Sentences with phrase «new cultural centre»

Writhing up from banks of the Tagus river in Belém in a rippling wave of faceted tiles — Lisbon's new cultural centre is the work of British architect Amanda Levete, formerly one - half of Future Systems, designers of Selfridges sequinned slug in Birmingham.

Marvel at the captivating capital of Anhui province, the city's new cultural centre.

Not exact matches

Three consortia comprising local and international design firms will compete for the design and construction contract for the new $ 430 million WA Museum, set to be built at the Perth Cultural Centre.

Get cultured with a celebration at the Irish Cultural Centre of New England or catch one of the many pub crawls around town.

In her speech at its launching, Joan Kirner, the Premier of Victoria, equated the new facility with the National Tennis Centre and the Great Southern Stand at the Melbourne Cricket Ground as cultural icons of the future.

Rome gave way to Paris as a cultural centre, which was eventually overtaken by Los Angeles and New York.

Since 1977's ABBA: The Movie, cuddly Swedish director Lasse Hallstrom has doggedly pursued the cultural centre ground, and his new foodie drama The Hundred - Foot Journey boasts many reassuringly familiar ingredients.

Take a boat cruise down Cooper Creek looking for salt water crocodiles, birds, butterflies and lots of other interesting rainforest dwellers, take a walk on beautiful beaches where the rainforest grows to the edge of the sand, walk along trails to reach the peak so you can gaze out over the ocean and mountains beyond and then begin your journey back to Port Douglas but not before calling into Mossman Gorge to explore this new interactive Aboriginal cultural centre and maybe even have a swim in the cool river.

See the out standing cultural centre, cafes, restaurants, variety of shops and parklands by the foreshore and the new marina development.

William Talbert, President & CEO, Greater Miami Convention & Visitors Bureau tells BTN about the expanding opportunities for the community of Miami as it becomes an emerging cultural destination with a new performing arts centre, the new world symphony hall and Miami Park Museum which is currently under construction.

It's the geothermal and cultural centre of New Zealand.

As the nation's capital, Wellington has a rich cultural life that includes Royal New Zealand Ballet, New Zealand Symphony Orchestra, Te Whaea National Dance and Drama Centre and National Portrait Gallery.

Tour of New Manila visiting the Cultural Centre of the Philippines Complex, reclaimed land situated along Roxas Boulevard, the Folk Arts Theatre, drive through Makati and stop at the American Memorial Cemetery.

Walk around narrow, cobbled streets down to the sea, the old port having been revived with new museums, photography gallery, cinema and various cultural centres for different exhibitions, events and celebrations throughout the year.

The regional centre of Nowra, situated on the beautiful Shoalhaven River, is a major town on the New South Wales south coast and is close to the many popular natural and cultural features of the Shoalhaven and Southern Highlands districts.

The brand new Barceló V Centenario hotel is strategically located in a beautiful residential area of Cáceres, just five minutes from the historical centre, declared as World Cultural Heritage by UNESCO.

If your aren't familiar with the island, it's a new development and targeted to be the Abu Dhabi's cultural centre.

The experience includes three new garden spaces (in addition to the untouched original), a cultural village, a 20 - foot Japanese - style medieval castle wall, a courtyard, and an education centre doubling as a tea café.

The Cultural Centre of Belgrade was founded in 1957 as a multidisciplinary cultural institution, whose role as an informative and educational institution was crucial during the development of Yugoslavia new society in the post-waCultural Centre of Belgrade was founded in 1957 as a multidisciplinary cultural institution, whose role as an informative and educational institution was crucial during the development of Yugoslavia new society in the post-wacultural institution, whose role as an informative and educational institution was crucial during the development of Yugoslavia new society in the post-war years.

O'Neal's drawings and paintings have been shown at The Drawing Center, New York; BRIC, Brooklyn; P.S. 122, New York; Johnson Museum of Art, Ithaca, NY; Woodruff Arts Center, Atlanta; Tennessee Arts Commission, Nashville; Mississippi Museum of Art, Jackson, MS; Centre d'Art des Pénitents Noirs, Aubagne, France; Contemporary Arts Center, New Orleans; Chicago Cultural Center; Ecomuseu, Valls d'Aneu, Spain; Amory Arts Center, West Palm Beach, FL; Huntsville Museum of Art, AL; Rockefeller Art Center, SUNY Fredonia; ART LA; Field Projects, New York; and Linda Warren Projects, Chicago.

