Sentences with phrase «new artistic approaches»

Since summer 2015 she is travelling to engage with international art scenes and learn from new artistic approaches and concepts.

As time has moved on and new artistic approaches have challenged the way we view art, we can revisit Mondrian with a fresh approach and see why he was so important -LSB-...]

The sculpture Autonomy Cube, an open Wi - Fi hotspot, illustrated together with «Eagle - Eye Photo Contest: Landscapes of Surveillance,» a photo competition created for the exhibition and open to the public, Paglen's new artistic approach: he would like his work to trigger actions that have an influence on society and that reach out beyond the institutional spaces of art into the real world.

Not exact matches

The new design distinguishes itself from established brands and mimics the more artistic approaches upstart brands have taken.

«I also hope that this paper and video encourage more scientists to take an artistic approach when they start a new project, not necessarily to create a narrative - based story, but to explore their idea the way an artist explores a canvas, because that makes the mind open to a different form of serendipity that can lead to unexpected results.»

We are providing a 21st century approach to its observance not just by recharging memory, but through an artistic reflection with a balanced affirmation of Hispanic heritage and indigenous traditions for collaborative new routes of expression from ancestral roots focused on the concerns of UNESCO: Cultural Rapprochement, Biodiversity, Ocean Care and Seafaring, Climate Change mitigation through sustainable energy, reforestation, gender equity and health issues.

Already by the mid-1960s, painting had lost its authority as the dominant artistic medium and instead galleries had begun to show much more heterogeneous experimental and sometimes politically and socially provocative work in new media (film, video, and photography), as well as confrontational live art and other kinds of participatory and performance - based approaches.

He has been called chameleonic in his approach, never sticking to one artistic style, but rather relishing the experimental process, the unpredictability of various mediums, and the constant search for new modes of expression.

The exhibition brings together a selection of nine paintings on monochrome stone (slate and white marble) by Italian painters such as Sebastiano del Piombo, Titian, Daniele da Volterra and Leandro Bassano, which reflect the consolidation of a new approach to artistic techniques that emerged in the early decades of the 16th century.

For the interview published in the May / June 2013 issue of Art New England (available online here) Miler depicts Lemieux in the studio preparing an exhibition of works that homage her artistic heroes — artists who share an approach that Lemieux describes as «the conceptual, the playful, the «why not»?»

This exhibition, which is on view parallel with the survey of Tino Sehgal, captures another level of what we consider «live» and represents the artistic approach of new director Beatrix Ruf for the Stedelijk to ask questions about contemporaneity through exhibitions and displays of artistic visions.

The program's mission, to support artists «to push their artistic practice and expand their horizons,» runs parallel to that of the 18th Street residency program, which provides artists with time and space to explore new approaches to their work in a new and stimulating environment.

The exhibition showcases a variety of approaches and artistic processes, mapping a short yet historically important period, when new universal principles to engineer the future were found at the intersection of different art forms and disciplines, including metaphysics, science fiction writing, music, and poetry.

LAND supports dynamic and unconventional artistic practices using a tripartite approach: Commissioning public projects of site - and situation - specific works with national and international contemporary artists Collaborating with a variety of institutions and organizations, such as universities, museums, and theaters as well as other types of spaces, industries, and entities Offering additional programs such as performances, workshops, residencies, discussions, and publications LAND is an ongoing endeavor with three primary types of annual programming: LAND 1.0 projects are large - scale, multi-artist, multi-site exhibitions and single - site group exhibitions, LAND 2.0 projects feature a new commission by a single mid-career or established artist, and LAND 3.0 projects feature new work by lesser known or emerging artists

Widely known for innovative installations such as Sleepwalkers, presented at the Museum of Modern Art, New York, in 2007, Doug Aitken utilizes a wide array of media and artistic approaches, leading us into a world where time, space, and memory are fluid concepts.

Every year it is my unique opportunity to witness the development of these new works which celebrate a range of artistic approaches to ballet.

This project further investigates the artistic production of those two decades in a location far from the main artistic centers, from Paris to New York, and explores the development of alternative scenes generated in art schools and academies, namely the School of Art Institute of Chicago, which critically competed or opposed Minimal Art's industrial and essential approach.

The artistic practice of the 20th century completely reconsidered, redefined and reworked the very concept of the sculpture by introducing abstraction, but it also brought new approaches to working in stone.

Denver - organized exhibition offers new, intimate look at the interconnected approach and artistic practices of father - and - son artists Andrew and Jamie Wyeth

Niblock's minimalistic drone approach to composition and music was inspired by the musical and artistic activities of New York in the 1960s (from the art of Mark Rothko, Carl Andre, Sol LeWitt, Donald Judd, Robert Morris to the music of John Cage and Morton Feldman's Durations pieces).

Insights: New Approaches to Photography Since 2000 is curated by Alexander Montague - Sparey, Artistic Director, PHOTOFAIRS and Allie Haeusslein, Associate Director, Pier 24 Photography, San Francisco.

Appropriating the name of a popular brand of French notebooks, the group's members use this construct to approach the notion of artistic identity itself as being the equivalent of Warhol's Brillo Box or Duchamp's Fountain — a preexisting object that can be transformed by recasting it in a new context.

Discussing what were then still relatively new and overlooked artistic fields, these texts are particularly useful as signposts to how these new media and works were approached.

This information is linked within the catalogue raisonné, thus offering new possibilities for scholars and collectors to approach Torres - García's expansive career and artistic production.

You don't need to know this — from room to room it's very evident, you can see it with your own eyes in the varied ideas and artistic approaches: Roy deCarava's intoxicating photographs of Malcolm X and Ornette Coleman, or David Hammons's response to Black Panther founder Bobby Seale's trial in 1970, abstract expressionist paintings by William T.Williams and Frank Bowling, or Faith Ringgold's amplified vision of what she witnessed in New York, inspired by Guernica,

This show constitutes a seemingly more conventional approach by Grosse, taking on similar artistic concerns in a new context and approach.

