Sentences with phrase «new archivist»

With the Bureau of Labor Statistics projecting only 2,100 new archivist by 2024, it's clear that this position is somewhat rare.

«New archivists» of future radio stations attempt to preserve and save that music.

Not exact matches

Carlyle Group co-founder and Magna Carta owner David Rubenstein, right, and Archivist of the U.S. David Ferriero, unveil the 1297 Magna Carta in its new state - of - the - art encasement at the National Archives in Washington, Thursday, Feb. 2, 2011.

The Amos reports were made available to me by A.A.'s archivist at General Services in New York and also by the Stepping Stones archivist in Bedford Hills, New York.

State Archivist Christine Ward still hopes for a breakthrough in the quest to secure records from New York governors.

Museum employees, archivists, librarians, and more will take part in the 36th annual conference on New York State History at Niagara University from Thursday, June 18th, to Saturday, June 20th.

Katie Scott - Childress, director of the Olive library, felt her museum room would be the ideal venue, and her new library assistant, hired in September, turned out to have the archivist skills to organize an exhibit.

National Archives of New York City archivist Christopher Zarr reveals how deeply the art form of camouflage was pursued 100 years ago during World War I

Contact the AAAS Archivist by phone at [phone], by email at [email protected], or at AAAS Archives, 1200 New York Avenue NW, Washington, D.C. 20005.

She held positions at Yale, Columbia, Harvard, and the New Haven Historical Society before joining the Dumbarton Oaks Research Library and Collection, where she served as assistant archivist for nine years.

Nick (Adam Horowitz) is a fortysomething archivist who hires Naomi (Emily Browning), a beautiful 25 - year - old to be his assistant for a New York summer.

Adam Horovitz plays an archivist whose new, young assistant Naomi (Emily Browning) provokes jealousy from his therapist wife and suspicion from her jaded sister Gwen.

Extras: New audio commentary featuring jazz and film critic Gary Giddins, music and cultural critic Gene Seymour, and musician and bandleader Vince Giordano; new introduction by Giddins; new interview with musician and pianist Michael Feinstein; four new video essays by authors and archivists James Layton and David Pierce on the development and making of «King of Jazz»; deleted scenes and alternate opening - title sequence; «All Americans,» a 1929 short film featuring a version of the «Melting Pot» number that was restaged for the finale of «King of Jazz»; «I Know Everybody and Everybody's Racket,» a 1933 short film featuring Paul Whiteman and His Orchestra; two Oswald the Lucky Rabbit cartoons from 1930, featuring music and animation from «King of Jazz.&raqNew audio commentary featuring jazz and film critic Gary Giddins, music and cultural critic Gene Seymour, and musician and bandleader Vince Giordano; new introduction by Giddins; new interview with musician and pianist Michael Feinstein; four new video essays by authors and archivists James Layton and David Pierce on the development and making of «King of Jazz»; deleted scenes and alternate opening - title sequence; «All Americans,» a 1929 short film featuring a version of the «Melting Pot» number that was restaged for the finale of «King of Jazz»; «I Know Everybody and Everybody's Racket,» a 1933 short film featuring Paul Whiteman and His Orchestra; two Oswald the Lucky Rabbit cartoons from 1930, featuring music and animation from «King of Jazz.&raqnew introduction by Giddins; new interview with musician and pianist Michael Feinstein; four new video essays by authors and archivists James Layton and David Pierce on the development and making of «King of Jazz»; deleted scenes and alternate opening - title sequence; «All Americans,» a 1929 short film featuring a version of the «Melting Pot» number that was restaged for the finale of «King of Jazz»; «I Know Everybody and Everybody's Racket,» a 1933 short film featuring Paul Whiteman and His Orchestra; two Oswald the Lucky Rabbit cartoons from 1930, featuring music and animation from «King of Jazz.&raqnew interview with musician and pianist Michael Feinstein; four new video essays by authors and archivists James Layton and David Pierce on the development and making of «King of Jazz»; deleted scenes and alternate opening - title sequence; «All Americans,» a 1929 short film featuring a version of the «Melting Pot» number that was restaged for the finale of «King of Jazz»; «I Know Everybody and Everybody's Racket,» a 1933 short film featuring Paul Whiteman and His Orchestra; two Oswald the Lucky Rabbit cartoons from 1930, featuring music and animation from «King of Jazz.&raqnew video essays by authors and archivists James Layton and David Pierce on the development and making of «King of Jazz»; deleted scenes and alternate opening - title sequence; «All Americans,» a 1929 short film featuring a version of the «Melting Pot» number that was restaged for the finale of «King of Jazz»; «I Know Everybody and Everybody's Racket,» a 1933 short film featuring Paul Whiteman and His Orchestra; two Oswald the Lucky Rabbit cartoons from 1930, featuring music and animation from «King of Jazz.»

