Sentences with phrase «new cultural perspectives»

Participating legal workplaces will benefit through exposure to new cultural perspectives and ideas, and connections to underserved communities and clients.

Not exact matches

Not only do these opportunities boost our economy and make us all wealthier (in more ways than one), they help diversify our populations and give us access to new technologies, better ideas, and more cultural perspectives.

Justin's perspective here lines up beautifully with the themes of many of the New Testament epistles in which the justification for specific instructions (like head coverings and women remaining silent in church, for example) appear to be rooted in practical considerations regarding love for neighbor, considerations that clearly have a cultural context that may not apply today.

Mujerista theology brings together elements of feminist theology, Latin American liberation theology and cultural theology, three perspectives which critique and challenge each other, giving birth to new elements, a new reality, a new whole.

«Like its neighborhood namesake, Five Points Trading Company will provide a nexus for new thoughts, perspectives and cultural exploration, while tapping into the legacy and import expertise of HEINEKEN USA,» stated Littlefield.

As GOLD Lactation enters its 12th year, we're excited to continue our work of exploring the latest research, trends, new ideas and hot topics in the world of human lactation, along with bringing you cultural perspectives of breastfeeding around the world and updates from advocacy groups and non-profit organizations dedicated to breastfeeding support and promotion.

After a mayoral candidate forum on tolerance and cultural sensitivity, hosted by the New York Museum of Tolerance at the Simon Wiesenthal Center, we spoke with forum moderator Errol Louis about Crown Heights and the neighborhood perspective 22 years after racially driven rioting in the neighborhood.

The failings of New Labour: From a Blue Labour perspective, Jonathan Rutherford, Professor of Cultural Studies at Middlesex University and editor of Soundings, writes very well on the failings of New Labour (see page 88 of this Soundings e-book, which is based on a series of seminars on Blue Labour, from 2010 - 11): «The early years of New Labour — the pluralism, the ethical socialism, the stakeholding economy, the idea of a covenant of trust and reciprocity with the people, the emotional language that reignited popular hope — created a powerful and successful story.

Long held social and cultural beliefs had to expand to accommodate the implications of the new knowledge and figurative and literal perspectives gained.

Modelled on the successful cultural markets of Portobello in London, Chelsea in New York and Paddington Market in Sydney, where global brands like Lover, sass & bide and Zimmermann started their careers — Hong Kong is soon to get THEIR OWN Sunday Fashion Market, which is set up to change the fashion perspective of consumers, appreciators and fashionistas in Hong Kong.

In a lengthy new piece for The Atlantic, prominent cultural critic (and Black Panther scribe) Ta - Nehisi Coates digs into Barack Obama's presidential legacy as seen from the perspective of the Trump era.

After all the online outrage, hand - wringing and cultural thinkpieces, the new Ghostbusters turns out to be business as usual — a bloated remake of a revered comedy that doesn't reinvent its source material or add fresh perspective.

Stories that cross cultural barriers can describe realities to them and bring new perspectives to their little worlds.

Participants describe this program as transformative, broadening their cultural perspectives and opening their eyes to cultural biases and new perspectives.

The stories in this report, which include perspective pieces by current teachers, look at new research surrounding teacher stress and burnout, innovative ways to incorporate social - emotional learning into everyday lessons and with different groups of students, and strategies for self - care, mindfulness, and cultural responsiveness, starting in teacher preparation programs.

«New Criticism» says that, when we read something, it doesn't matter what the historical or cultural context is of what we are reading and, when we write, our own personal perspective is of no importance.

School performers, assemblies, and cultural events can excite students and bring new perspectives.

With funding from the German Foreign Office, the New York office manages several cultural projects including Publishing Perspectives, Festival Neue Literatur, translation workshops, and Book of the Month Picks, and promotes selected German titles from such lists as New Books in German, Children's Books on Tour and Geisteswissenschaft International.

The many markets and cultural sites of the inhabitants invite the country from new perspectives know zulernen.

