Sentences with phrase «new cultural narratives»

In High Voltage modernist paintings become conceptual ready - mades into which new cultural narratives are interwoven.

Not exact matches

«Flip the Script,» a new YouTube video by an adoptee writing collective, The Lost Daughters, attempts to combat the damaging cultural narrative that centers exclusively on shiny, happy adoption experiences.

The new Bolivia is engaging in a process of in - depth institutional reforms, challenging mainstream narratives and political structures and reinventing a model of the state and creating notions of citizenship better suited to highly diverse ethnic and cultural landscapes.

While this film certainly does break some new ground from a cultural level, this entertaining action flick also feels a little too big for itself at other times because as well done as the narrative and storytelling aspects of this film are executed, occasionally the action sequences don't...

New media have transformed all areas of education but especially how cultural narratives are accessed.

Considers these nonfiction areas: Animals / Pets; Autobiography; Beauty / Fashion / Style; Biography; Business; Celebrity; Christian; Cooking / Cookbook; Crafts; Cultural / Social Issues; Current Events / Affairs; Dating / Relationship / Sex; Diet / Nutrition; Education; Film / Entertainment; Environment; Family; Fitness; Food / Drinks; Gardening; Gay / Lesbian; General Nonfiction; Gift / Novelty; Health / Wellness; History; How - To; Humor; Inspiration; Investigative; Journalism; Juvenile; Law; Lifestyle; Medical / Medicine; Memoir; Middle Grade; Military / War; Mind / Body / Spirit; Money / Finance; Multicultural; Music; Narrative; Nature; New Age; Parenting / Child Guidance; Philosophy; Photography; Politics; Pop Culture; Practical; Prescriptive; Psychology; Reference; Religion; Science; Self - Help / Personal Development; Spirituality; Sports; Technology; Travel; True Adventure; True Crime; 20 - and 30 - Somethings; Upmarket; Women's Issues; Young Adult.

Rose's narrative demonstrates the academic tension and the cultural resistance to new knowledge when it counters long - held cultural beliefs.

«A rich destination with a deep cultural narrative, our newest resort property will provide guests with first - hand luxury experiences and unexpected discoveries in a captivating part of the world,» said Mitzi Gaskins, vice president, luxury brand management and guest experience at Marriott International.

All of my work collages bits and pieces of cultural detritus into new narratives.

