Modernization of Traditional Societies and the Struggle for
a New Cultural Ethos», in Asian Meaning of Modernization, ed.
But part of the problem is
a new cultural ethos that your 20s is essentially a throw - away decade of experimentation and consequence - free exploration.
Not exact matches
According to Nathan Hatch, professor of American religious history at the University of Notre Dame, this kind of populist sentiment - expressed in 1803 by the
New England politician and polemicist Benjamin Austin, Jr. - represents the salient contribution of American religion to the formation of our
cultural ethos.
It was out of this
ethos that
new cultural forms were created and Pentecostalism contributed to blues, jazz, and early rock.
It would not be too farfetched or inaccurate to say that Darwinism in its deeper and persistent effects, as these became manifest in science and industry of the nineteenth and twentieth centuries, and, through them, in other
cultural disciplines and activities, contributed to, if in fact it did not create, a
new ethos in Western society, dedicated to the task of dealing with the immediacies of existence in their practical aspect.
New Thought's
cultural and historic roots in the 19th century
New England
ethos of personal independence and spiritual entitlement support an individualistic response to communal problems.
Whereas the second Quest demythologized the apocalyptic eschatology that informed Jesus» message of the kingdom in such a way that the kingdom remained God's initiative and gift eliciting a
new ethos, thereby respecting the biblical - Jewish roots of Jesus» word and deed, the Borg - Crossan construal tacitly posits an inert deity who at best provides a formal warrant for a class - based
cultural criticism and who apparently has allowed the covenant - commitment to Israel to lapse, for there remains neither promise nonfulfillment.
Only a decade ago, viral urban
ethos was that global cities needed to invest in creative infrastructure, meaning
new museums and symphony halls, to run in the
cultural stakes.
The attention toward the collective's activities and
ethos is particularly representative to understand a
new era of art production in which Colab could serve as a model of decentralization, pluralism, and autonomy, both in the
cultural field and in society at large.
This was the apex of the civil rights movement, a time that saw a pivotal change in the elitist (white)
ethos prevailing in
New York City's art museums — government - based education programs were implemented along with a new emphasis toward decentralization of cultural and public institutio
New York City's art museums — government - based education programs were implemented along with a
new emphasis toward decentralization of cultural and public institutio
new emphasis toward decentralization of
cultural and public institutions.