Sentences with phrase «new architectural installation»

A new architectural installation, specially - commissioned for IMMA, is also being shown.

Janine Antoni at her solo exhibition «Turn» presents a new series of ceramic vessels alongside a new architectural installation of Crowned.

Not exact matches

Jennifer Steinkamp (b. 1958, Denver, CO; lives and works in Los Angeles) uses 3 - D computer animation and new media to create video installations that activate architectural space and alter phenomenological perception.

In the years since then, he has worked consistently in series, pioneering new approaches to form, color, narrative, and abstraction with innovative paintings, prints, sculptures, and architectural installations.

Known for his finger - crocheted environments that grace gallery spaces and architectural interiors, Neto presents new sculptures and wall - mounted works in an expansive installation that will veil the gallery's two - floor space.

Now, following an ambitious architectural installation at the Garage Museum in Moscow, Johnson is poised to show his eager audience where that new swerve in his work can go.

Since 1987 Carsten Nicolai has been in over 50 international solo exhibitions, including Galerie EIGEN + ART's 1992 Leipzig exhibition, Carsten Nicolai: Running Sap; Carsten Nicolai: Corpus organized by the Städtische Kunstsammlungen Chemnitz, Germany in 1993, which traveled to the Museum Scloß Morsbroich, Leverkusen, Germany and Espace des Arts, Chalon - Sur - Saône, France until 1994; Carsten Nicolai: Light - Stencil - Installation for the Windows of The New York Kunsthalle at The New York Kunsthalle in 1996; Carsten Nicolai, Konstmuseum Ystad, Ystad, Sweden, October 2000; Carsten Nicolai: Auto Pilot, WATARI - UM, Watari Museum of Contemporary Art, Tokyo, Japan, 2002; Carsten Nicolai - Anti Reflex, Schirn Kunsthalle Frankfurt, Römerberg, Frankfurt, 2005; Carsten Nicolai: Syn Chron, Architectural Body as Interface.

Zigzags and Diagonals is the inaugural wall painting in a new and ongoing series of wall - based installations by contemporary artists in MOCA's unique and visionary architectural spaces.

The show paid homage to Ward's exploration of identity (including his Jamaican roots and his life as an artist in New York) and environment through immersive architectural installations, as well as sculptures and photographs, forged largely from found objects.

EXCLUSIVE: Matthew Ritchie discusses his upcoming exhibition The Morning Line (2008) in his New York studio, with animated architectural schematics of the installation.

Represented by Greene Naftali, New York, Harrison combines a wide range of mediums including photography, painting, sculpture, video, installation and architectural interventions.

Seventh Edition to Feature New Curated Sections and Programs Showcasing Influential and Emerging Artists, Performances, Installations, Artist Award Commission, Museum Fund, and Architectural Redesign, in Randall's Island Park

Phoebe Washburn on October 30, 2012 New York - based artist Phoebe Washburn creates large - scale architectural installations by amassing together cardboard, wood planks, and other varied building materials.

The freestanding installation Gazebo exhibited at the Architectural League of New York in 1966, and a tent project at the Aspen Design Conference of the same year, led to the development of his renowned «Kite» paintings.

A freestanding painted installation Gazebo exhibited at the Architectural League of New York in 1966, and a tent project at the Aspen Design Conference of the same year, led to the development of Smith's renowned Kite paintings.

Recent exhibitions presented by the school include Drawing from the Archive: Analysis as Design (with additional support from the Graham Foundation for Advanced Studies in the Fine Arts), Drawing Ambience: Alvin Boyarsky and the Architectural Association (co ‑ organized by Museum of Art Rhode Island School of Design, Providence and the Mildred Lane Kemper Art Museum at Washington University in St. Louis, with additional support from the Graham Foundation for Advanced Studies in the Fine Arts), Paul Rudolph: Lower Manhattan Expressway (presented with The Drawing Center, New York), Lessons from Modernism (presented with the Institute for Sustainable Design, with generous support from the Stavros Niarchos Foundation), Massimo Scolari: The Representation of Architecture, 1967 - 2012 (organized by the Yale School of Architecture with additional support provided by the Graham Foundation for Advanced Studies in the Fine Arts, the Turner Foundation, and by Elise Jaffe + Jeffrey Brown), Bernhard Hoesli: Collages, Alternativas / Alternatives XIII Spanish Biennial of Architecture and Urbanism (co-presented with the Spanish Biennial of Architecture and Urbanism and presented in association with Archtober, Architecture and Design Month New York City, October 2016) and John Hejduk Works / Jan Palach Memorial (installation presented in conjunction with the New York City Department of Transportation's Arterventions Program).

