Sentences with phrase «new cultural traditions»

One of these new cultural traditions is the job interview.

Not exact matches

For example, Apple Pay lagged behind Chinese competitors in providing promotions timed with the Chinese cultural tradition of exchanging red envelopes («hong bao») filled with money during the Lunar New Year.

From the point of view of the Christian tradition itself, such a renovation is not merely a capitulation to one more cultural expression, «but a new stage in the ongoing shaping of the gospel in different times and contexts.

Rather, what Crouch did was to continue the tradition of creating new cultural forms from within the folk culture he inhabited and taking such artifacts into a broader public space.

Thus the Commission called for a Christian concern for Higher Education which helps critical rational and humanist evaluation of both the western and Indian cultures to build a new cultural concept which subordinated religious traditions, technology and politics to personal values according to the principle «Sabbath is made for man and not man for the Sabbath», enunciated by Jesus and illustrated in the idea of Incarnation of God in Christ.

Blending cultures: Faith traditions are becoming more diverse in the U.S. as people of different denominations, cultural backgrounds and ethnic heritages adopt new beliefs or reinterpret traditional ones.

What they can do is to interpret it in the light of the present forces impinging on their lives so that the new pattern of life may be continuous with their cultural tradition.

Since the Reformation in the 16th Century, much Christian infighting and misunderstanding has occurred over the Catholic and Orthodox emphasis on Tradition (which usually got confused with small cultural «traditions») versus the new Protestant emphasis on Scripture, even «Scripture alone!»

When personal interpretation trumps the tradition, McDermott wonders how one can ever move beyond a new kind of Babylonian captivity, the captivity of interpretation to a modern cultural milieu.

Those Ukrainians, however, who emphasized their unique language and cultural traditions welcomed independence as an opportunity to construct a new national identity.

when, in fact, a particular cultural configuration of Catholicism is undergoing change as it accommodates, in accord with venerable tradition, a new cultural circumstance.

The Gallup survey concludes that the differences are more likely reflective of regional cultural traditions, but we at LifeWay Research wanted to drill down some more — especially in New England.

The new cultural forces which have emanated from the west and which are causing the decay of traditional Christianity also threaten the future of the other great post-Axial traditions.

The new ethic reinforces rational option over tradition and cultural inheritance.

They want to be able to choose people — perhaps on a «points - based system» — who will most benefit the economy: superstars of the future — unhindered by «backwards» cultural tradition and able to innovate and drive forward a new economy; cheap labour which — free from EU regulations — can be brought into work hard on construction projects and then sent packing afterwards.

As you say in your comment there also exists the influence of a cultural politics, New Left, Eurocommunist tradition.

They spoke instead about turning Harlem power over to a new generation of young leaders, and the need to hold on to Harlem's cultural tradition in the face of gentrification.

Rob has also been affiliated with the Hudson River Valley Greenway, whose mission is «to continue and advance New York's commitment to the preservation, enhancement and development of the world - renowned scenic, natural, historic, cultural and recreational resources of the Hudson River Valley, and at the same time emphasize economic development activities and remain consistent with the tradition of municipal home rule.»

People of different cultural backgrounds are not impervious to learning new customs and traditions.

While the bodybuilding world serves as backdrop, it's finally a story of transition between cultural traditions — between worlds old and new — as Bridges» well - to - do layabout drifts back to his hometown.

We are providing a 21st century approach to its observance not just by recharging memory, but through an artistic reflection with a balanced affirmation of Hispanic heritage and indigenous traditions for collaborative new routes of expression from ancestral roots focused on the concerns of UNESCO: Cultural Rapprochement, Biodiversity, Ocean Care and Seafaring, Climate Change mitigation through sustainable energy, reforestation, gender equity and health issues.

Mr. Hirsch's ideas were long dismissed as encouraging a reactionary cultural tradition, but they are now beginning to command new respect among education reformers.

As they struggle to adjust to life in a new country, Tina and her family face challenges to their home culture and traditions and Tina finds herself in the position of leading her family through the cultural transition.

He admitted that reducing the over-emphasis on local control «goes against every cultural tradition we have, save the one that matters most: our capacity to renew ourselves to meet new challenges.»