2011 Decepción, Mary Boone Gallery, New York, NY and Centre Cultural Contemporani Pelaires, Palma de Mallorca, Spain

Wexford, Ireland, 2018 Foundation for Contemporary Arts Emergency Grant, New York, NY, 2016 Emerging Artist Fellowship 2015, Socrates Sculpture Park, Queens, NY, 2015 The Quarry At Marble House Project, Dorset, VT, 2015 Process Space, Lower Manhattan Cultural Council, New York, NY, 2014 Frans Masereel Centrum, Kasterlee, Belgium, 2014 Workspace, Lower Manhattan Cultural Council, New York, NY, 2012 - 2013 The Banff Centre, A PAPER A DRAWING A MOUNTAIN with Silke Otto - Knapp and Jan Verwoert, Banff, Canada, 2012 Mildred's Lane, Beach Lake, PA, 2011 With funds granted from Parsons, The New School for Design Atlantic Center for the Arts - With Jean - Marc Bustamante — New Smyrna Beach, FL, 2010 With funds granted from the Center and the Joan Mitchel Foundation Vermont Studio Center — Johnson, VT, 2009 Big Cypress National Preserve - Ochopee, FL, 2007 Rocky Mountain National Park - Estes Park, CO, 2006

Dutch Museums to build joint collection centre The Rijksmuseum, Paleis Het Loo, the Dutch Open Air Museum and the Cultural Heritage Agency of the Netherlands are to collaborate on the establishment of a new depository for the national collections in Amersfoort.

Timotheus Vermeulen is Assistant Professor in Cultural Theory at the Radboud University Nijmegen, where he also heads the Centre for New Aesthetics.

Among its best known works are: the Menil Collection in Houston; the Kansai International Airport Terminal Building in Osaka; the Kanak Cultural Centre in New Caledonia; the Beyeler Foundation in Basel; the Rome Auditorium; the New York Times Building in New York; Potsdamer Platz in Berlin; and more recently, the Shard in London and the new Whitney Museum in New YoNew Caledonia; the Beyeler Foundation in Basel; the Rome Auditorium; the New York Times Building in New York; Potsdamer Platz in Berlin; and more recently, the Shard in London and the new Whitney Museum in New YoNew York Times Building in New York; Potsdamer Platz in Berlin; and more recently, the Shard in London and the new Whitney Museum in New YoNew York; Potsdamer Platz in Berlin; and more recently, the Shard in London and the new Whitney Museum in New Yonew Whitney Museum in New YoNew York.

The artist has said of this new series that, as with a previous body of work in which he articulated a fascination with Futurism, he is «exploring new ways of interpreting a definitive and somewhat overlooked period in cultural history, developing works centred around the kinds of characters who populate my practice, imagining who is the boy / man who would make this sort of space his own, what his home might look like... and what sort of psychosis would lead to this?»

2013 Rising Waters, 2.0, Museum of the City of New York, New York, NY Pleinairism, Walter Phillips Gallery, The Banff Centre, Banff, Canada, curated by Kitty Scott Along the Lines, Homage to Richard Long, Glasshouse, Brooklyn, NY Workspace Open Studios, Lower Manhattan Cultural Council, New York, NY Spring, The Willows, Brooklyn, NY

Selected public collections include: Tate Gallery, London; Museum of Modern Art, New York; Brooklyn Museum, New York; Solomon R. Guggenheim Museum, New York; Princeton Art Gallery, NJ; Philadelphia Museum of Art, PA; Los Angeles County Museum, CA; Museum of Contemporary Art, San Diego, CA; Eastman House, Rochester, NY; National Gallery of Canada, Ottawa; Metropolitan Museum, Tokyo, JP; National Museum, Osaka, JP; Victoria and Albert Museum, London; Biblioteque National, Paris; IVAM, Valencia, ES; Australian National Gallery, Canberra; Stedelijk Museum, Amsterdam, NL; Stedelijk Van Abbemuseum, Eindhoven, NL; Art Gallery of Ontario, Toronto, CA; National Gallery of Scotland, Edinburgh, UK; British Council, London; Kunstmuseum, Basel, CH; Centro Cultural Arte Contemporaneo, Mexico City, MX; Centre d'Art Contemporain, Geneva, CH; Musee de Grenoble, FR; Musee St. Pierre, Lyon, FR; FRAC, Rennes, FR; National Gallery of Iceland, Reykjavík; Museum of Modern Art, Wakayama, JP; Museum Moderner Kunst, Vienna, AT; University of Lethbridge, CA.

