Sentences with phrase «new artistic visions»

The latest showcase of new pieces of David Salle art is coming to Galerie Thaddaeus Ropac in Paris, putting on display his brand new artistic visions.

These visits may result in a purchase, bringing a new artistic vision into their prominent collection (which draws up to 3,000 people during their spring open house), or perhaps a grant from the Rema Hort Mann Foundation, the charitable organization they founded in memory of their late daughter.

Not exact matches

That kind of bold artistic vision pays off: Activision Blizzard announced this week that it shipped $ 500 million worth of games to retailers, good enough to make Destiny «the biggest new video game franchise launch in history.»

Starting in 1899, S.Pellegrino has always been ahead of its time, and is now looking for a project that not only conveys an artistic vision, but also set new standards in -LSB-...]

This season, she says she was mainly inspired by her recent trip to Haiti with the Ethical Fashion Initiative Team, where she met and worked with metalsmiths, papier - mà cents chà © and horn artisans to produce jewellery for her new Stella Jean Spring Summer 2015 collection and to help bring about female empowerment and poverty reduction by employing women artisans to help her realise her artistic vision.

Position away, O ye spinners: The good news for all who are not awards voters is that this newer, shorter World — shorter, anyway, in the category of languid movies over two hours — is that it communicates Malick's luminous artistic vision of innocence and loss, wildness and order, risks taken and chances lost, with more clarity than his first cut.

Yet it fully embraces the new era's sense of personal artistic vision.

The design sketches for the new Skoda SUV are undoubtedly infused with a little artistic licence to deliver a more dynamic look, but if you imagine the VisionS a little more stodgy than it seems you can see what the real car will look like.

Story - like but accurate text and amazing illustrations soar beyond basic facts, capturing Matisse's initial frustration and then eventual exuberance in finding a new way to express his artistic visions.

Furthermore, in the case of the Silent Hill HD Collection, the remastering process even spins the text's original artistic vision out of focus, with new voice actors and the cutback of crucial elements like Silent Hill 2's iconic fog atmosphere.

The franchise was turned on its head with an almost entirely new direction, both in terms of artistic vision and narration style.

«While it is perhaps not surprising that artists have found the night such a compelling subject for centuries, Night Vision sheds new light on the technical complexities and personal meanings embedded in its depictions, as well as how the period's unique cultural and social climate influenced subsequent artistic movements.»

The Board of Trustees, together with Salpeter, simultaneously announced it has put in place a new structure for the museum's senior leadership that expands the roles and responsibilities of its founding management team: Deputy Director and Chief Curator Alex Gartenfeld is being named Artistic Director, leading institutional vision, strategy, and programming as the museum's chief executive officer; and Associate Director Tommy Ralph Pace is being promoted to Deputy Director, overseeing operations, institutional advancement, and external affairs.

This exhibition, which is on view parallel with the survey of Tino Sehgal, captures another level of what we consider «live» and represents the artistic approach of new director Beatrix Ruf for the Stedelijk to ask questions about contemporaneity through exhibitions and displays of artistic visions.

Visions of a New Ecology resulting from pollution and cultivation, these works marry meticulous artistic craftsmanship, mass produced objects and arch, if gorgeous color.

This new exhibition explores how a modern master transformed his artistic vision after witnessing the ancient Greek sculptures of the British Museum.

From Group Material co-founder Julie Ault's personal art collection from the 1980s and»90s on view at Artists Space to Fiona Tan's film of the Sir John Soane Museum's antiquities collection at the Philadelphia Museum of Art (echoing Alain Resnais's great 1956 documentary of Paris's national library, «Toute la mémoire du monde») to the Museum of the City of New York's upcoming show of graffiti art collected by the late artist Martin Wong, artists and institutions are devoting considerable efforts to showing groups of historical art objects gathered through an idiosyncratic personal vision — with that act of curation being foregrounded as an artistic gesture.

New acquisitions support the vision of the university as an environment for innovative thinking and artistic experimentation.

«In selecting Anicka Yi as the winner from an exceptionally strong group of nominated artists, we wish to highlight the singularity of her vision and the generative new possibilities for artistic production offered by her practice», read a statement issued by the jury.

These photographs are a poignant and powerful chronicle of Ai's artistic vision and emerging political consciousness during his time in New York.»

