Sentences with phrase «new critical conversations»

In February of 2012, we introduced a rotating guest editorship for our Critics Page section, sparking new critical conversations every month.

Not exact matches

Assessing the legality and reputational risks associated with new projects is critical for us, and we routinely undertake conversations with prospective clients to try to tease out any unethical or illegal intentions.

Some of them have been a little critical, some are skeptical, but everybody is curious, and I think it's starting a new conversation.

Walter Leibrecht [New York: Harper & Brothers, 1959], p. 178, as cited by Ogden, «The Experience of God: Critical Reflections on Hartshorne's Theory of Analogy,» in Existence and Actuality: Conversations with Charles Hartshorne, ed.

The hot new dating app puts women in control of the conversation Writing a great first email message is critical to success or failure in your dating life.

Bonus materials include a new conversation between author Herve Dumont, author of Frank Borzage: The Life and Films of a Hollywood Romantic, and film historian Peter Cowie; and a critical essay.

«Your initial conversations and interactions with families are critical for setting the tone of your relationship for the entire school year,» write Karen Mapp, Ilene Carver, and Jessica Lander in their useful new book, Powerful Partnerships: A Teacher's Guide to Engaging Families for Student Success.

This conversation could be taking place at El Verano School, in Sonoma, California, or at Hamilton Central School, in upstate New York, or in K - 8 classrooms in cities as diverse as San Francisco, San Antonio, Miami, and dozens of others whose school districts are using an art curriculum called Visual Thinking Strategies to improve critical thinking, language and writing, and academic achievement.

«A critical concept of the new mathematics curriculum is that it encourages the learning of fewer things in greater depth and, inevitably, this is serving to catalyst conversation within the profession as to how to ensure that the right balance between quality and quantity is being struck whilst also ensuring that any methods adopted will stand the scrutiny of assessment.»

Stiggins kicks off this critical conversation and charts a course for a new system that promises much higher levels of student success at a fraction of our current testing costs.

he was interviewed by Janice Fuld, outreach producer of the WNeT public television station in New York city, in October 2012, as part of the Wallace - sponsored «critical conversations» series, looking at school leadership.

When governments and technologists collaborate, there is an enormous potential to reimagine the way we approach urban mobility, and Secretary Foxx and the DOT should be commended for moving this critical conversation in a new direction.»

Critical Knowledge: Initial run of 500 battery - powered vehiclesWill be leased mostly to regular (non-fleet) motorists, in or near Los Angeles and New York CityMini claims range of up to 156 milesFull - electric Mini produces zero emissionsFeedback from project participants will help Mini executives decide how to proceed with productionRegular production of the Mini E appears likelyIntroductionAt a time when hybrids are still getting most of the attention in fuel - efficiency conversations and engineering projects, several major automakers have been promoting full - electric cars.

2014 Montclair Art Museum, Montclair, NJ Urban Video Project, Syracuse University, Syracuse, NY University of Colorado Boulder, Boulder, CO CoHosts, Baltimore School for the Arts, Baltimore, MD Art in Embassies, Delegation participant, Johannesburg, South Africa Prompter for LaTableRonde Whitney Biennial # 3: On Art as Apparatus, Critical Practices Inc, Whitney Museum of American Art, New York, NY AFROPUNK panel moderated by Greg Tate, Moogfest, Asheville, NC Carrie Mae Weems: Live from the Guggenheim, Guggenheim Museum, New York, NY In Conversation Sanford Biggers and Saul Williams moderated by Rujeko Hockley presented by Columbia University School of the Arts and The Studio Museum, New York, NY Afropunk's The Triptych screening panel, Georgia Institute of Technology, Atlanta, GA Advancing STEM Through Culturally Situated Arts Based Learning, Georgia Institute of Technology, Atlanta, GA

Concurrent with their selection in this year's Whitney Biennial, New York's Critical Practices Inc. host an unmoderated conversation prompted by Curator Omar Lopez - Chahoud on the death (and future) of the gallery show.

She curated a series of videos on new Palestinian video work and co-authored an article for Camera Obscura, «Queer / Palestinian: A Critical Conversation on Palestinian Queer and Women's Cinema.»

Inspired by art's potential to elicit critical conversation and generate new ideas, Ballroom Marfa has launched Marfa Dialogues, an initiative to bring together voices reflective of the many perspectives of our diverse community.

Not only does Crump do justice to the critical literature, but time and again he contributes new information about Welling's practice based on extensive conversations with the artist and provides insights into the work that even the most informed and sophisticated reader can only be grateful for.