1987 1987 Biennial Exhibition, Whitney Museum of American Art, New York (catalogue) Perverted by Language, Hillwood Art Gallery, Long Island University, Greenvale, NY (curated by Robert Nickas, catalogue) Reconstruct / Deconstruct, John Gibson Gallery, New York (curated by Robert Nickas, catalogue) Extreme Order: Cemin, Gober, Halley, Lemieux, Steinbach, Lia Rumma Gallery, Naples (curated by Collins & Milazzo, brochure) Primary Structures, Rhona Hoffman Gallery, Chicago (curated by Robert Nickas) Avant - Garde in the Eighties, Los Angeles County Museum of Art, Los Angeles (catalogue) Paint — Film, Bess Cutler Gallery, New York Post-Abstract Abstraction, The Aldrich Museum of Contemporary Art, Ridgefield, CT (curated by Eugene Schwartz, catalogue) NY Art Now: The Saatchi Collection, Saatchi Gallery, London (catalogue) Generations of Geometry, Whitney Museum of American Art at The Equitable Center, New York Similia / Dissimilia, Columbia University Art Gallery, New York; travelled to Sonnabend Gallery and Leo Castelli Gallery, New York; Städtische Kunsthalle, Düsseldorf, Germany (curated by Rainer Crone, catalogue) The Castle, documenta 8, Kassel, Germany (curated by Group Material) Reinhard Onnasch Galerie, Berlin (catalogue) Anti-Baudrillard, White Columns, New York (curated by Group Material) Recent Tendencies in Black and White, Sidney Janis Gallery, New York (curated by Jerry Saltz, catalogue) Terrae Motus, Grand Palais, Paris (catalogue) The Beauty of Circumstance, Josh Baer Gallery, New York (catalogue) New York Now, The Israel Museum, Jerusalem, Israel (catalogue) 1986 Admired Work, John Weber Gallery, New York Spiritual America, CEPA Galleries, Buffalo, NY (catalogue); travelled to Stavanger Faste Galleri, Stavanger, Norway (curated by Collins & Milazzo) New New York, Cleveland Center for Contemporary Art, OH Signs of Painting, Metro Pictures, New York, and Donald Young Gallery, Chicago Painting and Sculpture Today 1986, Indianapolis Museum of Art, Indianapolis, IN (catalogue) Paravision II, Margo Leavin Gallery, Los Angeles (curated by Collins & Milazzo) Political Geometries: on the Meaning of Alienation, Hunter College Art Gallery, New York (catalogue) Post Pop, Michael Kohn Gallery, Los Angeles Tableaux Abstraits, Villa Arson, Centre National d'Art Contemporain, Nice, France (catalogue) Europa / Amerika, Ludwig Köln Museum, Cologne, Germany (catalogue) End Game: Reference and Simulation in Recent Painting and Sculpture, Institute of Contemporary Art, Boston, MA (curated by David Joselit and Elisabeth Sussman, catalogue) Ashley Bickerton, Peter Halley, Jeff Koons, Meyer Vaisman, Sonnabend Gallery, New York The Hidden Surface, Middendorf Gallery, Washington, DC Geometry Now, Craig Cornelius Gallery, New York Surfboards, Michael Kohn Gallery, Los Angeles Art and Its Double: A New York Perspective (El arte y su doble), Centre Cultural de la Funcacio Caixa de Pensions, Madrid; travelled to Fundación Caja de Pensions, Barcelona (catalogue) Rooted Rhetoric, Castel Dell «Ovo, Naples (catalogue)

