Sentences with phrase «new conceptual approaches»

In their overview paper, David Grembowski, PhD and colleagues highlight the need for a new conceptual approach to MCC.

Höhne, N., M.G.J. den Elzen, and M. Weiss, 2006: Common but differentiated convergence (CDC), a new conceptual approach to long - term climate policy.

Not exact matches

Stressing conceptual understanding of math is by no means a new approach to teaching the subject.

New approaches to teaching number words and numerals, conceptual place value, mental computation, written computation methods, fractions, and more are discussed in this extensive resource.

This intuitive and imaginative approach is critical in what Daniel Pink calls the «Conceptual Age» in his book, A Whole New Mind.

For the interview published in the May / June 2013 issue of Art New England (available online here) Miler depicts Lemieux in the studio preparing an exhibition of works that homage her artistic heroes — artists who share an approach that Lemieux describes as «the conceptual, the playful, the «why not»?»

Known for more than five decades for his conceptual approach to abstraction, Whitten joined Hauser & Wirth Gallery in New York last month.

REPRESENTATION Hauser & Wirth gallery in New York announces its representation of painter Jack Whitten, who is known for his conceptual approach to abstraction.

The artist and philosopher Adrian Piper's direct and subtly intellectual approach to unpacking the tangled issues of race, gender, identity, and belonging has inspired a generation of socially - conscious artists across all media, although her impact is just now being fully recognized: she was the recipient of the Golden Lion for best artist at this year's Venice Biennale, and MoMA has recently announced plans for, in the words of Robin Pogrebin in the New York Times, «the most comprehensive exhibition to date on the conceptual artist,» set to open in 2018.

These shows typically take one of two approaches: faithfully reconstructing an exhibition from the past (such as New York gallery Zwirner & Wirth's 2008 redo of Dan Flavin's 1964 exhibition at Green Gallery), or conceiving of a new project that uses a past exhibition as a conceptual jumping - off point (for example, When Attitudes Became Form Become Attitudes at San Francisco's CCA Wattis Institute for Contemporary Arts in 2012, a contemporary riff on the famous Live in Your Head: When Attitudes Become Form at Kunsthalle Bern in 196New York gallery Zwirner & Wirth's 2008 redo of Dan Flavin's 1964 exhibition at Green Gallery), or conceiving of a new project that uses a past exhibition as a conceptual jumping - off point (for example, When Attitudes Became Form Become Attitudes at San Francisco's CCA Wattis Institute for Contemporary Arts in 2012, a contemporary riff on the famous Live in Your Head: When Attitudes Become Form at Kunsthalle Bern in 196new project that uses a past exhibition as a conceptual jumping - off point (for example, When Attitudes Became Form Become Attitudes at San Francisco's CCA Wattis Institute for Contemporary Arts in 2012, a contemporary riff on the famous Live in Your Head: When Attitudes Become Form at Kunsthalle Bern in 1969).

Taking this approach allows us to consider how the role of self - portraiture has shifted over time from producing likenesses as keepsakes for friends or as public statements of creative identity, to more recent conceptual responses to self - portraiture such as Felix Gonzales - Torres» text portrait (Untitled, 1989), the content of which is added to each time it is shown in a new location.

Under the tutelage of the photographers and conceptual artists Bernd and Hilla Becher at the city's Staatliche Kunstakademie, this generation of photographers took the methodical, taxonomic approach of the Bechers and applied conceptual modifications, veering from the pure «straight» photography of their mentors to produce works that functioned more self - consciously as art, and ushering in a new era for photography where the medium was not simply accepted as art but embraced.

The debut of his new project, Projects / Projects, marks a departure from a labored, self - referential, concrete - object - making practice toward a more conceptual, outsourced approach that engages broad cultural themes.

A long hallway separated the two primary elements of Lothar Baumgarten's recent show at Marian Goodman, suggesting the distance between the locales of the projects — one focused on the South American rain forest, the other on the Hudson River Valley north of New York City — as well as the contrast in approaches (soundless imagery for the former, imageless sound for the latter) to what turned out to be congruent conceptual goals, namely an investigation of how «knowledge» of a given place is constructed.

