Sentences with phrase «new cultural production»

Not exact matches

In the churches and congregations we find fresh energy and intelligence being devoted to the production of new hymns, music, artistic and liturgical materials, to the creation of fresh categories for doing theology, to the retrieval of threatened cultural resources, to the application of faith to public issues, and to the promotion of ecumenical sharing and partnership.

So many recent cultural shifts — a growing sense of alarm over childhood (and adult) obesity, a new interest in where our food comes from and how its production affects our health and environment, concern about climate change and the need to source food locally — all point in that direction.

He is also the author of 12 patents for the preparation of aqueous suspensions at high concentration of particulate, for the therapy and photodynamic diagnosis of tumors, for the conservation of the cultural heritage, for the setup of a new process for the treatment of textile industrial waste, for production of emulsions from Bio Crude Oil, for production of nanoparticles and novel nano - coatings via flame - spraying, and using homogeneous and heterogeneous solutions.

This definitive release recycles Altman's excellent DVD commentary and adds enticing new features, such as a rare - for - Criterion retrospective documentary where the likes of actors Rene Auberjonois and Keith Carradine reflect on the film's production and its cultural moment.

The Sundance Institute Theatre Program works in «the space in - between» an artist's idea and a project's production as well as opening up new spaces of aesthetic, cultural and geographic exploration

Coogler and his collaborators, chief among them cinematographer Rachel Morrison, costume designer Ruth E. Carter, and production designer Hannah Beachler, behind and in front of the camera elevate Black Panther into serious commercial art, commercial art with provocative, confrontational political, cultural, and social themes rarely seen in or out of the genre — because Hollywood studios prefer playing it safe with potentially lucrative IP (intellectual property) in their possession — in turn delivering the first great film (genre qualifiers unnecessary) of the new year.

Yorkville was a place where, potentially, you could develop a more discerning eye for understanding the production of culture and sometimes come to recognize the coincidence between mass cultural production and the regression of one's own intellect, as bikers, greasers, hippies, teenyboppers, and sometimes political organizers, congregated in the coffee shops and flop houses, or just hung out on the streets, all pretending that we were creating a new society free from the normative shackles of conventional morality and lifestyle but basically we were looking for drugs, sex and rock and roll and our twenty minutes of fame.

When the original Mini went out of production in 2000, BMW was ready to ramp it up with the new version, capitalizing on both the classic car's cultural significance and BMW's expertise in engineering and marketing modern premium small cars.

New planets can be colonized by spending a culture token and a ship in orbit, letting you place a control node and then expand from there by adding research stations, production facilities and cultural hubs, depending on what that particular planet can support and the resources you have at your disposal.

Book Launch: Trap Door at New Museum To celebrate the release of Trap Door: Trans Cultural Production and the Politics of Visibility, an anthology edited by Reina Gossett, Eric A. Stanley, and Johanna Burton, the New Museum will host a conversation with some of the book's contributors.

The interest of the privileged, urban, predominantly European American classes in the expressive cultural production of those who look and live differently, whether earnest and benign or voyeuristic and exploitative, is nothing new.

A new biennial exhibition series that explores contemporary art from Nunavut to Tierra del Fuego July 20, 2014 — January 2015 Opening Festivities July 17 - 19 SITElines: New Perspectives on Art of the Americas is a six - year commitment to a series of linked exhibitions with a focus on contemporary art and cultural production of the Americnew biennial exhibition series that explores contemporary art from Nunavut to Tierra del Fuego July 20, 2014 — January 2015 Opening Festivities July 17 - 19 SITElines: New Perspectives on Art of the Americas is a six - year commitment to a series of linked exhibitions with a focus on contemporary art and cultural production of the AmericNew Perspectives on Art of the Americas is a six - year commitment to a series of linked exhibitions with a focus on contemporary art and cultural production of the Americas.

Filling a crucial niche in the cultural landscape of New York City, the Armory catalyzes productions best realized in a non-traditional setting.

This underground group developed a near - fanatical following which took part in a controversial cultural production strategy called «Posing,» where member artists appropriated the identities of their more well - known contemporaries in order to create attention for new work.