The DIWO (Do It With Others) campaign for emancipatory, networked art practices was instigated by Furtherfield in 2006 and it is informing an artistic engagement with new blockchain technologies; to organise, cooperate, p2p and at scale to transform approaches to contemporary economic and social challenges.

She graduated from Bennington College, was well - educated and well - supported in her artistic endeavors, and was fearless in experimenting with new techniques and approaches to art - making.

Begun by a collective of six art curators and organisers in 2001, ARTS INITIATIVE TOKYO is a non-profit space that organizes various artistic programmes and projects, including an artist - in - residence program and Making Art Different (MAD), which embraces new approaches to contemporary art.

The objectives of the HIAP Residency Programme are to initiate and support new approaches in producing, understanding, studying and valuing art; to encourage artistic exploration and cross-disciplinary creativity; to provide international arts professionals with opportunities to undertake creative work, conduct research and build networks; to present the creative work of international artists to audiences in the Helsinki metropolitan area; and to foster international collaboration, exchange, and dialogue in the arts.

responds to artistic approaches to documenting New York City's eroding cultural legacies.

This collaborative approach helped define a heterogeneous program, as well as a curatorial process focused on optimizing the conditions around artistic production when commissioning new works.

She employs conceptual and methodological approaches borrowed from artistic and academic practices such as theater, film, anthropology, linguistics and journalism, to explore new representational strategies that examine and interrogate the allegorical character of the present political moment.

Eschewing overt discussion of race, they take a detached approach to identity that exemplifies Gaines's determination transcend the conversations of his time and create new paths in artistic innovation.

The exhibition, inspired by the museum's recent acquisition of Richard Diebenkorn's sketchbooks and Edward Hopper's painting New York Corner (both on view concurrently), explores the reality and representation of artistic work through a number of thematic approaches.

While many of the works in the exhibition engage with a looser, more experimental approach to form, color, and composition, others relate more directly to fully - realized works, such as his proposals for compositions for To The People of New York, a large - scale installation of paintings comprised of forty metal panels grouped in variations of red, yellow, and black, which occupied most of his artistic focus during the last year of his life.

The Frankfurt and Paris - based artist will show a new work, «Forever Rage», as part of the exhibition accompanying the Preis der Nationalgalerie award, an award given «to international artists under the age of 40 who live and work in Germany and who have opened new perspectives of art with innovative artistic approaches and impressive works.»

New for this show, he has worked on fabrics for the very first time, a medium that has enjoyed renewed interest in the contemporary art world in the last decade and is emblematic of his approach, giving our artistic heritage a contemporary interpretation, and thus offering it a sense of continuity in art history.

Born in New Orleans and growing up in an art - centered family have been strong influences in Antippas» artistic approach and unusual daily practice.

In her work, Kilomba approaches «the colonial wound,» as she says, and intentionally creates a hybrid space between the academic and the artistic languages, to explore new formats to decolonise knowledge and narrative, «bringing a new, experimental, and compelling voice into contemporary art and discourse.»

How can we extend Basquiat's groundbreaking artistic approach to confront issues of racism, class struggle, social hypocrisy, while challenging perceptions and opening up new dialogues?

Since joining forces with Philomene Magers in 1998, she has continued to bring attention to new lines of artistic inquiry and to present exhibitions across media and approaches, including shows featuring younger generations of artists such as Cyprien Gaillard, Pamela Rosenkranz, Analia Saban, and Lizzie Fitch / Ryan Trecartin.

The exhibition brings together some of London's most urgent artistic voices, contextualizing their approaches and identifying a new direction of art in a climate of rapid change.

Made possible by a curatorial fellowship grant from the Andy Warhol Foundation for the Visual Arts, the convening was hosted by the Walker's Artistic Director Fionn Meade and Director and Senior Curator of Performing Arts Philip Bither, who invited a group of curators, programmers, artists, and producers to address the following: new models of performance curating that have arisen within and outside of the museum setting; evolving standards for collecting and archiving performance and live arts; challenges faced and learning opportunities in producing, commissioning, and acquiring performance - based art and its differing approaches to audience; and shared efforts toward artist advocacy and agency in the context of curating performance across stage, gallery, and emerging platforms.

Richard Taittinger Gallery in New York earlier this month will host the works of nine artists painting school representative from Cluj, in an exhibition that will bring together several generations with different artistic approaches.

The book «provides a new approach to understanding the range and impact of this artist's practice, as well as its complex relationship to several key artistic and ideological debates of the late 20th century, including the instability of identity, the role of appropriation, and the boundaries of expressionism.»

By the mid-1960s, at a time when the previous generation's abstract ideas were increasingly out of fashion, artists were pushing the artistic envelope with radically new materials, approaches and processes.

Recent artistic approaches using Instagram as platform and / or medium are for example Amalia Ulman's Instagram performance «Excellences and Perfection» from 2014, Richard Princes disputed appropriation of portrait photographs «New Portraits» from 2015 and Steven Shores Instagram series «American Surfaces», that originated as a book in the 1970s and was continued as a digital variation on Instagram.

Ch» i Contemporary Fine Art Brooklyn - New York February 12 - March 9, 2009 By Ernesto Menéndez - Conde «Ingenious Methodology» - the collective show inaugurated last February 12 at the Ch» i Contemporary Gallery in Brooklyn, New York City - gathers a group of artists who are working with a wide variety of subjects and are interested in different approaches to artistic creation.

«Michael Murphy's sophisticated conceptual approach to artistic creation is evident in his constant search for new and innovative methods with which to execute his works.