2006 Estrecho Dudoso, TEOR / éTica, San José, Costa Rica, curated by Virginia Pérez Ratton and Tamara Díaz Bringas (Catalog) Festival des Cinémas Différents de Paris, (screening), Centre Culturel La Clef, Paris, France Estudio Abierto, Palacio de Correos, Buenos Aires, Argentina 10 Defining Experiments: cifo 2006 Grant Program Recipients, Cisneros Fontanals Art Foundation (cifo), Miami, Florida (Catalog) Manifesta 6 School, Nicosia, Cyprus, curated by Mai Abu ElDehab, Anton Vidokle and Florian Waldvogel (Cancelled) Prevailing Climate, (screening), Sara Meltzer Gallery, New York, curated by Rachel Gugelberger and Jeffrey Walkowiak 3 Biennale Adriatica di Arti Nuove, San Benedetto del Tronto, Italy, curated by Antonio Arévalo (Catalog) Whitney Museum of American Art Independent Study Program Exhibition, Chelsea Museum, New York El Museo's 4th Bienal: The (S) Files, Museo de Arte de Puerto Rico, San Juan, Puerto Rico (Catalog) 4ème Festival international du Cinéma iranien en Exil, (Screening), Paris, France When Artists Say We, Artists Space, New York, organized by Andrea Geyer and Christian Rattemeyer Bzzzz, Fundacion Cu4rto Nivel Arte Contemporaneo, Bogota, Colombia, curated by Jaime Cerón Russia: Significant Other, Institute for Contemporary Art at the Anna Akhmatova Museum, St Petersburg, Russia, curated by Olga Kopenkina Surveillance, Jersey City Museum, Jersey City, NJ, curated by Rocio Aranda Moving Time, Gallery Korea, Korean Cultural Service, New York, curated by Hwang Yu Jin, Jeeyun Kim, Inhee Iris Moon Featured Artist Projects, Center for Book Arts, New York

2018 As Far as the Eye Can See, New Insight into the Würth Collection, Kunsthalle Würth, Künzelsau, Germany (catalogue) Chaos and Awe: Painting for the 21st Century, Frist Center, Nashville, TN (catalogue) American Abstraction, A Postmodern vision of Abstract Expressionism, Sam Francis, Frank Stella, Peter Halley, Galerie Retelet, Monaco Abstract USA *, QG Gallery, Brussels KEDEUM - KODEM - KADIMA, The Center for Contemporary Art, Tel Av (installation) Emerald City, K11 Foundation, Hong Kong (installation) Geometries, Onassis Cultural Centre, Athens Postmodernism / Modernism, Robert Mangold / Peter Halley, Maruani Mercier, Brussels Brand New: Art and Commodity in the 1980s, Hirschhorn Museum and Sculpture Garden, Washington, DC (catalogue) Peter, Paul, and Mary, Adrian Rosenfeld Gallery, San Francisco ROYGBIV, Kate Werble Gallery, New York

Keith Haring: Journey of the Radiant Baby — Reading Public Museum, Reading, Pennsylvania, United StatesEditions on Paper — University of Valencia, Valencia, SpainKeith Haring: Art and Commerce — Tampa Museum of Art, Tampa, Florida, United StatesKeith Haring: Paintings, Sculpture, Objects and Drawings — Tony Shafrazi Gallery, New York, New York, United StatesAgainst All Odds — Rubell Family Collection, Miami, Florida, United StatesKeith Haring: POP Haring — Symbols and Icons Editions on paper from the Estate of Keith Haring — Singapore Tyler Print Institute, SingaporeComplete Editions on Paper — Centro Cultural Montehermoso Depsito de Aguas, Vitoria, Spain — Fundacion Caixa Galicia, Ferrol, SpainKeith Haring: Monumental Sculptures — Poppy & Pierre Salinger Foundation, Le Thor, FranceKeith Haring Drawings — Alona Kagan Gallery, New York, New York, United StatesKeith Haring — Early Drawings — Baltic Centre for Contemporary Art, Gateshead, United KingdomKeith Haring — Galerie Jerome de Noirmont, Paris, FranceKeith Haring Prints — Memo - art Galeria, Budapest, Hungary

