Sentences with phrase «new conceptual ideas»

I was conscious of new conceptual ideas and I did a painting titled «Steve in the Age of Mechanical Reproduction» (my take on the Benjamin essay).

Not exact matches

Notable advances have usually required new «models» and conceptual schemes, fresh ways of looking at the data, or novel ideas for the design of apparatus.

Of course, in the typical manner of Whiteheadian conceptual transition, these changes are quietly interwoven into old and new ideas.

Bruno acquired this freedom of conceptual innovation secondhand and then used responsible freedom to make public his assent to the new idea.

Rovelli states that science is about constructing a vision of the world, constructing new conceptual structures and challenging the a priori ideas that we have.

Many, many week - long conferences need to be scheduled over the decade, so these thinkers can spend time together sharing ideas, stimulating the development of new conceptual models.

Learning is consolidated into related patterns, connected in neural networks of long - term conceptual memory, and available for retrieval and transfer to solve future problems and investigate new ideas.

No new way of thinking has emerged to displace those that have preoccupied reformers for a quarter - century — but the defining ideas of our current wave of reform (standards, testing, and choice), and the conceptual framework built around them, are clearly outliving their usefulness.

Focus on building core conceptual knowledge (big ideas) is the most efficient way to engender meaningful learning (so new learning is assimilated into what is known)

These conceptual understandings form the «coat hangers» on which we interpret and assimilate new ideas, and relate and extend them» (Hattie, 2012, p. 115).

This leads to conceptual understanding, which can in turn become a new idea — and so the cycle continues.

The new framework should be seen as an opportunity to teach maths as a way of thinking and of making connections through conceptual knowledge and «big ideas»; it involves knowing «why» as well as knowing «that» and «how».

While the sketches offer a conceptual look at the car, spy shots of the test mule give a better idea of the proportions and size of this new urban buggy.

While five international design teams work on conceptual ideas for the 12 new acres of national parkland atop the Presidio Parkway, YOU have an opportunity to share your own creative vision for this «Presidio Gateway.»

Works by artists such as Chuck Close, Petah Coyne, and Tom Friedman display the rich cross-fertilization that occurs when painters, sculptors and conceptual artists explore new ideas through photography.

A chance viewing of an exhibition in New York introduced him to the work of the American Conceptual sculptor Tom Friedman, who showed Montoya that there was room in art for many of his ideas.

Opening: «Tauba Auerbach: Projective Instrument» at Paula Cooper Gallery A conceptual artist who mixes process abstraction with philosophical ideas across a variety of media, Tauba Auerbach returns to the Paula Cooper for her second solo show featuring new paintings, sculptures and a special project in the gallery's bookstore.

Abstraction is a conceptual framework that I can interrogate ideas, and move them around, and demand a new view.

The artwork provides a site for the accumulation of procedures to play out through process and materiality, allowing conceptual ideas to accumulate wear and tear through new permutations, essentially mining the work of art for untapped avenues of discourse, textuality, research and abstraction.

Her new work was a departure, but it also looked back to the days of her first degree, when conceptual ideas and the language of minimalism had been common currency, and it moved her pretty swiftly from the margins.

In conjunction with a daylong symposium exploring the conceptual and tangible difficulties of art in the public sphere, the University Museum of Contemporary Art will present a juried Exhibition of proposed public art projects that address issues of temporality, community, place, and practice on local, national, and global levels, which will highlight the contemporary trends and new ideas in the field of public art.

Their new ideas of conceptual performance and object relations in dance in - formed Mangolte «s own filmic aesthetic as much as the enigmatically anti-expressive styles of film director Robert Bresson and the structuralist realism of Chantal Akerman for whom she was director of photography.

The palindrome is made up from a fragment in sentence 21 from the German translation of Sol LeWitt's Sentences on Conceptual Art: «Perception of ideas leads to new ideas.»

The artist brings new sculptural and conceptual ideas to his painting practice that lean towards social and political concerns.

The grand special exhibition on occasion of the inauguration of the enlarged Kunstmuseum Basel will map the medium's extraordinarily dynamic evolution: the classical idea and form of sculpture grows more flexible and abstract as some artists integrate the trivial stuff of everyday life into their art or blur its spatial and conceptual boundaries, even as others return to the figurative tradition in an effort to set the genre on a new solid foundation.

Hank Willis Thomas (New York) is a conceptual artist working with ideas of identity, history and race, appropriating language and images from the civil rights movement and changing their meaning to expose stereotypes.

Prouvost's works are conceived and dwell within this conceptual gap, this slippage between two languages, this space in which new insights and ideas surface.

