Sentences with phrase «new cultural venues»

Whether you're in the mood for a simple day trip or a full weekend excursion, taking public transportation or driving, it's possible to see new cultural venues in tranquil settings that hold their own appeal.

The Serpentine Gallery has appointed Zaha Hadid to renovate The Magazine building in Kensington Gardens into a new cultural venue.

Not exact matches

Wine tasting events in June and August move to new venues in the Golden Gate Club and Skirball Cultural Center.

Wolfgang Puck Catering, brings a new level of innovation and inspiration to special event and contract dining services for cultural, corporate and entertainment venues across the country, offering a restaurant - quality experience in a special event setting for both small and large scale events.

«For more than two decades, Taste of Times Square has been an amazing venue for locals and visitors alike to experience the best of New York's culinary and cultural scenes in the heart of the city's town square,» said Tim Tompkins, President of the Times Square Alliance.

An IDNYC card can also be used at all branches of all three of New York City's public library systems and be used to obtain discounts and other benefits at museums and cultural institutions, entertainment venues, pharmacies and fitness centers.

Wave Hill, recently named the «Most Loved Cultural Venue in New York City» by Time Out New York magazine, will receive the 2017 Bronx Week Tourism Award at the annual Bronx Ball.

Different cultural groups, particularly Owo Cultural group, which is the hometown of the new governor were already at the venue entertaining thecultural groups, particularly Owo Cultural group, which is the hometown of the new governor were already at the venue entertaining theCultural group, which is the hometown of the new governor were already at the venue entertaining the guests.

The University is located in the Greater New York City metropolitan area, on the shores of Long Island Sound, with easy access to some of the greatest museums, libraries and cultural venues in the country.

Alchemy is Dublin's hottest new club and venue, nestled in the heart of Dublin's cultural quarter.

The original artwork and manuscripts in the exhibition will be displayed using an entirely new method inspired by touch and feel boards, a first for a British cultural venue.

Naturally the Apartments are within easy reach of many of Melbournes famous restaurants as well as cultural venues like Princess Theatre and Her Majesty's Theatre as well as the new Queen Victoria shopping Complex

Construction in the area — developing at an unprecedented rate — includes the region's new flagship cultural venue, the Rem Koolhaas / OMA - designed The Factory, set to open in 2020 at a cost of GBP # 110 million.

She has read, exhibited and performed her multidisciplinary work at events and venues including the Miami Book Fair International, the Ashé Cultural Center and the Contemporary Arts Center in New Orleans; Universidad del Sagrado Corazón in San Juan, PR; Girls» Club in Ft. Lauderdale, FL; Sweat Records in Miami, FL; and ArtCenter South Florida, as well as readings and performances as a member of the Miami Poetry Collective.

Taking place at over 80 of New York's most exciting art and cultural venues, Performa 09 was created as a collaboration between all of these moving parts, so a portrait of the city's remarkable history of cultural innovation also emerges from these pages.

Henry Street Settlement, Abrons Art Center, New York, NY Brooklyn Divas, Corridor Gallery, Brooklyn, New York Figures of Thinking: Convergences in Contemporary Cultures, organized by Vicky Clark and Sandhini Poddar, various venues including The Chicago Cultural Center, Chicago, IL, Richard E. Peeler Art Center, De Pauw University, Greencastle, IN Western Gallery, Western Washington University, Bellingham, WA, The Mc Dounough Museum of Art, Youngstown, OH, Tufts University Gallery, Medford MA and the Joel and Lila Harnett Museum of Art, Univeristy of Richmond, Richmond, VA, (with catalog)

His work has been shown across Europe and in the USA — as well as in Brazil, Singapore, China, Angola, Mozambique, Cape Verde, and South Africa; in venues such as the LACE, Hammer Museum (Los Angeles), Armory Center for the Arts (Pasadena), Art Interactive (Boston), Museum of the City of New York, Residency Unlimited (NY), MOCA (Cleveland), MMOCA (Madison), Peter B. Lewis Center for the Arts (Princeton), Württembergischer Kunstverein (Stuttgart), DAZ, Berlinerpool (Berlin), Rencontres Internationales Paris / Berlin (Paris), National Center for Contemporary Art (Moscow), M. K. Ciurlionis National Museum (Kaunas), Hélio Oiticica Art Center (Rio de Janeiro), S.P. Cultural Center (São Paulo), Oriente Foundation (Macao), EDP Museum, Gulbenkian Foundation, Carmona e Costa Foundation, Goethe - Institut (Lisbon), Galeria Presença, and Soares dos Reis Museum (Porto).