2006 Centre International des Recollets, Paris, Residency Program 2005 Lambent Fellowship in the Arts, Tides Foundation, New York 2003 The Media Arts Fellowship, The Rockefeller Foundation, New York Resident Faculty, Skowhegan School of Painting and Sculpture, Maine 2002 - 2003 Cite Internationale des Arts in Paris, Residency Program, in assocation with the Lower Manhattan Cultural Council 2000 CAMAC: Centre D'Arte Residency Program The Lower Manhattan Cultural Council, Studio Residency Program, World Trade Centers The Tiffany Foundation 1999 The Franklin Furnace Fund for Performance Art New York Foundation for the Arts 1997 The Rema Hort Mann Foundation Grant

2013 The Alpert Award in the Arts 2007 Louis Comfort Tiffany Foundation Fellowship, Art Matters Grant 2006 Lower Manhattan Cultural Council, Swing Space 2005 Smack Mellon Artist Residency Program New York State Council of the Arts, Individual Artist Grant 2004 Lower Manhattan Cultural Council, 120 Broadway Workspace, artist residency Banff Centre for the Arts, IntraNation residency 2003 International Arts Studio Program in Sweden (IASPIS), artist residency 2001 - 03 Jacob K. Javits Fellowship, U.S. Department of Education 2001 Charles Speroni Memorial Scholarship, University of California, Los Angeles Edward J. and Alice Mae Smith Scholarship, University of California, Los Angeles 2000 D'Arcy Hayman Award, University of California, Los Angeles 1999 New York Foundation for the Arts Fellowship, MacDowell Colony Fellow 1994 Bowdoin College, Brunswick, Maine

, at Galerie Perrotin, Paris; Painting 2.0: Expression in the Information Age, at Mumok, Vienna; Basim Magdy, at Deutsche Bank Kunsthalle, Berlin; Olga Balema, at Galerie Fons Welters, Amsterdam; Superstudio, at MAXXI, Rome; Francesco Vezzoli, at Nouveau Musée National de Monaco; Kirill Glushchenko, at VAC Foundation at Polkovaya Street 3, Moscow; Ian Cheng, at Migros Museum für Gegenwartskunst, Zürich; Liverpool Biennial 2016, at various venues, Liverpool; The Science of Imaginary Solutions, at Breese Little, London; Under the Same Sun: Art from Latin America Today, at South London Gallery; Jim Hodges, at Stephen Friedman Gallery, London; Making & Unmaking, at Camden Arts Centre, London; This Is A Voice, at Wellcome Collection, London; Paul Lee, at Maccarone, Los Angeles; Neïl Beloufa, at Ghebaly Gallery, Los Angeles; Benjamin Carlson, at Park View, Los Angeles; Michael Rakowitz, at Graham Foundation and Rhona Hoffman Gallery, Chicago; Ed Ruscha, at Edward Tyler Nahem, New York; Radcliffe Bailey, at Jack Shainman Gallery, New York, Christopher K. Ho, at Present Company, New York; Evan Robarts, at Bryce Wolkowitz Gallery, New York, Nasreen Mohamedi, at The Met Breuer, New York; Chelsea Culprit, at Yautepec, Mexico City; Arquivo Ex Machina, at Itaú Cultural, São Paulo.

S. 1; Tate Modern, London; Hirschhorn Museum and Sculpture Garden D.C.; Kunstmuseum Lucerne, Switzerland; Philadelphia Museum of Art; Denver Art Museum; Indianapolis Museum of Art; Museum of Contemporary Art Chicago; Mass MoCA; MoCA Cleveland; San Francisco Museum of Modern Art; High Museum of Art Atlanta; Los Angeles County Museum of Art; Stedelijk Museum, Amsterdam; Kunsthalle Bern, Switzerland; ICA Boston; Albright - Knox Gallery, Buffalo; El Museo del Barrio NY; The Jewish Museum NY; Socrates Sculpture Park; Sculpture Center NY; ICA Philadelphia; New Museum NY; Bronx Museum; Brooklyn Museum; Creative Time NY; Pinchuk Art Centre Kiev; American Academy in Rome; Guggenheim NY, Venice, Bilbao & Berlin; White Columns; Art in General; Studio Museum in Harlem; Zacheta National Gallery of Art Poland; Artists Space NY; The Menil Collection Houston; J Paul Getty Museum LA and many other museums nationally and internationally; as well as every major cultural institution in South Florida.

