The Dulwich Picture Gallery has announced
a new contemporary art installation, Terminus Place by the artist Clive Head, as part of his project From Victoria to Arcadia at Dulwich Picture Gallery and Marlborough Fine Art.
Not exact matches
An initiative of Sunshine Coast Council and in partnership with the community, a broad program ranging from
contemporary art and
new media
installations to film, literature, performance, street
art and more will be held at various locations throughout the region.
The foundation funds exhibitions of and projects by Russian
contemporary artists, such as Ilya and Emilia Kabokov's 2014
installation at the Grand Palais, and the
New Museum's 2012 exhibition «Ostalgia,» which focused on Eastern European
contemporary art.
Hope Sandrow, a photographer and
installation artist, has exhibited at museums across the United States, most recently at
Contemporary Museum, Baltimore; Nasher Museum of
Art at Duke University, North Carolina; and the
New Museum of
Contemporary Art,
New York.
The
Contemporary Art Galleries mounted an exhibition of
new site - specific installations by New Yo... Read M
new site - specific
installations by
New Yo... Read M
New Yo... Read More
This catalogue is published in conjunction with the exhibition «Anonymous:
Contemporary Tibetan
Art» at Samuel Dorsky Museum in New Paltz which features over 50 works of painting, sculpture, installation and video art by 27 Tibetan artis
Art» at Samuel Dorsky Museum in
New Paltz which features over 50 works of painting, sculpture,
installation and video
art by 27 Tibetan artis
art by 27 Tibetan artists.
Her annual Signal Culture residencies began in 2014 and continue in 2018 The artist's single - channel video works and multi-media
installations have been exhibited throughout the USA, Europe, Australia, and Japan, including MOMA, PS1, The Whitney Museum
Art, The Kitchen, Postmasters and
New Math Gallery, The Bronx Museum for the
Arts in NY, MOCA / GA, the Fay Gold Gallery, and The Atlanta
Contemporary Art Center where she mounted a large - scale interactive
installation environment, «A Thousand Plateaus» in 2001.
Sze's sculptures,
installations and works on paper have also been exhibited at the Solomon R. Guggenheim Museum in
New York, the Serpentine Gallery in London, the Museum of Modern
Art in
New York, the Museum of
Contemporary Art in Tokyo, the High Museum of
Art in Atlanta, the San Francisco Museum of Modern
Art, and the Carnegie Museum of
Art in Pittsburgh, as part of the 1999 Carnegie International.
We're proud to announce a
new sculptural
installation made specifically for PULSE MIAMI BEACH 2015,
Contemporary Art Fair by British artist, Chris Jones.
The Hessel Collection is international in scope, with paintings, photographs, and works on paper, sculptures, videos and video
installations from the 1960s to the present including notable representations from many of the foremost movements in
contemporary art; Minimalism, Arte Povera, Transavantgarde, Neo-expressionism, Pattern and Decoration, The Hairy Who and Chicago Imagists, Post-minimalists, and
New Media, among others.
2012 Dark Flow Lurking, David Castillo Gallery, Miami, FL a small world... (
installation on view from the permanent collection), The Jewish Museum,
New York, NY Transmission LA: AV Club, Geffen
Contemporary at MoCA, Los Angeles, CA African American
Art Since 1950: Perspectives from the David C. Driskell Center, David C. Driskell Center, College Park, MD
Contemporary Mandala:
New Audiences,
New Forms, Emory University Visual
Art Gallery, Atlanta, GA US Embassy in Tokyo Exhibition for Ambassador John V. Roos, Tokyo, Japan
Installation view, 65 Works Selected by James Welling: Exhibition and Sale to Benefit the Foundation for
Contemporary Arts, 533 West 19th Street,
New York, 2016
Museum of
Contemporary Art Santa Barbara (MCASB) will present avalanches volcanoes asteroids floods, a newly commissioned
installation by the vibrant
New York / Paris based artist duo...