Blizzard's Blowout: — New Diablo III class, the Archivist: A dottering, semi-senile old man whose dialogue tree includes the opinions «Have you seen my pants?»

At its surface, The Archivist is the tale of its narrator, Matt Lane, a 60 - ish librarian at a private university near New York.

The Archivist is now live on the web, with new updates to come for the Pop section throughout August and September.

Retro games for the archivists, and the new generation just discovering them.

maps Eastman's archival matter as a way of inviting viewers to discover new pieces and forge relationships between ephemera held by different informal archivists and approaches a historical exploration and remembrance of Julius Eastman as a master of artifice.

The Atlantic Wire quoted recent digital arts graduate Ben Fino - Radin, a self described «media archeologist, archivist, and conservator of born - digital works of contemporary art,» in an article on a New Museum project and exhibition titled...

Before joining Fales, she was the Archivist for the Solomon R. Guggenheim Museum in New York.

Prior to joining CCS Bard in 2008, she was Senior Archivist at the Fales Library and Special Collections at New York University where she helped build a mixed format collection of archival materials relating to the contemporary and performing arts.

She received an MA in Moving Image Archiving & Preservation from New York University in 2007, and is involved in the PBCore metadata dictionary project, Association of Moving Image Archivists (AMIA), and Electronic Media Group of American Institute for Conservation of Historic & Artistic Works (AIC).

Caitlin Murray, Director of Marfa Programs & Archivist of Judd Foundation, will present a lecture on the history of Donald Judd's furniture and its relationship to the history of modernist furniture as demonstrated by Judd's own furniture collection installed in his living and working spaces at 101 Spring Street in New York and Marfa, Texas.

Pearlstein, Warhol, Cantor: From Pittsburgh to New York is co-curated by Jessica Beck, The Warhol's assistant curator of art, and Matt Wrbican, The Warhol's chief archivist.

Susan Malsbury is the Digital Archivist for The New York Public Library, working with born digital archival material across the three research centers of the Library.

To mark the public launch, The New York Public Library hosts a discussion between Béatrice Gross, Editor of the Sol LeWitt Wall Drawings Catalogue Raisonné; Lindsay Aveilhé, Director of Research; Christopher Vacchio, Research Associate; and John Hogan, the Mary Jo and Ted Shen Sol LeWitt Wall Drawings Installation Director and Archivist, Yale University Art Gallery.

Much of East Meets West is set in New York City, where Tseng was a documentarian of the»80s Lower East Side art scene, serving as eager witness, archivist, and attendee to many a nightclub opening, art exhibition, and posh social gathering.

Released on the occasion of the «Collect the WWWorld: The Artist as Archivist in the Internet Age» exhibition at 319 Scholes in New York (October 18 — November 4, 2012), this book presents the work and research behind «A Lossless Fall 2010» by Ryan Trecartin.

Eileen Jeng is an independent writer and curator and the archivist at Sperone Westwater in New York.