Representing several new approaches emerging from the wealth of painterly history and ideas accumulated over the last century, these artists combine various elements such as conceptual art, post-painterly abstraction, reductive strategies, mysticism and cultural commentary in a visually and intellectually provocative collection of paintings.

Representing several new approaches emerging from the wealth of painterly history and ideas accumulated over the last century, these artists combine various elements such as conceptual art, post-painterly abstraction, reductive strategies, mysticism and cultural commentary -LSB-...]

Later, the gallery presented the first New York exhibitions of Mike Kelley, Jim Shaw, Gary Simmons, John Miller, and Tony Oursler, all of whom elaborated ideas proposed by the California conceptual artists with whom they had studied at CalArts.

The artists in New Photography 2013 explore dialectical reversals between abstraction and representation, documentary and conceptual processes, the uniquely handmade and the mechanically reproducible, and analog and digital techniques, underscoring the idea that there has never been just one type of photography.

Postcards From The Edge, Metro Pictures, New York, US New York / New Drawing 1946 - 2007, Museo de Arte Contemporáneo Esteban Vicente, Segovia, ES Monuments With A Horizon Line II, Buchmann Galerie, Berlin, DE Desenhos [Drawings]: A-Z, Museu da Cidade, Pavilhão Preto, Lisbon, PT The Porn Identity, Kunsthalle Wien, Vienna, AT A Bit of Matter And A Little Bit More, screening Performatik 09, Cultuurcentrum Strombeek and Performatik, Brussels, BE Regift, The Swiss Institute, New York, US Cut & Paste, Galleri Susanne Ottesen, Copenhagen, DK Down To Earth (Ceramics), Cultuurcentrum Strombeek, Grimbergen, BE Double 40 Jahre Kabinett für Aktuelle Kunst, Bremerhaven, MMK, Frankfurt, DE The First Stop on the Super Highway, Nam June Paik Art Center, Gyeonggi - do, KR Feedbackstage, Galerie Thomas Schulte, Berlin, DE Sharjah Biennial 9: Provisions For The Future (curated by Isabel Carlos), Sharjah Arts Museum, Sharjah, UAE Two in One Contemporary Art from Witte De With & De Appel, Christie's, Amsterdam, NL 40th Anniversary Benefit Exhibition, White Columns, New York, USA Écritures Silencieuses, curated by Herve Mikaeloff, L'Éspace Louis Vuitton, Paris, FR Carnival Within - An Exhibition Made in America, curated by Sabine Russ, Gregory Volk, Uferhallen, BE Espèces d'Espaces, Yvon Lambert, New York, US Take The Money And Run, Brouwergracht 196, Appel, Amsterdam, NL Double Participation, Museum für Moderne Kunst, Frankfurt / Main, DE Beginnings, Middles, And Ends (cur.Gianni Jetzer), Christine Koenig Galerie, Vienna, AT Dematerialised: Jack Wendler Gallery 1971 to 1974, curated by Teresa Gleadowe, Chelsea Space, London, UK Time As Matter, MACBA, Barcelona, ES 15 Years of Collecting Against the Grain, Kunstmuseum Wolfsburg, Wolfsburg, DE Artist Rooms Tate St Ives Summer Season, Tate St.Ives, UK Au Pied De La Lettre, Centre d'Art Contemporain, Chamarande, FR Art - Athina, Galerie Hubert Winter, Faliro Pavillion, Athens, GRSerralves 2009 The Collection: An Exhibition in Three Parts and Permanent Works in the Park, Serralves 2009 - The Collection: Passage through the First Part of the Exhibition, Serralves Museum, Porto, PT Serralves 2009 - The Collection: Videos and Films in the City, 74 Rua Cândido dos Reis, Porto, PT As Long As It Lasts, curated by Tom Eccles, Marian Goodman Gallery, New York, US Close Encounter, Blokhuispoort, Leeuwarden, NL When Ideas Become Forms 30 Years of Gallery, La Galleria, Venice, IT; Galerie Dr.Dorothea van der Koelen, Mainz, IT The Poetics of Space, curated by Anja Isabel Schneider, Galerie Marian Goodman, Paris, FR Zidovi na Ulici / Walls in the Street, multiple locations around Belgrade, RS Target Practice: Painting Under Attack 1949 - 78, Seattle Art Museum, Washington, US Time, Konrad Fischer Galerie, Düsseldorf, DE This World & Nearer Ones, curated by Mark Beasley, Governors Island, New York, US Recontres International Paris / Berlin / Madrid, Haus der Kulturen der Welt, Berlin, DE Turning Some Pages, screening A House is not a Home, La Calmeleterie, Nazelles, Négrons, FR Printed Matter, Learn to Read Art (Aprender a Leer Arte), Museo de Arte Contemporáneo de Castilla y León, ES Collection History: Highlighting Recent Acquisitions, MOCA, Los Angeles, California, US In & Out of Amsterdam: Travels in Conceptual Art, 1960 - 1976, curated by Christophe Cherix, Museum of Modern Art, New York, US Memory Labyrinth.