The collective has been exhibited nationally and internationally, including: Contour the 5th Biennial of the Moving Image in Mechelen, BE; Nuit Blanche, Toronto, CA; 18th Biennale of Sydney in Sydney, AUS; Scottsdale Museum of
Contemporary Art in Scottsdale, AZ; 2017 Whitney Biennial, New York, NY; Art in General, New York, NY; documenta14, Athens, GR and Kassel, DE; and their historic land art installation Repellent Fence at the U.S. / Mexico border near Douglas, AZ and Agua Prieta, S
Art in Scottsdale, AZ; 2017 Whitney Biennial,
New York, NY;
Art in General, New York, NY; documenta14, Athens, GR and Kassel, DE; and their historic land art installation Repellent Fence at the U.S. / Mexico border near Douglas, AZ and Agua Prieta, S
Art in General,
New York, NY; documenta14, Athens, GR and Kassel, DE; and their historic land
art installation Repellent Fence at the U.S. / Mexico border near Douglas, AZ and Agua Prieta, S
art installation Repellent Fence at the U.S. / Mexico border near Douglas, AZ and Agua Prieta, SON.
2014 — PUBLIC
ART COMMISSION: CHICAGO TRANSIT AUTHORITY, PERMANENT
INSTALLATION FOR 35TH / WHITE SOX CTA STATION 2014 — RESIDENCY, DESIGN FABRICATION, ÍFRANS MAYER, MUNICH, GERMANY, 2014 2014 — NOMINATION 3 -
ARTS AWARD 2011 — VISITING ARTIST, TEACHER INSTITUTE IN
CONTEMPORARY ART, SAIC, NEA 2010 — GRANT: ARTIST PROJECT IN VISUAL
ARTS, ILLINOIS
ARTS COUNCIL 2009 —
NEW AT THE MUSEUM OF
CONTEMPORARY ART, CHICAGO 2009 — THE DRAWING CENTER VIEWING PROGRAM, CURATED ARTIST REGISTRY,
NEW YORK, NY 2008 — CATWALK, NY ARTIST RESIDENCY, SCHOOL OF THE
ART INSTITUTE CHICAGO 2004 — POST - MFA FELLOWSHIP, VISITING LECTURER, UNIVERSITY OF CHICAGO 1998 — HONORABLE MENTION AWARD / STATE LINE EXHIBITION / ROCKFORD MUSEUM, ILLINOIS 1996/1997 —
ARTS MIDWEST / REGIONAL NEA VISUAL ARTIST FELLOWSHIP AWARD (PAINTING) 1990 — ILLINOIS
ARTS COUNCIL: SPECIAL ASSISTANCE GRANT / NORTHWESTERN UNIVERSITY EXHIBIT 1987 — ILLINOIS
ARTS COUNCIL: SPECIAL ASSISTANCE GRANT / CHICAGO CULTURAL CENTER EXHIBIT
During her talk, Fernández, a 2005 MacArthur Foundation Fellow and recipient of many prestigious works, will reflect on her
new works, including her recent show at Massachusetts Museum of
Contemporary Art, «As Above So Below,» a large - scale exhibition in which Fernandez combined graphite and gold to make a series of immersive, interconnected
installations.
Art Basel Miami Beach, with GAVLAK Los Angeles / Palm Beach, Miami, FL (catalogue) Ten Year Anniversary Show, Gavlak, Palm Beach, FL and Los Angeles, CA Re (a) d, curated by Ryan Steadman, Nathalie Karg Gallery,
New York, NY The Valentine's Day Cardiovascular, Geoffrey Young Gallery, Great Barrington, MA Puente, KINMAN, London, UK 2014 The Go Between: Selections from the Ernesto Esposito Collection, Museo di Capodimonte, Naples, Italy
Art Basel Miami Beach, Gavlak booth, Miami Beach, FL 100 Painters of Tomorrow:
New York Exhibition, One
Art Space,
New York, NY Inaugural Exhibition, Gavlak, Los Angeles, CA The Armory Show, Gavlak Booth, Pier 94,
New York NY Painting: A Love Story,
Contemporary Arts Museum Houston, Houston, TX (catalogue) 2013
Art Basel Miami Beach, Gavlak Booth, Miami Beach, FL (catalogue) This is the Story of America, Brand
New Gallery, Milan, Italy Rema Hort Mann Foundation LA
Arts Initiative Auction, Hannah Hoffman Gallery, Los Angeles, CA Acid Summer, Curated by Matthew Craven, DCKT
Contemporary,
New York, NY All Fucking Summer, Gavlak, Palm Beach, FL Whitney Museum
Art Party Benefit Auction, Whitney Museum of American
Art,
New York, NY MiArt2013, Gavlak Booth, Milan, Italy The Armory Show, Focus: USA, Gavlak Booth # 908,
New York, NY (catalogue)