Through living and working in Detroit, Barr and Rice have identified Detroit's collapsed economy as the first post-industrial American city, yet simultaneously a breeding ground for new strategies of cultural production.

By offering them a space to develop and present new productions, we aim to create a platform where different cultural disciplines can meet.

With his striking and original visual language and multifaceted artistic practice, Israel makes new connections between the city of Los Angeles, art history and the cultural productions of LA of both past and present.

Tagged as: 315 Gallery, Aidan Alexis Koch, Alex Hovet, Andrea Rosen Gallery, Anna Sagström, Annie Rose, babycastles, Bailey Scieszka, brad troemel, Cecilia Salama, Chuck Charlotte, Clemente Soto Vélez Cultural & Educational Center, Daniel Johnson, Diamond Stingily, DJ Wtchcrft, Elizabeth Englander, Elizabeth Jaeger, Erin Davis, Fatty Spice, Gabrielle Mertz, Galerie Richard, Greg Ito, Jacqueline Marie, JessAudrey, John O'Connor, joshua citarella, Keltie Ferris, La'Shaune Steward, Laura Marie, Lauren Marsolier, Lee Maida, Matthew Herrmann, Max C Lee, Mumbo's Outfit, New York Studio School, PervvyPanda, Phaan Howng, Phillip Vanderhyden, Pierogi, PS160, Rachele Cateyes, Rin Johnson, Rochelle Brock, Sam McKinniss, Shoog McDaniel, Sonya Belakhlef, Sophia Narrett, Steel Stillman, Stephen Grebinski, Tawni Staples, team gallery, Tetsumi Kudo, uv production house, Wee Girls Club

Presented by Bryant Park, Art Production Fund, Fridman Gallery, and The Franklin Furnace Fund supported by Jerome Foundation, The SHS Foundation, the New York City Department of Cultural Affairs in partnership with the City Council, and general operating support from the New York State Council on the Arts, and with support from Lower Manhattan Cultural Council

The audience is presented with not only a new way of experiencing contemporary cultural production but with a new framework for seeing artifacts from our social and historical narratives and resignifying our relationship to them.

The symposium is part of an ongoing collaboration between CCS Bard and the LUMA Foundation, which is currently developing a new centre for cultural production in Arles, France.

1965 - 1975» depicts the energy of the cultural environment of this American city as a center for figurative production, as well as the heterogeneity of the contributions of some artists known as Chicago Imagists (Roger Brown, Ed Flood, Art Green, Gladys Nilsson, Jim Nutt, Ed Paschke, Christina Ramberg, Suellen Rocca and Karl Wirsum), who had identified the roots of their personal research in Surrealism and Art Brut, in a way that anticipated the new tendencies of the 80's and 90's, from Graffiti to Street Art, from wild cartoons to urban murals.

In his contribution to remixthebook, literary critic Joe Tabbi's practice - based theory mashes up Nietzsche's «Use and Abuse of History for Life» with selected works of new media writing and confronts us with the worth and worthlessness of digital cultural production.

During that time, he started to investigate ways to develop cultural projects that aimed to provide wider access to the production and presentation of art to new audiences, leading to the formation of Anysquared Projects.

Artist travel and production support is provided by the Embassy of Colombia, Washington D.C., Consulate General of Brazil in New York, the Danish Arts Council, the Mexican Cultural Institute of New York, and the Office of Cultural Affairs, Consulate General of Israel in NY.

His new book Seeing Power: Socially Engaged Art in the Age of Cultural Production was also published by Melville House in 2013.

Monday, July 2, 5:30 pm Kris Grey is a New York City based gender - queer artist whose cultural work includes curatorial projects, performance, writing, and studio production.

CULTURAL PRODUCTION Hanne Darboven, Josephine Meckseper, Allen Ruppersberg, Alexandre Singh Andrea Rosen Gallery New York, NY February 11 - March 24, 2012

As always, the symposium takes as its starting point the relationship between art and new media with a series of events examining the «current state of contemporary cultural production in relation to new technologies», with a selection of participating artists, curators, philosophers, and researchers delivering papers, performances and keynotes.