Our sense was that dialogue and conversation among scholars from different countries and with different specializations could bring forth fresh, new ideas about postwar Italian art and we very much hoped to generate a new conceptual working model upon which future scholars could draw.

1984 La Zattera di Babel Festival, Van Abbemuseum and the Stadschouwburg, Eindhoven, NL Editions (Objects, Photoworks, Special Editions of Books), Galerie A, Amsterdam, NL First Anniversary, A Pierre Et Marie, Paris, FR Idea, Tanja Grunert, Stuttgart, FR Entendons..., Ghislain Mollet - Vieville, Paris, FR 1984 im Toten Winkel, Kunstverein Hamburg, DE El Arte del Siglo XX en un Museo Holandes: Eindhoven, Fundacio Juan Miro, Barcelona, ES Drawings by Sculptors, Two Decades of Non-Objective Art from the Seagram Collection, Montreal Museum of Fine Art, Montreal, CA; Vancouver Art Gallery, Vancouver, CA; The Nickle Art Museum, Calgary, CA; The Seagram Building, New York, US From the Collection of the Museum Voor Hedendaagse Kunst te Gent, Rijksmiddenschool, Balen, BE Summer Exhibition from the Collection, Stedelijk Van Abbemuseum, Eindhoven, NL Machine Language, Congo Bill's Danceteria, New York, US A Sculpture Show, Marian Goodman Gallery, New York, US Ete 1984 a Pouilly, DANAE, Pouilly, FR Works of Conceptual Art from the Collection of David Bellman, OR Gallery, Vancouver, FR Rosc» 84, The Poetry of Vision, The Guiness Hop Store, Dublin, IR San Francisco International Video Festival, San Francisco, California, US Content: A Contemporary Focus 1974 - 1984, Hirshhorn Museum and Sculpture Garden, Washington D.C., US Forum en Scene, Middelburg, NL Nothing to Lose, performance Little Arena, Drawings and Sculptures from the Collection of Adri, Martin & Geertjan, Rijksmuseum Kroller - Muller, Otterlo, NL Selections from the Collection of Sol Le Witt, University Art Museum, California State University, Long Beach, California, US; Ackland Art Museum, University of North Carolina at Chapel Hill, Chapel Hill, North Carolina, US; Everhart Museum, Scranton, Pennsylvania, US; The Grey Art Gallery, New York, US; Museum of Art, Ft. Lauderdale, Florida, US Sign on a Truck, New York, US Art + Archeology, Newark Ohio Campus, Ohio State University, Columbus, Ohio, US Evidence of the Avant Garde Since 1957..., Art Metropole, Toronto, CA The Architect is Absent - Works from the Collection of Annick and Anton Herbert, Van Abbemuseum, Eindhoven, NL Sex, Cable Gallery, New York, US The Success of Failure, Diane Brown Gallery, New York, US; Laumeier Sculpture Park and Gallery, St. Louis, Missouri, US; North Texas State University, Denton, Texas, US; Johnson Gallery, Middlebury College, Middlebury, Vermont, US; University of Arizona Museum of Art, Tucson, Arizona, US Rosenfest, DAAD Gallery, DE Ouverture (1734 - 1984), Castello di Rivoli, Torino, IT Artists» Weapons, Ted Greenwald Gallery, New York, US Arsenal Cinema, Berlin, DE Artists» Call, Judson Church, New York, US Infermental Edition III (video magazine), Budapest, HU Sans Assurance, Montreuil, FR Podio Del Mondo Per L'Arte, Middelburg, NL

