Sentences with phrase «new collaborative performance»
After the workshop, Hernandez and Fabri will present a new collaborative performance, followed by a panel discussion with Torkwase Dyson.
http://www.grahamfoundation.org/ Not exact matches
Important factors that could cause our actual results and financial condition to differ materially from those indicated in the forward - looking statements include, among others, the following: our ability to successfully and profitably market our products and services; the acceptance of our products and services by patients and healthcare providers; our ability to meet demand for our products and services; the willingness of health insurance companies and other payers to cover Cologuard and adequately reimburse us for our performance of the Cologuard test; the amount and nature of competition from other cancer screening and diagnostic products and services; the effects of the adoption, modification or repeal of any healthcare reform law, rule, order, interpretation or policy; the effects of changes in pricing, coverage and reimbursement for our products and services, including without limitation as a result of the Protecting Access to Medicare Act of 2014; recommendations, guidelines and quality metrics issued by various organizations such as the U.S. Preventive Services Task Force, the American Cancer Society, and the National Committee for Quality Assurance regarding cancer screening or our products and services; our ability to successfully develop new products and services; our success establishing and maintaining collaborative, licensing and supplier arrangements; our ability to maintain regulatory approvals and comply with applicable regulations; and the other risks and uncertainties described in the Risk Factors and in Management's Discussion and Analysis of Financial Condition and Results of Operations sections of our most recently filed Annual Report on Form 10 - K and our subsequently filed Quarterly Reports on Form 10 - Q.
The early experience with the New York City School - Wide Performance Bonus Program suggests, however, that a heavy reliance on school - wide rewards may hamper the effectiveness of merit pay programs in schools with large teaching staffs that are not highly collaborative.
On paper, schools participating in the New York State Performance Consortium are natural collaborative partners for charter schools.
The Center for Collaborative Education is partnering with schools participating in the New Hampshire Performance Assessment of Competency Education (PACE) initiative to support them in building assessment literacy and creating local competency - based assessment systems anchored in performance aPerformance Assessment of Competency Education (PACE) initiative to support them in building assessment literacy and creating local competency - based assessment systems anchored in performance aperformance assessments.
Digging into some California - focused work with the Center for Teaching Quality (CTQ), we found that teachers at L.A. Unified's Social Justice Humanitas Academy (9 - 12) and UCLA Community School (K - 12) do just that by establishing collaborative leadership cultures driven by shared purpose, functioning as learners, taking risks to try creative new things, assessing performance, and establishing close ties with the community to learn about its needs.
American Association of Collegiate Registrars and Admissions Officers (AACRAO) American Association of State Colleges and Universities (AASCU) Association of American Colleges and Universities (AAC&U) California Community College Chancellor's Office Center for Innovation in Education (CIE) College Board College Transition Collaborative Colorado Department of Education ConnectEd Del Lago Academy Digital Promise EdImagine EdInsights Education First EducationCounsel Envision Learning Partners Farmington Public Schools Great Schools Partnership Harvard Innovation Lab Hillsdale High School Internationals Network for Public Schools Irvine Foundation Ithaca College James Graham Brown Foundation Jobs for the Future June Jordan School for Equity Leadership Conference on Civil and Human Rights Learning Policy Institute Los Angeles Unified School District Lumina Foundation Maker Ed Making Caring Common Massachusetts Institute of Technology (MIT) Mastery Transcript Consortium Microsoft Montpelier School District NAACP Legal Defense and Educational Fund National Association for College Admission Counseling (NACAC) National Urban League New Haven Academy New York Performance Standards Consortium Oakland Unified School District Pomona College Raikes Foundation Riverdale Country School San Francisco International High School Smarter Balanced Assessment Consortium Smith College Southern New Hampshire University Stanford Center for Assessment, Learning, and Equity (SCALE) Stanford Center for Opportunity Policy in Education (SCOPE) Stuart Foundation Summit Public Schools The City University of New York The Education Trust The Leadership Conference on Civil and Human Rights Trovvit UC Riverside UNCF University of California, Office of the President University of Florida University of Michigan University of North Carolina, Chapel Hill University of Southern California University of Texas, Austin University of Washington Virginia Beach City Public Schools
Carl A. Cohn is on leave from Claremont Graduate University to direct the California Collaborative for Educational Excellence, a new state agency established by Governor Brown and the State Legislature to advise and assist school districts on their academic performance.