«Thanks to some of the shortcomings imposed by the political and socioeconomic context here, the art scene has developed its own specific type of artistic production and a wide range of self - managed independent projects,» Converti tells me, before rattling off some of the new leadership moving art forwards at cultural and contemporary arts institutions.

Intertwining spectacle and site, John Preus» The Beast, becomes a new space for cultural inquiry, public dialogue and creative production within the Hyde Park Art Center.

This independence was manifest not just in topographical terms but in Colab's improvisation of a new apparatus of cultural production, established not in opposition to the dominant art system, but through pretending it had never existed.

Lauded as a Breakout Artist in New City and ARC Magazine, artist / scholar Rashayla Marie Brown (RMB) manages a living studio practice across an extensive list of cultural production modes.

While many artists in the United States were exposing the workings of the gallery and institution, and challenging the traditional status of artistic persona, in Europe, attention turned to the matrix of cultural production within the context of fading public funding and a new freedom to travel following the fall of the Berlin Wall.

The attention toward the collective's activities and ethos is particularly representative to understand a new era of art production in which Colab could serve as a model of decentralization, pluralism, and autonomy, both in the cultural field and in society at large.

Inaugurating MAD's residency for brazen experimentation in design practices, Other Means transforms a MAD Open Studio into the collaborative's temporary home as they develop an identity for MAD's new initiative in cultural production.

Whether it is identifying new dynamics between art and the public realm, maintaining novel strategies based on contemporary art production and dissemination, or exploring uncharted framework and territory by engaging with artists, SGA is a vital part of Shanghai's cultural community and a catalyst for new experiences.

Over the course of the symposium, the invited participants, ranging from artists to literary scholars, cultural theorists, and art historians, will bring into sharp focus the ways in which the «Black Atlantic» continues to inform the production of art today by a new generation of artists, in connection with Frank Bowling: Mappa Mundi.

Awarded biannually to a young Greek or Cypriot artist, the Prize aims to identify and showcase the work of an emerging generation of contemporary artists who are actively redefining the parameters of cultural production and contributing to new issues in the artistic discourse.

Expanding the involvement of CAPACETE with the cultural production in Brazil, the exhibition at Portikus presents new works that reflect on this unique history while creating a multilayered comment on the current situation in Brazil.

The movement emerged amid the post-World War II explosions of capitalist consumerism and mass media, as artists explored new modes of mechanical production, often by taking commonplace consumer goods and pop - cultural icons as their subject matter.

Over the last five decades he has documented the life and cultural production of this iconic neighborhood that has served as an incubator for the New York Puerto Rican identity, and served as a mentor to numerous Puerto Rican and Latino artists in the city.

There she founded and managed the arts component in its broader regeneration with the intention of establishing a new paradigm for industrial redevelopment that would not displace workers, artists, local residents or industry but would instead build a sustainable community of working artists in a context that integrated cultural and industrial production.

A center of cultural and intellectual life on campus, the museum serves as a living textbook for object - based learning, a home and resource for artists, and a catalyst for artistic expression, scholarly innovation, and the production of new knowledge through art.

SITElines: New Perspectives on Art of the Americas is a six - year commitment to a series of linked exhibitions with a focus on contemporary art and cultural production of the Americas.

The aim is to highlight a new ways of support, partnership and artistic production between established institutions and cultural developments in the city of Athens.

Grouping Beuys, Flavin, and Judd in a new exhibition from the Walker's collection provides «a snapshot of a vital moment in postwar cultural production,» says assistant curator Yasmil Raymond, and allows viewers to trace the influence of their ideas in contemporary art.

To subvert the existing hierarchy, we deploy new strategies and incorporate the spectator's direct participation in cultural production.

Now in its seventh year, «New Settings» presents 16 works for the stage, supporting their production and presentation in various French cultural institutions.

After earning my M.F.A. from Rutgers University in 2008, I completed a fellowship with the Asian Cultural for research and production of new work in India.