With the assistance of Location One staff, they are attempting to expand their artistic vision by experimenting with new ideas or means of production and sometimes through novel collaborations with other artists.

Hulusi's messianic artistic vision is poetic yet critically observant as it lays out a new way of understanding the philosophical implications of our post political age.

Focusing on New York's role in a transatlantic exchange of ballet and surrealist aesthetics, the show presents a vision of American modernist ballet as an artistic catalyst, filter, and vibrant, shared vocabulary.

On display are 14 works that trace the transformation of the art object from static image to fluid light projection within two artistic lineages: the unconventional optical techniques of the 1920s Neue Optik (New Vision) generation of artists, among them El Lissitzky, László Moholy - Nagy, Hans Richter, and Marcel Duchamp; and the situational aesthetics advanced by Robert Irwin, Gordon Matta - Clark, Robert Smithson, and Anthony McCall in the 1970s.

The paintings in the show, whose title is «Explorations,» don't reinvent the wheel so much as extend art historical precedents — her artistic intelligence is such that she manages a merger of the old and the new, in which the lyric accomplishments of her milieu and artistic forebears are re-invigorated in an art whose vision is genuinely current.

This exhibition considers the transformation of the art object from static image to light projection within two distinct artistic lineages: the unconventional optical techniques and social analyses of the 1920s Neue Optik, or «New Vision,» generation of artists, among them László Moholy - Nagy, Hans Richter, and Marcel Duchamp; and the situational aesthetics advanced by Gordon Matta - Clark, Robert Smithson, and Anthony McCall in the 1970s.

You don't need to know this — from room to room it's very evident, you can see it with your own eyes in the varied ideas and artistic approaches: Roy deCarava's intoxicating photographs of Malcolm X and Ornette Coleman, or David Hammons's response to Black Panther founder Bobby Seale's trial in 1970, abstract expressionist paintings by William T.Williams and Frank Bowling, or Faith Ringgold's amplified vision of what she witnessed in New York, inspired by Guernica,

In a 2010 interview with The New Yorker Close said that he believes «the condition has played a crucial role in driving his unique artistic vision.

In her new position, Smith will join the ICA's current director, Lisa Freiman, and curator of education, Johanna Plummer, in developing the museum's artistic vision.

He says of the project, «Visions is the result of a new way to see, after five successful years of an artistic project about people, I opened the door of my perception and let it create from my immediate environment.»

She currently serves as artistic director at The Union for Contemporary Art, helping to shape existing programs and vision new initiatives at the intersection of art and social justice.

