Sentences with phrase «new artistic languages»

The selected young artists are proposing new artistic languages in order to develop urgent subject matter.

The exhibition includes around 400 works and presents the entire range of his work, from his first photographic series in black and white taken in the «60s and «70s up to the work in color and the exploration of new artistic languages of his later years.

Susan is really looking at aesthetics right now and trying to sort out a new artistic language that allows her to maybe express things in more abstract ways.

Moving on from burlap, paint and tattered fabric, in Ferro T's twisted, cut, soldered, nailed, burnt and shorn metal Burri carved out a powerful new artistic language.

The artists of the upcoming show appropriated modern commercial strategies in order to create an entirely new artistic language of commercialism, a revolutionary shift that continues to define contemporary art today.

He has translated the readymade into a new artistic language, fusing neolithic pottery, fourteenth - century doors and seventeenth - century temple beams into surprising, at times shocking sculptures.

From Brazil's rich and complex artistic landscape, we selected artists who are proposing a new artistic language in order to develop important and urgent subject matter.

For the first time Europe — still emerging from the shadows of the second World War — had seen a new artistic language emerge from the gestural mark - making of these American artists.

Mounted by the New York collective DIS, the exhibition foregrounds a new artistic language taking its inspiration from Internet resources.

Sharp, witty, satirical, and deeply subversive, the nearly 150 works in this exhibition examine the the origins and rise of counterculture artists in New York who appropriated modern commercial strategies to create an entirely new artistic language, a revolutionary shift that continues to define contemporary art today.

A titan of 20th - century art, Smith transformed the innovations of European modernism into a richly diverse new artistic language.

Not exact matches

You can help them to develop a range of new skills from language expansion, artistic ability, spatial awareness and imagination with the... MORE following top picks for the best gifts for 5 - year - olds.

Generally, through grade 5, the transition goes smoothly with slight adjustments to a new learning environment, artistic activities, and foreign languages.

I hoped to combine the two languages and literatures within the then - new Master of Arts in Teaching (M.A.T.) Program, designed to bring scholarly and artistic pursuits into public schools and academies.

The following are common characteristics of gifted children, although not all will necessarily apply to every gifted child: • Has an extensive and detailed memory, particularly in a specific area of interest • Has advanced vocabulary for his or her age; uses precocious language • Has communication skills advanced for his or her age and is able to express ideas and feelings • Asks intelligent and complex questions • Is able to identify the important characteristics of new concepts and problems • Learns information quickly • Uses logic in arriving at common sense answers • Has a broad base of knowledge; a large quantity of information • Understands abstract ideas and complex concepts • Uses analogical thinking, problem solving, or reasoning • Observes relationships and sees connections • Finds and solves difficult and unusual problems • Understands principles, forms generalizations, and uses them in new situations • Wants to learn and is curious • Works conscientiously and has a high degree of concentration in areas of interest • Understands and uses various symbol systems • Is reflective about learning • Is enraptured by a specific subject • Has reading comprehension skills advanced for his or her age • Has advanced writing abilities for his or her age • Has strong artistic or musical abilities • Concentrates intensely for long periods of time, particularly in a specific area of interest • Is more aware, stimulated, and affected by surroundings • Experiences extreme positive or negative feelings • Experiences a strong physical reaction to emotion • Has a strong affective memory, re-living or re-feeling things long after the triggering event

Though she did not go as far as Tolkin in developing a «new» language, Collins chose words from real cultures, and with a splash of artistic license, created her magical and mythical world.

For artists who grew up with the Cultural Revolution's legacy of oppressive political and artistic controls, the new era demanded fresh experiments in the language of expression.

An alum of Duke Ellington, New York - based Thomas has a robust artistic practice that explores language and images, through the lens of race, history, and identity.

Particularly important to the new generations of artists in Russia, V - A-C's focus is on practically supporting and expanding the platform for home - grown talent, challenging artists to experience, engage with and interrogate international cultural practices whilst developing an authentic and autonomous artistic language.

In their capacity to evoke both the natural and supernatural, whilst synthesizing multiple artistic languages, the Face Paintings return the medium to a kind of ground zero, allowing Grotjahn to explore new possibilities both for painting and for one of its most time - honored subjects: the human face.

With his striking and original visual language and multifaceted artistic practice, Israel makes new connections between the city of Los Angeles, art history and the cultural productions of LA of both past and present.

Ilaria Marotta's lecture titled «The Italian Identity» aims to focus on a new generation of Italian artists who create works which, even in the variety of their artistic languages and expressions, have focused on some of the key aspects of the Italian history and identity.

Although TPG members were committed to a shared set of philosophical concepts and ideals, each artist developed his or her own artistic language and sought a unique path «to carry painting beyond the appearance of the physical world, through new concepts of space, color, light, and design.»

