Sentences with phrase «new cultural climate»
Garland Spokane, WA About Blog Create a new cultural climate that restores the importance, value and dignity of fatherhood through training programs, networking, community initiatives and public awareness campaigns that model the teachings of Jesus Christ.
https://blog.feedspot.com/ Not exact matches
These were willing to shed all the inherited and supposedly unchangeable dogmas in order to be free to explore fresh forms and expressions of the Christian faith which would be more relevant to the new cultural and intellectual climate.
So many recent cultural shifts — a growing sense of alarm over childhood (and adult) obesity, a new interest in where our food comes from and how its production affects our health and environment, concern about climate change and the need to source food locally — all point in that direction.
New York Sen. Kirsten Gillibrand on Thursday said that former President Bill Clinton should've stepped down had his affair with Monica Lewinsky occurred in the current political and cultural climate.
Rapid climate change during the Middle Stone Age, between 80,000 and 40,000 years ago, during the Middle Stone Age, sparked surges in cultural innovation in early modern human populations, according to new research.
The finding supports a case made by Jared Diamond and others that migration along the same lines of latitude in Eurasia promoted the sharing of crops, animals and technology, but that wide variations in climate found in the New World's north - to - south orientation hindered cultural exchanges
Ongoing projects examine the paleoenvironmental context for human evolution and cultural development, reconstructing ancient rivers and lakes, dating geological formations, and attempting to understand the role that climate change had in producing new species and stone - tool cultures.
Murphy Brown returns to a world of cable news, social media, fake news and a very different political and cultural climate, with the new installment set for the 30th anniversary of the original series.
We are providing a 21st century approach to its observance not just by recharging memory, but through an artistic reflection with a balanced affirmation of Hispanic heritage and indigenous traditions for collaborative new routes of expression from ancestral roots focused on the concerns of UNESCO: Cultural Rapprochement, Biodiversity, Ocean Care and Seafaring, Climate Change mitigation through sustainable energy, reforestation, gender equity and health issues.
For retirees, New Mexico offers a cultural melting pot with a friendly year - round climate — and a lower cost of living than Arizona or Colorado.
«While it is perhaps not surprising that artists have found the night such a compelling subject for centuries, Night Vision sheds new light on the technical complexities and personal meanings embedded in its depictions, as well as how the period's unique cultural and social climate influenced subsequent artistic movements.»
2015 EAF15: 2015 Emerging Artist Fellowship Exhibition, Socrates Sculpture Park, Queens, NY, Curatorial Advisors Gary Carrion - Murayari and Nora Lawrence Edge Effects: Christine Howard Sandoval & Leah Raintree, King Street Gallery, Montgomery College, Silver Spring, MD (two - person exhibition) Creative Climate Awards & Exhibition 2015, The Human Impacts Institute, Taipei Cultural Offices, New York, NY Soft Eyes, Whitespace Gallery, Atlanta, GA, curated by Pete Schulte an other land, and in the other, our own, Prosjektrom Normanns, Stavanger, Norway, curated by Ian Cofre
• A preview of Marfa Dialogues / NY from the July 15, 2013 New York Times: «Cultural Programs to Focus on Climate Change» by Allan Kozinn
2006 Estrecho Dudoso, TEOR / éTica, San José, Costa Rica, curated by Virginia Pérez Ratton and Tamara Díaz Bringas (Catalog) Festival des Cinémas Différents de Paris, (screening), Centre Culturel La Clef, Paris, France Estudio Abierto, Palacio de Correos, Buenos Aires, Argentina 10 Defining Experiments: cifo 2006 Grant Program Recipients, Cisneros Fontanals Art Foundation (cifo), Miami, Florida (Catalog) Manifesta 6 School, Nicosia, Cyprus, curated by Mai Abu ElDehab, Anton Vidokle and Florian Waldvogel (Cancelled) Prevailing Climate, (screening), Sara Meltzer Gallery, New York, curated by Rachel Gugelberger and Jeffrey Walkowiak 3 Biennale Adriatica di Arti Nuove, San Benedetto del Tronto, Italy, curated by Antonio Arévalo (Catalog) Whitney Museum of American Art Independent Study Program Exhibition, Chelsea Museum, New York El Museo's 4th Bienal: The (S) Files, Museo de Arte de Puerto Rico, San Juan, Puerto Rico (Catalog) 4ème Festival international du Cinéma iranien en Exil, (Screening), Paris, France When Artists Say We, Artists Space, New York, organized by Andrea Geyer and Christian Rattemeyer Bzzzz, Fundacion Cu4rto Nivel Arte Contemporaneo, Bogota, Colombia, curated by Jaime Cerón Russia: Significant Other, Institute for Contemporary Art at the Anna Akhmatova Museum, St Petersburg, Russia, curated by Olga Kopenkina Surveillance, Jersey City Museum, Jersey City, NJ, curated by Rocio Aranda Moving Time, Gallery Korea, Korean Cultural Service, New York, curated by Hwang Yu Jin, Jeeyun Kim, Inhee Iris Moon Featured Artist Projects, Center for Book Arts, New York
The work, which first premiered at the 2015 Venice Biennale and will have its first New York presentation at the New Museum, focuses on the ocean as an environmental, cultural, and historical force, connecting literature and poetry, the history of slavery, and contemporary issues of migration and climate change.
Marc Bijl, who lives and works in Berlin, chose it as the title for his exhibition in which he shows new works that address our current cultural climate of information overload, and in which too many sources are undermining our view on truth and facts.
