Sentences with phrase «new cultural force»

In December 2000, Wheeler was named Tar Heel of the Year by the Raleigh News and Observer, which called him «the godfather of the Triangle's cultural boom» and cited his skill at melding «arts, politics and commerce into a powerful new cultural force.»

The new cultural forces which have emanated from the west and which are causing the decay of traditional Christianity also threaten the future of the other great post-Axial traditions.

Not exact matches

«Regime forces have committed today a new crime against human and cultural heritage by targeting the minaret of the mosque and completely destroying it,» the Local Coordination Committees said.

In their view, books stressing contingency «offer a way forward, beyond the «old political history» and the new «social and cultural history» by a reunion of process and event,» In other words, what Individual people did — perhaps especially people who filled leading public posts — may be as genuinely significant as the ordinary forces acting upon ordinary people.

What they can do is to interpret it in the light of the present forces impinging on their lives so that the new pattern of life may be continuous with their cultural tradition.

In each case (1965 and 1981) it is evident (and somewhat embarrassing) that my sense of theological dislocation is hardly a matter of my own new insight or innovation, but one of a somewhat panicky, sloppy and inept reaction to external events, to massive and threatening cultural and historical changes that, quite against my will, force on me a different procedure, a different viewpoint, a different set of questions — a different theology.

The foreign debt continues to be an issue and new voices have began to sound the need to look for ways to face it; (ii) At the national level two questions are concentrating increasing attention: one is the reassessment of the necessary role of the state to correct the distortions of a runaway market (currently discussed in Europe and in the discussions about the role the initiatives of «an active state has played in the economic development of Asian countries); the other is the need for a «participative democracy over against a purely representative formal democracy: in this sense the need to strengthen civil society with its intermediate organizations becomes an important concern; (iii) the struggle for collective and personal identity in a society in which forced immigration, dehumanizing conditions in urban marginal situations, and foreign cultural aggression and massification in many forms produce a degrading type of poverty where communal, family and personal identity are eroded and even destroyed.

The driving force behind this process — i.e., the «factors making for growth in the halakhah» — is, first, the «necessity to respond to new external conditions — social, economic, political, or cultural — that pose a challenge or even a threat to accepted religious and ethical values,» and, second, the «need to give recognition to new ethical insights and attitudes and to embody them in the life of the people, even if there [is] no change in objective conditions.»

Library, 1961) ~ Charles Hartshorne, The Logic of Perfection and Other Essays in Neoclassical Metaphysics (La Salle, Ill.: Open Court, 1962) ~ Bernard E, Meland, The Realities of Faith: the Revolution of Cultural Forces (New York: Oxford University Press, 1962): and Daniel Day Williams, The Spirit and the Forms of Love (New York: Harper & Row, 1968).

Anti-persecution charity, Release International, said new regulations that have come into force could lead to the most severe crackdown on the church in China since the Cultural Revolution.

But after 1900 years ago, India's caste system became a major cultural force, the team concludes, based on its new genetic findings and confirmed by evidence from ancient religious texts.

How would you deal with cultural differences if you were forced to move somewhere new?

The Essential Conversation: What Parents and Teachers Can Learn From Each Other (2003), captures the crucial exchange between parents and teachers, a dialogue that is both mirror and metaphor for the cultural forces that shape the socialization of our children, and The Third Chapter: Risk, Passion, and Adventure in the Twenty - Five Years After 50 (2009) explores new learning during one of the most transformative and generative times in our lives, and EXIT: The Endings That Set Us Free (2012).

The Education (Independent School Standards)(England)(Amendment) Regulations 2014 for the new social, moral, spiritual and cultural (SMSC) standard came into force on 29 September 2014 and state that to meet the standard for the SMSC development of pupils, the proprietor of any academy / free school must:

The OECD's education director Andreas Schleicher explains why there is such a need for new rankings to show young people's competence in a world where globalisation is a powerful economic, political and cultural force.

And though a stroke of luck prevents him from becoming yet another casualty of the Great Terror, for decades to come he will be held fast under the thumb of despotism: made to represent Soviet values at a cultural conference in New York City, forced into joining the Party and compelled, constantly, to weigh appeasing those in power against the integrity of his music.

Where Tartt's book is an internalized exploration of the concussed, Garth Risk Hallberg's City on Fire brilliantly explores the collision of historical and cultural forces in New York City during one of its most explosive decades.