China Cultural Centre in Sydney will join forces with the Art Gallery of New South Wales, the National Portrait Gallery, Museums & Galleries of NSW, UNSW Art & Design, Macquarie Group, Gene & Brain Sherman Collection and Nicholas Jose & Claire Roberts in presenting an exhibition titled A Retrospective of Chinese Archibald Finalists, on view -LSB-...]

Deeman's work was featured in a solo exhibition at the Berkeley Art Museum and Pacific Archive, Berkeley, CA, and has also been in many domestic and international group exhibitions, including Aberystwyth Arts Centre, Aberystwyth, UK; The Hive, Worcester, Worcestershire, UK; Municipal Gallery, Library and Cultural Centre, Dublin, Ireland; New Orleans Museum of Art, New Orleans, LA; Old Truman Brewery, London, UK; Pier 24 Photography, San Francisco, CA; SF Cameraworks, San Francisco, CA; and the University of Derby, Derbyshire, UK.

Contemporary Chinese Photography and the Cultural Revolution, Staatliche Mussen zu Berlin, Berlin, Germany (2017); The Exhibition Go Annual Contemporary Art in China, Beijing Minsheng Art Museum (2016); Silk Road International, Art Museum of Nanjing University of Arts, Nanjing, China (2016); New Capital: Huang Yu Collection Exhibition, Museum of Contemporary Art, Chengdu, China (2016); Guns and Roses, Kunstraum, Potsdam c / o Waschhaus, Germany (2016); Links — Locality and Nomadism, The Galaxy Museum of Contemporary Art, Chongqing, China (2015 - 2016); Beyond the Earth — The First Xi'an Contemporary Photography Exhibition, Xi'an Art Museum, Xi'an, Shaanxi Province, China (2015); Chinese Photography: Twentieth Century and Beyond, Three Shadows Photography Art Centre, Beijing, China (2015); Unfamiliar Asia: The Second Beijing Photo Biennial, CAFA Art Museum, Beijing, China (2015); China 8: Contemporary Art from China on the Rhine and Ruhr, Folkwang Museum, Essen, Germany (2015); 2nd Three Shadows Experimental Image Open Exhibition, Three Shadows Photography Art Centre, Beijing China (2015); and Pull Left — Not Always Right,» Urban Arts Space, Ohio State University, Columbus, OH (2014), Hillstrom Museum of Art, Saint Peter, MN (2014); and Unboundedness, China Cultural Center, Berlin, Germany (2013 - 2014).

Art Projects International (API) is please to announce Paris - New York: IL LEE, on view at Galerie Gana - Beaubourg 3, rue Pierre au Lard, 75004 Paris from October 13 to November 5, 2005, sponsored by Centre Culturel Coreen Paris and Korean Cultural Service New York.

It was in 1983 that the newly elected mayor of Nîmes, Jean Bousquet, confirmed his plan to turn the city into a cultural centre, with the creation of this new institution as its centrepiece.