Although collaborative and social aspects of eLearning such as group tasks, gamification (which we'll cover later) performance leaderboards, forums, video conferencing etc. are nothing new, 2017 should finally be the year that these elements come into play in the corporate training world, big time.
Most teacher evaluation systems have been designed to assess individuals, but the collaborative culture envisioned by the new core teaching standards (and by the administration's reauthorization blueprint, for that matter) will require us to explore a next - generation, team - based approach to performance review.
There have been numerous milestones, including the REEVolution project, a collaborative research and development program funded by the Technology Strategy Board (now Innovate UK) in 2011 designed to create new high - performance range extended electric vehicles (REEVs) and plug - in hybrid electric vehicles (PHEVs).
These large - scale collaborative performances involved workers, trucks and barges and took place between 1983 and 2012 in Givors, Echigo - Tsumari, New York, Pittsburgh, and Rotterdam.
Since Ritchie exhibited The Universal Adversary at Andrea Rosen Gallery in 2006, his process of synthesizing and expressing complex systems and cosmologies to create new forms and explore new myths has increasingly expanded across disciplines and into collaborative projects with physicists, composers, writers, actors, architects and engineers, aimed at developing a group of visual and performance environments that can theoretically sustain not one, but every possible representation of the universe.
This retrospective sets a new bar for exhibiting performance and collaborative collectivity with spirit and dignity.
On a sunny day last September at Porto, Portugal's Serralves Foundation, New Noveta — the collaborative performance project of artists Keira Fox and Ellen Freed — took over an expansive gallery space with one of their tumultuous, anxiety - fueled performances.
While the exhibition's heart looks at the work of Chicanx artists in Los Angeles, it reveals extensive new research into the collaborative networks that connected these artists to one another and to artists from many different communities, cultural backgrounds, sexual orientations, and international urban centers, thus deepening and expanding narratives about the development of the Chicano Art Movement, performance art, and queer aesthetics and practices.
In particular, what she shared with the New York avant - garde and her Nouveau Réaliste compatriots was a wish to demythologize and democratize art in multitudinous ways by seeking out opportunities for collaborative performances with audiences that were (at least ideally) actively present and engaged.
We went up to the Adirondacks recently to visit the summer outpost of Norte Maar for Collaborative Projects in the Arts in Jay, New York, where founders Jason Andrew and Julia Gleich were hosting the weekend - long Jay Invitational of Clay, which they started, as well as an evening of performances to benefit the Ausable River Association, and an Ausable River Valley Studio Tour.
Her collaborative exhibitions include rEvolution: We the Light, Blue Sky Project, The Armory, Dayton, OH (collaboration with teenagers)(2010); Homeward Exodus, Dayton Art Institute, Dayton, OH (collaborative performance with Shaw Pong Liu and Ari Tabei)(2010); Open Cage: NEW YORK — Celebrating John Cage at 100, curated by Morgan O'Hara, Eyebeam Art + Technology Center, New York, NY (collaborative performance)(2012); EX: Creative Collaboration, The Carousel Space Project, Chicago, IL (2012); Mixtopias, curated by Fletcher Mackey, VisArts, Rockville, MD (collaboration with Betrand Mao)(2013); Sweet» art, Area 405, Baltimore, MD (collaboration with Lisa Dillin)(201NEW YORK — Celebrating John Cage at 100, curated by Morgan O'Hara, Eyebeam Art + Technology Center, New York, NY (collaborative performance)(2012); EX: Creative Collaboration, The Carousel Space Project, Chicago, IL (2012); Mixtopias, curated by Fletcher Mackey, VisArts, Rockville, MD (collaboration with Betrand Mao)(2013); Sweet» art, Area 405, Baltimore, MD (collaboration with Lisa Dillin)(201New York, NY (collaborative performance)(2012); EX: Creative Collaboration, The Carousel Space Project, Chicago, IL (2012); Mixtopias, curated by Fletcher Mackey, VisArts, Rockville, MD (collaboration with Betrand Mao)(2013); Sweet» art, Area 405, Baltimore, MD (collaboration with Lisa Dillin)(2013).