Teixeira's work has been shown internationally, in venues such as LACE (Los Angeles); Armory Center for the Arts (Pasadena); Residency Unlimited, Museum of the City of New York (NY); Art Interactive (Boston); MOCA (Cleveland); MMOCA (Madison); DAZ (Berlin); Württembergischer Kunstverein (Stuttgart); Recontres Internationales Paris / Berlin (Paris); National Center for Contemporary Art (Moscow); M. K. Ciurlionis National Museum (Kaunas); Hélio Oiticica Art Center (Rio de Janeiro); the S.P. Cultural Center (Såo Paulo); EDP Museum and Gulbenkian Foundation (Lisbon), to name a few.

, at Galerie Perrotin, Paris; Painting 2.0: Expression in the Information Age, at Mumok, Vienna; Basim Magdy, at Deutsche Bank Kunsthalle, Berlin; Olga Balema, at Galerie Fons Welters, Amsterdam; Superstudio, at MAXXI, Rome; Francesco Vezzoli, at Nouveau Musée National de Monaco; Kirill Glushchenko, at VAC Foundation at Polkovaya Street 3, Moscow; Ian Cheng, at Migros Museum für Gegenwartskunst, Zürich; Liverpool Biennial 2016, at various venues, Liverpool; The Science of Imaginary Solutions, at Breese Little, London; Under the Same Sun: Art from Latin America Today, at South London Gallery; Jim Hodges, at Stephen Friedman Gallery, London; Making & Unmaking, at Camden Arts Centre, London; This Is A Voice, at Wellcome Collection, London; Paul Lee, at Maccarone, Los Angeles; Neïl Beloufa, at Ghebaly Gallery, Los Angeles; Benjamin Carlson, at Park View, Los Angeles; Michael Rakowitz, at Graham Foundation and Rhona Hoffman Gallery, Chicago; Ed Ruscha, at Edward Tyler Nahem, New York; Radcliffe Bailey, at Jack Shainman Gallery, New York, Christopher K. Ho, at Present Company, New York; Evan Robarts, at Bryce Wolkowitz Gallery, New York, Nasreen Mohamedi, at The Met Breuer, New York; Chelsea Culprit, at Yautepec, Mexico City; Arquivo Ex Machina, at Itaú Cultural, São Paulo.

Venues naturally include the Contemporary Arts Center New Orleans and Ashé Cultural Arts Center, but they also extend to city parks and the Mississippi River.

Furthermore, Smith has been included in several important national and international group exhibitions at venues including the Contemporary Arts Museum, Houston, TX (2007, 1995); Camp Marfa, Marfa, TX (2007); Casa de Carton, Ingalls & Associates, Miami, FL (2007); Menil Collection Museum, Houston, TX (2006); African American Museum, Dallas, Texas (2015, 2006); Blue Star Contemporary Art Center, San Antonio, TX (2006); Rockland County Center for the Arts, West Nyack, NY (2000); Art Car Museum, Houston, TX (1999); Galveston Art Center, Galveston, TX (1999); Museum of Fine Arts, Houston, TX (1996); Studio Museum in Harlem, Sculpture Garden, New York, NY (1995); Project Row Houses, Houston, TX (1995); Kenkeleba Gallery, New York, NY (1992); Dallas Museum of Art, Dallas, TX (1992); High Museum, Atlanta (1992); Milwaukee Art Museum, Milwaukee, WI (1992); Blaffer Gallery, University of Houston, TX (1992); Deanza College, Euphrat Gallery, Cupertino, CA (1992); United States Information Agency, Washington, DC (1989); Huntington Art Gallery, University of Texas, Austin, TX (1989); Longview Museum of Art, Longview, TX (1989); Bronx Museum, NY (1989); Dallas Museum of Art, Dallas, TX (1989); The Museum of African American Art, Los Angeles, CA (1988); Studio Museum in Harlem, New York, NY (1988); Arnot Museum of Art, Elmira, NY (1973); New York Cultural Center, New York, NY (1973); Newark Museum, Newark, NJ (1973); Rutgers University, NJ (1971); Hudson River Museum, Yonkers, NY (1970) and the Whitney Museum of American Art, New York, NY (1970).