1989 Concept - Decoratif (Anti-Formalist Art of the 70s), Nahan Contemporary, New York, US The Presence of Absence: New Installations, Gallery 400, University of Illinois at Chicago, Chicago, Illinois, US; University of Arizona Museum of Art, Tucson, Arizona, US; Laumeire Sculpture Park and Garden, St. Louis, Missouri, US; Albany Institute of History and Art, Albany, New York, US; Oakville Galleries, Oakville, Ontario, CA; University of Kentucky Art Museum, Lexington, Kentucky, US; Longview Museum and Arts Center, Longview, Texas, US; Prichard Art Gallery, University of Idaho, Idaho, US; Museum of Art, Penn State University, University Park, Pennsylvania, US; The University of Iowa Museum of Art, Iowa City, Iowa, US; University Art Museum, University of New Mexico, Albuquerque, MX; Otis / Parsons Gallery, Los Angeles, California, US Words, Tony Shafrazi Gallery, New York, US Inedits / I, FRAC Bourgogne, Dijon, FR; APAC, Centre d'Art Contemporain, Nevers, FR Micro Sculpture, Fine Arts Center, University of Rhode Island, Kingston, Rhode Island, US Early Conceptual Works, Sperone Westwater Gallery, New York, US From Concept to Context, The Art Gallery of York University, Toronto, CA Saga 89, Eric Linard Editions, Grand - Palais, Paris, FR Un Choix dans les Collections du Nouveau Musee de Villeurbanne, Palais de Beaux Arts de Charleroi, Charleroi, BE Collections du Frac Nord Pas - de-Calais, Santa Scolastica, Bari, IT Group Show, San Francisco University Art Department Gallery, A&I Room 201, San Francisco, US Word / Image, Lehman College Art Gallery, Bronx, New York, US Ad Usum Dimorae, Palazzo Querini Stampalia, Venice, IT Bilderstreit, Ludwig Museum, Rheinhallen, Cologne fair grounds, Cologne, DE From the Collection of Dorothy and Herbert Vogel, Terra Museum of American Art, Chicago, Illinois, US Open Mind - Circuit Ferme, Museum van Hedendaagse Kunst, Ghent, BE Ohne Auftrag, Mai 36 Gallery, Art Frankfurt, The New International Art Fair, Frankfurt, DE Magiciens de la Terre, Centre Georges Pompidou and Grande Halle, La Villette, Paris, FR Competition Diomede, The Clocktower Gallery, New York, US; San Francisco State University Art Department Gallery, A&I Room 201, San Francisco, California, US Ideas and Ephemera, Real Art Ways, Hartford, Conneticut, US Geometrie Meridienne, Chateau Coquelle, FRAC Nord Pas - de-Calais, Dunkerque, FR Noise et Fenetres en Vue, Musee d'Art Moderne, Liege, BE Locus Solus XII, Galerie Hubert Winter, Vienna, AT Fondation Daniel Templon, L'Exposition Inaugurale, Capitou, FR Furkart 1989, Furkapasshoehe, CH Analytic to Poetic, Burnett Miller Gallery, Los Angeles, California, US Skulpturen für Krefeld I, Museum Haus Esters, Krefeld, DE John Miller / Gary Mirabelle / Lawrence Weiner, American Fine Arts Co, New York, US In Other Words, Museum am Ostwall, Dortmund, DE Gran Pavese: The Flag Project, Museum van Hedendaagse Kunst, Antwerpen, BE; Druot Montaigne, Paris, FR Another Group Show, Galerie Hubert Winter, Vienna, AT Forum, Stalke Gallery, Hamburg, DE Hier Wird Getanzt, XPO Galerie, Hamburg, DE Group Show, Elizabeth Kaufman, Basel, CH Lineart»89 Gent, Galerie B. Coppens and R. Van De Velde, Flanders Expo, Brussels, BE «Dreams» and Other Works on Paper, Leo Castelli Gallery, New York, US Moscow - Vienna - New York, Wiener Festwochen, Messepalast, Vienna, AT Minimal and Conceptuel, Oeuvres Anciennes, Gabrielle Maubrie, Paris, FR The Library - Artists» Books, A / D, New York, US Hamburg Projekt 1989, Hamburg, DE Einleuchten, Will, Vorstel und Simul in HH, Deichtorhallen, Hamburg, DE Musee d'Art Contemporain Lyon / Werke aus der Sammlung, Stadtische Galerie Goppingen, Goppingen, DE Sculptures de Kabakof, et al, ELAC, Lyon, FR Conceptual Art - Une Perspective, ARC, Paris, FR; Deichtorhallen Hamburg, Hamburg, DE; Fundacio Caixa de Pensions, Madrid, ES Broken Lines, Victoria Miro Gallery, London, UK Bel voor de Laatste Ronde, Art and Project, Amsterdam, NL Die Letzen 22 Jahre, Kunstverein in Hamburg, DE Acchrochage für Tatlin, Stadtische Kunsthalle Dusseldorf, DE

To this I responded «Hirst himself has said, being a conceptual artist, it's the idea that counts... It's a bit like taking an Impressionist painting and putting a different frame round it: you can hardly claim it's a new artwork.»