EXHIBITIONS / SCREENINGS / READINGS (* solo or two - person) Apparatus for a Utopian Image 2.0, Center and Foundation for Contemporary Arts, Prague, 2018 CV, YYZ Artist's Outlet, Toronto, 2017 * Artist's Rendering (DISTRESSED, RELAXED), AXENÉO7, Quebec, 2017 * You can tell that i'm alive and well because I weep continuously, Knockdown Center, New York, 2017 Apparatus for a Utopian Image, Elizabeth Foundation for the Arts Project Space, New York, 2016 Self - Titled (Materials for a 21st Century Room — or SWAMPED, EXHAUSTED, HESITATING), 8 - 11, Toronto, 2016 * Self - Titled (w / Aryen Hoesktra & Shane Krepakevich), Modern Fuel, Ontario, 2016 Local Tide (curated by PARALLELOGRAMS and Francesca Capone), S1, Portland OR, 2016 Double Visions, Elizabeth Foundation for the Arts Project Space, New York, 2015 From Line to Constellation, Granoff Center, Providence, 2015 Maximum Sideline: Postscript, Proxy, Providence, 2015 Use Values, SPRING / BREAK Art Show, New York, 2015 An Earthquake at the Race Tracks, Museo de la Cuidad, Santiago de Querétaro, Mexico, 2014 Classroom, NY Art Book Fair, PS1, New York, 2014 Almost Everything, Eric Arthur Gallery, Toronto, 2014 Milieu, Skol Centre des Arts Actuel, Montreal, 2013 * More Than Two (Let It Make Itself)[w / Josh Thorpe], The Power Plant, Toronto, 2013 Cultural Fluency, BRIC Rotunda Gallery, Brooklyn, 2013 Sediment, G Gallery, Toronto, 2012 Survive.Resist, CAFKA Biennial, Kitchener - Waterloo, Canada, 2011 On Printed Matter, [w / Josh Thorpe], Printed Matter, New York, 2011 * Around YYZ [w / Josh Thorpe], YYZ Artist's Outlet, Toronto, 2010 - 11 * House Broken, Flux Factory, NY 2010 Reading the Garden [w / Josh Thorpe], Toronto Sculpture Garden, Toronto, 2010 * Titles, Art Metropole, Toronto, 2009 On Convenience [w / Josh Thorpe], Convenience Gallery, Toronto, 2009 * Vehicle [organized by WayUpWayDown curatorial collective], Nuit Blanche, Toronto, 2008 ERI 3: Eyelevel Re-Shelving Initiative, Eyelevel Gallery, Halifax, 2008 AT WORK, Toronto Free Gallery, Toronto, 2007 Rip Current, Eyelevel Gallery, Halifax, 2007 Tales from the Cyclop's Library, Third Space Gallery, Saint John, 2007 Unsurprising Geographies [w / Andrea Williamson], Eyelevel Gallery, Halifax, 2006 Alectric 3, Alectric Audio [online exhibition] 2006 a / s / l, Anna Leonowens Gallery, Halifax, 2006 * RESIDENCIES Interrupt 3, Brown University, Rhode Island 2015 SHIFT, Elizabeth Foundation for the Arts, New York, 2014 - 15 Artist - in - Residence, Workspace, Lower Manhattan Cultural Council, 2013 - 14 Visiting Scholar, NYU Advanced Media Studio, 2013 - 14 The Decapitated Museum, The Banff Centre, 2012 Making Artistic Inquiry Visible, The Banff Centre, 2008 AWARDS Canada Council for the Arts, Research and Creation, 2018 - 19 Banff Centre, Residency Scholarship — The Decapitated Museum, 2012 Foundation for Contemporary Art, Emergency Grant, 2011 Ontario Arts Council, Exhibition Assistance Grant, 2011 Ontario Arts Council, Exhibition Assistance Grant, 2009 University of Toronto, Graduate Fellowship, 2007 - 09 Social Sciences and Humanities Research Council, Canada Graduate Scholarship, 2007 - 08 Banff Centre, Residency Scholarship — Making Artistic Inquiry Visible, 2008 University of Toronto, David Buller Memorial Scholarship, 2007 NSCAD University, Simon Chang and Phyllis Levine Foundation Scholarship, 2006 New Brunswick Arts Board, Arts Scholarship, 2005 WRITING «Panorama of Our,» Plot, Claudia Weber, ed., 2015 «Anodyne: or X of Demarcation,» Rearviews II, Xenia Benivolski & Danielle St - Amour, eds., 2014 «On Printed Matter» Artefact:, C Magazine C122, 2014 «Lana Turner Has Collapsed!

A reflection of pre-1916 Ireland, A Fair Land reveals a vision for society informed, and led by creativity and artistic practice — whether through a Ruskinian reconsideration of industry, a vision for education or culture as a mechanism for political activism — where the creative voice was central to new visions for modern society emerging in Ireland and internationally.

Photography from the Deutsche Bank Collection, Singapore Art Museum, Singapore The New International, Garage Museum of Contemporary Art, Moscow Songs of Loss and Songs of Love, Gwangju Museum of Art, South Korea Look at Me: Portraiture from Manet to the Present, Lelia Heller Gallery, New York I Look at Things... Work From the Collection, Faurschou Foundation, Copenhagen Shirin Neshat: Don't Ask Where the Love is Gone, Moscow Photobiennale 2014, Multimedia Art Museum, Moscow Pionniéres: Lynda Benglis, Louise Bourgeois, Marlene Dumas, Tracey Emin, Roni Horn, Shirin Neshat, Cindy Sherman, Nancy Spero, Niki De Saint Phalle, CAB Art Center, Brussels 2013 My Third Land, Frankendael Foundation, Amsterdam Collection Exhibition II, 21st Century Museum of Contemporary Art, Kanazawa Come Together: Surviving Sandy, Year 1, Industry City, New York The Ghost of Architecture: Recent and Promised Gifts, Henry Art Gallery, University of Washington, Seattle SKIN, an artistic atlas, Royal Hibernian Academy, Dublin She Who Tells a Story: Women Photographers from Iran and the Arab World, Museum of Fine Arts, Boston Legacy: Photographs from the Emily Fisher Landau Collection, the Aldrich Contemporary Art Museum, Ridgefield, Connecticut Displaced Visions Emigré Photographers of the 20th Century, The Israel Museum, Jerusalem All You Need is Love, Mori Art Museum, Tokyo 2012 OC Collects, Orange County Museum of Art, Newport Beach Voice of Images, Palazzo Grassi - Françoise Pinault Foundation Pulso Iranioano.