Art Rotterdam, Office Baroque Gallery, Rotterdam, Netherlands My Echo, My Shadow, Gavlak, Palm Beach, FL 39 Great Jones, Galerie Eva Presenhuber, Zurich (catalogue) 239 Days, School of Visual
Arts MFA Alumni Show, Allegra LaViola Gallery,
New York, NY 2012 News From Chicago and
New York City, Curated by Henning Strassburger, Fiebach Minninger, Cologne, Germany Time, After Time, Curated by ARTNESIA, Ronchini Gallery, London, UK (catalogue) SUNY
New Paltz Alumni Show, Dosky Projects, Long Island City, NY What's the Point, Jen Bekman Gallery,
New York, NY It's a Small, Small World, Curated by Marilyn Minter and Organized by Hennessy Youngman, Family Business,
New York, NY The Virgins Show, Curated by Marilyn Minter, Family Business,
New York, NY Just the Tip, SVA MFA Fine
Arts Thesis Exhibition, Organized in Collaboration with Mike Egan, Visual
Arts Gallery,
New York, NY (catalogue) 2011 MFA Fine
Arts Fall Open Studios, School of Visual
Arts,
New York, NY Sentimental Education, Gavlak, Palm Beach, FL Things Fall Apart, Curated by Asya Geisberg, Visual
Arts Gallery,
New York, NY Abstract Means, Curated by Richard Brooks, Visual
Arts Gallery,
New York, NY MFA Fine
Arts Spring Open Studios, School of Visual
Arts,
New York, NY Celebrating 15 Years: Young Artists at Heckscher, Heckscher Museum of
Art, Huntington, NY College
Art Association
New York MFA Exhibition, Hunter College / Times Square Gallery,
New York, NY Vuu Collective W / S 2011 Show, K&K Gallery, Brooklyn, NY 2010 MFA Fine
Arts Winter Open Studios, School of Visual
Arts,
New York, NY Emerge to be Seen, Westside Gallery,
New York, NY Marks That Matter, Juried by Gillian Jagger, Muroff Kotler Visual
Arts Gallery, SUNY Ulster, Stone Ridge, NY The
New,
Art (That Matters), Oyster Bay, NY
New York
Art & Culture Exhibition Series, Albany International Airport, Albany, NY 2009 No Girls Allowed: BFA Thesis Exhibition, Samuel Dorsky Museum of
Art, SUNY
New Paltz,
New Paltz, NY Best of Show: 2009 Best of SUNY Exhibition, State University Plaza, Albany, NY 2008 Crit 3: Work from Students and Alumni of SUNY
New Paltz, Curated by Kathy Goodell, Spencertown
Art Gallery, Spencertown, NY Somewhere I Have Never Traveled, Smiley
Art Gallery,
New Paltz, NY Three, Smiley
Art Gallery,
New Paltz, NY SPECIAL PROJECTS 2013 Shinola x Andrew Brischler,
Installation & Capsule Collection, Tribeca Flagship Store,
New York, NY Converse Footwear for Publicolor, organized by Grey Area COLLECTIONS Norton Museum of
Art, West Palm Beach, FL AWARDS AND HONORS 2015 Painting Fellowship,
New York Foundation for the
Arts
Among the works by Jian - Jun Zhang will be Sumi - Ink Garden of Re-Creation
Installation Drawing # 2 (2002), a sumi - ink drawing — a preparatory sketch of his major installation in The Fourth Shanghai Biennale at the Shanghai Art Museum — depicting his scholar's rock sculptures, a variation of which was shown in Chinese Window at Kunstmuseum Bern in 2010 and will be featured in Ink Art: Past as Present in Contemporary China at the Metropolitan Museum of Art in New York opening in De
Installation Drawing # 2 (2002), a sumi - ink drawing — a preparatory sketch of his major
installation in The Fourth Shanghai Biennale at the Shanghai Art Museum — depicting his scholar's rock sculptures, a variation of which was shown in Chinese Window at Kunstmuseum Bern in 2010 and will be featured in Ink Art: Past as Present in Contemporary China at the Metropolitan Museum of Art in New York opening in De
installation in The Fourth Shanghai Biennale at the Shanghai
Art Museum — depicting his scholar's rock sculptures, a variation of which was shown in Chinese Window at Kunstmuseum Bern in 2010 and will be featured in Ink
Art: Past as Present in
Contemporary China at the Metropolitan Museum of
Art in
New York opening in December 2013.
