Sentences with phrase «new conceptual strategies»

«Immersing himself in the study of magic over the past two years, Kaino's inquiry unveils the restructuring of the social contract between art and audience, generating new conceptual strategies that bridge contemporary systems of art production and exhibition with the mythical and mysterious dimensions of magic.

Not exact matches

Provide opportunities for teachers to develop new strategies for teaching conceptual understanding of mathematical concepts

Strategies that emerged earlier in the circles of the surrealists and New Vision photographers — the untutored «photographic mistake,» photography as a form of literary pointing — adopted by the artists in this exhibition have subsequently been absorbed by the contemporary generation using photography as conceptual art, from Gabriel Orozco to Hank Willis Thomas.

Sunthesizing conceptual, land - art, and interventionist strategies, Ericson and Ziegler developed a distinctly American community - based art outside the orbit of New York.

Lives and works New York) Cheryl Donegan's work demonstrates the concerns and modes of a generation of artists, many of them women, who began to use conceptual strategies in the early 1990s to question the hegemony of canonized artists, many of them male.

The two would go on to organize Giulio Paolini's first US solo exhibition at Sonnabend Gallery in New York in 1972, for which the artist produced a series of eight new paintings meant to provide an overview of his conceptual strateNew York in 1972, for which the artist produced a series of eight new paintings meant to provide an overview of his conceptual stratenew paintings meant to provide an overview of his conceptual strategy.

She employs conceptual and methodological approaches borrowed from artistic and academic practices such as theater, film, anthropology, linguistics and journalism, to explore new representational strategies that examine and interrogate the allegorical character of the present political moment.

Representing several new approaches emerging from the wealth of painterly history and ideas accumulated over the last century, these artists combine various elements such as conceptual art, post-painterly abstraction, reductive strategies, mysticism and cultural commentary in a visually and intellectually provocative collection of paintings.

Representing several new approaches emerging from the wealth of painterly history and ideas accumulated over the last century, these artists combine various elements such as conceptual art, post-painterly abstraction, reductive strategies, mysticism and cultural commentary -LSB-...]

In two ads in Artforum magazine in 1970, including one announcing the adoption of her new name, Chicago used conceptual strategies taken up in the following years by a number of emerging feminist artists, such as Lynda Benglis and Hannah Wilke.

In this exhibition, I attempt to present a cross-section of contemporary painting being made in New York today by emerging and mid-career artists, underscoring the conceptual methodologies being strategically employed by painters, and how conceptual artists have turned to painting as a strategy.

This open - hearted and stimulating interchange was organized around three themes: the conceptual process that led up to the new installation plan and its outcomes regarding questions of narrative, chronology and mediation; the plan itself and the choices that have been made regarding possible clusters of works and themes, as well as the actual works to be displayed; and, finally, the position of the Stedelijk Museum in the contemporary debates surrounding the canon, curatorial strategies, the relationship between fine art and visual culture, and the influence of non-museological display formats on museum practice.

1991 La metafisica della Luce / The Metaphysics of Light, John Good Gallery, New York, USA (curated by Demetrio Paparoni) Conceptual Abstraction, Sidney Janis Gallery, New York, USA The Lick of the Eye, Shoshana Wayne Gallery, Santa Monica, California, USA (curated by David Pagel) Hybrid Abstraction, Bennington College Art Gallery, Bennington, Vermont, USA (curated by Joshua Decter) Strategies for the Next Painting, Wolff Gallery, New York; traveled to Feigen Incorporated, Chicago, Illinois, USA (curated by Saul Ostrow) Contemporary Abstract Painting: Resnick, Reed, Laufer, Moore, Muscarelle Museum of Art, College of William and Mary, Williamsburg, Virginia, USA (curated by Molly Sullivan)

In this volume, amply illustrated with many never - before - seen images from early in his career as well as new photography of his most recent works, scholarly essays provide a broad context for viewing: Cornelia Butler looks at Graham's relationship to landscape and Canadian identity, Lynne Cooke examines the construction of the artist's persona in works such as City Self / Country Self (2001), and Shep Steiner discusses the joke as a conceptual strategy for Graham.

From screening the legendary film The Misfits (1961) without the picture in A Movie Will Be Shown without the Picture (1979) to installing works by other artists in a new configuration for her Arrangements of Pictures (1982), Lawler uses conceptual strategies and intentionally contrived installations to expand her engagement with her subjects and to further question the systems that govern art as well as its display and consumption.

We could resolve this debate if we adopted a new set of conceptual categorizations for geoengineering strategies that emphasized the relevant normative considerations for evaluating those strategies rather than by physical mechanism.

I submit that we could easily resolve this debate if we adopted a new set of conceptual categorizations for geoengineering strategies that emphasized the relevant normative considerations for evaluating those strategies rather than by physical mechanism.

The document describes the overall conceptual framework that guided the project and provides the climate impact studies as well as the description of the new climate - compatible strategy for tea in Kenya.