Sentences with phrase «new cultural reality»

Caplan encourages the public to think about the fact that the military spends weeks getting the service members ready for war — running them through boot camp exercises designed to create a new cultural reality that will help the service member survive in this harsh new environment.

Derek Webb, a musician who is familiar with this new cultural reality, began NoiseTrade in 2007 to distribute music on a pay - as - you - go model.

This new cultural reality raises some anxieties, but it also presents many of us with an opportunity to rediscover Christian witness in a world that we do not control.

Not exact matches

This is a shared cultural event at a time when the notion of everyone watching the same program on the same network at the same time is a distant memory, totally disconnected from our new reality of Netflix (nflx), Hulu, Amazon Video (amzn), HBO Go or Apple TV (aapl) delivering our favorite shows, which increasingly aren't even produced by the major networks.

Nintendo's new Pokémon GO augmented reality game has quickly proven to be a cultural phenomenon, juicing the company's stock.

But at the same time, it was also his need and desire to overcome those same cultural differences and language barriers that has given more meaning and value to the reality of settling into a new Canadian life.

The fact that we are in the midst of an enormous transformation toward a «universal civilization» suggests that only in a new confrontation with localistic, cultural and nationalistic idolatries of all sorts, and only by clariflying what universal realities are worth living and dying for, can we find hope.

But when the new black conservatives accent black behavior and responsibility in such a way that the cultural realities of black people are ignored, they are playing «a deceptive and dangerous intellectual game with the lives and fortunes of disadvantaged people.

I have argued in a forthcoming work, The Realities of Faith and The Revolution in Cultural Forms, that the dimension of depth which has appeared in contemporary theology under the discussion of eschatology, has affinities with this new vision of science, if in fact it is not of apiece with it.

The new Gender Architecture - a giant with clay feet standing on sand, not on the firm ground of reality and what is good for the human person, will sooner or later collapse, even if now, it seems virtually impossible to escape the cultural, political and anthropological tsunami it will inevitably provoke.

This term points to the reality that some aspects of modernity have transcended national and cultural boundaries and require a new awareness of interdependency and new levels of commonality — aspects of which are likely to destroy much of the variety we have known and to produce new varieties of cross-cultural and transnational interaction.

Each awakening has occurred during a period of profound cultural disorientation, when the whole cultural system was jarred by disjunctions between old beliefs and new realities, past norms and present experience, dying patterns and emerging patterns of behavior.

Mujerista theology brings together elements of feminist theology, Latin American liberation theology and cultural theology, three perspectives which critique and challenge each other, giving birth to new elements, a new reality, a new whole.

[11] The inescapable reality that new patterns of social, economic, political, religious and cultural inter-relationships and identities emerged through the colonial encounter can not be simply brushed aside or dismissed with the comment that this was a terrible time and that it is good that things are different now.

How do you see suburban churches already beginning to address their new socioeconomic and cultural realities?

Library, 1961) ~ Charles Hartshorne, The Logic of Perfection and Other Essays in Neoclassical Metaphysics (La Salle, Ill.: Open Court, 1962) ~ Bernard E, Meland, The Realities of Faith: the Revolution of Cultural Forces (New York: Oxford University Press, 1962): and Daniel Day Williams, The Spirit and the Forms of Love (New York: Harper & Row, 1968).

The last few years of cultural turmoil in the West and around the globe have begun to pull the veil from this reality, and inaugurated a new era of clarity.

It is very difficult in this age of new sensitivity to sexual discrimination to talk about the characteristics of feminine love and masculine love, for there is no assurance that you are accurately discerning a biological reality or a cultural role.