Selected Group Exhibitions 2016 — «Faculty Exhibition», Evanston Art Center, Evanston, IL 2015 — «Wish List», Gallery Project, curated by Gloria Pritschet and Rocco DePietro, Toledo, Ohio and Ann Arbor, Michigan 2015 — «Roots», Linda Warren Projects, Chicago, IL 2015 — Noyes Cultural Arts Center, Evanston, IL 2015 — «Faculty Exhibition», Evanston Art Center, Evanston, IL 2014 — «National Contemporary Painting», Weatherhead Gallery, University of Saint Francis, Fort Wayne, Indiana 2013 — «31st Juried Art Show», Wilmette Public Library, Wimette, IL 2012 — «30th Juried Art Show», Wilmette Public Library, Wimette, IL 2012 — «Narrative Fragments», Quidley & Company, Boston, MA 2011 — «Juxtaposed», juried by Alyssa Monks, Six Summit Gallery, Ivoryton, CT 2011 — «Paintworks», Gowanus Ballroom, curated by Kristin Kunc, Courtney Jordan & Hyeseung Marriage - Song, Brooklyn, NY 2011 — «Space Invaders», co-curated by Virginia Rose and John Nickle, Rose Contemporary, Portland, ME 2011 — «Cinematic Bodies», curated by Jamie Adams, Zolla Lieberman Gallery, Chicago, IL 2010 — «Snow», XL Projects, Syracuse University Gallery, Syracuse, NY 2010 — «Women Painting Women», Robert Lange Studios Gallery, Charleston, SC 2010 — «Remnants», Fuse Gallery, New York, NY 2010 — «Highlights» Island Weiss Gallery, New York, NY 2010 — «Conceptually Sound», Medialia Rack and Hamper Gallery, New York, NY 2010 — «Chicago Art Fair», shown by Linda Warren Gallery in Chicago, Illinois 2010 — «Looks good on Paper», DFN Gallery, New York, NY 2009 — «Water / Bodies», Eden Rock Gallery, St. Barths, F.W.I. 2009 — «Summer Exhibition 2009», curated by Eric Fischl, Matthew Flowers, Anne Strauss, New York Academy of Art, NY, NY 2009 — «Old School», Jack the Pelican, Brooklyn, NY 2009 — Caldwell Snyder, San Francisco, CA 2008 — «Small Works», Sarah Bain Gallery, Anaheim, CA 2008 — «City Lights», George Billis Gallery, New York, NY 2008 — «Chicago Art Fair», shown by Linda Warren Gallery in Chicago, Illinois 2008 — «Take Home a Nude» Art Auction at Phillips de Pury & Company, New York, NY 2007 — «Summer Exhibition 2007», curated by Eric Fischl, Jenny Saville, Vincent Desiderio, New York Academy of Art, NY, NY 2007 — «Four Handed Lift: Advocacy, Art, Spirit and Community», Moti Hasson Gallery, New York, NY 2007 — «Small Works», Sarah Bain Gallery, Anaheim, CA 2008 — «Chicago Art Fair», shown by Linda Warren Gallery in Chicago, Illinois 2006 — «Contemporary Imaginings, The Howard A. and Judith Tullman Collection», Mobile Museum of Art, Mobile, Alabama 2006 — «Night of a Thousand Drawings», Group Show, Artist's Space, New York, NY 2006 — «AAF», shown by DFN Gallery, New York, NY 2006 — «Salon 2006», New York Academy of Art, New York, NY 2006 — «LA Art Fair», shown by Linda Warren Gallery in Chicago, Los Angeles, CA 2005 — «New Works», curated by Eric Fischl, Jane Gallery, St. Barthelemy, F.W.I. 2005 — «A Terrible Beauty: Figurative painting in the 21st Century», Grey McGear Modern, Santa Monica, CA 2005 — «Small Works», Sarah Bain Gallery, Brea, CA 2005 — «Cityscapes», Sarah Bain Gallery, Brea, CA 2005 — «Take Home a Nude» Art Auction at Phillips de Pury & Company, New York, NY 2005 — «Go Figure», George Billis Gallery, New York, NY 2004 — «Postcards from the Edge, Visual Aids Benefit», Brent Sikemma Gallery, New York, NY 2004 — «Night of a Thousand Drawings», Group Show, Artist's Space, New York, NY 2004 — «Points of Muse», Linda Warren Gallery, Chicago, IL 2004 — «Separate Visions», Sarah Bain Gallery, Brea, CA 2004 — «Still Life», Sarah Bain Gallery, Brea, CA 2004 — «27th Small Works Exhibition», New York, NY 2003 — «Space Invaders», curated by Peter Drake, Fish Tank Gallery, New York, NY 2003 — «26th Small Works Exhibition», New York, NY 2002 — «National Arts Club 26th Annual Student Show», National Arts Club, New York, NY

Postcommodity works to forge new metaphors capable of rationalizing our shared experiences within this increasingly challenging contemporary environment; promote a constructive discourse that challenges the social, political and economic processes that are destabilizing communities and geographies; and connect Indigenous narratives of cultural self - determination with the broader public sphere.

They say: «Enacting a form of cultural archaeology, Macuga enlists the collaboration of artists past and present in dramatic environments that suggest new narratives and associations.»

Focusing on art, architecture and sound linked to feminist and socio - political discourses, Bauer's curatorial work includes the exhibition First Story — Women Building / New Narratives for the 21st Century (2001) for the European Cultural Capital.

Through audio interviews, a reading room of magazines and publications, documentation, ephemera and narrative descriptions, the exhibition will tell the story of over 130 spaces, elaborating on the significant contributions that these organizations have made to the cultural fabric of New York City.

While the exhibition's heart looks at the work of Chicanx artists in Los Angeles, it reveals extensive new research into the collaborative networks that connected these artists to one another and to artists from many different communities, cultural backgrounds, sexual orientations, and international urban centers, thus deepening and expanding narratives about the development of the Chicano Art Movement, performance art, and queer aesthetics and practices.

