Sentences with phrase «new creative imagination»

Given the conservative nature of religious practice, it is more than likely that the old view would have won out every time, stifling all new creative imagination.

Not exact matches

In their New Age Journal report, «Beverly Hills Shaman» (March - April 1989), they acknowledge that in February Carson and his attorney unexpectedly indicated their intention to drop the suit, and they document that prior to that action Carson had made claims suggesting that many of Andrews «s experiences were the results of his own creative imagination.
Moreover, it was precisely the acceptance of the old which provided a rich matrix for present creative imagination to reach new levels of insight.
Nonetheless, ordinary Catholics within a state of grace are heirs to the Kingdom of God, and the graced imagination's new ideas and solutions to difficult problems, are evident in the daily course of events that occur in school, work, families or, as Pope Francis hopes, creative solutions to the environmental crises.
They originate in a combination of analogy to the familiar and creative imagination in inventing the new.
A new food culture is emerging, rooted in Dutch ingredients and shaped by the creative imaginations of chefs trained in (and bored with) Continental standbys.
Some experts believe that letting a child make a mess can lead to creative thinking, imagination and prompts kids to explore new things.
the newer variety that come with photographers with editorial backgrounds and creative imaginations are something else.
You will see your child's ability to use his imagination in action as he goes from using objects in they way they are intended to be used — a comb for combing hair — to using them in new, creative ways.
The best education for a graduate student is one that fosters leadership, imagination, and creative thinking; so they can bring something new to an existing profession or even create their own positions.
Then, go check out Chillhouse at 149 Essex Street, where Cyndi Ramirez has taken her entrepreneurial background and creative imagination to open this amazing new space.
I'm a fun person to be around.I'm very spontaneous, love fishing, camping, road trips, exploring new places and love the waters: — RRB - beach, rivers, lakes and so on.I'm very creative and have a big imagination.
It is full of creative tasks and their imagination will enjoy exploring new ideas!
zuuka and iStoryTime announced today the hiring of a new Creative Director, Paul Mueller - Bruehl, formerly the Design Lead, Mobile Commerce of Apple, Inc. «Our interactive storytelling and educational apps are about offering parents and their children a unique experience that captivates their imagination and Paul... [Read more...]
: In this creative new kind of action - puzzle game, players communicate, cooperate, and use their imagination to solve basic and advanced puzzles by cutting paper characters into new shapes.
«With new gameplay modes and features, Scribblenauts Unlimited sets no limits on how players can use their imagination,» said Jeremiah Slaczka, C.E.O. and Creative Director of 5TH Cell.
: In this creative new kind of Action - Puzzle game, players communicate, cooperate and use their imaginations to solve basic and advanced puzzles by cutting paper characters into new shapes.
2011 Festival of the New Black Imagination with Wangechi Mutu and Greg Tate, Brooklyn, NY Brooklyn Museum Conversation with Mos Def and Marcus Samuelsson Food Republic Panel with Marcus Samuelsson, Dylan Ratigan and Eddie Chai, New York, NY Sotheby's Institute, New York, NY Creative Time Global Residency Talk, New York, NY
Introduction The abstract artist is a creative poet, using any and all artistic elements to evoke emotions, express the imagination, and portray new and unseen subject matter.
1947 Betty Parson Gallery, New York, NY Creative Imagination - A Psychological Approach, American University, Washington, DC Graphic Work 1934 - 47, The Brooklyn Museum, Brooklyn, NY
1946 Mortimer Brandt Gallery, New York, NY Creative Imagination - A Psychological Approach, American University, Washington, DC
MOCA Cleveland provides diverse opportunities to stimulate thinking, spark imagination, and encourage experimentation, and experience new art in creative and meaningful ways.
ROYAL DANISH ACADEMY OF FINE ARTS, Copenhagen, Denmark 2011 «Some Structures; drawing, writing, finance» AARHUS, SCHOOL OF ARCHITECTURE, Aarhus, Denmark 2011 «Hunting Life in an Open Book» «Arts, Letters and Numbers: An expanded disciplinary geography» PARSONS THE NEW SCHOOL FOR DESIGN, New York, NY 2010 «Design and Existential Risk» Fall Lecture series «Risk Distribution: Why I teach algorithmic trading in an art school» GLASS HOUSE CONVERSATIONS; Dialogue in the Digital Age 2010 Invited Participant by Geoff Manaugh philipjohnsonglasshouse.org ACADIA 2010 Conference LIFE in: formation, New York, NY 2010 Lecture: «Time Promise Land: Notes on our current geographies» COOPER UNION, New York, NY 2010, «Hejduk, Hamlet and the Ghost Promise» with response from David Shapiro (poet) Rhode Island School of Design, Providence, RI 2010, National Science Foundation, Making Science Visible Conference «Embodied Knowledge Navigating Disciplinary Geographies» COOPER UNION Panel discussion, New York, NY 2010, «Light is Calling» Participant and moderator Bill Morrison, Kyna