Experience Maori culture by participating in a night filled with tradition, culture, delicious food and powerful performances at New Zealand's most awards Cultural Tourism Attraction; Tamika Maori Village.

Sustainable Travel International hope the campaign will help them chart the course for a new direction in the travel and tourism industry, one that leads to clean beaches, forests and parks; fosters local economic development and results in the protection and longevity of cultural traditions and architectural treasures.

With a diverse ethnic mix and cultural backgrounds, the new Corozal Town inhabitants brought with them varied languages, religious viewpoints, family structures and cultural practices, traditions and beliefs.

Artisans of Leisure is excited to announce our new Culinary Tour of Peru, a food - focused private tour that immerses travelers in Peru's culinary and cultural traditions.

Questioning the distinctions between high and low art, Ceramics presents new works that are an appropriation and celebration of the cultural and historical vernacular traditions of her native Poland and a wider European context.

Conceived in the tradition of the great international biennials, such as the Venice Biennale and the Bienal de Sao Paulo, Prospect New Orleans showcases new artistic practices from around the world in settings that are both historic and culturally exceptional, and contributes to the cultural economy of New Orleans and the Louisiana Gulf region by spurring cultural tourism and bringing international attention to the area's vibrant visual arts communiNew Orleans showcases new artistic practices from around the world in settings that are both historic and culturally exceptional, and contributes to the cultural economy of New Orleans and the Louisiana Gulf region by spurring cultural tourism and bringing international attention to the area's vibrant visual arts communinew artistic practices from around the world in settings that are both historic and culturally exceptional, and contributes to the cultural economy of New Orleans and the Louisiana Gulf region by spurring cultural tourism and bringing international attention to the area's vibrant visual arts communiNew Orleans and the Louisiana Gulf region by spurring cultural tourism and bringing international attention to the area's vibrant visual arts community.

This exhibition explores a wide range of important topics including: personal histories, cultural traditions, environmental concerns, the effects of violence, changing ideas about gender and sexuality, and new approaches to the medium of photography.

Chapter 1: Things Must be Pulverized: Abstract Expressionism Charts the move from figurative to abstract painting as the dominant style of painting (1940s & 50s) Key artists discussed: Willem de Kooning, Barnett Newman Jackson Pollock, Mark Rothko Chapter 2: Wounded Painting: Informel in Europe and Beyond Meanwhile in Europe: abstract painters immediate responses to the horrors of World War II (1940s & 50s) Key artists discussed: Jean Dubuffet, Lucio Fontana, Viennese Aktionism, Wols Chapter 3: Post-War Figurative Painting Surveys those artists who defiantly continued to make figurative work as Abstraction was rising to dominance - including Social Realists (1940s & 50s) Key artists discussed: Francis Bacon, Lucien Freud, Alice Neel, Pablo Picasso Chapter 4: Against Gesture - Geometric Abstraction The development of a rational, universal language of art - the opposite of the highly emotional Informel or Abstract Expressionism (1950s and early 1960s) Key artists discussed: Lygia Clark, Ellsworth Kelly, Bridget Riley, Yves Klein Chapter 5: Post-Painting Part 1: After Pollock In the aftermath of Pollock's death: the early days of Pop, Minimalism and Conceptual painting in the USA (1950s and early 1960s) Key artists discussed: Jasper Johns, Robert Rauschenberg, Frank Stella, Cy Twombly Chapter 5: Anti Tradition - Pop Painitng How painting survives against growth of mass visual culture: photography and television - if you can't beat them, join them (1960s and 70s) Key artists discussed: Alex Katz, Roy Lichtenstein, Gerhard Richter, Andy Warhol Chapter 6: A transcendental high art: Neo Expressionism and its Discontents The continuation of figuration and expressionism in the 1970s and 80s, including many artists who have only been appreciated in later years (1970s & 80s) Key artists discussed: Georg Baselitz, Jean - Michel Basquiat, Anselm Kiefer, Julian Schnabel, Chapter 7: Post-Painting Part II: After Pop A new era in which figurative and abstract exist side by side rather than polar opposites plus painting expands beyond the canvas (late 1980s to 2000s) Key artists discussed: Tomma Abts, Mark Grotjahn, Chris Ofili, Christopher Wool Chapter 8: New Figures, Pop Romantics Post-cold war, artists use paint to create a new kind of «pop art» - primarily figurative - tackling cultural, social and political issues (1990s to now) Key artists discussed: John Currin, Peter Doig, Marlene Dumas, Neo Rauch, Luc Tuymnew era in which figurative and abstract exist side by side rather than polar opposites plus painting expands beyond the canvas (late 1980s to 2000s) Key artists discussed: Tomma Abts, Mark Grotjahn, Chris Ofili, Christopher Wool Chapter 8: New Figures, Pop Romantics Post-cold war, artists use paint to create a new kind of «pop art» - primarily figurative - tackling cultural, social and political issues (1990s to now) Key artists discussed: John Currin, Peter Doig, Marlene Dumas, Neo Rauch, Luc TuymNew Figures, Pop Romantics Post-cold war, artists use paint to create a new kind of «pop art» - primarily figurative - tackling cultural, social and political issues (1990s to now) Key artists discussed: John Currin, Peter Doig, Marlene Dumas, Neo Rauch, Luc Tuymnew kind of «pop art» - primarily figurative - tackling cultural, social and political issues (1990s to now) Key artists discussed: John Currin, Peter Doig, Marlene Dumas, Neo Rauch, Luc Tuymans