The audience is presented with not only a new way of experiencing contemporary cultural production but with a new framework for seeing artifacts from our social and historical narratives and resignifying our relationship to them.

Since the beginning of her career, Laval has alternated agency and magazine commissions and publications (Here is New York 2002) with an artistic practice, wherein she combines portraiture of personalities from the cultural world with images of geographical locations (France, Norway, Portugal, Cuba) and visual narratives.

Allen Memorial Art Museum, Oberlin College, Oberlin, OH American Academy of Arts and Letters, New York, NY Amon Carter Museum, Fort Worth, TX The Art Institute of Chicago, Chicago, IL Arkansas Arts Center, Little Rock, AR California African American Museum, Los Angeles, CA Chicago Public Library, Chicago, IL The City College of New York, New York, NY Clark Atlanta University Art Galleries, Atlanta, GA Colby College Museum of Art, Waterville, ME Deutsche Akademie Der Kunst, Berlin, Germany Fisk University Art Galleries, Nashville, TN Flint Institute of Arts, Flint, MI Gibbes Museum of Art, Charleston, SC Hampton University Museum, Hampton, VA High Museum of Art, Atlanta, GA Hirshhorn Museum and Sculpture Garden, Washington, DC Howard University Gallery of Art, Howard University, Washington, DC Intergrafik, Berlin, Germany Krannert Art Museum, University of Illinois at Urbana - Champaign, Champaign, IL Library of Congress, Washington, DC Long Beach Museum of Art, Long Beach, CA Los Angeles County Museum of Art, Los Angeles, CA Los Angeles County Public Library, Los Angeles, CA Los Angeles State College, Los Angeles, CA Lucas Museum of Narrative Art, Chicago, IL Metropolitan Museum of Art, New York, NY Montclair Art Museum, Montclair, NJ Montgomery Museum of Fine Arts, Montgomery, AL Museum of Fine Arts, Boston, MA Museum of Fine Arts, Houston, TX Museum of Modern Art, New York, NY National Academy Museum, New York, NY National Afro - American Museum and Cultural Center, Wilberforce, OH The National Archives, Washington, DC National Gallery of Art, Washington, DC National Gallery of Australia, Canberra, Australia Nora Eccles Harrison Museum of Art, Utah State University, Logan, UT Oakland Museum of California, Oakland, CA Pasadena Museum of California Art, Pasadena, CA Pioneer Museum and Haggin Galleries, Stockton, CA Princeton University Art Museum, Princeton, NJ The Pushkin Museum of Fine Arts, Moscow, Russia Schomburg Center for Research in Black Culture, New York Public Library, New York, NY Selma Burke Art Center, Carnegie Institute, Pittsburgh, PA Sheldon Museum of Art, University of Nebraska - Lincoln, Lincoln, Nebraska Smithsonian American Art Museum, Washington, DC Staatlichen Kunstsammlungen Dresden, Germany Syracuse University Art Galleries, Syracuse, NY Taller de Grafica Popular, Mexico City, Mexico Tuskegee University, Tuskegee, AL University of California, Berkeley Art Museum and Pacific Film Academy, Berkeley, CA University of Illinois, Chicago, IL University of Michigan Museum of Art, Ann Arbor, MI Virginia Museum of Fine Art, Richmond, VA Whitney Museum of American Art, New York, NY Wichita Museum of Art, Wichita, KS The Wylie and May Louise Jones Gallery, Bakersfield College, Bakersfield, CA

Select group exhibitions featuring her work include Telling Tales: Contemporary Narrative Photography, McNay Art Museum, San Antonio, TX (2016 - 2015); Open Rhapsody, Beirut Exhibition Center, Lebanon (2015); The Noir Effect, Skirball Cultural Center, Los Angeles (2014); No Fashion, Please: Photography Between Gender and Lifestyle, Kunsthalle Wien, Vienna (2011); and New Photography, The Museum of Modern Art, New York (2010).