The Artist as Archivist in the Internet Age, Settimana dell» Arte, Brescia, Italy (curated by Domenico Quaranta) Life on the Screen, RE / Mixed Media Festival, New York (curated by Perry Bard) La imagen transitada, arte y nuevos medios, Espai Cultural Caja Madrid, Barcelona (curated by Andy Davies) KEEPIN» IT REAL, HungryMan Gallery, Chicago (curated by Robin Juan) 3 Screenings: Eruption, Backspace Collective, Peoria, Illinois (curated Eric Fleischauser and Jesse McLean) VIDEO VILLAGE 2011: New Media Expeditions, INDEX ART CENTER, New Jersey (curated by Noah Collier and Stephanie Szerlip) Life on the Screen, Joyce Yahouda Gallery, Montreal (curated by Perry Bard) Internet Livre — Free Internet, SESC Ribeirão Preto, São Paulo (curated by Renan Araujo) Minimize BOCA # 1 BOZEAU ORTEGA CONTEMPORARY ARTS Graphics Interchange Format, Mulberry Gallery, Denison University, Ohio (curated by Paddy Johnson) Getting Closer, Fe Arts Gallery, Pittsburg Internet Livre, SESC Ribeirão Preto, São Paulo

Curated by Matthew Higgs, Director of White Columns, New York and author and film - maker Jon Savage with archivist Johan Kugelberg, True Faith is centred on four decades» worth of extraordinary contemporary works from artists including Julian Schnabel, Jeremy Deller, Liam Gillick, Mark Leckey, Glenn Brown and Slater Bradley, all directly inspired by the two groups.

Panelists: Andrew Blackley, Felix Gonzalez - Torres Foundation, Archivist, and Artist Ben Vershbow, New York Public Library, Director, NYPL Labs Martha Wilson, Franklin Furnace Archive, Inc, Founding Director.

Archivist Tom Overton discusses Berger's life and work, launching the new anthology Portraits: John Berger on Artists (by John Berger, ed.

In a wide - ranging and insightful essay, Stephanie Crawford, Project Archivist at Rutgers University, offers a new narrative on what has, she says, «become something akin to a feminist myth.»

Judd's son Flavin, who oversees the artist's legacy with his sister, Rainer Judd, worked collaboratively with Judd Foundation archivist Caitlin Murray and designer Michael Dyer, of Remake in New York, to produce the dense edition, which he refers to as «a toolbox».

For assistance in the area of the contemporary avant - garde, Lichtenhan consulted the archivist and later director of the Kunstmuseum Georg Schmidt, resulting in exhibitions such as Konstruktivisten (Constructivists, 1937), Neue Kunst in der Schweiz (New Art in Switzerland, 1938), and Konkrete Kunst (Concrete Art, 1944).

«Jack Tworkov: Against Extremes — Five Decades of Painting,» organized by Jason Andrew, the curator and archivist of the Tworkov estate, is the artist's first New York retrospective.

«He was a seminal figure in the new American cinema and the American avant - garde beginning in the 1950s and continuing right up to the present,» said Andrew Lampert, a filmmaker and archivist at the Anthology Film Archives in Manhattan.

Beards seem to be in fashion at Michael Werner's uptown gallery in New York, where last week both artist Aaron Curry and gallery archivist Jeff Alford were sporting facial hair that would not have looked out of place at the downtown biker bar Hogs and Heifers.

Organized by gallery archivist Natalie Campbell, it includes such participating artists as wily naïf Joe Bradley, «Greater New York» painter Zak Prekop, and the unstoppable Amy Sillman.

Karl McCool is a moving image programmer and archivist based in New York City.

as to warming in New Zealand see the article by Barry Brill May 15, 2010 The warming that wasn't... «The official archivist of New Zealand's climate records, the National Institute of Water and Atmospheric Research (NIWA), offers top billing to its 147 - year - old national mean temperature series (the «NIWA Seven - station Series» or NSS).

THE COPYRIGHT & NEW MEDIA LAW NEWSLETTER — This unique publication deals with copyright law, licensing and related matters for a diverse audience of copyright professionals including librarians, archivists, curators, educators, lawyers, publishers, and digital content creators.

Assistant Archivist — March 2002 to February 2007 The Masterson Library at the University of California, New Cityland, CA

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