Following on from exhibitions of the work of Garth Evans (2013, curated by Richard Deacon) and Uncommon Ground: Land Art in Britain 1966 - 79 (2014), which between them covered the period from 1959 - 1982, where sculptural practice was very much ephemeral, conceptual, or based on performance, this current exhibition looks at the early 80s, a time when sculptural practice in the UK went back into the workshops to experiment with a completely new approach of assembling.

Showcasing Kusama's singular approach to installation, the acquisition adds a new dimension to the representation of Conceptual art, Pop art, Minimalism and Surrealism in the DMA's acclaimed modern and contemporary art collection.

Shields was actively engaged with architecture, theater and dance, and while he consistently used the word «painting» in interviews to describe his approach, his art clearly takes on not only expanded painting practice, but also the conceptual and minimalist objects of the New York scene of the 60s and 70s in which Shields was immersed.

He may be considered as the precursor of the new generation of photographers working in conceptual approaches to the medium, photographers including James Welling, Walid Beshty, Liz Deschennes, Marco Breuer and others.

She employs conceptual and methodological approaches borrowed from artistic and academic practices such as theater, film, anthropology, linguistics and journalism, to explore new representational strategies that examine and interrogate the allegorical character of the present political moment.

Over a period of 30 years (from the mid - «50s to the late «80s), Tetsumi Kudo created a consistent body of work that serves as a model for contemporary conceptual approaches of Posthumanism and the New Materialism.

Representing several new approaches emerging from the wealth of painterly history and ideas accumulated over the last century, these artists combine various elements such as conceptual art, post-painterly abstraction, reductive strategies, mysticism and cultural commentary in a visually and intellectually provocative collection of paintings.

Representing several new approaches emerging from the wealth of painterly history and ideas accumulated over the last century, these artists combine various elements such as conceptual art, post-painterly abstraction, reductive strategies, mysticism and cultural commentary -LSB-...]

Mobilizing formal tactics through the lexicons of magic, Kaino blurs both theoretical and methodological approaches to conceptual art»» giving way to a complex and layered environment where the critical apparatus of art history is charged with multiple points of access for new audiences and for new compositions of meaning.

This new approach is exemplified by the conceptual artwork (a list of instructions) by Martin Creed, entitled «227: The Lights Going On and Off» (2001), which won the Turner Prize in 2001.

Known for its innovative and collaborative approach, Island Press works with students, faculty and visiting artists to expand printmaking's conceptual and material terrain — as well as the artists» specific practices — through new techniques and processes.

Starting more or less in the 1960s, a new generation of critics was influenced by Greenberg's ideas and developed a secondary, more «conceptual» or intellectualized approach to formalism, often in an attempt to acknowledge the challenges of critics such as Rosenberg and Alloway.

Similarly, new approaches to conceptual art are evident in the works of Khaled Jarrar and Ammar Al Beik, who reconfigure or reference ordinary objects in order to reveal the dystopian sides of certain political realities.

The contents of the exhibition's first room were no exception, but employed a new process, and alluded to a fresh conceptual approach suggested in the title «Passage / s.»

«Michael Murphy's sophisticated conceptual approach to artistic creation is evident in his constant search for new and innovative methods with which to execute his works.

At Frieze New York, Alexander Gray Associates presents paintings and drawings by Jack Tworkov, charting the evolution of the artist's career from gestural abstract expressionism in the 1950s to a conceptual approach to geometric abstraction beginning in the late 1960s and 1970s.

The new galleries will be developed under a conceptual approach of «New York Stories» — with themes like «A State of Change» and «Politics and Prose.&raqnew galleries will be developed under a conceptual approach of «New York Stories» — with themes like «A State of Change» and «Politics and Prose.&raqNew York Stories» — with themes like «A State of Change» and «Politics and Prose.»

Rauschenberg's protean outlook ushered in a new era of postwar American art in the wake of Abstract Expressionism with a free and experimental approach that drew inspiration from conceptual, materialist, and gestural precedents.

These developments require a new way of thinking about the regulation of legal services, and Gillian Hadfield's excellent book, Rules for a Flat World: Why Humans Invented Law and How to Reinvent It for a Complex Global Economy, adds an important new conceptual framework for what this approach might look like.

Learn new approaches to clinical assessment that are based on revealing the precise impairment to integration, and offering a new conceptual framework for your clinical practice.

Take home new approaches to clinical assessment that are based on revealing the precise impairment to integration, and offering a new conceptual framework for your clinical practice.