2002 3 Decades 3 Printmakers - Greg Kucera Gallery, Seattle, WA Glimpses of the Permanent Collection - CAM - Chelsea Art Museum, New York City, NY Black Mountain College: Una aventura americana - Museo Nacional Centro de Arte Reina Sofía, Madrid All American, Part II - Greenberg Van Doren Gallery, New York City, NY The Big Americans - The Art of Collaboration - National Gallery of Australia, Canberra, ACT Group Exhibition - Manny Silverman Gallery, Los Angeles, CA The New York School: Abstract Expressionism and Beyond - UMMA - The University of Michigan Museum of Art, Ann Arbor, MI American Abstraction - Alan Cristea Gallery, London, United Kingdom Art Since the Mid-Twentieth Century - A Politicized Cultural Climate - Utah Museum of Fine Arts, Salt Lake City, UT Arte Múltipla - Galeria 111 - Lisboa, Lisbon Memoir of Freedom - CAM - Chelsea Art Museum, New York City, NY Intermezzo - Art Forum Ute Barth, Zurich The Synthetic Century - Collage from Cubism to Postmodernism - Yale University Art Gallery, New Haven, CT Gesammelte Werke / Collected Works - Art Forum Ute Barth, Zurich
In his role as an adjunct professor in the curatorial studies program at California College of the Arts, Leiber inspired a new generation of curators, many of whom are still locally active and influencing the course of our cultural climate.
David Buckland: «Good Planets are Hard to Find - a Cultural Response to Climate Change» David Buckland is a designer, artist and film - maker whose lens - based works have been exhibited in numerous galleries in London, Paris and New York and collected by the National Portrait Gallery, London, the Centre Georges Pompidou, Paris, the Metropolitan Museum, New York and the Getty Collection, Los Angeles amongst others.
«Danger to The System» focuses on events highlighting artists of color, queer, and other marginalized intersections of artists whose work deals with time, space, histories, new media, cultural diaspora, erasure, patriarchy, white supremacy, the internet, recorded and performed sound works, live performance, and the intersectionality of histories, cultural trauma, healing strategies and the ever changing radical climate in America, 2016, as well as specifically Oakland, CA.
Brazil's complex cultural climate and the country's intimate indigenous roots come to life in the group show New Shamans / Novos Xamãs: Brazilian Artists, currently on view at the Rubell Family Collection in Miami.
Five essays by prominent scholars of American art offer new insights into Chase's multi-faceted artistic practice and his position in the international cultural climate at the turn of the 20th century.
Whether it be Sekhukuni and his use of the Internet as medium, Mooney and her fascination with ephemerality and the social notion of space or Adams and his interrogation of hybrid racial, sexual and religious identities, each are operating outside the stereotypical approaches canonized by South African art history, thanks to the possibilities / challenges presented to them by a new political and cultural climate.
A review of artistic connections from the 80's presented in David Zwirner New York last May is a show, but also an excellent study of one time and cultural climate.
Published in 2006, High Times Hard Times chronicles a New York spirit that resonates in today's cultural climate:
2016 Creative Climate Award, Human Impacts Institute at the Taipei Economic and Cultural Office, New York, NY
It was not just a tool, but tremendously important because it was a way of bringing back home into the new place through Caribbean music... it was a subversive machine because it was carrying a different message: a message about the past, about memory, about home, about a new generation, about making a life in this rather inhospitable cultural climate.»
In this panel, hear from the representatives from We Are Still In and America's Pledge on this new form of American climate leadership and how they are working with a coalition of over 2700 U.S. cities, states, businesses, faith groups, indigenous people and cultural institutions committed to bold climate action, thereby waving the flag that the US is still in.
We run campaigns, provide education, inspiration, practical tools, creative ideas, and leadership to challenge our cultural acceptance of fossil fuels, and to get New Zealand and the rest of the world back on track to 350ppm and, consequentially, climate safety.
For more info on the Carteret Islands relocation efforts: Tulele Peise Climate Change Refugees Climate Refugees in Maldives Buy Land Just Two Cents From Every New York Could Build Carteret Islands» Climate Change Refugees New Homes Climate Change to Cause «Cultural Genocide» for Australia's Aborigines
The wide range of inter-connected topics will include: local food, public policy, democracy, local business, the commons, cooperatives, local finance, spirituality, connecting to nature, economic indicators, health, education, bridging the North - South divide, the new economy movement, climate justice, cultural diversity, biodiversity, environmental justice, income inequality, and the impact of the economy on our psychological well - being.
Published Mon 12 Nov 2012 00:05 Climate change is affecting communities around the world The impact of climate change on many aspects of cultural life for people all over the world is not being sufficiently accounted for by scientists and policy - makers, according to a newClimate change is affecting communities around the world The impact of climate change on many aspects of cultural life for people all over the world is not being sufficiently accounted for by scientists and policy - makers, according to a newclimate change on many aspects of cultural life for people all over the world is not being sufficiently accounted for by scientists and policy - makers, according to a new study.
Given the cultural and ideological relativism that seems to be the norm these days, it is perhaps not surprising that some have latched on to the climate change issue as a new fundamentalism.
Never has the business climate been more competitive or less forgiving, requiring the new generation to find new ways to cut costs and grow revenue while maintaining the cultural glue so critical to holding the firm together.
Spotify CEO Daniel Ek's letter to investors in the company's IPO filing, had a somewhat political lean — it spoke of a global worldview — something that stands in contrast to the current isolationist climate — where «artists cross genres and cultural boundaries, creating ideas that propel society forward» and where «we're all part of a global network, building new connections, sharing new ideas, across cultures.»
The year - round climate, low cost of living, cultural and recreational opportunities, and robust economy attract an ever - increasing number of visitors, retirees, and new home owners relocating from other areas.