A new biennial exhibition series that explores contemporary art from Nunavut to Tierra del Fuego July 20, 2014 — January 2015 Opening Festivities July 17 - 19 SITElines: New Perspectives on Art of the Americas is a six - year commitment to a series of linked exhibitions with a focus on contemporary art and cultural production of the Americnew biennial exhibition series that explores contemporary art from Nunavut to Tierra del Fuego July 20, 2014 — January 2015 Opening Festivities July 17 - 19 SITElines: New Perspectives on Art of the Americas is a six - year commitment to a series of linked exhibitions with a focus on contemporary art and cultural production of the AmericNew Perspectives on Art of the Americas is a six - year commitment to a series of linked exhibitions with a focus on contemporary art and cultural production of the Americas.

Cole and Church dared to try new techniques, bringing exciting, fresh perspectives of the untamed fields and forests in the Hudson River Valley to a cultural audience hungry for a truly American approach to art.

The exhibition highlights the power and complexity of contemporary Indigenous photography, and the way in which Indigenous artists draw upon a rich mixture of history, personal experience, blak humour, as well as postmodern and postcolonial theories, in order to generate new perspectives and understandings of the social, political and cultural conditions faced by Indigenous and non-Indigenous Australians.

1987 1987 Biennial Exhibition, Whitney Museum of American Art, New York (catalogue) Perverted by Language, Hillwood Art Gallery, Long Island University, Greenvale, NY (curated by Robert Nickas, catalogue) Reconstruct / Deconstruct, John Gibson Gallery, New York (curated by Robert Nickas, catalogue) Extreme Order: Cemin, Gober, Halley, Lemieux, Steinbach, Lia Rumma Gallery, Naples (curated by Collins & Milazzo, brochure) Primary Structures, Rhona Hoffman Gallery, Chicago (curated by Robert Nickas) Avant - Garde in the Eighties, Los Angeles County Museum of Art, Los Angeles (catalogue) Paint — Film, Bess Cutler Gallery, New York Post-Abstract Abstraction, The Aldrich Museum of Contemporary Art, Ridgefield, CT (curated by Eugene Schwartz, catalogue) NY Art Now: The Saatchi Collection, Saatchi Gallery, London (catalogue) Generations of Geometry, Whitney Museum of American Art at The Equitable Center, New York Similia / Dissimilia, Columbia University Art Gallery, New York; travelled to Sonnabend Gallery and Leo Castelli Gallery, New York; Städtische Kunsthalle, Düsseldorf, Germany (curated by Rainer Crone, catalogue) The Castle, documenta 8, Kassel, Germany (curated by Group Material) Reinhard Onnasch Galerie, Berlin (catalogue) Anti-Baudrillard, White Columns, New York (curated by Group Material) Recent Tendencies in Black and White, Sidney Janis Gallery, New York (curated by Jerry Saltz, catalogue) Terrae Motus, Grand Palais, Paris (catalogue) The Beauty of Circumstance, Josh Baer Gallery, New York (catalogue) New York Now, The Israel Museum, Jerusalem, Israel (catalogue) 1986 Admired Work, John Weber Gallery, New York Spiritual America, CEPA Galleries, Buffalo, NY (catalogue); travelled to Stavanger Faste Galleri, Stavanger, Norway (curated by Collins & Milazzo) New New York, Cleveland Center for Contemporary Art, OH Signs of Painting, Metro Pictures, New York, and Donald Young Gallery, Chicago Painting and Sculpture Today 1986, Indianapolis Museum of Art, Indianapolis, IN (catalogue) Paravision II, Margo Leavin Gallery, Los Angeles (curated by Collins & Milazzo) Political Geometries: on the Meaning of Alienation, Hunter College Art Gallery, New York (catalogue) Post Pop, Michael Kohn Gallery, Los Angeles Tableaux Abstraits, Villa Arson, Centre National d'Art Contemporain, Nice, France (catalogue) Europa / Amerika, Ludwig Köln Museum, Cologne, Germany (catalogue) End Game: Reference and Simulation in Recent Painting and Sculpture, Institute of Contemporary Art, Boston, MA (curated by David Joselit and Elisabeth Sussman, catalogue) Ashley Bickerton, Peter Halley, Jeff Koons, Meyer Vaisman, Sonnabend Gallery, New York The Hidden Surface, Middendorf Gallery, Washington, DC Geometry Now, Craig Cornelius Gallery, New York Surfboards, Michael Kohn Gallery, Los Angeles Art and Its Double: A New York Perspective (El arte y su doble), Centre Cultural de la Funcacio Caixa de Pensions, Madrid; travelled to Fundación Caja de Pensions, Barcelona (catalogue) Rooted Rhetoric, Castel Dell «Ovo, Naples (catalogue)

