Fear & Desire
new cinematic works by Julian Rosefeldt Christoph Girardet & Matthias Muller Reynold Reynolds Clement Page Marion Tampon - Lajarriette + new sculptures by...
Not exact matches
Like the nation of Wakanda itself, Black Panther is
working on a whole
new level and marks a
new standard when it comes to Marvel
Cinematic Universe.
In some of the most striking passages in the
new documentary I Am Not Your Negro, director Raoul Peck implicitly connects The Devil Finds
Work with the tradition of Marlon Riggs's Ethnic Notions and Spike Lee's Bamboozled, films that reimagine
cinematic history as a site of racial excavation.
Writer / Director Edgar Wright is hard at
work, bring to life the
newest hero in the Marvel
Cinematic Universe:...
The vast technical background necessary for creating
cinematic stories, illuminating interviews with the greatest living filmmakers, in - depth analyses of high quality movies... The material provided by Cahiers du Cinéma, Sight & Sound, Cinemagic, Cinefantastique and many others has inspired thousands of people to dedicate their lives to filmmaking, and thanks to the wonders of modern technology, these priceless cultural beams of historic value and prime educational significance continue to inspire, astonish and enlighten us, bringing up a
new generation of artists who might persevere and thrive to one day fill the shoes of the likes of Orson Welles, Krzysztof Kieślowski, Jean - Pierre Melville, Agnes Varda, Paul Thomas Anderson, David Fincher and dozens of others whose
work continually delight and move us in every way possible.
Bandai Namco Entertainment just released a
new video showcasing the opening
cinematic of its upcoming fighting game by Arc System
Works Dragon Ball FighterZ.
The Oscar - winning writer, who
worked on the script for Skyfall after Neal Purvis and Robert Wade, revealed that he is combing through Bond's
cinematic and literary history for the
new Daniel Craig - led movie.
As part of Tribeca Film Festival's Talk series, Joss Whedon and Mark Ruffalo spoke last night in
New York about Whedon's future with the Marvel
Cinematic Universe and their experiences
working on Avengers: Age of Ultron.
Sharply edited and evocatively shot, this is a complete vision from a
new cinematic master
working at peak form.
At the film's recent press day, Shyamalan and Blum discussed their creative partnership and the most surprising aspect of
working with each other, why the scares in this film are deceptively simple yet terrifying and original, how the mock documentary style format gave Shyamalan
new cinematic tools for keeping the audience guessing, his directing style, what he was looking for in his young actors, why he cast experienced stage actors for the grandparents» roles, his collaboration with award - winning DP Maryse Alberti, how he recruited Oxenbould to shoot the chase sequence underneath the house, why he likes treating B genre movies like they're A dramas, and more.
What is enjoyable is watching the
work of a skilled filmmaker and exciting
new cinematic story teller.
In other words, «Homecoming»
works by doing something that no Marvel (or DC) movie has done before, something that shows how this monolithic
cinematic universe might hope to sustain itself once Thanos has been vanquished to the great space armchair in the sky and modern cinema's biggest mega-franchise becomes desperate for
new ways to feel fresh.
Derrickson is
working on a film that has to incorporate a
new origin film into the ever - expanding Marvel
Cinematic Universe.
One per - centers are taking it on the chin at the movies these days with recent releases like «The Founder» and «Get Out,» and now the latest
cinematic smack out of Sundance, Beatriz at Dinner, a sly and telling exposé of class in America as seen through the eyes of a Mexican immigrant woman named Beatriz (Salma Hayek, «Savages»), a
new - age holistic healer who
works at a cancer rehabilitation center, does private massage therapy on the side, lives with her pet goats and drives a broken - down Volkswagen.
Ragnarok director Taika Waititi, an auteur of Māori and Russian - Jewish descent, is one of
New Zealand's premier
cinematic exporters, although unlike such Caucasian contemporaries as Jane Campion and Peter Jackson, his
work bleeds the hues of indigeneity.
To bring the innovation lab to life and continue raising the bar of automotive advertising to the
cinematic caliber that was set with «Rendezvous,» Jaguar
worked with premier visual effects production house, The Mill, who incorporated visually compelling CGI effects that highlight the engineering and technology under the hood of the
newest Jaguar model lineup, seen throughout the campaign.
It leans heavily on the modern trend of
cinematic linearity, but brings to the table a great story and gorgeous world, building a solid foundation for the studios future
work, be it sequel or something
new.
Furthermore, the studio is looking for a «Senior Animation Developer», and a «Senior
Cinematic Designer» to
work on existing and
new IPs.