Inspired by art's potential to elicit critical conversation and generate new ideas, Ballroom Marfa launched Marfa Dialogues, an initiative to bring together voices reflective of the many perspectives of the Big Bend's diverse community.

Critical Conversations Editor Jason Farago is joined by Palme d'Or - winning director Ruben Östlund to discuss his new film The Square.

The discussion will spark a critical conversation about the exchange and transformation of the artist's practice in New York and the current challenges that artists face while living in the City.

ROYAL DANISH ACADEMY OF FINE ARTS, Copenhagen, Denmark 2011 «Some Structures; drawing, writing, finance» AARHUS, SCHOOL OF ARCHITECTURE, Aarhus, Denmark 2011 «Hunting Life in an Open Book» «Arts, Letters and Numbers: An expanded disciplinary geography» PARSONS THE NEW SCHOOL FOR DESIGN, New York, NY 2010 «Design and Existential Risk» Fall Lecture series «Risk Distribution: Why I teach algorithmic trading in an art school» GLASS HOUSE CONVERSATIONS; Dialogue in the Digital Age 2010 Invited Participant by Geoff Manaugh philipjohnsonglasshouse.org ACADIA 2010 Conference LIFE in: formation, New York, NY 2010 Lecture: «Time Promise Land: Notes on our current geographies» COOPER UNION, New York, NY 2010, «Hejduk, Hamlet and the Ghost Promise» with response from David Shapiro (poet) Rhode Island School of Design, Providence, RI 2010, National Science Foundation, Making Science Visible Conference «Embodied Knowledge Navigating Disciplinary Geographies» COOPER UNION Panel discussion, New York, NY 2010, «Light is Calling» Participant and moderator Bill Morrison, Kyna Leski, Chris Rose CÍRCULO DE BELLAS ARTES, Madrid, Spain Conference on John Hejduk 2009, «Hejduk, Hamlet and the Ghost Promise» COOPER UNION, New York, NY Public Art lectures with Dennis Adams 2009, «No More Shall We Part» HARVARD UNIVERSITY, GSD, Cambridge, MA Critical Digital Conference 2009, «Creative Imagination In the Shadow of Oppenhiemer» Rhode Island School of Design, Providence, RI How Do We Look to the OutsiNEW SCHOOL FOR DESIGN, New York, NY 2010 «Design and Existential Risk» Fall Lecture series «Risk Distribution: Why I teach algorithmic trading in an art school» GLASS HOUSE CONVERSATIONS; Dialogue in the Digital Age 2010 Invited Participant by Geoff Manaugh philipjohnsonglasshouse.org ACADIA 2010 Conference LIFE in: formation, New York, NY 2010 Lecture: «Time Promise Land: Notes on our current geographies» COOPER UNION, New York, NY 2010, «Hejduk, Hamlet and the Ghost Promise» with response from David Shapiro (poet) Rhode Island School of Design, Providence, RI 2010, National Science Foundation, Making Science Visible Conference «Embodied Knowledge Navigating Disciplinary Geographies» COOPER UNION Panel discussion, New York, NY 2010, «Light is Calling» Participant and moderator Bill Morrison, Kyna Leski, Chris Rose CÍRCULO DE BELLAS ARTES, Madrid, Spain Conference on John Hejduk 2009, «Hejduk, Hamlet and the Ghost Promise» COOPER UNION, New York, NY Public Art lectures with Dennis Adams 2009, «No More Shall We Part» HARVARD UNIVERSITY, GSD, Cambridge, MA Critical Digital Conference 2009, «Creative Imagination In the Shadow of Oppenhiemer» Rhode Island School of Design, Providence, RI How Do We Look to the OutsiNew York, NY 2010 «Design and Existential Risk» Fall Lecture series «Risk Distribution: Why I teach algorithmic trading in an art school» GLASS HOUSE CONVERSATIONS; Dialogue in the Digital Age 2010 Invited Participant by Geoff Manaugh philipjohnsonglasshouse.org ACADIA 2010 Conference LIFE in: formation, New York, NY 2010 Lecture: «Time Promise Land: Notes on our current geographies» COOPER UNION, New York, NY 2010, «Hejduk, Hamlet and the Ghost Promise» with response from David Shapiro (poet) Rhode Island School of Design, Providence, RI 2010, National Science Foundation, Making Science Visible Conference «Embodied Knowledge Navigating Disciplinary Geographies» COOPER UNION Panel discussion, New York, NY 2010, «Light is Calling» Participant and moderator Bill Morrison, Kyna Leski, Chris