Sentences with phrase «new cinematic take»

Jones was most recently attached to star in a new cinematic take on Swan Lake, though that one is still developing.

We know that there are one or two of you out there who have been eagerly awaiting anything from Mike Newell's new cinematic take on Charles Dickens» Great Expectations.

Justin Kurzel (The Snowtown Murders) directed a new cinematic take on Shakespeare's Macbeth, with Michael Fassbender and Marion Cotillard in the lead roles of Lord and Lady Macbeth.

Not exact matches

(The aforementioned Sherkow, an associate professor at New York Law School, has a great take on the cinematic twists and turns of the case — including some curious legal strategies and the mysterious role of an anonymous third party — at Stanford Law School's infrequent but excellent Law and Biosciences Blog.)

The «70s New Hollywood Comedy» festival strand did what it could with a cinematic moment that is not exactly prized for its humour, with titles including Harold and Maude (Hal Ashby, 1971), Take the Money and Run (Woody Allen, 1969) and, most interestingly, Mike Nichols» The Fortune (1975), which brought together such big names of the period as Carole Eastman / Adrien Joyce, Warren Beatty, Jack Nicholson and Dick Sylbert.

For now, with Atwell already heading up a new series Conviction and Peggy Carter's cinematic narrative laid to rest, it seems we may have seen the last of our intrepid agent, but with Sharon Carter poised to take a bigger role in the MCU, her legacy is sure to live on.

Early last year, I took a chance on an independent New Zealand feature called «Eagle vs. Shark,» a decidedly off - beat romantic comedy which introduced me to the cinematic brilliance of Jemaine Clement.

Marvel's latest adventure takes their cinematic universe into the realm of the supernatural, Doctor Strange a trippy, freewheeling jaunt into the comic book multiverse where time is fluid and death is only a doorway to a brand new adventure.

Aronofsky takes his usual bravura cinematic approach to this harrowing psychological thriller set in a New York ballet company.

I want to start off this «review» of Suicide Squad, the third film in Warner Bros» new attempt at building a universe out of DC comics characters to rival what Marvel is doing with their cinematic universe, by apologizing for the somewhat lax approach I am about to take to writing this.

VARIETY — After breaking out in his psychological thriller «The Witch,» Anya Taylor - Joy is looking to reteam with director Robert Eggers on his new take on a cinematic classic.

After breaking out in his psychological thriller «The Witch,» Anya Taylor - Joy is looking to reteam with director Robert Eggers on his new take on a cinematic classic.

Marvel Studios takes us behind the scenes of Avengers: Infinity War with a «Family» featurette that includes snippets of new footage from the highly anticipated film, as well comments from the stars about their Marvel Cinematic Universe experiences.

Where Solid Snake's stealthy Shadow Moses infiltration took PS1 and the gaming medium to new cinematic heights, Snake Eater is by far the best actual game that industry legend Hideo Kojima has ever crafted.

Other highlights in this strand include: Miguel Gomes» mixes fantasy, documentary, docu - fiction, Brechtian pantomime and echoes of MGM musical in the epic ARABIAN NIGHTS; the World Premiere of William Fairman and Max Gogarty's CHEMSEX, an unflinching, powerful documentary about the pleasures and perils associated with the «chemsex» scene that's far more than a sensationalist exposé; the European Premiere of CLOSET MONSTER, Stephen Dunn's remarkable debut feature about an artistic, sexually confused teen who has conversations with his pet hamster, voiced by Isabella Rossellini; THE ENDLESS RIVER a devasting new film set in small - town South Africa from Oliver Hermanus, Diep Hoang Nguyen's beautiful debut, FLAPPING IN THE MIDDLE OF NOWHERE, a wry, weird socially probing take on the teen pregnancy scenario that focuses on a girl whose escape from village life to pursue an urban education has her frozen in mid-flight; LUCIFER, Gust Van den Berghe's thrillingly cinematic tale of Lucifer as an angel who visits a Mexican village, filmed in «Tondoscope» — a circular frame in the centre of the screen; the European premiere of KOTHANODI a compelling, unsettling fairytale from India; veteran Algerian director Merzak Allouache's gritty and delicate portrait of a drug addicted petty thief in MADAME COURAGE; Radu Muntean's excellent ONE FLOOR BELOW, which combines taut, low - key realism with incisive psychological and ethical insights in a drama centering on a man, his wife and a neighbor; and QUEEN OF EARTH, Alex Ross Perry's devilish study of mental breakdown and dysfunctional power dynamics between female best friends, starring Elisabeth Moss.