Exhibition venues include The Flint Institute of Arts, Flint Michigan, the Mint Museum in Charlotte, North Carolina; The Wadsworth Athenaeum, Hartford, Connecticut; Art Space in Baltimore, Maryland; the Bronx Museum, Bronx, NY; Museum of the City of New York, N.Y. the N.Y. Huntington Hartford Cultural Center, New York City; and The Alternative Museum in New York City.

She has been featured in numerous group exhibitions at venues including The Lewis Glucksman Gallery, Cork, Ireland; NCA Taipei, Taiwan; Whitechapel Gallery, London; TBA21 - Augarten, Vienna, Austria; CCBB, Rio de Janeiro, Brazil (2017); Centre D'Art Contemporain de Normandie, France; 21st Century Museum of Contemporary Art, Nanazawa, Japan; Instituto Tomie Ohtake, São Paulo (2016); Storefront for Art and Architecture, New York; National Museum of Women in the Arts, Washington D.C.; Pratt Manhattan Gallery (2015); OCA Museu da Cidade, São Paulo; Kunsthal Kade, Netherlands; Cidade Matarazzo, São Paulo, Brazil; Ronnebaeksholm, Denmark (2014); Cultural Centro Banco do Brasil in Belo Horizonte, Brazil; Museum of Fine Arts Boston, Massachusetts; and Museum of Contemporary Art Taipei, Taiwan (2013).

Following the restoration of the Board of Officers Room, which hosts the Armory's recital series and has become an acclaimed chamber venue in New York, the revitalization of the Veterans Room ensures the room's active use as a cultural salon for cross-disciplinary programming into the next century.

Burcaw has worked as an artist, a curator and a teacher, and has exhibited work at venues throughout New York City, including Denise Bibro Fine Art's Winter Salon, at the Bronx Museum of the Arts and at Artists Space, Lower Manhattan Cultural Council's Swing Space.

Her work has also been featured at the Museum of Contemporary Photography, Chicago, IL; Gene Siskel Film Center, Chicago, IL; Calumet Gallery, New York, NY; Center for Sex and Culture, San Francisco, CA; Centro Cultural Costaricense Norteamericano, San Jose, Costa Rica; and other venues.

In addition to participating in artist residencies around the country, Bosquê has exhibited her work in national and international venues including William Holman Gallery (New York), Museum of Contemporary Photography (Chicago), Lower Manhattan Cultural Council Arts Center (New York), Elmhurst Art Museum (Illinois), Carpe Diem (Lisbon, Portugal), Museu de Arte de Ribeirão Preto (Ribeirão Preto, Brazil), and other galleries and public spaces in Brazil, Portugal, Turkey, and United States.

Since the opening of Fondazione Prada's new venue in 2015, the collection has become one of the available tools for the development of the foundation's cultural program, taking different configurations — from thematic to collective shows — and now finding in Torre its permanent exhibition space.

Recent exhibition venues include Queens Museum, New York, The Korean Cultural Center, New York, Scotty Enterprise, Berlin, Künstlerhaus Schloss Balmoral, Bad Ems, Seoul Arts Center, Seoul, Wagner College, New York and The Suburban, Chicago.

Her work has been exhibited internationally in venues such as the Wexner Center for Arts in Columbus, El Museo Cultural de Santa Fe, the Images Festival in Toronto, Possible Project Space in Brooklyn, the Big Screen Project in New York, the Ben - Gurion airport in Tel Aviv, and the Kulturhuset in Stockholm.

Panel / «Off the Wall: On Alternative Venues for Art» Lower Manhattan Cultural Council, New York Saturday, 17 May 2003, 2 — 4 pm

Since that year, five retrospectives of his work have been organized in important art venues: the Moore College of Art in Philadelphia (1985), the Centro Cultural / Arte Contemporáneo in Mexico City (1989), the American Folk Art Museum in New York (2007), the Museo Nacional Centro de Arte Reina Sofia in Madrid (2010) and at the Institute of Contemporary Art in Los Angeles (2017).

Her projects — often inspired by interest in cultural anthropology, cultural clashes, and music — have been exhibited in both solo and group exhibitions in the United States and Europe, at venues including the Sculpture Center, Art in General, Postmasters, and CANADA in New York; Espace Culturel Louis Vuitton in Paris; Saatchi Gallery and Nottingham Contemporary in Great Britain; Centre for Contemporary Art Ujazdowski Castle and Zachęta National Gallery of Art in Warsaw.