For Oursler's first solo exhibition in Hong Kong, entitled «PriV % te,» Lehmann Maupin gallery presents eight new multimedia wall works and sculptures offering the artist's perspective on a particular slice of chaos erupting at the convergence of digital media and cultural identity: facial recognition technology.

Additionally, the installations will present the intricate architecture of the Austrian Cultural Forum's gallery space from a fresh perspective and will thus allow viewers to experience it in a new light.

Curated gallery presentations, creatively themed to reveal new perspectives on key moments in cultural history, include:

Myra Greene explores her complex cultural connection to African fabrics through photography and quilts, giving rise to new scales, perspectives, and symbolism.

They will learn about the rise of new methodologies of cultural self - representation; consider how museum collections are built; and learn how contemporary presentations and interpretations can add layers or reveal new perspectives.

Group exhibitions include «Sappers and Shrapnel», Art Gallery of South Australia, Adelaide, 2016; «So far», Ten Cubed, Melbourne; «Percy Grainger: In the Company of Strangers», The Gallery at Bayside Arts & Cultural Centre, Melbourne, 2015; «Five Perspectives», The Young, Wellington; In Free Circulation, Mothers Tankstation, Dublin, 2014; «Melbourne Now», National Gallery of Victoria, Melbourne; «Future Primitive», Heide Museum, Melbourne; «Theatre of the World», La Maison Rouge, Paris; Murray White Room at Art Basel, Hong Kong, 2013; «The Theatre of the World», Museum of Old and New Art (MONA), Hobart, 2012; «Monanism», MONA, Hobart; «The Five Obstructions», Margaret Lawrence Gallery, Melbourne, 2011; «Primavera», Museum of Contemporary Art, Sydney; and «Freehand: Recent Australian Drawing», Heide Museum, Melbourne, 2010.

Driven by a relentless curiosity and instilled with wit, her paintings propose new perspectives on the world and the plethora of images that make up our collective cultural memory.

Selected exhibitions include: Utopian Bodies — Fashion Look Forward, Liljevalchs, Stockholm, 2015; White Perspectives of Stamp Stair, part of Fashioning Winter, Somerset House, London, 2014; K — Fashion Odyssey, Korean Cultural Centre, London, 2014; A Queen Within — Adorned Archetypes, Fashion & Chess, Christies New York / World Chess Hall of Fame, Saint Louis, 2013; A New Space Around The Body — Emerging Korean Fashion Designers, Korean Cultural Centre, London, 2012; Hedmankling's Shades Down In Tokyo Town, Calm & Punk Gallery, Tokyo, 2010; The Swedish Avant Garde: Fashion, Freud & the Hidden Ididentity, The Mall Galleries, London, 2009.

His first book Welcome to the Jungle: New Positions in Black Cultural Studies (1994) investigated new forms of cultural expression in black film, photography and visual art, documenting fresh perspectives arising from the overlapping of Asian, African and Caribbean cultures that constitute Black BritaNew Positions in Black Cultural Studies (1994) investigated new forms of cultural expression in black film, photography and visual art, documenting fresh perspectives arising from the overlapping of Asian, African and Caribbean cultures that constitute Black Cultural Studies (1994) investigated new forms of cultural expression in black film, photography and visual art, documenting fresh perspectives arising from the overlapping of Asian, African and Caribbean cultures that constitute Black Britanew forms of cultural expression in black film, photography and visual art, documenting fresh perspectives arising from the overlapping of Asian, African and Caribbean cultures that constitute Black cultural expression in black film, photography and visual art, documenting fresh perspectives arising from the overlapping of Asian, African and Caribbean cultures that constitute Black Britain.