Now Alamo Drafthouse is taking their cinematic celebrations outside of the theater with a new line - up of Rolling Roadshow events.

The new preview for writer - director Darren Aronofsky's cinematic retelling of the biblical flood features more battle scenes than you might have expected, as an army led by Methuselah (Anthony Hopkins) tries to storm Noah's vessel, as Hopkins yells, «Take the ark!»

But on closer inspection, the movie seems more atypical and dangerous (a good thing, since «A Dangerous Method» felt far too safe for a filmmaker known for exploding heads and genital mutilation), taking place primarily in a stretch limousine as it crawls through New York City (not exactly a cinematic conceit).

Avengers: Infinity War took the Marvel Cinematic Universe in a whole new direction — and there's a chance that it could have a lasting effect on one character.

Looking less interested in stealing from the rich than just killing them this new Hood is certainly going to be a fresh cinematic take on the character.

Warner Bros. and New Line Cinema's horror franchise / cinematic universe based around The Conjuring has now passed $ 1 billion at the worldwide box office, thanks to the takings for this month's spinoff prequel Annabelle: Creation.

One per - centers are taking it on the chin at the movies these days with recent releases like «The Founder» and «Get Out,» and now the latest cinematic smack out of Sundance, Beatriz at Dinner, a sly and telling exposé of class in America as seen through the eyes of a Mexican immigrant woman named Beatriz (Salma Hayek, «Savages»), a new - age holistic healer who works at a cancer rehabilitation center, does private massage therapy on the side, lives with her pet goats and drives a broken - down Volkswagen.

The game is also directed by Hideo Kojima who successfully takes the franchise to a whole new level of immersion which makes Metal Gear Solid V Phantom Pain one of the most cinematic games to ever grace the gaming world.

The latest Marvel Cinematic Universe entry, directed and co-written by Ryan Coogler, opens up a whole new world for audiences and takes us on an adventure and journey that is both very personal and has many real - life implications, as well as social and political commentary.

The joy he takes in making cinematic spectacles of varying types can be felt in every frame of film he shoots, and I find it difficult not to get a little excited whenever he has a new effort on the verge of hitting theatres.

««I needed to find a new angle,» Nemes confessed, and while Son of Saul has both a visual and thematic angle that makes it stand out from the long cinematic history to which it is indebted, it's clear such an angle was not taken lightly and what may look like a visual gimmick, is in fact, proof positive of the ethical orientation of the film itself.»

Even now, 10 features into his career, David Fincher's status in the cinematic firmament is still very much up in the air, with each new film of his offering yet another opportunity to take stock and either confirm or revise one's impressions of this distinctive filmmaker.

Marvel's Avengers: Age of Ultron takes Marvel's Cinematic Universe to new heights in yet another silver - screen triumph.

The Krewe of Ancient Druids teased a number of other parade groups with its «Phobias» theme and the Mystic Krewe of Nyx reveled in cinematic takes on «What a Girl Wants» Wednesday night, as Carnival parading on the Uptown New Orleans route resumed after its week off.

Set between the events of Marvel's The Avengers and the upcoming Marvel's Captain America: The Winter Soldier, this new Infinite Comic takes you into the world of the Marvel Cinematic Universe with a new adventure setting the stage for one of the biggest films of the year!

ND is taking it to the next level where part one broke new grounds for cinematic story telling.

As you can see, we've had a chance to take the best of Uncharted — the set pieces, the puzzles, cinematic storytelling, and exotic locales — and tell a completely new story with Chloe Frazer at the helm.