The look of the
new Kratos really fits with the
new personality that he conveys in the game and the amazing voice
work adds to exemplary
cinematic events the game offers.
In the days before the latest set — Kobolds & Catacombs — releases to general audiences, we were invited to sit with Ben Thompson, Art Director, and Peter Whalen, Senior Game Designer of Hearthstone, to discuss not only the
new set, but also what goes into making a
new set, how their design philosophy has changed over the years, and even a little bit about the stellar
work of Blizzard's in - house
cinematic team.
Oddtales is a
new independent studio
working on their debut game «The Last Night», a post-cyberpunk
cinematic adventure game.
San Francisco - based studio Visceral is
working on a
new third - person game to be out in 2018, which looks
cinematic and ambitious, and promises a narrative adventure with a
new set of characters.
Much as they did with Age of Ultron, Zen Studios announced they are
working on a
new Pinball FX 2 table to coincide with the release of Marvel's latest
cinematic release, Ant - Man!
Selected Group Exhibitions 2016 — «Faculty Exhibition», Evanston Art Center, Evanston, IL 2015 — «Wish List», Gallery Project, curated by Gloria Pritschet and Rocco DePietro, Toledo, Ohio and Ann Arbor, Michigan 2015 — «Roots», Linda Warren Projects, Chicago, IL 2015 — Noyes Cultural Arts Center, Evanston, IL 2015 — «Faculty Exhibition», Evanston Art Center, Evanston, IL 2014 — «National Contemporary Painting», Weatherhead Gallery, University of Saint Francis, Fort Wayne, Indiana 2013 — «31st Juried Art Show», Wilmette Public Library, Wimette, IL 2012 — «30th Juried Art Show», Wilmette Public Library, Wimette, IL 2012 — «Narrative Fragments», Quidley & Company, Boston, MA 2011 — «Juxtaposed», juried by Alyssa Monks, Six Summit Gallery, Ivoryton, CT 2011 — «Paintworks», Gowanus Ballroom, curated by Kristin Kunc, Courtney Jordan & Hyeseung Marriage - Song, Brooklyn, NY 2011 — «Space Invaders», co-curated by Virginia Rose and John Nickle, Rose Contemporary, Portland, ME 2011 — «
Cinematic Bodies», curated by Jamie Adams, Zolla Lieberman Gallery, Chicago, IL 2010 — «Snow», XL Projects, Syracuse University Gallery, Syracuse, NY 2010 — «Women Painting Women», Robert Lange Studios Gallery, Charleston, SC 2010 — «Remnants», Fuse Gallery,
New York, NY 2010 — «Highlights» Island Weiss Gallery,
New York, NY 2010 — «Conceptually Sound», Medialia Rack and Hamper Gallery,
New York, NY 2010 — «Chicago Art Fair», shown by Linda Warren Gallery in Chicago, Illinois 2010 — «Looks good on Paper», DFN Gallery,
New York, NY 2009 — «Water / Bodies», Eden Rock Gallery, St. Barths, F.W.I. 2009 — «Summer Exhibition 2009», curated by Eric Fischl, Matthew Flowers, Anne Strauss,
New York Academy of Art, NY, NY 2009 — «Old School», Jack the Pelican, Brooklyn, NY 2009 — Caldwell Snyder, San Francisco, CA 2008 — «Small
Works», Sarah Bain Gallery, Anaheim, CA 2008 — «City Lights», George Billis Gallery,
New York, NY 2008 — «Chicago Art Fair», shown by Linda Warren Gallery in Chicago, Illinois 2008 — «Take Home a Nude» Art Auction at Phillips de Pury & Company,
New York, NY 2007 — «Summer Exhibition 2007», curated by Eric Fischl, Jenny Saville, Vincent Desiderio,
New York Academy of Art, NY, NY 2007 — «Four Handed Lift: Advocacy, Art, Spirit and Community», Moti Hasson Gallery,
New York, NY 2007 — «Small
Works», Sarah Bain Gallery, Anaheim, CA 2008 — «Chicago Art Fair», shown by Linda Warren Gallery in Chicago, Illinois 2006 — «Contemporary Imaginings, The Howard A. and Judith Tullman Collection», Mobile Museum of Art, Mobile, Alabama 2006 — «Night of a Thousand Drawings», Group Show, Artist's Space,
New York, NY 2006 — «AAF», shown by DFN Gallery,
New York, NY 2006 — «Salon 2006»,
New York Academy of Art,
New York, NY 2006 — «LA Art Fair», shown by Linda Warren Gallery in Chicago, Los Angeles, CA 2005 — «
New Works», curated by Eric Fischl, Jane Gallery, St. Barthelemy, F.W.I. 2005 — «A Terrible Beauty: Figurative painting in the 21st Century», Grey McGear Modern, Santa Monica, CA 2005 — «Small
Works», Sarah Bain Gallery, Brea, CA 2005 — «Cityscapes», Sarah Bain Gallery, Brea, CA 2005 — «Take Home a Nude» Art Auction at Phillips de Pury & Company,
New York, NY 2005 — «Go Figure», George Billis Gallery,
New York, NY 2004 — «Postcards from the Edge, Visual Aids Benefit», Brent Sikemma Gallery,
New York, NY 2004 — «Night of a Thousand Drawings», Group Show, Artist's Space,
New York, NY 2004 — «Points of Muse», Linda Warren Gallery, Chicago, IL 2004 — «Separate Visions», Sarah Bain Gallery, Brea, CA 2004 — «Still Life», Sarah Bain Gallery, Brea, CA 2004 — «27th Small
Works Exhibition»,
New York, NY 2003 — «Space Invaders», curated by Peter Drake, Fish Tank Gallery,
New York, NY 2003 — «26th Small
Works Exhibition»,
New York, NY 2002 — «National Arts Club 26th Annual Student Show», National Arts Club,
New York, NY
Outside of Chicago, my interest is continually peeked by the
cinematic work of the
New York - based, Jacolby Satterwhite, who creates augmented reality, hyperreal visual environments.
