Sentences with phrase «new color scale»
A temperature forecast map of Australia features a brand new color scale to accommodate rising temperatures.
https://www.scientificamerican.com/ Not exact matches
Florals are always in style for spring, it is just a matter of re-configuring the scale, pattern, colors or cut of the new looks.
The new Department of Agriculture pyramid is dubbed «MyPyramid» and differs from the 13 - year - old USDA food pyramid in a number of ways: It has vertical slices of color representing the food groups but no words or images, except for that of a stick - figure energetically scaling the pyramid to symbolize the importance of physical activity.
The manufacturing techniques being developed at OSU, which should be able to scale up to large volumes for low - cost commercial applications, will provide new ways to offer the precision needed for better color control.
Central Colorado's Tava sandstone (light - colored band of rock at center, with geology student for scale) probably formed between 680 million and 800 million years ago, a new study suggests.
I tried the new Miss Mustard Seed color Kitchen Scale.
For the beginner: go for two different prints in the same color scale and see how the two will blend into a new print!
• In a large - scale analysis of approximately 1 million students enrolled in New York City schools, researchers examined IQ scores before and after preservatives, dyes, colorings, and artificial flavors were removed from lunch offerings.
The new iPhones both have very accurate Intensity Scales with a Gamma of 2.22, however, they both have a Slightly Bluish White Point, with a Color Temperature of about 7,300 K, which is still (marginally) Very Good, and also somewhat better than the iPhone 5.
The iPhone 6 Plus matches or breaks new records in LCD Smartphone display performance for: Highest Peak Brightness, Lowest Screen Reflectance, Highest (True) Contrast Ratio, Highest Contrast Rating in Ambient Light, most accurate (pure logarithmic power - law) Intensity Scale and Gamma, most accurate Image Contrast, and the smallest Variations with Viewing Angle for Brightness, Contrast Ratio and Color.
But there's more... the new iPad's picture quality, color accuracy, and gray scale are not only much better than any other Tablet or Smartphone, it's also much better than most HDTVs, laptops, and monitors.
The new iPad has an accurate Standard Color Gamut so it no longer needs the benefits of a steep Intensity Scale.
The Kindle Fire HD and the new iPad both have straight and accurate Intensity Scales, which produces very good Image Contrast and helps produce accurate color.
With its color multitouch display, Apple Inc.'s new iPad could clobber — but not kill — the competition in the blossoming e-reader market, which includes Amazon.com's Kindle, the Sony Reader and other devices that use gray - scale displays and have slower interfaces, some analysts said.
The new iPads have fairly accurate intensity scales with gammas fairly close to the 2.2 standard, however, they all have slightly bluish white points, with color temperatures of 7,109 K to 7,355 K, which is still (marginally) very good but reduces their overall color accuracy somewhat because the white point also affects all of the low saturation colors in the color gamut.
Screens using the new Triton e-ink can display thousands of colors, as well as 16 levels of gray scale, according to E Ink.
• Tags are available at drastically reduced bulk rates (below wholesale) & can feature any full color logo or artwork desired • Tags can be re-sold, raffled or included as part of adoption kits • Organizations are given unique coupons that lead to savings for new adoptive parents AND additional funds back to the shelter • PetHub loves to provide raffle and auction packages for special fundraising events • Large scale, individualized fundraising opportunities are available
As demonstrated in the cheekily titled I Always Lie, Sprecher's third solo exhibition at Jeff Bailey Gallery in New York, he is equally gifted in color combinations and media application, in a range of scales and often within the same painting.
Among the works included will be four new drawings made by Jasper Johns after his Catenary work, which was exhibited at Matthew Marks Gallery this past spring; the largest single drawing Roni Horn has ever made, executed in yellow - green pigment and collage; a suite of five new plant drawings and a collage of colored geometric forms by Ellsworth Kelly; two new folios by Brice Marden, each consisting of a group of seven drawings on handmade paper; and several large - scale, brightly - colored ink drawings by Charles Ray.
Part of Arcangel's Photoshop Gradient Demonstration series, it encapsulates the long - cherished desire to put photography on par with painting and the accelerating democratization of new media; at 72 - by - 110 inches, its scale and vivid hues evoke Color Field painting.
His large - scale color photos of New York aren't digitally manipulated or anything like that, but by always presenting them in pairs or trios, shot seconds or less apart from about the same streetside spot, he
New York — Pace and Pace / MacGill Gallery are pleased to inaugurate their representation of British artist Richard Learoyd with an exhibition of his large - scale color and black - and - white photographs made over the last decade.
By 1964, Saint Phalle grew bored and weary from the shootings and began to shift her artistic energies toward a new suite of sculptural works that took the form of voluptuous female goddess figures, mothers, brides, monsters, and the large - scale, brightly colored Nanas.
Curated by David E. Little, the exhibition presented a new genre of large - scale color photography depicting history and contemporary experience from unconventional perspectives.
Through a bracing use of color and unapologetic scale, Abney's canvases propose a new type of history painting, one grounded in the barrage of everyday events and funneled through the velocity of the internet.
Working in a new studio space, she has created pictures at a larger scale than was previously possible for her and which allow her to further explore the expressive potential of color.
In particular he seems to have sought specific settings for exhibitions of his early wall - mounted sculptures, which, seen together, gave the impression of amply spaced pops of primary color in otherwise white rooms.6 Following the precisely scaled galleries he created for his 1984 exhibition at MoCA's Temporary Contemporary, he made a rotating exhibition of such works at Leo Castelli's New York gallery in 1986 — 87, sometimes forgoing the main gallery spaces for a more intimate basement.7
Taylor De Cordoba is currently exhibiting large scale color photographs by Sasha Bezzubov and Jessica Sucher from their new series, The Searchers.
