Sentences with phrase «new cultural movement»

[ILLUSTRATION OMITTED] FROM THE FRONT PAGE of Paris's Le Figaro in February 1909, the «Founding and Manifesto of Futurism» heralded not only a new cultural movement but, in the same hectoring...

With the rise of a new cultural movement during the eighteenth century, commonly known as the Enlightenment, a new critic of the church but one which was also a helper appeared on the scene.

Not exact matches

That's no longer the case, as social movements like Black Lives Matter and #MeToo have thrust the power dynamics that she highlights in her own New York City classroom onto a cultural main stage, and made her work more accessible and understandable.

Before the 1970s, evangelicals voted as often for Democrats as for Republicans, but in the wake of the Civil Rights movement in the 1960s, a Supreme Court decision ending prayer in public schools, and the legalisation of abortion in 1973, the Republican Party recognised an opportunity to build a new coalition of Christian conservatives upset with the cultural changes sweeping the country.

Take the 1 in 3 Campaign, for example, whose mission is to «start a new conversation about abortion» and to «create a more enabling cultural environment for the policy and legal work of the abortion rights movement.»

The success of cultural and religious movements inevitably reveals that many people already share the new ideals but do not feel empowered until there is a credible public call to action.

One sees variations of it in many fields of study (for example, in trendy new movements like postmodernism) and everywhere it produces doubts among reflective people about the possibility of justifying belief in objective intellectual, cultural and moral standards.

Then more flexible people begin to understand, and they start to experiment with the new consensus so that cultural transformation, this movement from death to life of an entire people, begins to happen.

We might look first at the actual situation of our civil polities on the ground, at diagnoses of our global political situation coming from different cultural standpoints, and at the new social and political movements springing up to meet our social ills.

Editor's Reply We would simply note that at a question and answer session with representatives of the new movements held at Pentecost Pope Francis made the following comment, which seems to dovetail with the emphasis Mr Keeffe places on devotion to the Real Presence: For us Christians, poverty is not a sociological, philosophical or cultural category.

In describing and accounting for the lives of the Religious Right, which we define simply as religious conservatives with a considerable involvement in political activity, the book and the series tell the story primarily by focusing on leading episodes in the movement's history, including, but not limited to, the groundwork laid by Billy Graham in his relationships with presidents and other prominent political leaders; the resistance of evangelical and other Protestants to the candidacy of the Roman Catholic John F. Kennedy; the rise of what has been called the New Right out of the ashes of Barry Goldwater's defeat in 1964; a battle over sex education in Anaheim, California, in the mid-1960's; a prolonged cultural war over textbooks in West Virginia in the early 1970's — and that is a battle that has been fought less violently in community after community all over the country; the thrill conservative Christians felt over the election of a «born - again» Christian to the Presidency in 1976 and the subsequent disappointment they experienced when they found out that Jimmy Carter was, of all things, a Democrat; the rise of the Moral Majority and its infatuation with Ronald Reagan; the difficulty the Religious Right has had in dealing with abortion, homosexuality and AIDS; Pat Robertson's bid for the presidency and his subsequent launching of the Christian Coalition; efforts by Dr. James Dobson and Gary Bauer to win a «civil war of values» by changing the culture at a deeper level than is represented by winning elections; and, finally, by addressing crucial questions about the appropriate relationship between religion and politics or, as we usually put it, between church and state.

For we hold the bold belief, especially from humble experience in the Faith movement, that if it were our whole society would experience a new cultural springtime.

Their communities have been fertile grounds for new religions and cultural movements, and their history is filled with religious - cultural encounters and conflicts of all sorts.

In the expansion of Christianity around the world in the wake of European colonialism, new converts from the various indigenous peoples have not infrequently fastened on the apocalyptic component and blended it with their own cultural beliefs to create fresh millennial movements which offer their people hope of deliverance from imperialistic conquest and the arrival of a new age of bliss.

The Pentecostal event of the Spirit shows the emergence of a cultural movement for new covenant community under the domination of the Roman Empire.

Ultimately the people's resistance takes the form of new religious / cultural movements, counter and alternative to the dominant cultures and civilizations.

For decades liberal Christian churches have supplied the universities with uncommitted intellectuals and each new social and cultural movement with many of its most dedicated followers.

For Espinosa, food is a catalyst for regeneration and reconciliation in every sense; culinary, political and social — as well as a way to build a whole new cultural identity which both cultivates dignity and peace — a movement which she believes can benefit not only her country, but Latin America as a whole.

His research interests include cultural globalization, the social effects of new media, new religious movements, indigenization, diaspora Asians in the West, and the image industry in Asia.

Tendencies that have come to define modern Western societies include the existence of political pluralism, prominent subcultures or countercultures (such as New Age movements), and increasing cultural syncretism — resulting from globalization and human migration.

Contemporaneous with the French New Wave, there were many filmmakers working in France of African origin whose work has rarely been absorbed into the cultural and aesthetic history of the movement.

Since there can be a cultural lag to our political movements, the new rom - com piece of Obama nostalgia, Southside With You, and the TIFF - premiering Barry, capture the young Barack and the happy side of the Obama Era while coinciding with the recent uptick in Obama's domestic popularity.

Her newest book, Pushout: The Criminalization of Black Girls in Schools (The New Press, 2016), explores a world of lost potential and supports the growing movement to address the policies, practices, and cultural illiteracy that push countless students out of school and into unhealthy, unstable, and often unsafe futures.

Hip hop, as a cultural movement, had its origins in the New York City Bronx in the 1970s, mostly among African Americans, with some Jamaican and Latin American influences.