Jennifer Steinkamp employs computer animation and new media to create projection installations in order to explore ideas about architectural space, motion, and phenomenological perception.

Figueroa completed a similar architectural installation in the sculpture garden of the Whitney for the museum's 2014 biennial, and another at New York's SculptureCenter that same year.

Through drawings, photographs, video, installations, and architectural models drawn from MoMA's collection, the exhibition highlights how artists have used the house as a means to explore universal topics, and how architects have tackled the design of residences to expand their discipline in new ways.

For Judd Foundation, he oversees art installations, architectural issues, and design efforts (including the recent restoration of 101 Spring Street in New York).

Comprised of various video installations, handcrafted objects, and architectural interventions, Hilary Lloyd's first U.S. solo museum exhibition presents new work created specifically to be experienced in Blaffer Art Museum's upstairs galleries.

Jennifer Steinkamp (born 1958) is an American installation artist who works with video and new media in order to explore ideas about architectural space, motion, and perception.

Comprised of various video installations, handcrafted objects, and architectural interventions, Hilary Lloyd presents new work created specifically to be experienced in Blaffer Art Museum's upstairs galleries.

New York City and Narrowsburg, NY, based artist Matt Nolen was trained as a painter and architect, and is currently working on sculptural, architectural installations using ceramics and other components.

While «The Universal Adversary» is the first exhibition of this magnitude in the gallery, Ritchie has been working on an architectural scale for the last five years, beginning with Games of Chance And Skill in 2002, a permanent installation created for MIT, and to be followed this summer by Stare Decisis, a GSA - commissioned installation for a new Federal Courthouse in Oregon, designed in conversation with Pritzker prize - winning architect Thom Mayne.

Spanning exhibitions, publications, films, new media, and site - specific installations, funded projects include «Incense Sweaters & Ice,» an immersive installation by Los Angeles - based artist Martine Syms; «Bond: Race and the Modern City,» which is described as the first book - length study of the architect J. Max Bond Jr. (at right, on far left); «Sacred Stoops: Typological Studies of Black Congregational Spaces,» an investigation of the porch and its role in the African American community; and research exploring «emerging paradigms» in architectural education across sub-Saharan Africa.

Furthering their notion of «sculptural theaters» — installations built as containers for specific movies, whose architectural, audiovisual, and sculptural elements expand onscreen content into environmental panoramas — the artists have transformed Andrea Rosen Gallery into a network of halls and chambers that plot a path for visitors through a sequence of new movies and ambient spaces.

«Pixel Forest» will be the most comprehensive presentation of Rist's work in New York to date; it spans the artist's entire career, from her early single - channel videos of the 1980s, which explore the representation of the female body in popular culture, to her recent expansive video installations, which transform architectural spaces into massive dreamlike environments enhanced by hypnotic musical scores.

Their «New Sculpture» pushed beyond Minimalism and called all previous conceptions of the art form into question by employing unusual materials that had never before been used.Throughout his career, Sonnier has experimented with materials as varied as latex, satin, bamboo, found objects, satellite transmitters, and video.In 1968, the artist began working with neon, which quickly became a defining element of his work.The linear quality of neon allows Sonnier to draw in space with light and color, while the diffuseness of the light enables his work to interact on various architectural planes.Sonnier's architectural neon installations in public spaces have earned him wide acclaim in an international context.

Donna Huanca's exhibition is the first performance - led commission at the Zabludowicz Collection, with daily performances from painted models activating a series of new site - responsive architectural and sculptural installations.

Jong Il Ma (b. 1961, South Korea, lives in New York) is known for large - scale architectural installations employing bent wood, bamboo, and twine.

