Sentences with phrase «new contemporary artistic production»

With «Altermodern,» a new contemporary artistic production era is established and a new red - hot topic arises that without a doubt is already sparking vigorous controversy.

Not exact matches

So much writing about contemporary art today is quick to identify the successes of the age, to establish a new canon of artistic production, but what would happen if ambivalence became a productive force, if art were no longer judged according to a vague and malleable scale of quality?
The Museum of Contemporary African Diasporan Arts (MoCADA) uses the visual arts as a point of departure for exploring new artistic production across a variety of disciplines.
The Borusan Contemporary Art Collection is constantly expanding through acquisitions and new commissions that support artistic production.
The show presents a chronological reading of the artistic production in different moments of the history of Brazil - Modernism, New State, Golden Age, Leaden Years and Contemporary art.
It also includes a two - day symposium (March 5 - 6) examining the diverse practices of artists, curators and collectors from Africa and the Diaspora through a series of panel discussions and video screenings, looking at new global phenomena in contemporary artistic production.
During these last years, the gallery has opened up its focus onto the new forms of the contemporary artistic production, which are more correlated to Graffiti Writing and Street Art.
«Thanks to some of the shortcomings imposed by the political and socioeconomic context here, the art scene has developed its own specific type of artistic production and a wide range of self - managed independent projects,» Converti tells me, before rattling off some of the new leadership moving art forwards at cultural and contemporary arts institutions.
Responding to the current climate of art fairs in regard to artistic production and reception, Paris Internationale is a joint initiative from five emerging galleries — Crèvecoeur, High Art, Antoine Levi, Sultana and Gregor Staiger — as a collective attempt to develop an appropriate model for fostering new advanced initiatives in contemporary art.
Taken as a whole, the exhibition is a clean, a strong, and a varied one and of vast artistic, educational interest and importance, and, if I mistake not, will have as a result, and despite the unquestionably skeptical and even hostile attitude towards the merits of the new foreign movements, or an indisposition to accept them as being worthy of the title of art movements in general — the most marked effect upon the cause of art in America, and upon the coming production of American painters and sculptors, than anything that has occurred since the first exhibition of the so - called Munich band of young American painters in the old American art galleries in 1878, and of the work of Monet and his contemporaries and followers held here in 1883.
Awarded biannually to a young Greek or Cypriot artist, the Prize aims to identify and showcase the work of an emerging generation of contemporary artists who are actively redefining the parameters of cultural production and contributing to new issues in the artistic discourse.
TSA New York and NURTUREart will host a dialog on abstract painting's critical reception today, and Brooklyn's role in its recent importance in contemporary artistic production.
Is this a worthy challenge of contemporary arts insularity or does it discount subversive and against - the - grain art production, made by and for art communities, including that which is made within and by these same diverse communities that are being targeted by new funding initiatives as in need of help in the form of artistic interventions?
Today's funding trends such as Creative Place - making, made possible through partnership enterprises among foundation, governmental, and financial - sector support, such as ArtPlace America, are concentrated on giving art and artists opportunities in diverse communities yet also require artists and arts organizations to think through an entrepreneurial frame by integrating their initiatives into their community's economic development and community revitalization strategies and having the potential to attract additional private and public support of the community.3 Is this a worthy challenge of contemporary arts insularity or does it discount subversive and against - the - grain art production, made by and for art communities, including that which is made within and by these same diverse communities that are being targeted by new funding initiatives as in need of help in the form of artistic interventions?
3 pm, Galpão VB >> Launch of Amigos Videobrasil The new membership program offers di erent support options for those wishing to contribute to the continuation of Videobrasil's public programming and venue, aimed at promoting the contemporary artistic production of the global South, expanding access to visual arts, educating audiences, and preserving the Festival's Historical Collection.
The curators are: Sally Tallant, Director, Liverpool Biennial Dominic Willsdon, Curator of Education and Public Practice, San Francisco Museum of Modern Art Francesco Manacorda, Artistic Director, Tate Liverpool Raimundas Malasauskas, curator and writer Joasia Krysa, Head of Research, Liverpool Biennial and Director, Exhibition Research Centre Rosie Cooper, Head of Programmes, Liverpool Biennial Polly Brannan, Education Curator, Liverpool Biennial Francesca Bertolotti - Bailey, Head of Production and International Projects, Liverpool Biennial Ying Tan, Curator, Centre for Chinese Contemporary Art (CFCCA) Sandeep Parmar, Co-Director, Centre for New and International Writing Steven Cairns, Associate Curator of Artists Film and Moving Image, ICA
Through painting, sculpture, installation, and new media, the works in the show address how the internet has shaped contemporary culture and artistic production since its inception in 1989.
The exhibition presents works that talk about the relation between photography and other media, making possible new meanings and paths for contemporary artistic production.
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