2000 Or Gallery, Vancouver, BC, CAN 1999 Post-Hypnotic, University Galleries, Illinois State University, Normal Illinois, IL, US (traveled to Cincinnati Art Center, Atlanta College of Art, Chicago Cultural Center, SECCA, and other venues, 1999 - 2001) 1997 After the Fall: Aspects of Abstract Painting Since 1970, Newhouse Center for Contemporary Art, Snug Harbor Cultural Center, New York, NY, US

Elizabeth Price is selected by the Whitechapel Gallery as part of Artists» Film International, a collaborative project which showcases artists working with film, video and animation from 15 partner organisations around the world and presented over the course of a year in each venue: Belgrade Cultural Centre, Belgrade; Video - Forum (n.b.k), Berlin; GAMeC, Bergamo; Fundacion PRÓA, Buenos Aires; New Media Center, Haifa; Hanoi / DOCLAB, Hanoi; Para / Site Art Space, Hong Kong; Istanbul Modern, Istanbul; Centre for Contemporary Arts Afghanistan (CCAA), Kabul; Ballroom Marfa, Marfa, TX; National Centre for Contemporary Arts, Moscow; Project 88, Mumbai; KINOKINO Centre for Art and Film, Sandes, Norway; Cinematheque de Tanger, Tangier and City Gallery Wellington, Wellington.

Her work has shown at venues including PULSE NYC Special Projects, BRIC Media Arts, ABC No Rio, The Kitchen, Wayfarer's Gallery and Eyebeam in New York; Chicago Cultural Center, Mana Contemporary, Weinberg / Newton Gallery, Roots & Culture, and the Museum of Contemporary Art in Chicago; Art F City's FAGallery in Miami, FL; The Museum of Human Achievement in Austin, TX; Salt Institute in Portland, ME; The Dah Theater Research Center in Belgrade, Serbia; ICA Baltimore, and Athens Museum of Queer Arts, Athens, Greece.

Artists: Neïl Beloufa, Juliette Blightman, Ryan Gander, Calla Henkel & Max Pitegoff, David Horvitz, Metahaven, Katja Novitskova, Yuri Pattison Exhibition title: Transparencies, The ambivalence of a new visibility Curated by: Simone Neuenschwander, Thomas Thiel Venue: Kunstverein Nürnberg, Nürnberg, Germany Date: November 21, 2015 — January 31, 2016 Photography: Annette Kradisch, images copyright and courtesy of the artists and Kunstverein Nürnberg The exhibition project» Transparencies «examines the cultural facets and atmospheres of this (non --RRB- transparency.

Venues: Ashé Cultural Arts Center, AIA New Orleans, City Park, Contemporary Arts Center New Orleans, Issac Delgado Art Gallery, Dillard University, The Exchange Gallery, Joan Mitchell Center Studios, Longue Vue House and Gardens, May Gallery & Residency, The George and Leah McKenna Museum of African American Art, New Orleans African American Museum, New Orleans Museum of Art, Newcomb Art Gallery, The Ogden Museum of Southern Art, Treme Market Branch, Uno St. Claude Art Gallery, The Wharf / Art Barge, Xavier University, and various sites around New Orleans

Lott's work has been featured in numerous group exhibitions at venues including Williams Tower Gallery, Houston, TX (2008); Museum of Fine Arts, Houston, Houston TX (2008); Museo de la Nación, Lima, Perú (2007); Beeville Art Museum, Beeville, TX (2001); Art Car Museum, Houston, TX (1999); The Society of Contemporary Crafts, Pittsburgh, PA (1998 - 2000); Laguna Gloria Arts Museum, Austin, TX (1992); The Lubbock Fine Arts Center (1991); The Lubbock Black Cultural and Heritage Center, Lubbock, TX (1991); Texas Southern University, Houston, TX (1991); Southeastern Center for Contemporary Art, Winston - Salem, NC (1990 - 1992); Samuel P. Harn Museum of Art, University of Florida, Gainesville, FL; Hunter Museum of Art, Chattanooga, TN; Contemporary Arts Center, New Orleans, LA; Orlando Museum of Art, Orlando, FL; Lawndale Art and Performance Center, Houston, TX (1990, 1982); Staten Island Art Center, New York, NY (1998); Contemporary Arts Museum, Houston, TX (1987, 1979); Studio Museum in Harlem, NY (1986); Blaffer Gallery, University of Houston, Houston, TX (1986); Alternative Museum, New York, NY (1982) and the Institute of Contemporary Art, Philadelphia, PA (1978).

