisco, New York, both with full margins, traces of extremely minor surface soiling at the margin edges, otherwise both apparently in excellent condition, one examined out of the frame both P. approx. 4 x 17 5/8 in.

Master Printer Sam Carr - Prindle helped her incorporate custom - made stencils from her studio in New York into copper plates mainly by using a modified sugar lift aquatint technique.

Louise Bourgeois 路易丝 • 布尔乔亚 The Happy House 快乐房子, 2003 Aquatint and engraving 铜版蚀刻与凹雕 Paper size 纸版尺寸: 15 x 17 inches; 38.1 x 43.2 cm Courtesy Harlan & Weaver, New York © Louise Bourgeois Trust

Louise Bourgeois 路易丝 • 布尔乔亚 Male and Female (set of two prints) 男性与女性 (一套两件), 2005 Drypoint, engraving and aquatint with chine collé 中国画仙纸上铜版干刻 、 凹雕与蚀刻制 Paper size 纸版尺寸: 18 1⁄4 x 12 3⁄4 inches; 46.4 x 32.4 cm Edition of 35 Courtesy Harlan & Weaver, New York © Louise Bourgeois Trust

Louise Bourgeois 路易丝 • 布尔乔亚 Ear 耳朵, 2004 Drypoint and aquatint with handcoloring and punched hole 铜版干刻与蚀刻, 手工上色与打孔 Paper size 纸版尺寸: 17 x 15 inches; 43.2 x 38.1 cm Edition of 25 Courtesy Harlan & Weaver, New York © Louise Bourgeois Trust

Louise Bourgeois 路易丝 • 布尔乔亚 Don't Worry 别担心, 2004 - 2009 Scraped aquatint with roulette and drypoint 滚点磨刮凹铜版蚀刻与干刻 Paper size 纸版尺寸: 17 x 19 inches; 43.2 x 48.3 cm Edition of 18 Courtesy Harlan & Weaver, New York © Louise Bourgeois Trust

Comprised of 82 etchings — using the relatively new technique of aquatint — the series depicts cruelties inflicted on the Spanish by French troops during the Peninsular War of 1808 — 14.

HELEN FRANKENTHALER (B. 1928) Walking Rain (Harrison 130) lithograph, etching, and aquatint in colors, 1987, on T.H. Saunders, signed and dated in pencil, numbered 47/54 (there were also 14 artist's proofs), with the Tyler Graphics Ltd. blindstamp, Mount Kisco, New York, the full sheet, in excellent condition, framed S. 29 1/2 x 22 1/4 in.

HELEN FRANKENTHALER (1928 - 2011) Pompeii Forte etching with aquatint in colors, on CM Fabriano Classico paper, 1976 - 82, signed and dated in pencil, numbered 3/5, published by Donn H. Steward, Halesite, New York, with his blindstamp, with full margins, in very good condition Image: 12 1/4 x 21 1/2 in.

HELEN FRANKENTHALER (1928 - 2011) Causeway, from Doctors of the World Collection etching and aquatint in colors, 2001, on wove paper, signed and dated in pencil, numbered 5/100, published by John Szoke Editions, New York, with full margins, in very good condition Image: 21 5/8 x 31 1/2 in.

Helen Frankenthaler (American, b. 1928) Spring Veil, 1987; Etching and aquatint in colors; Signed, dated and numbered; 17 1/4» x 25 3/4» (sheet); Provenance: Staempfli Gallery, Inc., New York (label on verso); Private Collection, New York

HELEN FRANKENTHALER A Page from a Book II etching and aquatint in colors, 1997, on TGL handmade, signed and dated in pencil, numbered 38/60 (there were also 16 artist's proofs), with the Tyler Graphics, Ltd. blindstamp, Mount Kisco, New York, with full margins, apparently in very good condition, not examined out of the frame P. 4 x 17 5/8 in.

Helen Frankenthaler Causeway (Doctors of the World Collection) 2001 Color etching and aquatint on paper # 18 of 100 Published by John Szoke Editions, New York Signed and dated with edition in pencil lower right sheet; printer blind stamp lower left Image: 21.5» x 31.5»; Sheet: 28» x 37.5»; Frame: 32.125» x 42.5»

New York artist Richard Tuttle achieves a suspended balance in his minimalist portfolio Purple (2001), a set of seven aquatints printed in greens and yellows.

Works with Aldo Crommelynck in New York on spit - bite aquatints of «Self - Portrait» and «Arne» (Glimcher), his dealer.

© Nancy Graves Foundation, Inc. / Licensed by VAGA, New York, NY Direct gravure etching with aquatint, drypoint and burnishing on Arches Cover white paper with photogravure on Arches Text Wove paper

Helen Frankenthaler (b. 1928) Sky Frame Orbit (Harrison 38) lithograph, etching and aquatint in colours, 1964 - 73, on pinkish - cream Arches paper, signed and dated in pencil, numbered 2/6 (there were also two artist's proofs aside from the edition), published by U.L.A.E, New York, with their blindstamp, with wide margins, the full sheet as published, a deckle edge to left and right, apparently in very good condition, not examined out of the frame L. 545 x 385 mm., S. 759 x 571 mm.