As a huge fan of the franchise, I was excited to see what the next instalment has to offer... but more to the point, I was extremely worried about the new realistic and cinematic direction that the reboot is taking.

Infinity Ward reaches new heights with Call of Duty: Infinite Warfare, which returns to the roots of the franchise with large - scale war, epic battles, and cinematic, immersive military storytelling and takes players on a journey from Earth to beyond our atmosphere.

Based on what Smith says in the interview all we can expect in this expansion is a handful of strikes, one measly raid and a new area which will more than likely contain very little to do and most of the story (which is now voiced with cinematics, something they completely forgot during the original DLC's hence why you don't hear Peter Dinklage phoning in his performance again) will take place in locations you've already visited time and time again.

With regards to graphics and the scope of the cinematic cut - scenes, while Fire Emblem may not have always been as highly polished as it has been with later games, Fire Emblem Warriors takes everything we've seen before to a whole new level.

We take a look at the latest build of Splinter Cell: Conviction, which has finally re-emerged from development hell with a new, non-hobo look and a darkly cinematic feel.

Players will witness a new action - packed cinematic scene followed by players taking on the role of Superman to see if they can defeat this menacing threat.

Although some fans of the series may take issue with the clear decision to adapt Human Revolution — the newest and most cinematic installment — instead of the game that launched the series, Cargill isn't overlooking the bigger picture.

Starfighter Assault — the new take on vehicle - only dogfights — ups the objective - based nature of the rest of the game and captures the intense, cinematic action glimpsed in what was easily some of standout moments from the campaign.

An entirely new genre of exciting cinematic racing has fully evolved in the time its taking for Yamauchi to obsess over the details - and every delay is just giving us more time to enjoy Motorstorm, Split / Second, Burnout Paradise and the sublime F1 2010.