Jin's book first provides a brief genealogy of Chinese Web literature and Chinese popular romance, and then investigates how large socio - cultural forces have shaped new writing and...

Jin's book first provides a brief genealogy of Chinese Web literature and Chinese popular romance, and then investigates how large socio - cultural forces have shaped new writing and reading practices and created new subgenres of popular romance in contemporary China.

Looking forward, House says it's important for the games industry to have the courage to experiment with new game concepts — to promote itself as a cultural force, not just a financial success.

1996 Beyond Print: Masterworks from the Ken Tyler Collection, Dr. Earl Lu Gallery, LASALLE - SIA College of the Arts, Singapore (October 24 — December 21) Abstract Expressionism in the United States (Pintura estadounidense expresionismo abstracto), Centro Cultural Arte Contemporaneo, Mexico City (October 11, 1996 — January 12, 1997) Parallels, Galerie Lelong, New York (opened September 12) Women's Work, Greene Naftali, Inc., New York (September 6 — October 13) Summer show, Robert Miller Gallery, New York, (July 1 — August 30) Group show, Lennon, Weinberg, Inc., New York (June 11 — August 1) Forces of the Fifties: Selections from the Albright - Knox Art Gallery, Wexner Center for the Arts, The Ohio State University, Columbus (May 4 — August 4) Changing group exhibition, Robert Miller Gallery, New York (March 5 — April 6) American Art Today: Images from Abroad, Florida International University, Miami (February 23 March 30) Group Exhibition, Manny Silverman Gallery, Los Angeles (January 13 — March 2) Art in Embassies Program, U.S. Ambassador's Residence, Bulgaria

They were both making big paintings in New York at a time when American painting was a major cultural force.

In her second solo show in New York, «Dead People Don't Scream», VALIE EXPORT examines the cultural spectrum, combining forces from societal realms with those of power at a universal level.

These materials bear testament to the themes and discussions that the New Museum has consistently pursued, from issues of gender and sexuality to the relationship between art and technology, as well as the mandates that have characterized its institutional practice: responsiveness to cultural crises, championing new forms of art making, and the belief in art as a social forNew Museum has consistently pursued, from issues of gender and sexuality to the relationship between art and technology, as well as the mandates that have characterized its institutional practice: responsiveness to cultural crises, championing new forms of art making, and the belief in art as a social fornew forms of art making, and the belief in art as a social force.

China Cultural Centre in Sydney will join forces with the Art Gallery of New South Wales, the National Portrait Gallery, Museums & Galleries of NSW, UNSW Art & Design, Macquarie Group, Gene & Brain Sherman Collection and Nicholas Jose & Claire Roberts in presenting an exhibition titled A Retrospective of Chinese Archibald Finalists, on view -LSB-...]

Of my writings published online on this blog and The Huffington Post since last April 2010, the ones that have in any small way gone viral, very relatively speaking, were those in which I wrote fast enough about current hot news items or ones relating or engaging with artworld celebrities: as one example, «My Whole Street is A Mosque,» written within 24 hours of the news cycle surrounding the proposal for a Islamic cultural center near Ground Zero, was picked up by various web aggregators; «Looking for Art to Love, MoMA: A Tale of Two Egos» also did very well because of my speculation about how or whether Marina Abramovic peed during her performance «The Artist is Present» at MoMA, a subject of much prurient curiosity (interesting speculation was illustrated online at New York Magazine and resolution of the mystery came in the Wall Street Journal's blog, «Speakeasy»); «Anselm Kiefer@Larry Gagosian: Last Century in Berlin,» where I tucked a critical response to Kiefer's recent show into a bit of reporting about how Gagosian Gallery was using the NYPD as its private police force, also created a spike on my Google analytics; more recently I could perceive a noticeable uptick in my readership as well as in the number and enthusiasm of my Facebook friends» comments for «Should we trust anyone under 30?

Physically present in Beijing, I: project space offers a hybrid practice in creating a new network of art practice and discourse, challenging preexisting notions of social, cultural and political forces in art.

For artists practicing in city centers such as New York, Los Angeles, Berlin, Paris, etc there are insurmountable financial restrictions forcing cultural practitioners into a complicated relationship with objects, one that more often than not results in an immaterial object that transcends spatio - temporality.