A native of Los Angeles, California, and current New York resident, Sanford Biggers uses the study of ethnological objects, popular icons, and the Dadaist tradition to explore cultural and creative syncretism, art history, and politics.

This new series has roots in local and international cultural traditions, while also being informed by art historical characters.

Continental Shift - Artists from the African continent in Europe, Bonnefantenmuseum, Maastricht, The Netherlands Intelligence: New British Art 2000, Tate Britain, London South Meets West, Accra, Ghana and Kunsthalle, Bern, Switzerland 1999 From where - To here, Art from London, Konsthallen Göteborg, Sweden Kunstwelten im Dialog, Museum Ludwig, Cologne Missing Link, Museum of Arts, Bern, Switzerland Heaven, Kunsthalle Düsseldorf, Germany; Tate Gallery, Liverpool Mirror's Edge, Bild Museet, Umeå, Sweden; toured to Vancouver Art Gallery, Canada; Castello di Rivoli, Torino, Italy; Tramway, Glasgow; Charlottenborg, Copenhagen, Denmark Citibank Private Bank Photography Prize, Photographers» Gallery, London In the Midst of Things, Bournville Village, Birmingham Secret Victorians, Arts Council Touring Exhibition, Ikon Gallery, Birmingham; Firstsite, Colchester; Arnolfini, Bristol; Middlesborough Art Gallery; Museum and Art Gallery, Brighton; Armand Hammer Museum, Los Angeles, USA Sensation, Brooklyn Museum of Art, New York, NY, USA 1998 Cinco Continentes y una Ciudad, Museo de la Ciudad de México, México D.F. Personal Effects; Sculpture & Belongings, Spacex Gallery, Exeter; toured to Angel Row Gallery, Nottingham Ethno - antics, Nordic Museum, Stockholm, Sweden Crossings, National Gallery of Canada, Ottawa, Canada Liberating Tradition, Bard Center for Curatorial Studies, New York, NY, USA Transatlantico, Centro Atlantico de Arte Moderno, Canary Islands, Spain Beyond Mere Likeness: Portraits from Africa and the African Diaspora, Duke University Museum of Art, Durham, North Carolina, NC, USA Global Vision; New Art from the»90s, Deste Foundation, Athens, Greece 1997 Sensation: Young British Art from the Saatchi Collection, Royal Academy of Arts, London; toured to the National Gallery of Berlin, Germany and the Brooklyn Museum of Art, New York, NY, USA Portable Personal Histories Museum, Ikon Gallery, Birmingham Trade Routes: History and Geography, 2nd Johannesburg Biennale, South Africa Transforming the Crown: African, Asian and Caribbean Artists in Britain, 1966 - 1996, Caribbean Cultural Center / African Diaspora Institute, New York, NY; Studio Museum, Harlem, NY; the Bronx Museum of the Arts, New York, NY, USA Pictura Britannica, Museum of Contemporary Art, Sydney, Australia; toured to the Art Gallery of South Australia, Adelaide and the City gallery, Wellington, New Zealand What, Trinity Buoy Wharf, London 1996 Pledge Allegiance to A Flag?