Specimens, collaborative work w / P.S. 122, New York and Christ Church Philadelphia, United States Ishmael, Houston - Jones Delirium, SUSHI Performance Space, San Diego, United States; Cleveland Performance Art Festival, Cleveland, United States; Default Propaganda, HERE Space, New York, United States This is Not Enough P.S. 122, New York, United States Movement Research, Judson Church, New York, United States Entertainment for the Apocalypse, Pfefferberg, Berlin, Germany collaborative work, Performance Fabrik, Potsdam, Germany company CORE, Lot Theater, Braunschweig, Germany Various Excerpts, Sister Spit Spoken Word Tour, 30 Venues, United States
Clear Night, a new performance by Kim Brandt, debuts May 20th - 27th, a collaborative presentation of ISSUE Project Room and Pioneer Works» Artist - In - Residence programs.
Formed in 2003, New York - based New Humans make collaborative works involving sound, installation, and performance actions.
Originally produced within the context of a collaborative «Operavision» by Sullivan and composer Christian von Borries, LULU — Oder: Wozu braucht die Bourgeoise die Verzweiflung («LULU — Or: To What Ends Does the Bourgeoisie Need Despair,» 2009), Sullivan's newest film was shown in sections as part of a multi-media performance at the Volksbühn theater in Berlin in 2007.
He is a member of the collaborative performance group Grand Openings, and has staged large - scale events at MoMA, Anthology Film Archives for Performa 05 (New York), the Echigo - Tsumari Art Triennial (Japan), MUMOK (Vienna), and the Bumbershoot Festival (Seattle).
Among these are Remanence: The Long Count / The Long Game from a collaborative work Ritchie created with, among others, Bryce and Aaron Dessner of The National, and Kim and Kelley Deal of The Breeders, and two new musical performances, Monstrance and Remonstrance, which will both take place March 29 on site at the ICA and at the nearby Chapel of Our Lady of Good Voyage.
In a smaller room next to the Tanks, two new acquisitions were displayed: Suzanne Lacy's multimedia presentation of The Crystal Quilt, her 1985 — 87 collaborative performance with women of a certain age, and Lis Rhodes's 1975 film and sound installation Light Music (unfortunately out of order on opening night).
The Dallas Symphony Orchestra's new three - week, annual classical music and fine arts festival is centred in the Dallas Arts District and anchored by orchestral and collaborative performances, the commissioning of new works of art and the exhibition of works by internationally acclaimed visual artists.
Through archival research, this monographic publication focuses on Ukeles's work ballets — a series of seven grand - scale collaborative performances involving workers, trucks, barges, and hundreds of tons of recyclables and steel — which took place between 1983 and 2012 in Givors, New York, Pittsburgh, Rotterdam and Tokamachi.