During the residency Sam Nightingale will go in search of these imagined landscape to make a
new body of
work that will build on his practice that enlivens
cinematic spectral spaces.
Experiencing this piece under
new conditions, notably, without viewing the
work as originally conceived as a filmic audience — from a specific set time, beginning to end — contributes to the shift in emphasis of the
work as a
cinematic deconstruction to a phenomenological experience.
Artist Trish Wylie is best known for her
cinematic canvases inspired by iconic Western movies Lee Sharrock talks to Trish about her
work and
new exhibition.
In Rodriguez's first
New York museum show, and similarly to how a 2013 exhibition took its cues from La Collectionneuse, a 1967 film related to art by Éric Rohmer, her new work The Maid takes a cinematic approach to sculpture, considering «the conditional relationships between artist, artwork, and third - party agents (institution, caregiver, surrogate) in familial terms»: the evolved social dynamics of the artworld, and the laws that underpin th
New York museum show, and similarly to how a 2013 exhibition took its cues from La Collectionneuse, a 1967 film related to art by Éric Rohmer, her
new work The Maid takes a cinematic approach to sculpture, considering «the conditional relationships between artist, artwork, and third - party agents (institution, caregiver, surrogate) in familial terms»: the evolved social dynamics of the artworld, and the laws that underpin th
new work The Maid takes a
cinematic approach to sculpture, considering «the conditional relationships between artist, artwork, and third - party agents (institution, caregiver, surrogate) in familial terms»: the evolved social dynamics of the artworld, and the laws that underpin them.
Together they will bring
new perspectives on the
cinematic master's life and
work.
Hawser's
new work seeks to analyse the theoretical and physical attributes of a variable electronic resistor used to illuminate the art deco surround of the instrument during
cinematic performances, known as the cinema organ colour changer.
The path forward in art - historical terms was split between those artistic movements more aligned with deeper investigations into the increasingly essential properties of a particular medium or reductive practices (e.g., Abstract Expressionism, Color Field painting, Minimalism) and those movements that actively sought an expansion of the arts into a plurality of
new forms, hybrid media, and interactive experience (e.g., expanded cinema, intermedia, installation art, performance).13 Of these choices, hippie modernism would follow the latter course through experiments that drew upon the theatrical qualities and the participatory actions of the Happening, embraced Fluxus's democratic spirit in its everyone - is - an - artist philosophy, explored the
work of experimental filmmakers seeking to expand
cinematic experience, and experimented with the fluid nature of light and sound as well as the interactive qualities of kinetic art.