English brings new perspective to the Whitney show, which Andrews and the Black Emergency Cultural Coalition (BECC) famously protested.

The aim is to offer fresh perspectives on Tibetan Buddhist images that have rarely been understood outside of their cultural and devotional contexts, and to forge new connections between different spheres of artistic practice, both traditional and modern.

Perspectives from France and Turkey, Istanbul Modern, Istanbul, Turkey A Different Kind of Order, The ICP Triennial, International Center of Photography, New York, USA [UN] NATRURAL LIMITS, Austrian Cultural Forum, New York, USA Showing Its Colours, MARTa Herford, Herford, Germany Only Sculpture!

Over the years, students, visiting curators and scholars have tested out new cultural and art historical perspectives, evolving their sense of what curatorial practice might become.

The exhibition was funded by Eddie Chambers through the New Institute of Visual Arts (INIVA) and was accompanied by a catalog featuring an introduction and essays on each of the artists that explored their relationship to the concept of home from their different cultural perspectives.

Offering their own perspectives in this new and chaotic cultural atmosphere, the artists contribute to a pluralist freedom of expression.

Martha Wilson Sourcebook is the first in a new ICI publication series that offers a fresh perspective on social, political, and cultural issues impacting and inspiring artists» practices, comprised of materials that the artist selects from their own archive and annotates with personal commentaries.

This debate is part of The New Economy of Art — a series of open discussions throughout 2011 - 12 that will focus on the economic developments and opportunities in the cultural sector that impact on artists, from the perspective of artists.

SITElines: New Perspectives on Art of the Americas is a six - year commitment to a series of linked exhibitions with a focus on contemporary art and cultural production of the Americas.

Ideology., Hammer Museum, Los Angeles Polypersephone: Nayland Blake & Claire Pentecost, Iceberg Projects, Chicago 2013 NYC 1993: Experimental Jet Set, Trash and No Star, New Museum, New York A Different Kind of Order: The ICP Triennial, Institute of Contemporary Photography, New York Nayland Blake, Thomas Demand, Trisha Donnelly, Vincent Fecteau & Wade Guyton, Matthew Marks Gallery, Los Angeles Macho Man, Tell It To My Heart: Collected by Julie Ault, Artists Space, New York 2012 The Bearden Project, The Studio Museum, New York Shift: Projects Perspectives Directions, The Studio Museum, New York R.P.F.P. (RIRE.POSITIONNER.FILMER.PERFORMER), École Européenne Supérieure D'Art de Bretagne as part of the festival Transversales Cinématographiques, L'Université Rennes 2, France 2011 Legacy: The Emily Fisher Landau Collection, Whitney Museum of American Art, New York Carter / Nayland Blake, Gallery Paule Anglim, San Francisco The Air We Breathe, San Francisco Museum of Modern Art 2010 Selections from the Hammer Contemporary Collection, Armand Hammer Museum of Art and Cultural Center, Los Angeles Owen Smith and Nayland Blake: Two One - Person Shows, Richard L. Nelson Gallery, University of California, Davis 2009 Consider the Lobster, Center for Curatorial Studies, Bard College, Annandale - on - Hudson, NY Contemporary Outlook: Seeing Songs, Museum of Fine Arts, Boston 2008 The Puppet Show, Institute of Contemporary Art, Philadelphia 2006 Into Me / Out of Me, MoMA PS1, New York.

Vienna - based independent curator Kathrin Rhomberg presents a lecture, «The Virtue of Unprofessionalism,» for the third Curator's Perspective of 2012, co-presented with the Austrian Cultural Forum New York.