2017 Secrets and Stories, Casa das Histórias, Cascais Depression Pictures, Marlborough Fine Art, London 2016 Old Meets New, Casa das Histórias, Cascais Dancing Ostriches, Marlborough Fine Art, London Paintings and Etchings from the 1980s, Frieze Masters, London 2015 Cousin Bazilio and Other Stories, Marlborough Galería, Madrid The Poacher, Casa das Histórias, Cascais 2014 The Last King of Portugal, Marlborough Fine Art, London 2013 Dame with the goat's foot and other stories, Marlborough Fine Art, London 2012 Retrospective, The Gulbenkian Museum, Paris Balzac and other Stories, Marlborough Fine Art, London 2010 - 11 Retrospective exhibition, Museum of Contemporary Art, Monterrey, Mexico; Pinacoteca de Sao Paulo 2010 Oratorio, Marlborough Fine Art, London 2008 Human Cargo, Marlborough Chelsea, New York Retrospective Exhibition, Museo Nacional Centro de Arte Reina Sofia, Madrid; National Museum of Women in the Arts, Washington O Vinho, a series of eight lithographs, Marlborough Fine Art, London; Galeria Marlborough, Madrid 2006 Marlborough Fine Art, London Paula Rego in Focus, Tate Britain, London 2003 - 04 Corner 2004, Charlottenborg, Copenhagen Jane Eyre and Other Stories, Marlborough Fine Art, London 2002 Celestina's House & Paula Rego — Jane Eyre, Yale Center for British Art, New Haven 2001 Nursery Rymes e Outras Gravuras, Parque das Nacoes, Lisbon So desenhos Paula Rego, Fundacao Arpad Szenes - Vieira da Silva, Lisbon 1999 The Children's Crusade — a suite of 12 etchings, Marlborough Graphics, London Recent Work, Marlborough Galeria SA, Madrid O Crime do Padre Amaro, Fundação Calouste Gulbenkian, Lisbon Open Secrets — Drawings and Etchings, Centre Culturel Calouste Gulbenkian, Paris Children's Crusade, Edinburgh Printmakers Workshop 1988 The Sins of Father Amaro, Dulwich Picture Gallery, London Pra Lá et Pra Cá, Galerie III, Lisbon Pendle Witches, Marlborough Galeria Madrid 1997 Retrospective exhibition, Tate Gallery Liverpool; Fundação das Descobertas, Centro Cultural de Belém, Lisbon 1995 Nursery Rhymes and Peter Pan, Annandale Galleries, Sydney 1994 Dog Women, Marlborough Fine Art, London 1992 - 93 Peter Pan & Other Stories, Marlborough Fine Art, London 1991 - 92 Tales from the National Gallery, Travelling Exhibition: Plymouth City Museum and Art Gallery; Middlesborough Art Gallery; Whitworth Art Gallery, Manchester; Cooper Art Gallery, Barnsley; the National Gallery, London; the Laing Art Gallery, Newcastle; The Calouste Gulbenkian Foundation, Lisbon 1991 - 96 Nursery Rhymes, South Bank Centre, British Council and Marlborough Graphics 1990 Nursery Rhymes, Galerie III, Lisbon 1989 Nursery Rhymes, Marlborough Graphics Gallery, London Galeria III, ARCO, Madrid Galeria III, Lisbon 1988 Retrospective Exhibition, Fundação Calouste Gulbenkian, Lisbon Casa de Serralves, Oporto; the Serpentine Gallery, London 1987 Selected work 1981 - 86, Aberystwyth Arts Centre and UK tour Edward Totah Gallery, London 1985 The Art Palace, New York Edward Totah Gallery, London 1984 Edward Totah Gallery, London 1983 Galerie Espace, Amsterdam 1982 Galeria III, Lisbon, Edward Total Gallery, London 1981 AIR Gallery, London 1978 Galeria III, Lisbon 1977 Módulo Centro Difusor da Arte, Oporto 1975 Módulo Centro Difusor da Arte, Lisbon 1974 Galeria da Emenda, Lisbon 1972 Galeria Alvarez, Oporto 1971 Galeria São Mamede, Lisbon 1965 SNBA, Lisbon

León de la Barra has curated or cocurated more than a dozen exhibitions in the past decade, at institutions including the David Roberts Art Foundation and the Architecture Foundation, London; Centre de Art Contemporaine, Geneva, and Kunsthalle Zürich; apexart and Art in General, New York; Casa Luis Barragán, Casa del Lago, and Museo Tamayo, Mexico City; Museo La Ene, Buenos Aires; Museu Carmen Miranda, Rio de Janeiro; Beta Local, San Juan; Centro Cultural de España, Guatemala City; Casa Encendida, Madrid, Spain; and Proyecto AMIL, Lima.