Really shiny things that don't mean anything, Public Commission, Trybuna Honorowa, Plac Defilad, Muzeum Sztuki Nowoczesnej w Warszawie, Warsaw, PL Ryan Gander, Billboard for Edinburgh: Year 4, Ingleby Gallery, Edinburgh, UK Icarus Falling - An Exhibition Lost, Maison Hermès, Le Forum, Tokyo, JP Meaning... surrounds me now, 1223 Gendaikaiga, Tokyo, JP
New Collisions in Culturefield, Johnen Galerie, Berlin, DE Locked Room Scenario, Artangel, London UK Now there's not enough of it to go around, Annet Gelink Gallery, Amsterdam, NL You have my word, Dazaifu Tenmangu, Fukuoka, JP Attempting to remain light on ones feet:
Work from Daiwa Collection, Okinawa Prefectural Museum, Okinawa, JP Ftt, Ft, Ftt, Ftt, Ffttt, Ftt, or somewhere between a modern representation of how a contemporary gesture came into being, an illustration of the physicality of an argument between Theo and Piet regarding the dynamic aspect of the diagonal line and attempting to produce a chroma - key set for a hundred
cinematic scenes, Taro Nasu Gallery, Tokyo, JP
In his introduction John Ashbery calls the book «the finest
work of Surrealist fiction,» noting that de Chirico «invented for the occasion a
new style and a
new kind of novel... his long run - on sentences, stitched together with semi-colons, allow a
cinematic freedom of narration... his language, like his painting, is invisible: a transparent but dense medium containing objects that are more real than reality.»
It included his third
cinematic work, Island Universe, which was shot on location at the Metropolitan Opera House in
New York City.
Jafa's
new video
work, A Kingdom Come, serves up a visual paean to Black Christian worship ceremonies, tropes and rituals, and builds on Jafa's anthological obsessions with sequencing flows of African American orality, music, stagecraft, and unbridled, electrifying performance into gripping
cinematic tapestries.
But these
new cutouts don't much resemble his earlier, Pop - inflected
works; attached to wide, U-shaped aluminum stands, they have a flickering,
cinematic presence that's enhanced by warm spotlights.
The film series featured an assortment of
cinematic works that premiered in the Sundance Film Festival's
New Frontier program over the past decade.
The centre of «Landscape» will be a major
new experimental video
work «Antigone» — featuring poet Anne Carson and actor Stephen Dillane — and combining multiple places and geologies into one analogue
cinematic image.
/ performances 2017 Audible Edge Festival, Tone List and Tura
New Music, Perth 2016 Everyday Machines, curated by Tom Smith, Alaska Projects, Sydney 2016 NOW now series, 107 Projects, Sydney 2016 Pretty Gritty series, 107 Projects, Sydney 2016 Electrofringe: New Terrains, Top Floor at Wellington, Sydney 2014 perspectives [temporal], solo audio - visual concert, Perth Institute of Contemporary Arts 2014 Club Zho 111, The Bakery, Perth 2014 NOW now Festival of Arts, Sydney (as Té with Andrew Brooks) 2012 - 14 multiplicity - large - scale, dual - screen audio - visual work presented at: Perth Cultural Centre Screen Program, 2014; Test Tone, SuperDeluxe, Tokyo, Japan, 2013; Channels Video Art Festival, Melbourne, 2013; fractal shale, Perth Institute of Contemporary Arts Performance Space, 2012; NOW now festival program launch, Sydney, 2012; fractal shale, Tape Projects, Melbourne, 2012 2014 Cinematic Scores, live soundtrack to Laszlo Moholy - Nagy's Lichtspiel Schwarz Weiss Grau, Perth Fringe Festival, Packenham Street Art Space, Perth 2013 International Computer Music Festival, Western Australian Museum (as Té with Andrew Brooks) 2012 - 13 consciousness - large - scale audio - visual work presented at: Nu Things, Osaka, 2013; Tape Projects, Melbourne, 2012; AV Union, Sydney, 2012; Terrace Bar, Newcastle, 2012; The Bakery, Perth, 2012 2013 Japan tour, solo audio - visual performances and as Té with Andrew Brooks, Osaka, Kyoto, Tokyo 2011 Improvised performance with Philip Zoubek and Andrew Brooks, The Loft, Cologne, Germany 2011 split mirror planes - for four instruments and four audio / visual sources, commissioned by Decibel new music ensemble — premiered at Perth Institute of Contemporary Arts 2010 Japan tour, solo performances, Osaka, Kyoto, Tokyo 2010 lucidity - major composition for electroacoustic ensemble: acoustic instruments, computer processing, sound synthesis and video projections performed at The Bakery, Pe
New Music, Perth 2016 Everyday Machines, curated by Tom Smith, Alaska Projects, Sydney 2016 NOW now series, 107 Projects, Sydney 2016 Pretty Gritty series, 107 Projects, Sydney 2016 Electrofringe:
New Terrains, Top Floor at Wellington, Sydney 2014 perspectives [temporal], solo audio - visual concert, Perth Institute of Contemporary Arts 2014 Club Zho 111, The Bakery, Perth 2014 NOW now Festival of Arts, Sydney (as Té with Andrew Brooks) 2012 - 14 multiplicity - large - scale, dual - screen audio - visual work presented at: Perth Cultural Centre Screen Program, 2014; Test Tone, SuperDeluxe, Tokyo, Japan, 2013; Channels Video Art Festival, Melbourne, 2013; fractal shale, Perth Institute of Contemporary Arts Performance Space, 2012; NOW now festival program launch, Sydney, 2012; fractal shale, Tape Projects, Melbourne, 2012 2014 Cinematic Scores, live soundtrack to Laszlo Moholy - Nagy's Lichtspiel Schwarz Weiss Grau, Perth Fringe Festival, Packenham Street Art Space, Perth 2013 International Computer Music Festival, Western Australian Museum (as Té with Andrew Brooks) 2012 - 13 consciousness - large - scale audio - visual work presented at: Nu Things, Osaka, 2013; Tape Projects, Melbourne, 2012; AV Union, Sydney, 2012; Terrace Bar, Newcastle, 2012; The Bakery, Perth, 2012 2013 Japan tour, solo audio - visual performances and as Té with Andrew Brooks, Osaka, Kyoto, Tokyo 2011 Improvised performance with Philip Zoubek and Andrew Brooks, The Loft, Cologne, Germany 2011 split mirror planes - for four instruments and four audio / visual sources, commissioned by Decibel new music ensemble — premiered at Perth Institute of Contemporary Arts 2010 Japan tour, solo performances, Osaka, Kyoto, Tokyo 2010 lucidity - major composition for electroacoustic ensemble: acoustic instruments, computer processing, sound synthesis and video projections performed at The Bakery, Pe
New Terrains, Top Floor at Wellington, Sydney 2014 perspectives [temporal], solo audio - visual concert, Perth Institute of Contemporary Arts 2014 Club Zho 111, The Bakery, Perth 2014 NOW now Festival of Arts, Sydney (as Té with Andrew Brooks) 2012 - 14 multiplicity - large - scale, dual - screen audio - visual
work presented at: Perth Cultural Centre Screen Program, 2014; Test Tone, SuperDeluxe, Tokyo, Japan, 2013; Channels Video Art Festival, Melbourne, 2013; fractal shale, Perth Institute of Contemporary Arts Performance Space, 2012; NOW now festival program launch, Sydney, 2012; fractal shale, Tape Projects, Melbourne, 2012 2014
Cinematic Scores, live soundtrack to Laszlo Moholy - Nagy's Lichtspiel Schwarz Weiss Grau, Perth Fringe Festival, Packenham Street Art Space, Perth 2013 International Computer Music Festival, Western Australian Museum (as Té with Andrew Brooks) 2012 - 13 consciousness - large - scale audio - visual
work presented at: Nu Things, Osaka, 2013; Tape Projects, Melbourne, 2012; AV Union, Sydney, 2012; Terrace Bar, Newcastle, 2012; The Bakery, Perth, 2012 2013 Japan tour, solo audio - visual performances and as Té with Andrew Brooks, Osaka, Kyoto, Tokyo 2011 Improvised performance with Philip Zoubek and Andrew Brooks, The Loft, Cologne, Germany 2011 split mirror planes - for four instruments and four audio / visual sources, commissioned by Decibel
new music ensemble — premiered at Perth Institute of Contemporary Arts 2010 Japan tour, solo performances, Osaka, Kyoto, Tokyo 2010 lucidity - major composition for electroacoustic ensemble: acoustic instruments, computer processing, sound synthesis and video projections performed at The Bakery, Pe
new music ensemble — premiered at Perth Institute of Contemporary Arts 2010 Japan tour, solo performances, Osaka, Kyoto, Tokyo 2010 lucidity - major composition for electroacoustic ensemble: acoustic instruments, computer processing, sound synthesis and video projections performed at The Bakery, Perth
«Miles Aldridge: I Only Want You to Love Me,» a retrospective of the internationally renowned British artist's
cinematic fashion - based
work opens May 8th (through June 8, 2013) at Steven Kasher Gallery in
New York City.
The emerging artist Willa Nasatir (b. 1990) creates photographs routinely informed by a
cinematic vocabulary, inspired by the shifting landscape and individuals who inhabit
New York, where she
works and lives.
Still presenting mundane city scenes in a
cinematic style, his
new body of
work is focused on ships composed along with graphic elements.
Influenced by
New Wave films from Europe, his early
work is characterized by a
cinematic atmosphere with an emphasis on location, wide shots, and odd angles, to convey action, scale, and mood.
Ofri Cnaani lives in Brooklyn,
New York, and
works in video, installation, and live -
cinematic performance.
«We look forward to
working with Delite Cinemas to bring the ultimate
cinematic entertainment experience to moviegoers in
New Delhi.