/ performances 2017 Audible Edge Festival, Tone List and Tura New Music, Perth 2016 Everyday Machines, curated by Tom Smith, Alaska Projects, Sydney 2016 NOW now series, 107 Projects, Sydney 2016 Pretty Gritty series, 107 Projects, Sydney 2016 Electrofringe: New Terrains, Top Floor at Wellington, Sydney 2014 perspectives [temporal], solo audio - visual concert, Perth Institute of Contemporary Arts 2014 Club Zho 111, The Bakery, Perth 2014 NOW now Festival of Arts, Sydney (as Té with Andrew Brooks) 2012 - 14 multiplicity - large - scale, dual - screen audio - visual work presented at: Perth Cultural Centre Screen Program, 2014; Test Tone, SuperDeluxe, Tokyo, Japan, 2013; Channels Video Art Festival, Melbourne, 2013; fractal shale, Perth Institute of Contemporary Arts Performance Space, 2012; NOW now festival program launch, Sydney, 2012; fractal shale, Tape Projects, Melbourne, 2012 2014 Cinematic Scores, live soundtrack to Laszlo Moholy - Nagy's Lichtspiel Schwarz Weiss Grau, Perth Fringe Festival, Packenham Street Art Space, Perth 2013 International Computer Music Festival, Western Australian Museum (as Té with Andrew Brooks) 2012 - 13 consciousness - large - scale audio - visual work presented at: Nu Things, Osaka, 2013; Tape Projects, Melbourne, 2012; AV Union, Sydney, 2012; Terrace Bar, Newcastle, 2012; The Bakery, Perth, 2012 2013 Japan tour, solo audio - visual performances and as Té with Andrew Brooks, Osaka, Kyoto, Tokyo 2011 Improvised performance with Philip Zoubek and Andrew Brooks, The Loft, Cologne, Germany 2011 split mirror planes - for four instruments and four audio / visual sources, commissioned by Decibel new music ensemble — premiered at Perth Institute of Contemporary Arts 2010 Japan tour, solo performances, Osaka, Kyoto, Tokyo 2010 lucidity - major composition for electroacoustic ensemble: acoustic instruments, computer processing, sound synthesis and video projections performed at The Bakery, PeNew Music, Perth 2016 Everyday Machines, curated by Tom Smith, Alaska Projects, Sydney 2016 NOW now series, 107 Projects, Sydney 2016 Pretty Gritty series, 107 Projects, Sydney 2016 Electrofringe: New Terrains, Top Floor at Wellington, Sydney 2014 perspectives [temporal], solo audio - visual concert, Perth Institute of Contemporary Arts 2014 Club Zho 111, The Bakery, Perth 2014 NOW now Festival of Arts, Sydney (as Té with Andrew Brooks) 2012 - 14 multiplicity - large - scale, dual - screen audio - visual work presented at: Perth Cultural Centre Screen Program, 2014; Test Tone, SuperDeluxe, Tokyo, Japan, 2013; Channels Video Art Festival, Melbourne, 2013; fractal shale, Perth Institute of Contemporary Arts Performance Space, 2012; NOW now festival program launch, Sydney, 2012; fractal shale, Tape Projects, Melbourne, 2012 2014 Cinematic Scores, live soundtrack to Laszlo Moholy - Nagy's Lichtspiel Schwarz Weiss Grau, Perth Fringe Festival, Packenham Street Art Space, Perth 2013 International Computer Music Festival, Western Australian Museum (as Té with Andrew Brooks) 2012 - 13 consciousness - large - scale audio - visual work presented at: Nu Things, Osaka, 2013; Tape Projects, Melbourne, 2012; AV Union, Sydney, 2012; Terrace Bar, Newcastle, 2012; The Bakery, Perth, 2012 2013 Japan tour, solo audio - visual performances and as Té with Andrew Brooks, Osaka, Kyoto, Tokyo 2011 Improvised performance with Philip Zoubek and Andrew Brooks, The Loft, Cologne, Germany 2011 split mirror planes - for four instruments and four audio / visual sources, commissioned by Decibel new music ensemble — premiered at Perth Institute of Contemporary Arts 2010 Japan tour, solo performances, Osaka, Kyoto, Tokyo 2010 lucidity - major composition for electroacoustic ensemble: acoustic instruments, computer processing, sound synthesis and video projections performed at The Bakery, PeNew Terrains, Top Floor at Wellington, Sydney 2014 perspectives [temporal], solo audio - visual concert, Perth Institute of Contemporary Arts 2014 Club Zho 111, The Bakery, Perth 2014 NOW now Festival of Arts, Sydney (as Té with Andrew Brooks) 2012 - 14 multiplicity - large - scale, dual - screen audio - visual work presented at: Perth Cultural Centre Screen Program, 2014; Test Tone, SuperDeluxe, Tokyo, Japan, 2013; Channels Video Art Festival, Melbourne, 2013; fractal shale, Perth Institute of Contemporary Arts Performance Space, 2012; NOW now festival program launch, Sydney, 2012; fractal shale, Tape Projects, Melbourne, 2012 2014 Cinematic Scores, live soundtrack to Laszlo Moholy - Nagy's Lichtspiel Schwarz Weiss Grau, Perth Fringe Festival, Packenham Street Art Space, Perth 2013 International Computer Music Festival, Western Australian Museum (as Té with Andrew Brooks) 2012 - 13 consciousness - large - scale audio - visual work presented at: Nu Things, Osaka, 2013; Tape Projects, Melbourne, 2012; AV Union, Sydney, 2012; Terrace Bar, Newcastle, 2012; The Bakery, Perth, 2012 2013 Japan tour, solo audio - visual performances and as Té with Andrew Brooks, Osaka, Kyoto, Tokyo 2011 Improvised performance with Philip Zoubek and Andrew Brooks, The Loft, Cologne, Germany 2011 split mirror planes - for four instruments and four audio / visual sources, commissioned by Decibel new music ensemble — premiered at Perth Institute of Contemporary Arts 2010 Japan tour, solo performances, Osaka, Kyoto, Tokyo 2010 lucidity - major composition for electroacoustic ensemble: acoustic instruments, computer processing, sound synthesis and video projections performed at The Bakery, Penew music ensemble — premiered at Perth Institute of Contemporary Arts 2010 Japan tour, solo performances, Osaka, Kyoto, Tokyo 2010 lucidity - major composition for electroacoustic ensemble: acoustic instruments, computer processing, sound synthesis and video projections performed at The Bakery, Perth