Group exhibitions include «Sappers and Shrapnel», Art Gallery of South Australia, Adelaide, 2016; «So far», Ten Cubed, Melbourne; «Percy Grainger: In the Company of Strangers», The Gallery at Bayside Arts & Cultural Centre, Melbourne, 2015; «Five Perspectives», The Young, Wellington; In Free Circulation, Mothers Tankstation, Dublin, 2014; «Melbourne Now», National Gallery of Victoria, Melbourne; «Future Primitive», Heide Museum, Melbourne; «Theatre of the World», La Maison Rouge, Paris; Murray White Room at Art Basel, Hong Kong, 2013; «The Theatre of the World», Museum of Old and New Art (MONA), Hobart, 2012; «Monanism», MONA, Hobart; «The Five Obstructions», Margaret Lawrence Gallery, Melbourne, 2011; «Primavera», Museum of Contemporary Art, Sydney; and «Freehand: Recent Australian Drawing», Heide Museum, Melbourne, 2010.

The symposium is part of an ongoing collaboration between CCS Bard and the LUMA Foundation, which is currently developing a new centre for cultural production in Arles, France.

Ultimately, Smith came to see the colour field endeavour as a failure, because all it did in Australia was manufacture an «avant - garde situation», or «adopting an attitude» as Greenberg put it, whilst the only true avant - garde developments were happening in the cultural centre, New York.

Selected exhibitions include: Utopian Bodies — Fashion Look Forward, Liljevalchs, Stockholm, 2015; White Perspectives of Stamp Stair, part of Fashioning Winter, Somerset House, London, 2014; K — Fashion Odyssey, Korean Cultural Centre, London, 2014; A Queen Within — Adorned Archetypes, Fashion & Chess, Christies New York / World Chess Hall of Fame, Saint Louis, 2013; A New Space Around The Body — Emerging Korean Fashion Designers, Korean Cultural Centre, London, 2012; Hedmankling's Shades Down In Tokyo Town, Calm & Punk Gallery, Tokyo, 2010; The Swedish Avant Garde: Fashion, Freud & the Hidden Ididentity, The Mall Galleries, London, 2009.

She has been featured in numerous group exhibitions at venues including The Lewis Glucksman Gallery, Cork, Ireland; NCA Taipei, Taiwan; Whitechapel Gallery, London; TBA21 - Augarten, Vienna, Austria; CCBB, Rio de Janeiro, Brazil (2017); Centre D'Art Contemporain de Normandie, France; 21st Century Museum of Contemporary Art, Nanazawa, Japan; Instituto Tomie Ohtake, São Paulo (2016); Storefront for Art and Architecture, New York; National Museum of Women in the Arts, Washington D.C.; Pratt Manhattan Gallery (2015); OCA Museu da Cidade, São Paulo; Kunsthal Kade, Netherlands; Cidade Matarazzo, São Paulo, Brazil; Ronnebaeksholm, Denmark (2014); Cultural Centro Banco do Brasil in Belo Horizonte, Brazil; Museum of Fine Arts Boston, Massachusetts; and Museum of Contemporary Art Taipei, Taiwan (2013).

His exhibition highlights include: The Sand is Ours at Lesley University's Vandernoot Gallery & Rhode Island University's Chazan Family Gallery (Solo exhibitions); Ground Floor: A Biennial Exhibition of New Art from Chicago, Hyde Park Art Center; STEADY MESS, Bureau of General Services — Queer Division in Manhattan (in collaboration with the Fire Island Artist Residency); Blindspots, Xpace Cultural Centre in Toronto [in collaboration with Toronto Pride]; 50 x 50 Invitational, Chicago Cultural Center; and New Work: New Art at SAIC, Sullivan Galleries, School of the Art Institute of Chicago.

His exhibition highlights include: Solo Exhibitions: Keep Record, Chicago Artist Coalition, Chicago, IL, The Sand is Ours at Lesley University's Vandernoot Gallery & Rhode Island University's Chazan Family Gallery (Solo exhibitions); Selected Group Exhibitions: Love The Giver, The Franklin, Chicago, IL, Ground Floor: A Biennial Exhibition of New Art from Chicago, Hyde Park Art Center; STEADY MESS, Bureau of General Services — Queer Division in Manhattan (in collaboration with the Fire Island Artist Residency); Blindspots, Xpace Cultural Centre in Toronto [in collaboration with Toronto Pride]; 50 x 50 Invitational, Chicago Cultural Center; and New Work: New Art at SAIC, Sullivan Galleries, School of the Art Institute of Chicago.