Rose CÍRCULO DE BELLAS ARTES, Madrid, Spain Conference on John Hejduk 2009, «Hejduk, Hamlet and the Ghost Promise» COOPER UNION, New York, NY Public Art lectures with Dennis Adams 2009, «No More Shall We Part» HARVARD UNIVERSITY, GSD, Cambridge, MA Critical Digital Conference 2009, «Creative Imagination In the Shadow of Oppenhiemer» Rhode Island School of Design, Providence, RI How Do We Look to the OutsiNew York, NY 2010 Lecture: «Time Promise Land: Notes on our current geographies» COOPER UNION, New York, NY 2010, «Hejduk, Hamlet and the Ghost Promise» with response from David Shapiro (poet) Rhode Island School of Design, Providence, RI 2010, National Science Foundation, Making Science Visible Conference «Embodied Knowledge Navigating Disciplinary Geographies» COOPER UNION Panel discussion, New York, NY 2010, «Light is Calling» Participant and moderator Bill Morrison, Kyna Leski, Chris Rose CÍRCULO DE BELLAS ARTES, Madrid, Spain Conference on John Hejduk 2009, «Hejduk, Hamlet and the Ghost Promise» COOPER UNION, New York, NY Public Art lectures with Dennis Adams 2009, «No More Shall We Part» HARVARD UNIVERSITY, GSD, Cambridge, MA Critical Digital Conference 2009, «Creative Imagination In the Shadow of Oppenhiemer» Rhode Island School of Design, Providence, RI How Do We Look to the OutsiNew York, NY 2010, «Hejduk, Hamlet and the Ghost Promise» with response from David Shapiro (poet) Rhode Island School of Design, Providence, RI 2010, National Science Foundation, Making Science Visible Conference «Embodied Knowledge Navigating Disciplinary Geographies» COOPER UNION Panel discussion, New York, NY 2010, «Light is Calling» Participant and moderator Bill Morrison, Kyna Leski, Chris Rose CÍRCULO DE BELLAS ARTES, Madrid, Spain Conference on John Hejduk 2009, «Hejduk, Hamlet and the Ghost Promise» COOPER UNION, New York, NY Public Art lectures with Dennis Adams 2009, «No More Shall We Part» HARVARD UNIVERSITY, GSD, Cambridge, MA Critical Digital Conference 2009, «Creative Imagination In the Shadow of Oppenhiemer» Rhode Island School of Design, Providence, RI How Do We Look to the OutsiNew York, NY 2010, «Light is Calling» Participant and moderator Bill Morrison, Kyna Leski, Chris Rose CÍRCULO DE BELLAS ARTES, Madrid, Spain Conference on John Hejduk 2009, «Hejduk, Hamlet and the Ghost Promise» COOPER UNION, New York, NY Public Art lectures with Dennis Adams 2009, «No More Shall We Part» HARVARD UNIVERSITY, GSD, Cambridge, MA Critical Digital Conference 2009, «Creative Imagination In the Shadow of Oppenhiemer» Rhode Island School of Design, Providence, RI How Do We Look to the OutsiNew York, NY Public Art lectures with Dennis Adams 2009, «No More Shall We Part» HARVARD UNIVERSITY, GSD, Cambridge, MA Critical Digital Conference 2009, «Creative Imagination In the Shadow of Oppenhiemer» Rhode Island School of Design, Providence, RI How Do We Look to the Outside?

The opening reception will take place on Saturday, March 21, 2009 from 6:30 - 8:30 pm, with a public event beginning at 7 pm featuring poets / artists George Quasha and Charles Stein, authors of An Art of Limina: Gary Hill's Works and Writing (Ediciones Poligrafa, 2009; with a foreword by Lynne Cooke), in conversation with the artist about their new publication, which contributes to the «further life» of the artist's work within a critical / historical context.

This catalog includes a new artist's project consisting of drawings realized in dialog with Heinrich von Kleist's essay «On the Marionette Theater» (1810), as well as new critical essays by Carolyn Christov - Bakargiev and Laura U. Marks and a conversation between Marcella Beccaria and the artist.

These initiatives have produced some insightful developments: innovation funds within agencies; the creation of the White House Data and Digital Cabinets; United States Digital Services, 18F, and the Presidential Innovation Fellows; evidence - based policy conversations; the use of prizes and challenges; small, critical changes in technology procurement processes; and the attraction and recruitment of new talent to government.