Installation view of Cecilia Vicuña's Quipus Visceral, 2017, at the
Contemporary Arts Center,
New Orleans.
Numerous institutions have shown his work: the Dia: Beacon,
New York this year, the Whitney Museum of America
Art,
New York in 1977 and 2013, the San Diego
Contemporary Art Museum in 2008, the Dia: Chelsea,
New York in 1999, the MoCA of Los Angeles in 1993, the San Francisco MoMA in 1985, the MoMA,
New York in 1970,... He produced the
installation for the United States Pavilion at the Venice Biennale in 1976.
His
installations have been exhibited at The Drawing Center in
New York, Blue Star
Contemporary Art museum in San Antonio Texas, ExitArt NY, PS 122 NY, Morris Museum,
New Jersey, Jersey City Museum, Poor Farm Experiment in Wisconsin, Riga
Art Space in Latvia, Baltic
Arts Center in Helsinki, Planthouse Gallery NY, Cynthia Broan Gallery NY, Fishtank Gallery NY, Denis Bibro Gallery NY, Gallery X in NY, Marsha Child
Contemporary NJ, Chamot Gallery NJ, Mimi Ferzt Gallery NY, Alma Gallery Riga, M6 Gallery Riga Latvia, Biennale
Art Gend in Kopenhagen Denmark.
Currently on view at the Tang Museum in Saratoga Springs,
New York, is a set of Jane Benson's Faux Faux fake - plant works, now also a permanent
installation at the Cincinnati
Contemporary Arts Center (CAC).
The gallery cultivates an interdisciplinary program through emphasizing
contemporary art including: painting, photography, sculpture,
installation,
new media, and video.
American audiences are familiar with conventional notions of Tibetan
art, but will have the opportunity to experience the vibrant
new representational narrative painting and mixed media
installations coming out of Tibet's
contemporary art community.
The Artist and the Model, a portfolio of twelve intaglio prints, is published by Sylvan Cole at Associated American Artists,
New York; receives a Tamarind Artist Fellowship and travels to the Tamarind Lithography Workshop in Los Angeles, where he produces thirty - four editions of primarily black - and - white lithographs that continue the Artist and the Model theme; begins using the airbrush, which he had learned from the artist Billy Al Bengston while at Tamarind; sees the exhibition Edgar Degas: Monotypes at the Fogg
Art Museum and subsequently begins making monotypes; in Boston co-founds Artists against Racism and the War and collaborates with Fred Stone on The American Way Room (fig), an antiwar
installation piece that is shown throughout the Boston area and subsequently travels to
New York, Atlanta, Syracuse, and Philadelphia; solo exhibitions: Associated American Artists,
New York (The Artist and the Model); Comsky Gallery, Los Angeles; group exhibitions:
Contemporary American Graphic Artists, Rijksakademie van Beeldende Kunsten, Amsterdam (travels);
New Expressions in Fine Printmaking, National Collection of Fine
Arts, Washington, D.C. (travels in Germany and Belgium); 16th National Print Exhibition, Brooklyn Museum,
New York; Annual Exhibition, Whitney Museum of American
Art,
New York; Graphics» 68: Recent American Prints, University of Lexington, Kentucky.
In her artistic practice, recent works include the large - scale sculptural
installations Raked at Spencer Brownstone Gallery in
New York (2014), and Floor / Ceiling at The Aldrich
Contemporary Art Museum, Connecticut (2013).