Leah Durner's newest body of work consists of lively, large - scale, gestural paintings in gouache on colored paper that exude a rich understanding of luscious color and strong composition.
Layered in image & texture, monumental in - scale, and featuring bold strokes, free gestures, and vibrant colors, works from 1985 to 2005 record in an abstract vein a period of intensified cultural and demographic transition even for an ever - changing city like New York.
IMAGES (from top): Lorraine O'Grady, The First and Last of the Modernists, Diptych 3 Blue (Charles and Michael), 2010, Fujiflex prints, two prints, each 46 3/4 x 37 3/8 inches (118.8 x 94.5 cm), courtesy of the artist and Alexander Gray Associates, New York, © Lorraine O'Grady / Artists Rights Society (ARS), New York; Raqs Media Collective, An Afternoon Unregistered on the Richter Scale, 2011, single - channel video of colored and animated archival photograph, 3:34 minutes, looped, courtesy of the artists and Frith Street Gallery, London
By the sixties they had evolved into highly original and varied color expression often in large scale that broke new ground, presaging some of the later work of Morris Louis and Larry Poons.
In her pulsating new large - scale canvases, Gilfilen pits clashing colors against one another in snaking layers and agitated line, filling once pristine areas with murky, mark - cancelling clots of paint.
This will be an interesting chance to get a closer look at the process of a prolific abstract painter in a smaller, gallery setting, as the New Work show will be an assortment of gouache color studies, 2D drawings, and large - scale paintings.
Later, the literary dimension of his work came to the fore with references to nineteenth - century poetry, after which it reached a new high point in large - scale, colored drawings in which — disillusioned and angry — he sharply criticizes George W. Bush's policies and the American war in Iraq.
New York - based artist Keltie Ferris covers her mostly large - scale canvases with layers of spray paint and hand - painted geometric fields, creating the effect of brightly colored digital screens dissolving into pixels.
May 23 - August 4, 2013 Widely admired for his abstract paintings on panels, Ron Johnson also modulates color, shape, line, and transparency to stunning effect in large - scale, architecturally integrated installations — most recently, in a new work made for the gallery's summer lounge.
Anchored by large - scale color reproductions of her compelling compositions, the publication also includes an essay by Tim Griffin, Executive Director and Chief Curator at The Kitchen, New York, and former Artforum editor.
In the first phase of the exhibition, Sun Xun will display a new series of richly colored, dynamic large - scale paintings, murals and a painted Chinese folding album.
Thomas Nozkowski (b. 1944, Teaneck, New Jersey) is recognized for his richly colored and intimately scaled abstract paintings and drawings that push the limits of visual language.
Alongside the meticulously composed, large - scale, color images of interiors for which Höfer is known, the exhibition presents photographs from the artist's remarkable new body of work.
New Museum's Pixel Forest is billed as the most extensive representation of Pipilotti Rist's career in the U.S. Swiss artist's immersive hallucinatory video installations, often times projected at grand scales to cover entire interiors, gloriously blend technological means and phantasmagoric fluxes of color.
As Veronique Ansorge, Associate Director at David Zwirner Gallery (New York / London) explained, Ruff creates these shapes and lines in his computer, digitally manipulating color and light to create his large scale abstract compositions.
The influence of the Europe's Constructivists and Bauhaus movements exists in his works — the energy and tension of colors, and the small scales — but he leaned heavily on the new American art of the 1950's and 1960's.
Beginning in the 1950s and 1960s, several Abstract Expressionist / color field artists (notably: Barnett Newman, Mark Rothko, Robert Motherwell, Adolph Gottlieb, Theodoros Stamos, Sam Francis, Ludwig Sander, Clyfford Still, Jules Olitski, and others) explored motifs that seemed to imply monochrome, employing broad, flat fields of colour in large scale pictures which proved highly influential to newer styles, such as Post-Painterly Abstraction, Lyrical Abstraction, and Minimalism.
Her sculptures of everyday items mimic reality, but colored and / or changed in scale they acquire new meaning and unexpected associations.
«Ms. Hughes's big - voiced visionary landscapes jump — and sometimes galumph — with clashing colors; spatial conundrums; an obstreperous scale; and smart, heartfelt historical citations, especially to early modernism,» said The New York Times» Roberta Smith.
To be standing at this particular intersection of art and technology, science and instant photography, bringing new ideas, new nomenclature, new picture signs to our global photographic culture, it had to be me, through this machine, to talk about abstraction and minimalism, size and scale, color and non-color, form with feelings.
Other featured artists include Anita Arliss, whose mixed - media canvases are included in the permanent art installations at Hartsfield - Jackson Atlanta International Airport; Bethany Collins, who recently completed a residency at the Studio Museum in Harlem; and Justin Rabideau, who salvages wood from new construction sites and houses on the verge of collapse to create scaled pieces — from very tiny wall pieces to very large installations and large - scale sculptures — for his brightly - colored «Shim» series.
Drawing Now, published to accompany the first major survey of contemporary drawings at The Museum of Modern Art, New York, in 15 years, contains more than 100 color reproductions of work by 26 international artists, both well - known and emerging, that demonstrate the fascinating variety of methods and approaches, mediums and scales, apparent in this old - again, new - again aNew York, in 15 years, contains more than 100 color reproductions of work by 26 international artists, both well - known and emerging, that demonstrate the fascinating variety of methods and approaches, mediums and scales, apparent in this old - again, new - again anew - again art.