The intellectual emphasis of Duchamp - style «readymades» also had an impact on postmodernist art of the late 1960s, 70s and 80s, notably the Arte Povera movement in Italy and Nouveau Realism in France, as well as conceptual art - a new artform based on the belief that the artist's idea was more important than the final artwork.

The exhibition associates this idea of «offshore art» with past developments in Land Performance and Conceptual Art of the 1960s and 70s — a time when artists moved the creative process beyond the studio — and forms new dialogues with contemporary artists whose processes continue the interdisciplinary and site - specific practices that began with pioneers such as Bas Jan Ader, Dennis Oppenheim, and Robert Smithson.

The scale is in direct relation to the conceptual spreading of his visual ideas, it inspires and drives his creative spirit, which brought this New York based artist of Serbian origin much success.

For his fifth solo show at Casey Kaplan, Berlin - based, British artist, Jonathan Monk, will present a new body of work that takes shape from key principles of Conceptual art — the favoring of ideas over object - making, serialism, the dematerialization of the art object — interpreting them with a playful sensibility and through a variety of media: 16 mm film, painting, sculpture, drawing, photography, and a laser - light installation.

Starting more or less in the 1960s, a new generation of critics was influenced by Greenberg's ideas and developed a secondary, more «conceptual» or intellectualized approach to formalism, often in an attempt to acknowledge the challenges of critics such as Rosenberg and Alloway.

Art and Black Los Angeles 1960 - 1980 UCLA Hammer Museum, Los Angeles State of Mind: New California Art Circa 1970 Orange County Museum of Art, Newport Beach (traveled to UC Berkeley Art Museum and Pacific Film Archive, Berkeley; Morris and Helen Belkin Art Gallery, Vancouver; SITE Santa Fe; The Bronx Museum, New York) 2010 Summer Group Show Susanne Vielmetter Los Angeles Projects, Los Angeles The Artist's Museum: Los Angeles Artists 1980 - 2010 The Museum of Contemporary Art, Los Angeles The Seventh House Project Row Houses, Houston Noir Complex Magazin 4, Bregenzer Kunstverein (traveled to Brandenburgischer Kunstverein, Potsdam) Project Row Houses, Houston Man Son, Vom Schrecken der Situation Galerien der Stadt Esslingen, Esslingen Am Necker 2009 Collection: MOCA's First Thirty Years, 1980 — Now The Geffen Contemporary at MOCA, Los Angeles Oz: New Offerings from Angel City Regional Museum of Guadalajara, Guadalajara Attempt to Raise Hell San Diego Museum of Contemporary Art Downtown, San Diego Invitational Exhibition of Visual Arts American Academy of Arts and Letters, New York 2008 Index: Conceptualism in California from the Permanent Collection The Geffen Contemporary at the Museum of Contemporary Art (MOCA), Los Angeles Weighing and Wanting Museum of Contemporary Art San Diego, La Jolla Entre Chien et Loup Kent Gallery, New York Wild Signals — Artistic Postions between Symptom and Analysis Württembergischer Kunstverein Stuttgart, Stuttgart Idea, Text and Image, Schneider Museum of Art, Southern Oregon University, Ashland 2007 Im Wort Kunsthalle Göppingen, Göppingen Read Me: Text in Art Armory Center for the Arts, Pasadena From Close to Home: Recent Acquisitions of Los Angeles Art Museum of Contemporary Art, Los Angeles 2005 Double Consciousness: Black Conceptual Art Since 1970 Contemporary Arts Museum, Houston Hommage to Friedrich Schiller Brigitte March Gallery, Stuttgart Kamm Gallery Anniversary Exhibition Galerie Kamm, Berlin 2004 Fade (1990 - Present): African American Artists in Los Angeles, a Survey Exhibition Luckman Gallery and the University Fine Arts Gallery, Los Angeles Craft and Folk Art Museum, Los Angeles Recherche - entdeckt!

Born in New York in 1942, Lawrence Weiner played a pivotal role in the development of Conceptual art in the United States in the 1960s, questioning traditional notions of art and moving away from the art object in favor of a practice based in ideas and actions.

The programme and the IMMA staff offered me unwavering support and concentrated time to address new ideas and conceptual saplings pushing up in my practice.

The keys to making headway in this early conceptual phase of the new agreement is to be open to new ideas that can work in the real world and to keep our eyes on the prize of reducing emissions rather than insisting on old orthodoxies.