The «Only in Queens» Summer Festival will also offer a wide range of activities for people of all ages, including: • Guided tours of the New York State Pavilion's Tent of Tomorrow, the Queens Library Mobile Unit, the Queens Theatre and the Queens Museum; • Family - friendly fun including cultural performances, face painting, inflatable bounce houses, a Delta Air Lines Scavenger Hunt, activities run by the United States Tennis Association, and an appearance by Mr. Met; • Food and craft vendors offering a variety of international cuisine and merchandise for sale; • Exhibits of memorabilia from the original 1939 - 40 and 1964 - 65 World's Fairs, classic cars and a boat from the annual Hong Kong Dragon Boat Festival; • Virtual reality demonstrations by the National Trust for Historic Preservation, the group People for the Pavilion and Queens - based RPGA Studio as part of the international ideas competition currently underway to solicit imaginative and creative public input for how the New York State Pavilion can best be adapted for public reuse.

It's a film from whose nihilism I would've recoiled just a few years ago, but now I see that as perhaps the definitive trend of the first six years of this brave new world (first five after 9/11, the inciting event of this love affair with apocalyptic cultural reset) and not entirely divorced from our reality besides.

Scouring the various and often overlapping worlds of art, music, television, film, new media and literature, Ulaby's radio and online stories reflect political and economic realities, cultural issues, obsessions and transitions, as well as artistic adventurousness — and awesomeness.

Conceived at Max's Kansas City and inspired by the Hotel Chelsea (where it was mostly shot), Andy Warhol's three - and - a-half-hour underground opus was also an unlikely commercial hit, a split - screen endurance test of nonnarrative vignettes featuring the Pop artist's menagerie of eccentric New York personalities — the cultural progenitors of histrionic reality TV.

Education is increasingly called to play a greater role in both imparting the skills and sensibilities the new arrivals will need to succeed, and in facilitating how long - term residents adapt to new demographic and cultural realities.

Stories that cross cultural barriers can describe realities to them and bring new perspectives to their little worlds.

Violence against women is not just what is happening to individual women, we see that the educational, economic, social and cultural aspects of the current systems, at local, national and global levels must intentionally work with a transformational agenda to be able to achieve this urgently needed change, that not only robs women and societies of peace, but does not allow the qualitative development for the new paradigm to become a reality in our life time.

This mobile experience uses an augmented reality app to allow learners to explore German cultural heritage in New York City.

The spell of a new city has long worn off, and their reality mostly includes putting up with bureaucracy and cultural differences that have yet to catch up with the changing times.

MIDTOWN & UPTOWN & HARLEM The Summer Show / DM Contemporary / 39 East 29 # 2B / thru 9/19 By the Book; Anthony McCall / Kelly / 475 Tenth Avenue @ 36 / thru 7/31 Gina Beavers; Brock Enright / Dieu Donne / 315 W 36 / thru 7/18 Bring in the Reality / No Longer Empty @ Cummings Foundation / 475 Tenth Ave. @ 36 / thru 9/11 Spencer Finch thru 8/23; Emmet Gowin thru 9/20; Etc. / Morgan Library / 225 Madison @ 36 Susan Bee / NYPL Mid-Manhattan / 455 Fifth Ave. — floor 3 / thru 8/20 Animal Impact / Fountain / 702 Ninth Ave. @ 48 / thru 8/12 Display of the Centuries: Frederick Kiesler and Contemporary Art / Austrian Cultural Forum / 11 E 52 / thru 7/27 Aperture Photographs / 1285 6th Avenue @ 52 / thru 9/18 Opening 6/29 Yoko Ono thru 9/7; Zoe Leonard thru 8/30; Jacob Lawrence thru 9/7; Etc. / MoMA / 11 W 53 Dorothy Robinson / 527 Madison (enter 54) / thru 9/11 Summerset / Findlay / 724 Fifth Ave. @ 57 — floor 8 / thru 8/23 John Ashbery; Guy Maddin; Richard Baker / de Nagy / 724 Fifth Ave. @ 57 — floor 12 / thru 7/31 Peter Reginato / Adelson / 730 Fifth Ave. — floor 7 / thru 8/21 Tara Donovan / Pace / 32 E 57 / thru 8/21 (extended) Joan Witek / McCoy / 41 E 57 / thru 7/31 Past & Present / Naumann — floor 3 / 24 W 57 / thru 7/17 Niele Toroni / Goodman / 24 W 57 — floor 3 / thru 7/30 Summer: S.LeWitt; J.McCracken; M.Nordman; G.Richter; F.Sandback; A.Truitt; L.Weiner / Goodman / 24 W 57 — floor 4 / thru 7/24 Jay Batlle / Ierimonti / 24 W 57 — floor 5 / thru 9/15 What's New is New Again: Dan Flavin; Louise Lawler; Sherrie Levine / Jancou / 24 W 57 — floor 6 / thru 7/11 Viewer Discretion....