Recent venues presenting Burtonwood's work include CICA Museum Gyeonggi - do, Korea, DEMO Project, Springfield, IL; Terrain Biennial 2017, Oak Park, IL; Cedarhurst Center for the Arts, Mount Vernon, IL; The Elmhurst Art Museum Biennial, Elmhurst, IL; The Samuel Dorsky Museum, SUNY, New Platz; Flux Factory, NY, NY; The Compound Gallery, Oakland, CA; Northeastern Illinois University Gallery, Chicago, IL; The University of Illinois Springfield, Springfield, IL; Bruce High Quality Foundation University, NY, NY; Firecat Projects, Chicago, IL; Wright State University, Dayton, OH; Purdue University Gallery, West Lafayette, IN; The Printing Museum, Houston, TX; Terrain Biennial, Oak Park, IL; Fuseworks, Brooklyn, NY; Front Room Gallery Brooklyn, NY; New Capital, Chicago, IL; The Chicago Cultural Center, Chicago, IL; Shemer Art Center, Phoenix, AZ and Printed Matter, NY, NY.

Artists: Neïl Beloufa, Juliette Blightman, Ryan Gander, Calla Henkel & Max Pitegoff, David Horvitz, Metahaven, Katja Novitskova, Yuri Pattison Exhibition title: Transparencies, The ambivalence of a new visibility Curated by: Simone Neuenschwander, Thomas Thiel Venue: Bielefelder Kunstverein, Bielefelder, Germany Date: November 7, 2015 — January 17, 2016 Photography: Philipp Ottendörfer, images copyright and courtesy of the artists and Bielefelder Kunstverein The exhibition project» Transparencies «examines the cultural facets and atmospheres of this (non --RRB- transparency.

GALLERY EXHIBITIONS Sharon Brant: Plenty, March 3 — April 28, 2018 Brant / Brennan / Zinsser, June 4 — July 2, 2016 Sharon Brant: Sideswiped, November 2 — December 22, 2012 MINUS SPACE en Oaxaca: Panorama de 31 artistas internacionales, Multiple Cultural Venues, Oaxaca, Mexico, March 15 — April 30, 2012 Escape from New York, The Engine Room, Massey University, Wellington, New Zealand, April 22 — May 8, 2010 Escape from New York, Project Space Spare Room, RMIT University, Melbourne, Australia, May 8 - 29, 2009 Minus Space, P.S. 1 Contemporary Art Center / MoMA, NYC, October 19, 2008 — May 4, 2009 Escape from New York, Sydney Non Objective, Sydney, Australia, August 3 — September 2, 2007

PERFORMA is not only an invaluable reference, it is a new kind of guide to cultural life, a time capsule of this very moment in New York's eminent performance history, complete with profiles of the city's nonprofit biennial venues that, like this book, give ephemeral art a physical place in which to persinew kind of guide to cultural life, a time capsule of this very moment in New York's eminent performance history, complete with profiles of the city's nonprofit biennial venues that, like this book, give ephemeral art a physical place in which to persiNew York's eminent performance history, complete with profiles of the city's nonprofit biennial venues that, like this book, give ephemeral art a physical place in which to persist.

THE MOBY PROJECT is a new multi - venue / multi-discipline cultural event project held in October that will present works by artists, writers, and performers in the Hamptons.

Venues include Service Garage, Amsterdam, The Netherlands; Lower Manhattan Cultural Council, New York; Latvian Contemporary Art Center; Frankfurter Kunstverein; Art Rotterdam, NEST, The Netherlands; Wyspa Institute of Art, Gdansk, Poland and more.

The triennial exhibition, spread across seventeen venues in New Orleans, will feature seventy - three artists from «North America, Latin America, the Caribbean, Africa, Asia, and the European powers that colonized New Orleans, addressing issues of identity, displacement, and cultural hybridity within the context of the celebration of the city's tricentennial,» according to an announcement from the event's organizers.

Three Centuries of the American Nude 9th May 1975 - 13th July 1975 New York, The New York Cultural Center Traveled to two venues.

And at parks in New Orleans, playing fields and cultural venues with high entry fees are replacing freely accessible parkland.

Inspired by the Norway Glacier Museum, Glaciarium is a new cultural and scientific venue located in the Argentine Patagonia aimed at raising awareness about the importance of glaciers in the environment.