[33] Lyrical Abstraction, Conceptual
Art, Postminimalism, Earth Art, Video, Performance art, Installation art, along with the continuation of Fluxus, Abstract Expressionism, Color Field Painting, Hard - edge painting, Minimal Art, Op art, Pop Art, Photorealism and New Realism extended the boundaries of Contemporary Art in the mid-1960s through the 197
Art, Postminimalism, Earth
Art, Video, Performance art, Installation art, along with the continuation of Fluxus, Abstract Expressionism, Color Field Painting, Hard - edge painting, Minimal Art, Op art, Pop Art, Photorealism and New Realism extended the boundaries of Contemporary Art in the mid-1960s through the 197
Art, Video, Performance
art, Installation art, along with the continuation of Fluxus, Abstract Expressionism, Color Field Painting, Hard - edge painting, Minimal Art, Op art, Pop Art, Photorealism and New Realism extended the boundaries of Contemporary Art in the mid-1960s through the 197
art,
Installation art, along with the continuation of Fluxus, Abstract Expressionism, Color Field Painting, Hard - edge painting, Minimal Art, Op art, Pop Art, Photorealism and New Realism extended the boundaries of Contemporary Art in the mid-1960s through the 197
art, along with the continuation of Fluxus, Abstract Expressionism, Color Field Painting, Hard - edge painting, Minimal
Art, Op art, Pop Art, Photorealism and New Realism extended the boundaries of Contemporary Art in the mid-1960s through the 197
Art, Op
art, Pop Art, Photorealism and New Realism extended the boundaries of Contemporary Art in the mid-1960s through the 197
art, Pop
Art, Photorealism and New Realism extended the boundaries of Contemporary Art in the mid-1960s through the 197
Art, Photorealism and
New Realism extended the boundaries of
Contemporary Art in the mid-1960s through the 197
Art in the mid-1960s through the 1970s.
It continues with works from the world's leading innovators in the
arts, as they break through thresholds of space, memory, sound, and genre — from Philippe Parreno who, in his largest exhibition in the U.S. to date, transforms the presentation of visual
art into an evolving sensory journey; to Wayne McGregor, Olafur Eliasson, and Jamie xx as they create a
new contemporary ballet; to avant - garde performance artist Laurie Anderson who, through a site - specific
installation in the Armory's drill hall, will expand upon her work with storytelling and technology to create a site - specific environment that serves as a meditation on time, identity, surveillance and freedom; and finally to Igor Levit and Marina Abramović as they interpret Bach's renowned Goldberg Variations, to create a concentrated durational performance that reflects upon music, time, space, emptiness, and luminosity.
Las Vegas Weekly, The Barrick's «Plural» Teams Local and International Artists for an Engaging Show, April 26, 2018 East Hampton Star, 23 Successes in «A Radical Voice», Jennifer Landes, March 20, 2018 Elle Décor, «Hitting Her Groove», Kate Betts, September 2014 Hamptons ArtHub, Best Exhibitions of 2013», December 2013 Hamptons ArtHub, «Almond Zigmund: Interruptions Repeated», Gabrielle Selz, September 2013 WhiteHot Magazine, «Almond Zigmund: Interruptions Repeated», Janet Goleas, September 2013 Huffington Post, «Almond Zigmund: Interruptions Repeated», Gabrielle Selz, August 2013 Elle Décor, «Arbiter of Style», Cynthia Frank, May 2013 NY H&G, «Mondo Condo» May 2013 Long Island Pulse, «Artist VIP», Nada, August 2011 Southampton Press, «Shifting Perceptions in Parrish
Installation», Pat Rogers, November 8, 2007 East Hampton Star, «An Artist «Remembers the Future»», Jennifer Landes, November 1, 2007 East Hampton Star, «Industrial Strength Beauty, Jessica Frost, July 19, 2007 Las Vegas Sun, «Coloring Her World», Kristen Peterson, February 24, 2006 Southampton Press, «Tracing the Genealogy of Ideas», Eric Ernst, December 15, 2005 Columbus Dispatch,» Texture Enlivens Minimalist Exhibit», Kaizaad Kotwal Sunday, July 17, 2005 Southampton Press,» Avram Gallery Offers Quiet Space for Show», Eric Ernst, Nov. 25, 2004 Los Angeles Times, «Sweet Nostalgia Projected Onto Metal», Holly Meyers, Feb 1, 2002 Flash