Hall of Khan is generously supported in part by: The Harpo Foundation, a Community Arts Assistant Program grant from the City of Chicago Department of Cultural Affairs and Special Events, an Artist Project Grant from the Illinois Arts Council, a state agency, and with special assistance from Palos Hills Riding Stables / New Traditions Riding Academy.

As such, it is a fertile arena for examining artistic florescence along geographic and cultural borders, in which foreign and native traditions mingle, fuse, and transcend their origins as they coalesce into a new hybrid visual culture.

Probing these multiple meanings through a range of media, the works on view further resonate in New Orleans — both with the city's pageantry traditions and its contemporary negotiations around cultural identity.

In contemporary Russia in which the official political and cultural attitudes become increasingly conservative, a new generation of Russian artists continue the tradition of the Russian artistic and political Left: desire to change the reality by means of art, ideals of equality and social justice, radical Utopianism, secularism and internationalism.

Imagining the Political Subject», Secession, Wien 2013 «I knOw yoU», IMMA — Irish Museum of Modern Art, Dublin 2013 «The Butterfly Image», Mudam, Luxembourg 2013 «Only here», Art and Exhibition Hall of the Federal Republic of Germany, Bonn 2012 «Reactivation», 9th Shanghai Biennial, Shanghai 2012 «CARA DOMANI opere dalla Collezione Ernesto Esposito», MAMbo, Bologna 2012 «Storytelling as Craft», Kentucky Museum of Art and Craft, Louisville 2012 «Ephemeropterae», TBA21 Augarten, Vienna (performance) 2012 «Swans, Amputees», Fondation Cartier, Paris (performance) 2012 «Searching for the fountain», Moderna Museet, Stockholm 2012 «Soundworks», ICA, London 2012 «Setting the Scene», Tate Modern, London 2012 «OEI / Letterism», Moderna Museet, Stockholm (performance) 2012 «Descriptive Acts», San Francisco MOMA, San Francisco 2012 «enfolds: books I & II», Mount Analogue, Stockholm 2012 «Never odd or even», Museum of Contemporary Art, Roskilde (performance) 2011 «Balustrade: endless tapes», Milliken Gallery, Stockholm 2011 Fotofestival 4, Mannheim, Ludwigshafen, Heidelberg 2011 «Folk Variations», Radar, Loughborough (performance) 2011 «The Other Tradition», Wiels, Brussels 2011 «La Casa Encendida», Madrid (performance) 2011 «Subtext Part II», Un Projects, Melbourne 2011 «British Art Show 7: In the Days of the Comet», touring; Nottingham Contemporary, Hayward Gallery, London, Glasgow Centre for Contemporary Art, and Plymouth Arts Centre 2010 «New Frankfurt Internationals», Frankfurter Kunstverein, Frankfurt 2010 FRAC Champagne - Ardenne, Troyes 2010 «Fun Palace», Centre Pompidou, Paris 2010 «Manifesta 8», Murcia, Spain 2010 «Exhibition, Exhibition», Castello di Rivoli Museo d'Arte Contemporanea, Rivoli 2010 «Performance», Museo Marino Marini, Florence (performance) 2010 «Balustrade», Julia Stoschek Foundation, Dusseldorf (performance) 2010 «Haunted: Contemporary Photography / Video / Performance», Guggenheim Museum, New York (performance) 2010 «Finding Chopin», performance Witte de With, Center for Contemporary Art, Rotterdam (performance) 2010 «NineteenEightyFour», Austrian Cultural Forum, New York 2010 «ACT VII: Of Facts and Fables», Witte de With, Center for Contemporary Art, Rotterdam 2010 «Leipzig Calendar Works», Project Kaufhaus Joske, Leipzig (performance) 2010 «A Performance Cycle», Nomas Foundation, Rome (performance) 2009 «Lecture Performance», Cologne Kunstverein, Cologne (performance) 2009 «Accecare l'ascolto / Aveugler l'ecoute / Blinding the ears», Artissima, Turin (performance) 2009 «5 × 5 Castello 09», Espai d'art contemporani de Castello EACC, Valencia 2009 «This World & Nearer Ones», Creative Time, New York (performance) 2009 «Ars viva 08/09.