Everything Is Happening At Once includes new and recent work that cuts across conventional notions of the scale and status of the photographic object, opening up its potential to represent cultural, social and physical realities.

Travelling Dust is a departure from accepted modes of cultural reference and representation, opening up new channels of thought and taking a renewed look at what these places mean to one another within the realities of geopolitics.

Douglas Crimp's memoir - cum - cultural history reveals the reality behind the myth of New York's thriving art scene in the 70s

Group Island Press: Recent Prints, Mildred Lane Kemper Art Museum, St. Louis, MO, 2018 Thinking Through Art, Middlebury College Museum of Art, Middlebury, VT, 2018 Sunrise, Sunset, Emerson Dorsch Gallery, Miami, FL, 2017 The Unhomely, Denny Gallery, New York, NY, 2017 Women Painting, Miami Dade College, Kendall Gallery, Miami, FL, 2017 New Faces, Different Places, Central Features Contemporary Art, Albuquerque, NM 2017 The Home Show, form & concept, Santa Fe, NM, 2016 Girls Who Dance in Dissonance, Wayside, Los Angeles, CA, 2016 Surface Area: Selections from the Permanent Collection, Studio Museum in Harlem, New York, NY, 2016 Self - Proliferation, Girls» Club, curated by Micaela Giovannotti, Fort Lauderdale, FL, 2016 Faces and Vases, Royal NoneSuch Gallery, Oakland, CA, 2016 Visions Into Infinite Archives, SOMArts Cultural Center, curated by Black Salt Collective, San Francisco, CA, 2016 Summer Art Faculty Exhibition, Schick Art Gallery, Skidmore College, Saratoga Springs, NY, 2015 Paula Wilson & Jovencio de la Paz, Saugatuck Center for the Arts, Saugatuck, MI, 2015 Perception Isn't Always Reality, Kranzberg Arts Center, St. Louis, MO, 2015 DRAW: Mapping Madness, Inside — Out Art Museum, curated by Tomas Vu, Beijing, China, 2014 - 2015 Lake Effect, Saugatuck Center for the Arts, curated by Mike Andrews, Saugatuck, MI, 2014 I Am The Magic Hand, Sikkema Jenkins & Co, Organized by Josephine Halvorson, New York, NY, 2013 Sanctify, Vincent Price Museum, Los Angeles, CA, 2013 The Bearden Project, Studio Museum in Harlem, New York, NY, 2012 Configured, Benrimon Contemporary, Curated By Teka Selman, New York, NY 2012 Art by Choice, Mississippi Museum of Fine Art, Jackson, MS, 2011 The February Show, Ogilvy & Mather, New York, NY, 2011 Art on Paper: The 41st Exhibition, Weatherspoon Art Museum, Greensboro, NC, 2010 Defrosted: A Life of Walt Disney, Postmasters Gallery, New York, NY, 2010 41st Collectors Show, Arkansas Art Center, Little Rock, AK, 2009 - 2010 Carrizozo Artist's Show, Gallery 408, Carrizozo, NM, 2009 - 2010 While We Were Away, Sragow Gallery, New York, NY, 2009 A Decade of Contemporary American Printmaking: 1999 - 2009, Tsingha University, Beijing, China, 2009 Collected.