Often using appropriated material, he draws links between disparate cultural reference points, re-imagining them in new narratives and contexts.

The featured works — all of which are new commissions — portray often - overlooked cultural and historical narratives and examine concepts of geography and nation - state.

Operating outside the context of Mas» Griffith performative actions are stripped down to their basic form and abstracted to create new images and narratives that respond critically and poetically to our socio - cultural environment.

2013 Make every show like it's your last, Frac Île de France / Le Plateau, Paris, FR Once upon a bicycle, not so long ago, Annet Gelink Gallery, Amsterdam, NL Ryan Gander's Associative Photographs, 2004, Zabludowicz Collection, New York, US How I Imagine artists physically envisage the internet when using it as a presentation platform, Desktop Residency, www.desktopresidency.com 2012 These are things that I do nt understand, Daiwa Press Viewing Room, Hiroshima, JP Esperluette, Palais de Tokyo, Paris, FR Boing, Boing, Squirt, Museo Tamayo Arte Contemporáneo, Mexico City, MX Lost In My Own Recursive Narrative, Fondazione Morra Greco, Naples, IT Ryan Gander: An Exhibition of Recent Paintings, David Risley Gallery, Copenhagen, DK An exercise in cultural semaphore, GB Agency, Paris, FR The Fallout of Living, Lisson Gallery, London, UK

«New Narratives: Contemporary Art from India,» Chicago Cultural Center, Chicago, IL.

His installations express a number of urgent concerns related to cultural identity, politics, and history, and deftly intermingle autobiography with larger cultural narratives, allowing poetic new connotations to emerge through the staging of meticulously selected images, objects, and documents.

We hope that this exhibition will inspire new ways to experience contemporary art and the evolving narratives that make up our cultural fabric.»

Featured in the 2002 Whitney Biennial along with prints of 3D renderings of Sunset / Sunrise landscapes, Chapter 1 brings a new cultural interface — the computer desktop — to a timeless narrative genre, the travelogue, and to the enduring artists» task of worldbuilding.

«George's epic new museum is one of the greatest cultural philanthropic gifts ever made in Los Angeles, and will benefit local communities as well as encourage a deeper understanding of narrative arts,» Govan said.

Weems and Holzer use text to interrogate power through self - expression, creating new narratives for cultural and political resistance, while Katchadourian voices the frustrations of everyday life while inserting her artistic identity into the male - dominated history of portraiture.

Traveled to Grazer Kunstverein, Austria and The Studio Museum, New York Tenth Anniversary Exhibition, 100 Drawings and Photographs, Matthew Marks Gallery, New York (catalogue) 2000 Made in California: Art, Image and Identity, 1900 - 2000, Section 5, 1980 - 2000, Los Angeles County Museum of Art (catalogue) 1999 Through the Looking Glass, Newhouse Center for Contemporary Art, Snug Harbor Cultural Center, NY 1995 In a Different Light, (co-curator), University of California, Berkeley Art Museum (catalogue) Into a New Museum - Recent Gifts and Acquisitions of Contemporary Art, San Francisco Museum of Modern Art 1994 Body and Soul, (with Cindy Sherman, General Idea and Ronald Jones), Baltimore Museum of Art Outside the Frame: Performance and the Object, Cleveland Center for Contemporary Art Don't Leave Me This Way: Art in the Age of AIDS, National Gallery of Australia, Canberra (catalogue) Black Male, Whitney Museum of American Art, New York (catalogue) 1993 Building a Collection: The Department of Contemporary Art, Museum of Fine Arts, Boston I Love You More Than My Own Death, Venice Biennale 1992 Translation, Center for Contemporary Art, Ujazdowski Castle, Warsaw California: North and South, Aspen Art Museum, CO Recent Narrative Sculpture, Milwaukee Art Museum, WI Facing the Finish, Art Center College of Design, Pasadena, CA (catalogue) Nayland Blake, Richmond Burton, Peter Cain, Gary Hume, Matthew Marks Gallery, New York Effected Desire, Carnegie Museum of Art, Pittsburgh Dissent, Difference and the Body Politic, Portland Art Museum, OR The Auto Erotic Object, Hunter College Art Gallery, New York 1991 Third Newport Biennial: Mapping Histories, Newport Harbor Art Museum, CA (catalogue) Facing the Finish, San Francisco Museum of Modern Art Louder, Gallery 400, University of Illinois, Chicago The Interrupted Life: On Death and Dying, New Museum of Contemporary Art, New York Anni Novanta, Galleria Comunale d'Arte Moderna, Bologna.