The work, which first premiered at the 2015 Venice Biennale and will have its first New York presentation at the New Museum, focuses on the ocean as an environmental, cultural, and historical force, connecting literature and poetry, the history of slavery, and contemporary issues of migration and climate change.

So while New Image Painting may not change much in the tastes of an art market that prefers its signifiers empty and flexible, the fact remains that the exhibition's authors — its curators and, presumably, its artists — are taking the problems of the market seriously as a cultural force.

Cultural sites severely damaged in Nepal; major fire rips through Clandon Park; Museum of Biblical Art forced to close in New York

is presented as part of Pacific Standard Time, a collaboration of more than sixty cultural institutions across Southern California, coming together for six months beginning in October 2011 to tell the story of the birth of the Los Angeles art scene and how it became a new force in the art world.

After being featured on the cover of The New York Times Magazine for the article «Neo-Dealers» and on City Arts, a PBS cultural magazine on television, ARENA moved to Williamsburg to join forces with Feed Gallery and became.

Featuring an overview of the Vietnamese - born, Danish artist's work from the past 15 years, as well as new work created for the show, the exhibition shows how Danh Vo's work dissects power structures, cultural forces and the private desires that shape our experience of the world.

Inspired by natural landscape of New Orleans, the exhibition's title also alludes to the city's cultural landscape as a creative force — saxophonist Archie Shepp described jazz as a triumph of the human spirit, a lily that grows «in spite of the swamp.»

Several of the New York School painters who first made American art a cultural force in the world were in rebellion against an earlier generation committed to social activism in art and communism in politics.

As the UK's new Apprenticeship Levy came into force last week, Suzanne Horne, Head of the International Employment Law Practice at Paul Hastings, reveals to Lawyer Monthly she is sceptical that firms will have the motivation to overcome the bureaucratic and cultural hurdles required to make new apprentices a staple of the white - collar workforce in the UK.

Considered today as the premier criminal law firms in New York City, Mr. Bukh remains committed to the principles of inclusion, cultural diversity and equal justice which has been his guiding force for over ten years.

The Task Force put a lot on the table, identifying five key problems: 1) a dysfunctional legal marketplace; 2) issues and challenges for both new and experienced lawyers; 3) inefficient and overly complex legal processes; 4) regulatory hurdles; and 5) cultural resistance to innovation.

As I write new content and catch up on my forced hiatus (I was locked out of my own blog), I'd like to share a piece I wrote for FACLBC's Mentorship Blog relating to the use of instant messaging, particularly cultural isntant messaging apps.

Also, we wished to give the country time to reflect upon and to adjust to the new relationship of political, cultural, social, and economic forces that have been developing in the dawn of our second century.

With many new collectors from different cultural, professional and financial backgrounds, there is a new type of consumer — one who demands greater professionalism from the trade, and this is forcing a change.

Civil Engineer — Duties & Responsibilities Responsible for civil engineering and construction projects valued in excess of $ 60 million Develop exposure to varied construction projects with both military and civilian applications Maintain, update, and create GIS and CADD data for use in Public Works civil engineering projects Coordinate data collection and project management with partner agencies and subcontractors Map utilities, environmental features, cultural resources, infrastructure, communication lines, and other features Utilize GPS and conventional surveying techniques to collect thousands of data points for detailed mapping Create and access spatial datasets in ArcSpatial Data Engine Develop and implement new mapping techniques using GIS software decreasing project turnover by 30 % Design and print large scale maps, drawings, and other items for use in engineering projects Set and strictly adhere to project timelines and budgets Manage construction contract negotiations, implementation, and funding Oversee finances identifying and resolving any errors or deviations of project budgets Direct office operations and support staff ensuring efficient, effective, and professional operations Serve as Civil Engineering instructor at the US Air Force Academy Lead classes in advanced GPS equipment operations, mapping, GIS software, and Terrasync data collection Develop new GIS, GPS, CADD curriculum for more than 1,200 cadets Implement instruction in Airfield Damage Assessment, MOS plotting, and combat skills Build and strengthen professional relationships with commanding officers, support staff, and business partners Perform all tasks with poise, integrity, and positivity

She explores the cultural forces that have changed marriage in our society, and then explains how therapists can address the new consumer mindset most couples bring into therapy, prioritizing individual happiness and self - fulfillment above other relationship concerns.