With public commissions from New York to Seoul, London to Zurich, and an uninterrupted flow of international museum exhibitions, Opie's distinctive formal language is instantly recognisable and reflects his artistic preoccupation with the idea of representation and the means by which images are perceived and understood.

Although TPG members were committed to philosophical concepts and ideals, each artist developed his or her own artistic language and sought «to carry painting beyond the appearance of the physical world, through new concepts of space, color, light and design.»

The exhibition, focusing on a selection of over 80 works by 62 contemporary artists belonging to Portugal's principal contemporary art collection, surveys a period of shifts in artistic language — the 60's and 70's — that ushered in the new contemporary.

New liberating questions about sensual recognition and the objects» condition are incorporated in the artistic process, as a way out of postmodernism's language play against a visual turn, where close contact with materials, matter and the object are given attention.

Divided in 7 sections the exhibition summarizes & documents the Chinese artistic movement from the first decade of this new century, a tradition - breaking language with continuous references to the occidental culture but always maintaining the local tradition in mind.

The exhibition unfolds chronologically, showcasing the experimentation of each artist as, departing from the work of Lucio Fontana, these new generations developed a personal language at a critical moment of their artistic practice between the 60s and 70s.

The 1940s was a decade of artistic transition; narrative surrealism as exemplified by Salvador Dalí and Renè Magritte was no longer relavent, and a younger generation of American artists searched for a new visual language.

Menezes writes that «it is rare to find an emerging artist who uses woodcut as his main artistic language, or attempts to explore new possibilities of artistic expression within woodcarving.

Since the 1990s, Berlin - based artist Judith Hopf has mastered an independent artistic language that unswervingly manages to stake out new ground, be it in the form of sculpture, film, drawing, performance, or stage design.

Guyton's interest in the struggle of two materials interacting play perfectly into his new achievements stating: «I have become interested in when something starts as an accident and then becomes a template for other things, or reproduces itself and generates its own logic until something else intervenes to change it» (S. Rothkopf, «Modern Pictures,» Wade Guyton: Color, Power & Style, Cologne, 2006) Untitled, 2008, is an outstanding example of his exploration into the limitation of artistic language that abstraction still holds in the 21st century.

Nicholas Sagan develops artistic processes that borrow the visual and theoretical languages found in the sciences to construct new interpretations of old data.

Stieglitz's initial support of the young artist Georgia O'Keeffe resulted in their marriage and then eventual separation as O'Keeffe found a new passion in her life, which dominated her time and influenced her artistic language for decades: the light and landscape of the American Southwest.

Eleven artists, using very different artistic language, interact and unite in new ways.

Catherine Petitgas, a London - based collector on Tate's Latin American art acquisition committee, believes the new wave of interest is based on a reassessment of geometrical abstraction in the 1950s when Brazilian artists such as Lygia Clark and Hélio Oiticica created a distinctive artistic language as part of the Neo-Concrete Group.

In her work, Kilomba approaches «the colonial wound,» as she says, and intentionally creates a hybrid space between the academic and the artistic languages, to explore new formats to decolonise knowledge and narrative, «bringing a new, experimental, and compelling voice into contemporary art and discourse.»

The artists with their very different artistic language, interact and unite in new ways in the exhibition.

Cultural traditions and values of every country strive to find new contemporary language to keep pace with the transformation of artistic expression.

The examination of time, language, and history is central to the artistic work of the Raqs Media Collective, which was established in New Delhi in 1992.

Artists were also seeking new ways of making a line, using color, and developing an artistic language that was uniquely their own.

Since the 1990s, Judith Hopf (born 1969 in Karlsruhe, DE) has been developing an independent artistic language that has consistently managed to stake out new ground over the years, be it in the form of sculpture, film, drawing, performance or even stage design.

Following Sophia's successful inaugural exhibition of his work in 2016, «Hunting the Light» features twelve new paintings demonstrating Derakshani's continued quest for a visual language that bridges Iranian artistic traditions with Western contemporary and abstract inclinations.

They go on to say that, the artist strives to create a «new form of thought» by transforming conventional language with the use of images that «at times... explosively ignite the world of language and concepts,» proving that the relationship between language and photography is central to Nakahira's artistic practice.

«Hunting the Light» will feature twelve new works demonstrating Derakshani's continued quest for a visual language that bridges Iranian artistic traditions with Western contemporary and abstract inclinations.

«Hunting the Light» will feature twelve new works demonstrating Derakshani's continued quest for a visual language that bridges Iranian artistic traditions with Western contemporary and abstract i...

The most relevant artistic practices of today forge new languages as they pursue these tasks.

Through numerous exhibitions and public commissions from Seoul to New York, Luxembourg to Zurich, Opie's distinctive formal language is instantly recognisable and reflects his artistic preoccupation with the idea of representation, and the means by which images are perceived and understood.

The work of Marcel Dzama (° 1974, Winnipeg; lives and works in New York) is immediately recognised by his own distinctive visual language, layered with artistic influences like Dada and Marcel Duchamp.