What to make of the detailed 1998 proposal for The Long March Project, which enacted a curatorial experiment by founder Lu Jie and artist Qiu Zhijie involving thousands of participants, exhibitions and performances staged along the Red Army's route to collectively «reinterpret historical consciousness and develop new creative approaches to political, social, economic and cultural realities».

Datumsoria: The Return of the Real is an outcome of «Art & Tech @,» a program initiated at Chronus Art Center and conceived by ZHANG Ga, which aims, through resuscitating the valuable legacy of experiments in art and technology from the mid-20th century, to come to terms with the challenges of a technologically constructed timespace: a new reality that has altogether changed the rules of the game in work and play, in politics and economics, and in artistic imagination and cultural sensibility.

This volume presents new essays and commissioned visual projects that elaborate on the crucial ideas raised in the forum — the new kinds of cultural identifications facilitated by the Internet; the relationship between art and activism; the poetics of online communication; the relevance of the museum in a digital world; and the complex relationships between bodies, information systems, and urban realities.

Encouraging new ways of being in the present and the future, Vessels of Genealogiespresents radical, fluid figures that offer alternative realities to those whose cultural identities have remained traditionally absent from dominant culture.

Her videos and installations explore the intersection between reality, perception, technology and time, as an investigation for finding new ways of seeing that innovatively address some of the current socio - cultural and environmental issues.

In contemporary Russia in which the official political and cultural attitudes become increasingly conservative, a new generation of Russian artists continue the tradition of the Russian artistic and political Left: desire to change the reality by means of art, ideals of equality and social justice, radical Utopianism, secularism and internationalism.

It emphasizes inquiry - based education, problem solving, and self - expression by connecting the New Museum's mission, resources, and programs with students» personal, political, and cultural realities.

He had finally graduated from the cultural capitals of the old world to the new megalopolis - and he promptly began a series of jazz portraits, including one of his hero Dizzy Gillespie, whose music was to enliven the film The Reality of Karel Appel, directed by Jan Vrijman in 1961.

4OnDemand Artist...cross - dresser and cultural icon Grayson Perry's new series explores the themes... Huhne, Essex reality TV star Rylan Clark, Kayleigh, a single white mother...

Since the turn of the millennium, the Internet has evolved from what was merely a new medium to a true «mass» medium — with a deeper and wider cultural reach, greater opportunities for distribution and collaboration, and more complex corporate and political realities.

Huang and Chen are fascinated with the myth of New York as an ethnic mosaic and its reality as one of the world's most intense concentrations of wealth and poverty, materialism and spirituality, cultural interaction and ideological strife, immigration and racism...» - Huang Yong Ping, Chen Zhen, and France Morin, exhibition brochure.

The AR movement at first may seem like a novelty, but a closer look reveals interdisciplinary perspectives that involve aesthetic explorations of blended realities as a new kind of artistic practice and cultural space.

In this exhibition, New Peace takes form through the imagined - trappings of a cult that worships matter and believes that reality and its cosmic, biological, and cultural evolutions exist to create the greatest variation of form possible in the universe, and for matter to experience all variations of itself.

The prospective scenarios proposed by this report are based on a number of hypothetical social, economical and cultural situations, among others an ageing population, a changing socio - cultural reality due to immigration, a deepening divide between the rich and the poor, the omnipresence of IT in all sectors of society, the inability of the «welfare state» to maintain its offer of public services and goods, the feminization of the legal practice, a growing focus on quality of life, new business models, a transnational practice of law and a shift in influence from the West to the East.

As the concept of equality as guaranteed in the Canadian Charter of Rights and Freedoms (s. 15) and in the Quebec Charter of Human Rights and Freedoms (s. 10) has evolved over the last two decades, our work in protecting and promoting racial equality has also adapted to new legal, social and cultural realities.