This first UK solo exhibition by Donna Huanca at the Zabludowicz Collection is also the first performance - led commission in the space, with daily performances from painted models activating a series of new site - responsive architectural and sculptural installations in the 19th century former Methodist chapel.

Installations such as «A New System Every Monday» and «All that is Solid Melts into Air» mix print media, sculpture, painting, drawing and video to point out architectural, institutional, historical, and social spaces.

The exhibition features a range of media, including painting, sculpture, drawing, photography, installation and video; never - before - seen works from the 1980s; new large - scale sculptures; and the artist's most ambitious architectural installation to date: a vast and immersive mirrored labyrinth that will go on view in ICA Miami's Atrium Gallery.

Hauft has exhibited her large - scale architectural installations in museums and galleries world - wide including the Brooklyn Museum, the New Museum, the International Artists Museum (Poland), The American Academy in Rome, PS1 Museum, Wesleyan University Gallery, USC Atelier Gallery, School of the Art Institute of Chicago Galleryaaa, Sculpture Center, etc..

Together with students, alumni, and teachers from institutions from all around the world, the event will feature a collaborative architectural installation, performances, new media protest art, screenprinting, a sculpture workshop, artists» bookstore, photo booth, end - of - year catalogue and refreshments.

The artist has created a large - scale, site - specific installation in which constructions and assemblages of different materials both define the space and gain a new life from the architectural context.

[34] In September 2009, Kruger's Between Being Born and Dying, a major installation commissioned by the Lever House Art Collection, opened at the New York City architectural landmark Lever House.

Her first UK solo exhibition was a performance - led commission in the space, with painted models activating daily a series of new site - responsive architectural and sculptural installations in the 19th century former Methodist chapel.

Over thirty of today's most outstanding emerging and established international artists will be invited to create new work, installations and architectural interventions.

Curator, writer, and professor Rochelle Steiner, the lead author of the new book Do Ho Suh Drawings, will discuss the artist's works on paper and architectural installations, with a book signing with Do Ho Suh immediately following the talk.

For the next 2 decades, Hauft lived and worked in New York City where she produced her large - scale architectural installations for museums and galleries worldwide.

For more than two decades, Jessica Stockholder has been fashioning a new language for sculpture and installation art, one that applies a painter's sense of form, pattern, texture and color to three dimensional spaces through the use of a staggering variety of media, from heavy duty construction material to mass - produced commercial products and even live horticulture.Her sculptural and architectural interventions spread themselves over the spaces they occupy; planes of vivid Technicolor hues abut precisely arranged and patterned objects and assemblages of unlikely materials combine and bloom amidst the colorful chaos.

New installation by Amanda Ross - Ho encompasses architectural elements, large - scale paintings, fabricated objects, textiles, and photographs created specially for the location.

Other projects include a large - scale outdoor installation for Aires Libres Festival, Montreal (2014) and his first monumental drywall - based architectural installation for his solo exhibition at ISE Cultural Foundation, New York (2014).

The first installation, «pass age», is a new work in Shiraishi's ongoing «Imaginary Architectural Project» which includes previous works: «Space Elevator Tea House», «Confession Box» and «Ancient Egyptian Tomb».

Large sculptural installations and multimedia works define Sudarshan Shetty's oeuvre, often employing assemblages of quotidian objects that suggest new possibilities of meaning and perception, through diverse approaches that have included sculptural and architectural elements.

In her first major exhibition in the UK, co-produced with Moderna Museet, Stockholm, Klara Lidén will present a series of installations, both existing and new films displayed within the context of architectural interventions in the gallery spaces, as well as works on paper.

Some 400 works spanning painting, drawing, photography, film, architectural models, installations and publications, by over 160 artists including Camille Pissarro, Robert Delaunay, Kasimir Malevitch, László Moholy - Nagy, Paul Klee, Margaret Bourke - White, Sam Francis, Robert Smithson, Harun Farocki and Zoe Leonard offer a new perspective on modern and contemporary art.

Her installations are extremely challenging from a curatorial point of view, ranging from architectural arrangements of glass in New Buildings for Berlin, to Street Party, a detritus - clogged dance of death which seems — quite ideally — at war with the Gallery Eight.