Art, «Aperto», David Pagel, March - April 2002 Art in America, «Report From Sante Fe — Sin City Sampler», Sarah S. King, July 2002 Kunst; «Verdachtig ist, wer sich nicht bewegt», Jurg M. Meier, 2002 Samatag, «Orte des Durchgangs sichtbar gemacht», Susanne Neubauer, Jan 26, 2002 The Art Newspaper, «Las Vegans», Sarah Douglass, No 121, January 2002, p. 9 The Southampton Press, «Artists in Spotlight at Parrish», October 25, 2001, Miami Herald, «Altoids Artworks Small, But Strong», Elias Turner, Sept 10, 2001 Florida Today, «Altoids offers an exhibit of curiously fresh art», Pam Harbaugh, 2001 Exhibit: a, «The Big American Issue», June 2001, p. 28 illustration Las Vegas Weekly, August 5, 1999 «Artists Bios», p. 20, illustration Las Vegas Weekly, February 3, 1999 «Great Art BiDesign», p22 New York Contemporary Art Report, Jan / Feb 2000, p. 52, illustrat
Art, «Aperto», David Pagel, March - April 2002
Art in America, «Report From Sante Fe — Sin City Sampler», Sarah S. King, July 2002 Kunst; «Verdachtig ist, wer sich nicht bewegt», Jurg M. Meier, 2002 Samatag, «Orte des Durchgangs sichtbar gemacht», Susanne Neubauer, Jan 26, 2002 The Art Newspaper, «Las Vegans», Sarah Douglass, No 121, January 2002, p. 9 The Southampton Press, «Artists in Spotlight at Parrish», October 25, 2001, Miami Herald, «Altoids Artworks Small, But Strong», Elias Turner, Sept 10, 2001 Florida Today, «Altoids offers an exhibit of curiously fresh art», Pam Harbaugh, 2001 Exhibit: a, «The Big American Issue», June 2001, p. 28 illustration Las Vegas Weekly, August 5, 1999 «Artists Bios», p. 20, illustration Las Vegas Weekly, February 3, 1999 «Great Art BiDesign», p22 New York Contemporary Art Report, Jan / Feb 2000, p. 52, illustrat
Art in America, «Report From Sante Fe — Sin City Sampler», Sarah S. King, July 2002 Kunst; «Verdachtig ist, wer sich nicht bewegt», Jurg M. Meier, 2002 Samatag, «Orte des Durchgangs sichtbar gemacht», Susanne Neubauer, Jan 26, 2002 The
Art Newspaper, «Las Vegans», Sarah Douglass, No 121, January 2002, p. 9 The Southampton Press, «Artists in Spotlight at Parrish», October 25, 2001, Miami Herald, «Altoids Artworks Small, But Strong», Elias Turner, Sept 10, 2001 Florida Today, «Altoids offers an exhibit of curiously fresh art», Pam Harbaugh, 2001 Exhibit: a, «The Big American Issue», June 2001, p. 28 illustration Las Vegas Weekly, August 5, 1999 «Artists Bios», p. 20, illustration Las Vegas Weekly, February 3, 1999 «Great Art BiDesign», p22 New York Contemporary Art Report, Jan / Feb 2000, p. 52, illustrat
Art Newspaper, «Las Vegans», Sarah Douglass, No 121, January 2002, p. 9 The Southampton Press, «Artists in Spotlight at Parrish», October 25, 2001, Miami Herald, «Altoids Artworks Small, But Strong», Elias Turner, Sept 10, 2001 Florida Today, «Altoids offers an exhibit of curiously fresh
art», Pam Harbaugh, 2001 Exhibit: a, «The Big American Issue», June 2001, p. 28 illustration Las Vegas Weekly, August 5, 1999 «Artists Bios», p. 20, illustration Las Vegas Weekly, February 3, 1999 «Great Art BiDesign», p22 New York Contemporary Art Report, Jan / Feb 2000, p. 52, illustrat
art», Pam Harbaugh, 2001 Exhibit: a, «The Big American Issue», June 2001, p. 28 illustration Las Vegas Weekly, August 5, 1999 «Artists Bios», p. 20, illustration Las Vegas Weekly, February 3, 1999 «Great
Art BiDesign», p22 New York Contemporary Art Report, Jan / Feb 2000, p. 52, illustrat
Art BiDesign», p22
New York
Contemporary Art Report, Jan / Feb 2000, p. 52, illustrat
Art Report, Jan / Feb 2000, p. 52, illustration
Recent museum exhibitions: Extreme Drawing — Ballpoint Pen Drawing Since 1950, The Aldrich
Contemporary Art Museum, Ridgefield, CT, 2013; Special
Installation in Representation / Abstraction in Korean
Art, The Metropolitan Museum of
Art,
New York, 2010 - 11;
New Vision — Ballpoint Pen Drawings by IL LEE, Crow Collection of Asian
Art, Dallas, 2010; IL LEE: Ballpoint Drawings, Queens Museum of
Art,
New York, 2007; IL LEE: Ballpoint Abstractions, San Jose Museum of
Art, CA, 2007.