Selected Group Exhibitions 2016 — «Faculty Exhibition», Evanston Art Center, Evanston, IL 2015 — «Wish List», Gallery Project, curated by Gloria Pritschet and Rocco DePietro, Toledo, Ohio and Ann Arbor, Michigan 2015 — «Roots», Linda Warren Projects, Chicago, IL 2015 — Noyes Cultural Arts Center, Evanston, IL 2015 — «Faculty Exhibition», Evanston Art Center, Evanston, IL 2014 — «National Contemporary Painting», Weatherhead Gallery, University of Saint Francis, Fort Wayne, Indiana 2013 — «31st Juried Art Show», Wilmette Public Library, Wimette, IL 2012 — «30th Juried Art Show», Wilmette Public Library, Wimette, IL 2012 — «Narrative Fragments», Quidley & Company, Boston, MA 2011 — «Juxtaposed», juried by Alyssa Monks, Six Summit Gallery, Ivoryton, CT 2011 — «Paintworks», Gowanus Ballroom, curated by Kristin Kunc, Courtney Jordan & Hyeseung Marriage - Song, Brooklyn, NY 2011 — «Space Invaders», co-curated by Virginia Rose and John Nickle, Rose Contemporary, Portland, ME 2011 — «Cinematic Bodies», curated by Jamie Adams, Zolla Lieberman Gallery, Chicago, IL 2010 — «Snow», XL Projects, Syracuse University Gallery, Syracuse, NY 2010 — «Women Painting Women», Robert Lange Studios Gallery, Charleston, SC 2010 — «Remnants», Fuse Gallery, New York, NY 2010 — «Highlights» Island Weiss Gallery, New York, NY 2010 — «Conceptually Sound», Medialia Rack and Hamper Gallery, New York, NY 2010 — «Chicago Art Fair», shown by Linda Warren Gallery in Chicago, Illinois 2010 — «Looks good on Paper», DFN Gallery, New York, NY 2009 — «Water / Bodies», Eden Rock Gallery, St. Barths, F.W.I. 2009 — «Summer Exhibition 2009», curated by Eric Fischl, Matthew Flowers, Anne Strauss, New York Academy of Art, NY, NY 2009 — «Old School», Jack the Pelican, Brooklyn, NY 2009 — Caldwell Snyder, San Francisco, CA 2008 — «Small Works», Sarah Bain Gallery, Anaheim, CA 2008 — «City Lights», George Billis Gallery, New York, NY 2008 — «Chicago Art Fair», shown by Linda Warren Gallery in Chicago, Illinois 2008 — «Take Home a Nude» Art Auction at Phillips de Pury & Company, New York, NY 2007 — «Summer Exhibition 2007», curated by Eric Fischl, Jenny Saville, Vincent Desiderio, New York Academy of Art, NY, NY 2007 — «Four Handed Lift: Advocacy, Art, Spirit and Community», Moti Hasson Gallery, New York, NY 2007 — «Small Works», Sarah Bain Gallery, Anaheim, CA 2008 — «Chicago Art Fair», shown by Linda Warren Gallery in Chicago, Illinois 2006 — «Contemporary Imaginings, The Howard A. and Judith Tullman Collection», Mobile Museum of Art, Mobile, Alabama 2006 — «Night of a Thousand Drawings», Group Show, Artist's Space, New York, NY 2006 — «AAF», shown by DFN Gallery, New York, NY 2006 — «Salon 2006», New York Academy of Art, New York, NY 2006 — «LA Art Fair», shown by Linda Warren Gallery in Chicago, Los Angeles, CA 2005 — «New Works», curated by Eric Fischl, Jane Gallery, St. Barthelemy, F.W.I. 2005 — «A Terrible Beauty: Figurative painting in the 21st Century», Grey McGear Modern, Santa Monica, CA 2005 — «Small Works», Sarah Bain Gallery, Brea, CA 2005 — «Cityscapes», Sarah Bain Gallery, Brea, CA 2005 — «Take Home a Nude» Art Auction at Phillips de Pury & Company, New York, NY 2005 — «Go Figure», George Billis Gallery, New York, NY 2004 — «Postcards from the Edge, Visual Aids Benefit», Brent Sikemma Gallery, New York, NY 2004 — «Night of a Thousand Drawings», Group Show, Artist's Space, New York, NY 2004 — «Points of Muse», Linda Warren Gallery, Chicago, IL 2004 — «Separate Visions», Sarah Bain Gallery, Brea, CA 2004 — «Still Life», Sarah Bain Gallery, Brea, CA 2004 — «27th Small Works Exhibition», New York, NY 2003 — «Space Invaders», curated by Peter Drake, Fish Tank Gallery, New York, NY 2003 — «26th Small Works Exhibition», New York, NY 2002 — «National Arts Club 26th Annual Student Show», National Arts Club, New York, NY

In Rodriguez's first New York museum show, and similarly to how a 2013 exhibition took its cues from La Collectionneuse, a 1967 film related to art by Éric Rohmer, her new work The Maid takes a cinematic approach to sculpture, considering «the conditional relationships between artist, artwork, and third - party agents (institution, caregiver, surrogate) in familial terms»: the evolved social dynamics of the artworld, and the laws that underpin thNew York museum show, and similarly to how a 2013 exhibition took its cues from La Collectionneuse, a 1967 film related to art by Éric Rohmer, her new work The Maid takes a cinematic approach to sculpture, considering «the conditional relationships between artist, artwork, and third - party agents (institution, caregiver, surrogate) in familial terms»: the evolved social dynamics of the artworld, and the laws that underpin thnew work The Maid takes a cinematic approach to sculpture, considering «the conditional relationships between artist, artwork, and third - party agents (institution, caregiver, surrogate) in familial terms»: the evolved social dynamics of the artworld, and the laws that underpin them.

But in a new, grand triptych, events take on a cinematic scope and scale, with a crowd of extras cast from Dutch genre painting and zombie flicks.

Narrated by Joule's father, Dr. Thomas Adams, the video takes a deeper look at Joule's journey, revealing new gameplay and characters from ReCore's cinematic story as well as the qualities Joule inherited from her father; qualities that will help her and her Corebot companions to bring new life and hope to Far Eden