Leski, Chris Rose CÍRCULO DE BELLAS ARTES, Madrid, Spain Conference on John Hejduk 2009, «Hejduk, Hamlet and the Ghost Promise» COOPER UNION, New York, NY Public Art lectures with Dennis Adams 2009, «No More Shall We Part» HARVARD UNIVERSITY, GSD, Cambridge, MA Critical Digital Conference 2009, «Creative Imagination In the Shadow of Oppenhiemer» Rhode Island School of Design, Providence, RI How Do We Look to the OutsiNEW SCHOOL FOR DESIGN, New York, NY 2010 «Design and Existential Risk» Fall Lecture series «Risk Distribution: Why I teach algorithmic trading in an art school» GLASS HOUSE CONVERSATIONS; Dialogue in the Digital Age 2010 Invited Participant by Geoff Manaugh philipjohnsonglasshouse.org ACADIA 2010 Conference LIFE in: formation, New York, NY 2010 Lecture: «Time Promise Land: Notes on our current geographies» COOPER UNION, New York, NY 2010, «Hejduk, Hamlet and the Ghost Promise» with response from David Shapiro (poet) Rhode Island School of Design, Providence, RI 2010, National Science Foundation, Making Science Visible Conference «Embodied Knowledge Navigating Disciplinary Geographies» COOPER UNION Panel discussion, New York, NY 2010, «Light is Calling» Participant and moderator Bill Morrison, Kyna Leski, Chris Rose CÍRCULO DE BELLAS ARTES, Madrid, Spain Conference on John Hejduk 2009, «Hejduk, Hamlet and the Ghost Promise» COOPER UNION, New York, NY Public Art lectures with Dennis Adams 2009, «No More Shall We Part» HARVARD UNIVERSITY, GSD, Cambridge, MA Critical Digital Conference 2009, «Creative Imagination In the Shadow of Oppenhiemer» Rhode Island School of Design, Providence, RI How Do We Look to the OutsiNew York, NY 2010 «Design and Existential Risk» Fall Lecture series «Risk Distribution: Why I teach algorithmic trading in an art school» GLASS HOUSE CONVERSATIONS; Dialogue in the Digital Age 2010 Invited Participant by Geoff Manaugh philipjohnsonglasshouse.org ACADIA 2010 Conference LIFE in: formation, New York, NY 2010 Lecture: «Time Promise Land: Notes on our current geographies» COOPER UNION, New York, NY 2010, «Hejduk, Hamlet and the Ghost Promise» with response from David Shapiro (poet) Rhode Island School of Design, Providence, RI 2010, National Science Foundation, Making Science Visible Conference «Embodied Knowledge Navigating Disciplinary Geographies» COOPER UNION Panel discussion, New York, NY 2010, «Light is Calling» Participant and moderator Bill Morrison, Kyna Leski, Chris Rose CÍRCULO DE BELLAS ARTES, Madrid, Spain Conference on John Hejduk 2009, «Hejduk, Hamlet and the Ghost Promise» COOPER UNION, New York, NY Public Art lectures with Dennis Adams 2009, «No More Shall We Part» HARVARD UNIVERSITY, GSD, Cambridge, MA Critical Digital Conference 2009, «Creative Imagination In the Shadow of Oppenhiemer» Rhode Island School of Design, Providence, RI How Do We Look to the OutsiNew York, NY 2010 Lecture: «Time Promise Land: Notes on our current geographies» COOPER UNION, New York, NY 2010, «Hejduk, Hamlet and the Ghost Promise» with response from David Shapiro (poet) Rhode Island School of Design, Providence, RI 2010, National Science Foundation, Making Science Visible Conference «Embodied Knowledge Navigating Disciplinary Geographies» COOPER UNION Panel discussion, New York, NY 2010, «Light is Calling» Participant and moderator Bill Morrison, Kyna Leski, Chris Rose CÍRCULO DE BELLAS ARTES, Madrid, Spain Conference on John Hejduk 2009, «Hejduk, Hamlet and the Ghost Promise» COOPER UNION, New York, NY Public Art lectures with Dennis Adams 2009, «No More Shall We Part» HARVARD UNIVERSITY, GSD, Cambridge, MA Critical Digital Conference 2009, «Creative Imagination In the Shadow of Oppenhiemer» Rhode Island School of Design, Providence, RI How Do We Look to the OutsiNew York, NY 2010, «Hejduk, Hamlet and the Ghost Promise» with response from David Shapiro (poet) Rhode Island School of Design, Providence, RI 2010, National Science Foundation, Making Science Visible Conference «Embodied Knowledge Navigating Disciplinary Geographies» COOPER UNION Panel discussion, New York, NY 2010, «Light is Calling» Participant and moderator Bill Morrison, Kyna Leski, Chris Rose CÍRCULO DE BELLAS ARTES, Madrid, Spain Conference on John Hejduk 2009, «Hejduk, Hamlet and the Ghost Promise» COOPER UNION, New York, NY Public Art lectures with Dennis Adams 2009, «No More Shall We Part» HARVARD UNIVERSITY, GSD, Cambridge, MA Critical Digital Conference 2009, «Creative Imagination In the Shadow of Oppenhiemer» Rhode Island School of Design, Providence, RI How Do We Look to the OutsiNew York, NY 2010, «Light is Calling» Participant and moderator Bill Morrison, Kyna Leski, Chris Rose CÍRCULO DE BELLAS ARTES, Madrid, Spain Conference on John Hejduk 2009, «Hejduk, Hamlet and the Ghost Promise» COOPER UNION, New York, NY Public Art lectures with Dennis Adams 2009, «No More Shall We Part» HARVARD UNIVERSITY, GSD, Cambridge, MA Critical Digital Conference 2009, «Creative Imagination In the Shadow of Oppenhiemer» Rhode Island School of Design, Providence, RI How Do We Look to the OutsiNew York, NY Public Art lectures with Dennis Adams 2009, «No More Shall We Part» HARVARD UNIVERSITY, GSD, Cambridge, MA Critical Digital Conference 2009, «Creative Imagination In the Shadow of Oppenhiemer» Rhode Island School of Design, Providence, RI How Do We Look to the Outside?
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