2013 Flameproof II, Westbeth Gallery, New York, NY Film / Performance 2017 Fish Bones, Collaborative installation performance for Creative ReUse, with Aubrey Roemer and Miguel Hernández, COPE NYC, Old Pfizer Building, Brooklyn, NY 2016 The Forest Never Tells, Featured Extra, Charles Lee 2015 IN SITU: A project by Cheryl Wing - Zi Wong and Clifford Owens, SVA MCP Project Space, NPerformance 2017 Fish Bones, Collaborative installation performance for Creative ReUse, with Aubrey Roemer and Miguel Hernández, COPE NYC, Old Pfizer Building, Brooklyn, NY 2016 The Forest Never Tells, Featured Extra, Charles Lee 2015 IN SITU: A project by Cheryl Wing - Zi Wong and Clifford Owens, SVA MCP Project Space, Nperformance for Creative ReUse, with Aubrey Roemer and Miguel Hernández, COPE NYC, Old Pfizer Building, Brooklyn, NY 2016 The Forest Never Tells, Featured Extra, Charles Lee 2015 IN SITU: A project by Cheryl Wing - Zi Wong and Clifford Owens, SVA MCP Project Space, New York, NY
He was a 2015 artist - in - residence at ISSUE Project Room and has presented solo and collaborative films, performance, and audio works at the Serpentine Gallery, London; the Whitney Museum, New York; Tramway, Glasgow; mumok, Vienna; Images Festival, Toronto; the Montreal Biennale; the Ljubljana Biennial of Graphic Arts; and the Festival du Nouveau Cinéma, Montreal.
His work often revolves around large - scale, collaborative performances that develop from extensive research into music history and instrumentation, while exploring new methods of production.
Consider the possibilities of creating new, collaborative stories that can be expressed not only through art but also through music, performance, dance or drama.
March 11 - 15, 2016 Performance by Taro Shinoda and Uriel Barthélémi March 11, 2016 Developed from conversations during Sharjah Biennial 12 where both artists created new works, this collaborative performance will take place in the SharPerformance by Taro Shinoda and Uriel Barthélémi March 11, 2016 Developed from conversations during Sharjah Biennial 12 where both artists created new works, this collaborative performance will take place in the Sharperformance will take place in the Sharjah desert.
He is a member of the collaborative performance group Grand Openings, and has staged large - scale events at Anthology Film Archives for Performa 05 (New York), the Echigo - Tsumari Art Triennial (Japan), MUMOK (Vienna), and the Bumbershoot Festival (Seattle).
1 «The Brodmann Areas: A New Collaborative Ballet from Norte Maar» was on view at the Center for Performance Research, Brooklyn, from April 12 through April 15, 2012.
2007 An Atlas of Events, curated by António Pinto Ribeiro, Debra Singer and Esra Sarigedik Öktem, Calouste Gulbenkian Foundation, Lisbon, Portugal The History of a decade that has not yet been named, Lyon Biennial 2007, Lyon, France Introvert, Extrovert, Makes No Difference, curated by John Armleder, Galerie Catherine Issert, Saint Paul de Vence, France NeoIntegrity, curated by Keith Mayerson, Derek Eller Gallery, New York, NY Summer Group Show, Richard Telles Fine Art, Los Angeles, CA Dump: Postmodern Sculpture in the Dissolved Field, The National Museum of Art, Architecture and Design, Oslo, Norway Painting as Fact — Fact as Fiction, organized by Bob Nickas, de Pury & Luxembourg, Zürich, Switzerland A Fair Show: Slang and Cool Orthodoxy, Galleria Massimo De Carlo, Milan, Italy Freelance Stenographer, a collaborative performance and video project by Kelley Walker and Seth Price, The Kitchen, New York, NY Op Ed World, Galerie Frank Elbaz, Paris, France The Melvins, curated by Bob Nickas, The Mandrake, Los Angeles, CA Compulsive, presented by Jalouse at Palais de Tokyo, Paris, France, originated at IAP Art, Miami, Florida Art in America: 300 Years of Innovation, organized by the Solomon R. Guggenheim Foundation and the Terra Foundation for American Art; presented at the National Museum of China, Beijing, China travelling to the Shanghai Musuem, Shanghai, China Altered States, curated by Nicolas Bourriaud and Paolo Falcone, Fuori Uso 06, Pescara, Italy, travelling to WAX — ex MEO, Budapest, Hungary; travelling to Galeria Noua and MNAC National Museum of Contemporary Art, Bucharest, Romania Uncertain States of America: American Art in the 3rd Millenium, (GuytonWalker), curated by Daniel Birnbaum, Hans Ulrich Obrist and Gunnar Kvaran, Le Musée du Serignan, Serignan; Herning Art Museum, Herning / Copenhagen; The Centre for Contemporary Art, Zanek, Ujazdowski, Warsaw For the People of Paris, Sutton Lane — Paris, Paris, France
Together with students, alumni, and teachers from institutions from all around the world, the event will feature a collaborative architectural installation, performances, new media protest art, screenprinting, a sculpture workshop, artists» bookstore, photo booth, end - of - year catalogue and refreshments.