This traditional oral form inspired the region's cinema at its origins, as well as other modern narrative genres, and intersects in their work with archival footage assembled to represent contemporary history and engender new cultural forms of post-colonialisation.

From Terry Svat's work that is a reminiscent of Lascaux cave pictographs by creating the idea of packing up, moving on, a new freedom, Pauline Jakobserg and her constructing narratives that confront cultural memories, Felisa Federman depicts nature connected with folk legends, Miguel Perez Lem landscapes evoking the grandeur of the Andes Mountains and Nancy Nesvet beautifuly paints the threatened future of glaciers and wildlife.

Drawing from the legacies of the European Old Masters and Christian iconography, as well as mythology and cultural lore, the artist layers existing histories with new narratives suggested by contemporary world events to create a psychological terrain of pathos, tenderness and repulsion.

Recent solo exhibitions include Ryan Gander: Lost in my own recursive narrative, Fondazione Morra Greco, Napoli (2012); An exercise in cultural semaphore, gb agency, Paris (2012); Intervals, Solomon R. Guggenheim Museum, New York (2011); The Happy Prince, Public Art Fund, Doris C. Freedman Plaza, Central Park, New York and Attempting to remain light on ones feet: Work from Daiwa Collection», Okinawa Prefectural Museum, Okinawa (2011).

Pushing his practice in new directions decade after decade, he expresses personal, political and cultural narratives through abstraction.

5, 2017 The New York — based artist, who was separated from his parents at the age of two and grew up on a collective farm outside Hangzhou during the Cultural Revolution, is known for his large - scale watercolors that at first glance look like traditional scrolls, then yield subversive narratives upon closer inspection.

Standouts include Carrie Mae Weems» holographic narrative about race, sex, and politics portrayed by ghostly characters on a burlesque stage; The Propeller Group's video that draws parallels between funeral practices in Vietnam and New Orleans, along with the collective's sculptures of tricked - out musical instruments, which were also photographed with members of Louisiana marching bands; Glenn Kaino's installation of water tanks that turn military machines into coral reefs; Jean - Michel Basquiat's paintings and works on paper that reference the cultural legacy of the Mississippi Delta and the South; Camille Henrot's video exploration of the universe by way of the storage rooms of the Smithsonian Institution; Tavares Strachan's 100 - foot long neon sign declaring «You belong here» from a barge on the Mississippi River; and Andrea Fraser's monologue, in which she recreated a heated debate by New Orleans city council members during a 1991 vote to racially integrate the Mardi Gras krewes — changing her voice and expression as she dynamically alternated between speakers, both black and white.

To date, these have included Future Imperfect: Contemporary Art Practices and Cultural Institutions in the Middle East (2016); Dissonant Archives: Contemporary Visual Culture and Contested Narratives in the Middle East (2015); and Uncommon Grounds: New Media and Critical Practices in North Africa and the Middle East (2014).

Thanks to the Department of Cultural Affairs for welcoming Betty Seid, a Chicago - based independent curator (with past ties to the Museum of Contemporary Art and... read more... «New Narratives: Contemporary Art From India»

organized by the International Print Center New York and curated by Villalongo and Gibson, «showcases the unique power of pulp and printed matter to contest dominant cultural narratives» and features works spanning 1912 to 2016 by 21 artists.

Identify and explain your understanding of three new cultural contexts for Narrative Therapy practice.

Furthermore, weak identification with one's heritage and mainstream cultures (i.e. marginalisation) is correlated negatively with life satisfaction [55], SWB [56], mental health [57], self - esteem [58], sociocultural adaptation (defined as how well an acculturating individual adapts to daily life in a new cultural milieu), psychological adaptation [59], and continual displacement and loss in personal narratives [60].