About Prospect New Orleans Prospect New Orleans was conceived in the tradition of the great international exhibitions, such as the Venice Biennale and the Bienal de São Paulo, to showcase new artistic practices from around the world in settings that are both historic and culturally exceptional, and contribute to the cultural economy of New Orleans and the Louisiana Gulf regiNew Orleans Prospect New Orleans was conceived in the tradition of the great international exhibitions, such as the Venice Biennale and the Bienal de São Paulo, to showcase new artistic practices from around the world in settings that are both historic and culturally exceptional, and contribute to the cultural economy of New Orleans and the Louisiana Gulf regiNew Orleans was conceived in the tradition of the great international exhibitions, such as the Venice Biennale and the Bienal de São Paulo, to showcase new artistic practices from around the world in settings that are both historic and culturally exceptional, and contribute to the cultural economy of New Orleans and the Louisiana Gulf reginew artistic practices from around the world in settings that are both historic and culturally exceptional, and contribute to the cultural economy of New Orleans and the Louisiana Gulf regiNew Orleans and the Louisiana Gulf region.

Conceived in the tradition of the great international biennials, such as the Venice Biennale and the Bienal de São Paulo, Prospect New Orleans showcases new artistic practices from around the world in settings that are both historic and culturally exceptional, and contributes to the cultural economy of New Orleans and the Louisiana Gulf region by spurring cultural tourism and bringing international attention to the area's vibrant visual arts communiNew Orleans showcases new artistic practices from around the world in settings that are both historic and culturally exceptional, and contributes to the cultural economy of New Orleans and the Louisiana Gulf region by spurring cultural tourism and bringing international attention to the area's vibrant visual arts communinew artistic practices from around the world in settings that are both historic and culturally exceptional, and contributes to the cultural economy of New Orleans and the Louisiana Gulf region by spurring cultural tourism and bringing international attention to the area's vibrant visual arts communiNew Orleans and the Louisiana Gulf region by spurring cultural tourism and bringing international attention to the area's vibrant visual arts community.

As an artwork, Eichhorn's gesture built upon the traditions of artistic withdrawal of labour established by the Art Workers» Coalition and Art Strikes in New York in the 1970s, which enabled artists to understand and articulate their positions as cultural workers.

During the one to two - month residencies, many artists developed work that shed new light on Hurricane Katrina, its aftermath and cultural significance, while others continued work that reflects the rich history and traditions of the Gulf Coast.

Cultural traditions and values of every country strive to find new contemporary language to keep pace with the transformation of artistic expression.

This new series draws deeply from religious roots of African American heritage and cultural traditions predating and following the Civil Rights Era.

And like such showstoppers as LaToya Ruby Frazier's searing domestic photographs and Keren Cytter's demonic video «Der Spiegel» (2007) in The Generational, or Adrián Villar Rojas» towering sci - fi golem from The Ungovernables, Eva Koťátková's performance / installation «Not How People Move But What Moves Them» (2013) is a confluence of personal and cultural histories, a repurposing of selective traditions into a bracing new configuration.

Fortunately, New York's outlying regions offer abundant reasons to make the reverse cultural commute, and this spring, Storm King Art Center announces two new ones: the just - opened exhibition «Zhang Huan: Evoking Tradition» and a newly commissioned installation by the sculptor Virginia OvertNew York's outlying regions offer abundant reasons to make the reverse cultural commute, and this spring, Storm King Art Center announces two new ones: the just - opened exhibition «Zhang Huan: Evoking Tradition» and a newly commissioned installation by the sculptor Virginia Overtnew ones: the just - opened exhibition «Zhang Huan: Evoking Tradition» and a newly commissioned installation by the sculptor Virginia Overton.

Support for this program is provided by the Amphion Foundation and the Institute for Interdisciplinary Innovation (I ³), a three year pilot project of the Contemporary Arts Center, New Orleans (CAC), supported by The Andrew W. Mellon Foundation, designed to provide both the context and content for the expanding aesthetic landscape of interdisciplinary performance as practiced by artists whose projects are drawn from or inspired by the rich cultural traditions of the South.

In new sculpture and installation work, the artist continues to evoke specific cultural traditions while exposing complex relationships with contemporary global commerce.