Over the last decade, New York - based DuBois has produced a prodigious body of work ranging from musical composition and collaborative performance, to large - scale public installations, film, and generative computer works.
Suspended in motion, Keira Fox and Ellen Freed of collaborative performance project, New Noveta squint their eyes towards the sun.
Ward Shelley and Alex Schweder (Schweder + Shelley) will be performing in two collaborative «performance architecture» exhibitions: The Aldrich Contemporary Art Museum (Ridgefield, CT) «Your Turn» October 1, 2017 — April 22, 2018 PERFORMA 17 BIENNIAL (New York, NY) «The... Continue reading →
Her installations, sculptural work, and collaborative performances have been shown in theaters and museums including the New Orleans Museum of Art, Contemporary Arts Center, New Orleans, Diverse Works, Houston, TX, Hilliard University Art Museum, Lafayette, LA, Museum of Fine Arts in Houston, TX.
Sundblad is known for her collaborative work across mediums — including painting, singing, and performance art — as well as for her vision as co-founder and director of Reena Spaulings Fine Art (named after the fictional New York City it - girl at the center of Bernadette Corporation's collectively penned novel of the same name).
Ayas has also been a curator / programmer of PERFORMA since 2004, the biennial of visual art performance based in New York City, where she has managed the biennial's collaborative partnerships with a consortium of 80 + cultural institutions across New York City and (co --RRB- organized acclaimed projects and programs with an international roster of artists, architects, curators, and writers.
«Notes from Clyfford Still» is a new commission by Playground Ensemble, and a companion piece to composer Nathan Hall's recent collaborative workshops and performances at the Clyfford Still Museum.
Thursday, January 16th is «ConVerge: New Year's Collaborative Works» hosted by YBCA, San Francisco inviting Bay Area curators working in contemporary art centers to participate in an evening of performance and conversation that will explore...
And finally honourable mention to artists Allison Katz, Veit Laurent Kurz, Julien Nyguen, Magali Reus, Rachel Rose, Cameron Roweland, and Gili Tal, as well as projects such as Aaron Angell's Troy Town Art Pottery in London, Calla Henkel and Max Pitegoff's New Theater in Berlin and Mirja Reuter and Maximiliane Baumgartner's collaborative performances True Lives of Performers; all of whom I've followed with interest this year and will continue to next year.
On Tuesday, March 15, University Galleries will host free screenings of «Facets: A Recital Compilation by Terry Adkins» from 12 - 2 p.m. and 6 - 8 p.m. «Facets: A Recital Compilation» is the documentation of a two - hour collaborative performance that Adkins developed and presented at the Frances Young Tang Teaching Museum and Art Gallery at Skidmore College in Saratoga Springs, New York, in conjunction with his 2012 thirty - year retrospective.
«Nezařazné», a performance by New Noveta: New Noveta is the collaborative project of artist duo Keira Fox (UK) and Ellen Freed (SE).
Berlin Billboards Inspired by economic theorist Jeremy Rifkin's book, The Zero Marginal Cost Society: the Internet of Things, the Collaborative Commons, and the Eclipse of Capitalism, Open Source: Art at the Eclipse of Capitalism is a series of connected events occurring at the Max Hetzler galleries in Berlin and Paris, plus a theatre performance at the New Theater in Berlin, as well as a lecture by Jeremy Rifkin at Palais de Tokyo in Paris, which will be followed by an interview with Rifkin by Hans Ulrich Obrist, to appear both online and in a forthcoming book based on the exhibition.
Jane Claire Remick «s artistic mediums shift from project to project and are often collaborative, spanning, and combine video, new media, performance, and scenography / installation.