For all four artists, New York in the 1980s and early 1990s represented a time - space, which was filled with freedom and possibilities that incubated their artistic visions and imaginations.

For all four artists, New York in the»80s and early»90s represented a time - space filled with freedom and possibilities that incubated their artistic visions and imaginations.

It is impossible to estimate how much they affected American art, but the fact remains that in the 1940s and»50s, for the first time, American artists became internationally important with their new vision and new artistic vocabulary, known as Abstract Expressionism.

After his initial frustration as a graphic artist in New York, he became inspired by minimalist artists and decided to reorganize his artistic vision.

Bringing together earlier prints and new digital experiments, the exhibition will highlight the tireless calling of her rich artistic vision.

Initially conceived to document Jordan Wolfson's 2014 exhibition at David Zwirner in New York — his first with the gallery, featuring new sculptural work, a video and his much - discussed animatronic sculpture» (Female figure) 2014» — this publication, born out of a close collaboration between Wolfson and book designer Joseph Logan, ultimately exists as a hybrid of an exhibition catalogue and an expression of Wolfson's artistic visiNew York — his first with the gallery, featuring new sculptural work, a video and his much - discussed animatronic sculpture» (Female figure) 2014» — this publication, born out of a close collaboration between Wolfson and book designer Joseph Logan, ultimately exists as a hybrid of an exhibition catalogue and an expression of Wolfson's artistic visinew sculptural work, a video and his much - discussed animatronic sculpture» (Female figure) 2014» — this publication, born out of a close collaboration between Wolfson and book designer Joseph Logan, ultimately exists as a hybrid of an exhibition catalogue and an expression of Wolfson's artistic vision.

Yet as Poltock observes, «With new voices and uncompromising visions at our heart, the East End Film Festival explores the limits of the moving image whilst extending beyond artistic and cultural boundaries to reach out and present good old - fashioned entertainment».

His artistic work includes installation and performance, and he has participated in many solo and group shows, including Outside Cuba; Cuba - USA: The First Generation, The Miami Generation and Ancient Roots / New Visions, all of which traveled throughout the United States, and Breaking Barriers: Selections from the Museum of Art's Permanent Contemporary Cuban Collection at the Museum of Art in Fort Lauderdale.

Indeed, it was the presence of artistic opportunities in cities such as New York that had allowed the collectors» vision to flourish throughout the latter half of the twentieth century.

The Menil's exhibition will seek to define Bontecou's drawing as a uniquely powerful expression of her artistic vision so as to provide a new perspective on Bontecou as an artist who has perpetually challenged the modernist division of form and content.

For cubism was not a style so much as an aesthetic revolution, a «shock in the dark,» each painting a performance that instigated a profound change of artistic form, indeed the first new ocular form in 500 years of mankind's vision of itself.

In this broader vision, open to new techniques and audio visual tools, the first Barcelona's exhibition about new aesthetical and artistic practices through the use of mobile phones makes its apparition.

Hans Richter, Still from Filmstudie, 1926 35 mm film transferred to video (black and white, silent) March 19 — June 23, 2008 This exhibition considers the transformation of the art object from static image to light projection within two distinct artistic lineages: the unconventional optical techniques and social analyses of the 1920s Neue Optik, or «New Vision,» generation of artists, among them László Moholy - Nagy, Hans Richter, and Marcel Duchamp; and the situational aesthetics advanced by Gordon Matta - Clark, -LSB-...]

These exhibitions highlight artists who create new visions, forms, and languages to challenge political and artistic norms, sometimes moving beyond the walls of the museum or gallery.

In selecting Anicka Yi as the winner from an exceptionally strong group of nominated artists, we wish to highlight the singularity of her vision and the generative new possibilities for artistic production offered by her practice.