Associated with movements as diverse as Abstract Expressionism, Color Field painting, Minimalism, Op art, and Postmodernism, the artists featured in Rothko to Richter were at the forefront of debates about the changing priorities and imperatives of painting after World War II, each seeking to redefine abstraction for new social and cultural milieus.

«While it is perhaps not surprising that artists have found the night such a compelling subject for centuries, Night Vision sheds new light on the technical complexities and personal meanings embedded in its depictions, as well as how the period's unique cultural and social climate influenced subsequent artistic movements.»

The effort represents a new collaboration with the Italian Embassy, whose Cultural Attaché, Dr. Renato Miracco, came to Pratt last spring to lecture on his area of specialty, the Arte Povera movement.

This fall, they are developing a new project — «P.O.L.E. (People, Objects, Language, Exchange)» — that continues their investigations of the choreography of relationships and the movement of cultural transmission via the vernacular of pole dancing.

Jibade - Khalil Huffman (b. 1981) will present a new body of work at Anat Ebgi that focuses on the black male figure in art history, film and literature, while Jamal Cyrus (b. 1973) will explore the cultural politics of Black American music and the civil rights movement of the 1960s and 1970s at Inman Gallery.

Because in the propaganda war with the Soviet Union, this new artistic movement could be held up as proof of the creativity, the intellectual freedom, and the cultural power of the US.

New York City is the home to many of America's major cultural movements.

Curated by Okwui Enwezor for the Museum Villa Stuck, Munich, The Short Century is the first major survey to examine this dynamic and politically - charged era in African art and history, and how liberation movements and art have been bound together in the forging of new cultural identities.

At a time during the Civil Rights movement when African American artists were expected by many to create figurative work explicitly addressing racial subject matter, Gilliam persisted in pursuing the development of a new formal language that celebrated the cultivation and expression of the individual voice and the power of non-objective art to transcend cultural and political boundaries.

Many of the artists in the Manhattan Gallery played major roles in the movements that made New York City the cultural destination that it is today.

A focus on smooth, otherworldly strokes permeate their works, in contrast to the faster movements and more vibrant palette of New York, where much of the cultural dialogue came from and where they eventually settled.

In exploring how these artists reconfigured the civil rights movement's conventional visual repertoire, my study offers a new set of coordinates for approaching influential late twentieth - century discourses about appropriation and what these discourses take for granted, particularly with respect to the black cultural politics of that period.

The social network of Pan Yuliang's early career as a modernist artist and an art educator in the period of the Republic of China resonated with larger social - political movements at that time: from the cultural construct of «New Woman» and the New Culture Movement, to the revolution and reform launched by the Nationalist Party and early Communists and the rise of modern nationalism in China, and from the end of World War I to the Japanese Invasion in 1937.

The movement emerged amid the post-World War II explosions of capitalist consumerism and mass media, as artists explored new modes of mechanical production, often by taking commonplace consumer goods and pop - cultural icons as their subject matter.

March 2: Two new shows at the Chicago Cultural Center open doors to a local arts movement from 50 years ago.

Several of the city's cultural institutions will also showcase art there, including the New York Academy of Art, which will feature figurative work by its international students, and El Museo del Barrio, which presents an exhibition of modernist abstractions related to optical and kinetic art movements.

Yet the artistic practice of mashup — where an artist fuses a found object with another to create something new — has a long history in the arts, its roots in a variety of prominent cultural movements from the last 100 years.

The artist is particularly interested in the social and political legacies of cinema; by revisiting twentieth century revolutionary movements through their cultural manifestations, Jones proposes that new forms of collective action and self - representation may yet be possible.

Graffiti Art (1970s onwards) Also referred to as «Writing», «Spraycan Art» and «Aerosol Art», Graffiti is a movement or style of art associated with hip - hop, a cultural movement which sprang up in various American cities, especially on New York subway trains, during the 1970s and 1980s.

This was the apex of the civil rights movement, a time that saw a pivotal change in the elitist (white) ethos prevailing in New York City's art museums — government - based education programs were implemented along with a new emphasis toward decentralization of cultural and public institutioNew York City's art museums — government - based education programs were implemented along with a new emphasis toward decentralization of cultural and public institutionew emphasis toward decentralization of cultural and public institutions.

The abstract art that he called «perceptual painting» — sharply delineated lines and sections of color that seemed to change or move based on the light and the viewer's movements — made a major cultural impact when Stanczak's first show, Optical Paintings, opened in New York in 1964.

Respected curator Laura Hoptman has gathered together seventeen artists for The Forever Now exhibition that she feels characterises our cultural movement in the first fifteen years of this new millennium.

The AR movement at first may seem like a novelty, but a closer look reveals interdisciplinary perspectives that involve aesthetic explorations of blended realities as a new kind of artistic practice and cultural space.

Also known as «Street Art», «Spraycan Art» and «Aerosol Art», Graffiti art is a style of painting associated with hip - hop, a cultural movement which sprang up in various American cities, especially on New York subway trains, during the 1970s and 1980s.

The wide range of inter-connected topics will include: local food, public policy, democracy, local business, the commons, cooperatives, local finance, spirituality, connecting to nature, economic indicators, health, education, bridging the North - South divide, the new economy movement, climate justice, cultural diversity, biodiversity, environmental justice, income inequality, and the impact of the economy on our psychological well - being.

In terms of our own cultural diversity in Canada, Rae called the Idle No More movement «an expression of frustration,» but was quick to point out that aboriginal protesters need to determine «to what extent this new movement takes on a stronger, keener sense of what the objectives are beyond simply that of protest» because «protest movements eventually have to turn positive and have a series of practical objectives that are very focused and very achievable.