Cecilia Vicuña's exhibition «About to Happen» at the
Contemporary Arts Center
New Orleans is billed as the first major solo exhibition for the artist in the United States and features an array of media: performance, sculpture, drawing, video, text, and site - specific
installation.
There's persuasive evidence to support this sharp reputational shift: this was the moment when post-industrial architecture led to
new forms of loft living; it was the era in which performance, film and
installation became central features of
contemporary art; and it's where more fluid notions of gender and sexuality were evolving in pulsing clubs and decaying factories.
Since 1987 Carsten Nicolai has been in over 50 international solo exhibitions, including Galerie EIGEN +
ART's 1992 Leipzig exhibition, Carsten Nicolai: Running Sap; Carsten Nicolai: Corpus organized by the Städtische Kunstsammlungen Chemnitz, Germany in 1993, which traveled to the Museum Scloß Morsbroich, Leverkusen, Germany and Espace des Arts, Chalon - Sur - Saône, France until 1994; Carsten Nicolai: Light - Stencil - Installation for the Windows of The New York Kunsthalle at The New York Kunsthalle in 1996; Carsten Nicolai, Konstmuseum Ystad, Ystad, Sweden, October 2000; Carsten Nicolai: Auto Pilot, WATARI - UM, Watari Museum of Contemporary Art, Tokyo, Japan, 2002; Carsten Nicolai - Anti Reflex, Schirn Kunsthalle Frankfurt, Römerberg, Frankfurt, 2005; Carsten Nicolai: Syn Chron, Architectural Body as Interfa
ART's 1992 Leipzig exhibition, Carsten Nicolai: Running Sap; Carsten Nicolai: Corpus organized by the Städtische Kunstsammlungen Chemnitz, Germany in 1993, which traveled to the Museum Scloß Morsbroich, Leverkusen, Germany and Espace des
Arts, Chalon - Sur - Saône, France until 1994; Carsten Nicolai: Light - Stencil -
Installation for the Windows of The
New York Kunsthalle at The
New York Kunsthalle in 1996; Carsten Nicolai, Konstmuseum Ystad, Ystad, Sweden, October 2000; Carsten Nicolai: Auto Pilot, WATARI - UM, Watari Museum of
Contemporary Art, Tokyo, Japan, 2002; Carsten Nicolai - Anti Reflex, Schirn Kunsthalle Frankfurt, Römerberg, Frankfurt, 2005; Carsten Nicolai: Syn Chron, Architectural Body as Interfa
Art, Tokyo, Japan, 2002; Carsten Nicolai - Anti Reflex, Schirn Kunsthalle Frankfurt, Römerberg, Frankfurt, 2005; Carsten Nicolai: Syn Chron, Architectural Body as Interface.
ARG # GF1993 - 007
Installation view: NYC 1993: Experimental Jet Set, Trash and No Star
New Museum of
Contemporary Art,
New York February 13 - May 26, 2013
She has recently premiered a
new film and a sculptural
installation commissioned and shown by Fort Worth
Contemporary Arts (Texas, USA).
The Institute of
Contemporary Art, London is now hosting Woodman's first solo show in the UK, which features her recent forays into painting and mixed - media
installations — evidence that even at 85, she is still searching for
new ways to express herself.
Like LeWitt in Building 7, and a long - term, meaty Anselm Kiefer
installation in a collaboration with the Hall
Art Foundation in 2013, the bulk of the new exhibitions are multi-year arrangements with towering figures in contemporary art: Laurie Anderson, Jenny Holzer, James Turrell, Robert Rauschenberg, and Louise Bourgeo
Art Foundation in 2013, the bulk of the
new exhibitions are multi-year arrangements with towering figures in
contemporary art: Laurie Anderson, Jenny Holzer, James Turrell, Robert Rauschenberg, and Louise Bourgeo
art: Laurie Anderson, Jenny Holzer, James Turrell, Robert Rauschenberg, and Louise Bourgeois.
April 9 John Miller is a
New York - and Berlin - based artist and critic whose large scale
installations and junk - based assemblage sculptures speak to the commodification of the
art object and cast a suspicious eye on his peers in the
contemporary art world.