HELEN FRANKENTHALER A Page from a Book: Plate III etching with aquatint and pochoir in colors, 1997, on TGL handmade, signed in pencil, numbered «AP 13/16» (the edition was 60), with the Tyler Graphics, Ltd. blindstamp, Mount Kisco, New York, with full margins, small rubbed areas on and below the signature, hinged to the support in places at the reverse of the margin edges, otherwise in very good condition, framed P. 4 13/16 x 21 1/2 in.

HELEN FRANKENTHALER A Page from a Book II, from This is Not a Book (not in Harrison) etching and aquatint in colors, 1997, on TGL handmade, signed and dated in pencil, numbered «P.P. II» (a printer's proof, the edition was 60 plus 16 artist's proofs), published by Tyler Graphics, Ltd., Mount Kisco, New York, with their blindstamp, the full sheet, occasional soft rubbing in the margins, otherwise in good condition, framed P. 4 x 18 in.

Adolph Gottlieb (1903 - 1974) Untitled (For the Benefit of Phoenix House) Etching with aquatint printed in black andyellow, 1972, signed and dated in pencil, numbered 78/125, published by Brooke AlexanderEditions, New York, on wove paper, with fullmargins, in good condition590 x 450 mm (23 1/4 x 17 3/4 in)

HELEN FRANKENTHALER A Page from a Book II, from This is Not a Book etching and aquatint in colors, 1997, on TGL handmade, signed and dated in pencil, numbered 12/60 (there were also 16 artist's proofs), published by Tyler Graphics, Ltd., Mount Kisco, New York, with their blindstamp, with full margins, occasional soft rubbing in the margins, otherwise apparently in very good condition, not examined out of the frame P. 4 x 17 5/8 in.

ADOLPH GOTTLIEB (1903 - 1974) Untitled, for the Benefit of Phoenix House etching and aquatint in colors, 1972, on wove paper, signed and dated in pencil, annotated «Artist's Proof» (the edition was 125), published by Brooke Alexander Editions, New York, with full margins, minor surface soiling, vertical and horizontal lines of staining on the reverse (not showing through), otherwise in good condition, framed P. 23 1/2 x 17 3/4 in.

HELEN FRANKENTHALER (1928 - 2011) Yellow Span aquatint in colors, 1968, on Richard de Bas paper, signed and dated in pencil, numbered 15/75, published by ULAE, West Islip, New York, with their blindstamp, with wide margins, the yellow attenuated, light - staining, framed Image: 14 3/4 x 18 5/8 in.

HELEN FRANKENTHALER (1928 - 2011) Tiger's Eye etching, aquatint, lithograph, and screenprint in colors, 1987, on HMP handmade paper, signed and dated in pencil, numbered 39/56 (there were also 14 artist's proofs), published by Tyler Graphics, Ltd., Mount Kisco, New York, with their blindstamp, the full sheet, in very good condition, framed Sheet: 18 3/4 x 22 1/8 in.

HELEN FRANKENTHALER (1928 - 2011) Comet etching with aquatint in colors, on brown Moriki paper collaged to handmade Zaen linen paper, 1980 - 82, signed and dated in pencil, numbered 6/8 (there were also four artist's proofs), published by Donn H. Steward, Halesite, New York, with his blindstamp, with full margins Image: 15 3/4 x 19 3/4 in.

HELEN FRANKENTHALER A Page from a Book: I - III three etchings with aquatint in colors, 1997, on TGL handmade, all signed and dated in pencil, all numbered 9/60 (there were also 16 artist's proofs for all), all with the Tyler Graphics, Ltd. blindstamps, Mount Kisco, New York, all with full margins, a few lightly skinned areas in the margins, otherwise all in excellent condition all P. approx. 4 1/8 x 18 1/4 in.

HELEN FRANKENTHALER William Carlos Williams, Valentine for Mr. Wonderful, Mount Kisco, New York, Tyler Graphics, Ltd., 1995 the complete set of seven aquatints with embossing in colors, hors - texte, text and colophon / justification, on TGL handmade, signed and dated on the justification in pencil, copy 34 of 35 (there were also 10 artist's proofs), with full margins or the full sheet, loose (as issued), in excellent condition, original paper wrappers with aquatint and embossing in colors on the front, burgundy cloth - covered portfolio box with gilt - embossed title, artist and publisher's names on the front.

ADOLPH GOTTLIEB (1903 - 1974) Imaginary Landscape aquatint in colors, 1971, on Fabriano paper, signed and dated in pencil, numbered 36/90, published by Marlborough Graphics, Inc., New York, adhered to the overmat in places at the upper sheet edges, otherwise generally in good condition, framed Image: 17 5/8 x 23 7/8 x in.

HELEN FRANKENTHALER (B. 1928) A Page from a Book III, from This is Not a Book etching, aquatint, mezzotint and stencil in colors, 1997, on TGL handmade, signed and dated in pencil, numbered 42/60 (there were also 16 artist's proofs), with the Tyler Graphics, Ltd. blindstamp, Mount Kisco, New York, with full margins, very minor surface soiling in the margins, otherwise apparently in very good condition, not examined out of the frame P. 5 1/4 x 21 1/4 in.