Independent curator Kathrin Rhomberg presents a lecture, «The Virtue of Unprofessionalism,» for the third Curator's Perspective of 2012, co-presented with the Austrian Cultural Forum New York.

This new international group exhibition at the Austrian Cultural Forum New York gathers together artistic reactions to the ways in which media representations of violent conflict and identity are increasingly rendered through an individualized, and even banal perspectinew international group exhibition at the Austrian Cultural Forum New York gathers together artistic reactions to the ways in which media representations of violent conflict and identity are increasingly rendered through an individualized, and even banal perspectiNew York gathers together artistic reactions to the ways in which media representations of violent conflict and identity are increasingly rendered through an individualized, and even banal perspective.

Founded in 1994, Iniva has become highly respected for seeking out and championing artists from around the world whose work and ideas provide new perspectives on cultural identity and the diversity of society.

Program Exhibitions / film screenings / manga library / performances / talk events / workshops / guided tours etc. — Brings together a total of approximately 120 works selected from 4,347 entries from 84 countries and regions — Presents a cross-section of contemporary artworks from diverse genres — Offers new perspectives on emerging styles of filmic expression through an extensive film program — Holds a program of approximately 40 talk events, workshops, performances etc. throughout the entire duration of the festival — Presents an experience of new cultural forms and ideas made possible by evolving technology

This mission and strategy locate ArteEast in the unique position of championing MENA artists while fostering an international dialogue of critical discourse around their work and offering new audiences a nuanced perspective on the region's cultural context.

For her first solo exhibition at Simon Lee Gallery, Paulina Olowska will show a group of new paintings which continue her exploration of feminist and socially engaged themes, of shifts in cultural perspective between East and West and of the female figure as archetype.