JOHN ANDERSON Roslindale, MA REBECCA KUZEMCHAK
New York, NY RACHEL BORGMAN Baltimore, MD MICHELLE RAMIN San Francisco, CA JUSTIN GAFFREY Santa Rosa Beach, FL KIM RICE Norman, OK RICHELLE GRIBBLE Idyllwild, CA HERB ROE Lafayette, LA TERI HAVENS Carbondale, CO BETH WALDMAN San Francisco, CA JOO LEE KANG Boston, MA MARGI WEIR Detroit, MI Comprised of painting, sculpture, drawing, photography, conceptual,
installation, and cutting - edge, digital mediums, NO DEAD ARTISTS is an exhibition known for a great diversity in media but with a cohesive cross-section of the pulse of
Contemporary Art.
, Galleria Cardi & Co., Milan Visions of America:
Contemporary Art from the Essl Collection and the Sonnabend Collection,
New York, Sammlung Essl — Kunst der Gegenwart, Vienna (
installation, catalogue) Vision of a Collection, Museum der Moderne Salzburg, Austria Newpapers, Josee Bienvenu Gallery,
New York Monument to Now: The Dakis Joannou Collection, Deste Foundation of
Contemporary Art, Athens (catalogue)... So Fresh, So Cool!
Comprised of painting, sculpture, drawing, photography, printmaking, mixed - media,
installation, ceramics, video and
new media, NO DEAD ARTISTS continues to exhibit a great diversity in media yet with a cohesive cross-section of the pulse of
Contemporary Art.
She recently opened Tania Bruguera: Untitled (Havana, 2000), a
new installation at the Museum of Modern
Art, and was just awarded the 2018 Tate Modern Turbine Hall commission, one of the most prestigious in contemporary a
Art, and was just awarded the 2018 Tate Modern Turbine Hall commission, one of the most prestigious in
contemporary artart.
Brooks has exhibited large - scale
installations at Dallas
Contemporary, Miami
Art Museum, Nouveau Musée National de Monaco, Bold Tendencies London, as well as American
Contemporary and the Sculpture Center in
New York.
1999 CAIS Gallery, Seoul (
installation, catalogue) Grant - Selwyn Gallery,
New York Waddington Galleries, London (
installation, catalogue) Recent Paintings, Alan Koppel Gallery, Chicago Galería Javier López, Madrid The Butler Institute of
Contemporary Art, Youngstown, OH
Cauleen Smith's films, objects, and
installations have been featured in group exhibitions at the Studio Museum of Harlem; Houston
Contemporary Art Museum; the Blanton Museum of
Art, Austin; San Diego Museum of
Contemporary Art; Yerba Buena Center for
Art; the
New Museum,
New York; D21, Leipzig; and Decad, Berlin.
Her videos and
installations have been shown in solo exhibitions at Whitechapel Gallery, London (2016); Frieze Projects,
New York (2016); Schirn Kunsthalle, Frankfurt (2015); and BALTIC Centre for
Contemporary Art, Newcastle (2013).
Mural, Project Wall, St. Louis
Contemporary Art Museum, St. Louis, MO / Focus: Katherine Bernhardt, Modern
Art Museum of Fort Worth, Fort Worth, TX / Commissioned
Installation, Lever House
Art Collection,
New York, NY
Atlanta
Contemporary held the second annual
ART PARTY with a site - specific
installation curated by Joey Orr entitled Exquisite Exhibit: Parlour Games from the Studio Artist Program, which sought to engage
new and established audiences with twenty - one artists from the last decade of the Studio Artist Program.
Museum of
Contemporary Art Santa Barbara (MCASB) will present avalanches volcanoes asteroids floods, a newly commissioned
installation by the vibrant
New York / Paris based artist duo assume vivid astro focus (avaf) from August 14 — December 31, 2016.
2013 Prints and Editions: 25 Years, Carl Solway Gallery Cincinnati, OH Galerie Xippas, Paris Mary Boone Gallery,
New York (collaborative
installation with Alessandro Mendini, catalogue) Recent Works, Klaus Steinmetz
Contemporary Art, San José, Costa Rica (catalogue) Paintings 2012 — 2013, Waddington Custot Galleries, London (catalogue) Patricia Low
Contemporary, St. Moritz, Switzerland Direction, Mottahedan Projects, Dubai