Sentences with phrase «new culture medium»

EGCG or DAC was added, in new culture medium, to the cells on days 1, 3, and 5.

Not exact matches

«As connectivity - enabling technology and virtual workplaces change how people interact, leaders must engage employees across cultures and business roles through new mediums.»

Using the format of the cookbook as a storytelling medium, the In Vitro Meat Cookbook is a visually stunning exploration of the new «food cultures» lab - grown meat might create.

Rudenko has also managed to culture new strains by growing them on a medium developed in Slovenia.

The bacteria would need either to synthesize the new genetic letters themselves or to import them from the surrounding culture medium.

The cells were cultured in a suitable medium and the researchers checked the molecules they produced, in particular the pro-angiogenic ones, that is, molecules that nurture the production of new blood vessels.

This talk portal provides an entertaining medium to interact with people, enjoy breezy informal chats, learn new culture and languages..

In the new culture of learning, collectives, as we define them, become the medium in which participation takes shape.

TIGW: What kind of influences of Poland's history and culture did you have for the creation of Layers of Fear, Observer and your upcoming new title, Medium?

A Profound Waste of Time is a new magazine from the UK, focusing on — says its successful Kickstarter campaign blurb — «a bold new video game culture magazine, a lovingly produced home to great writing on the medium and its accompanying narratives».

Known for its competitive «New Genres» program — spanning installation, video, film, audio, performance, and assorted digital mediums — this unique area of study questions «preconceived notions of the role of art in culture and its relationship to a specific form or medium,» according to the school's literature.

«We are delighted to bring this amazing cross-section of works — representing a spectrum of mediums, time periods, and cultures — to New York as a way of introducing new audiences to the treasures that can be viewed at VMFA.&raqNew York as a way of introducing new audiences to the treasures that can be viewed at VMFA.&raqnew audiences to the treasures that can be viewed at VMFA.»

As an artist working in photography for the past thirty years, Robert Burley has been both an observer and a participant in a radical transition, the emergence of a new technology, which irrevocably changed photography, and the abrupt and rapid breakdown of a century - old industry, which embodied the medium's material culture.

-- Nikolay Oleynikov, Tsaplya Olga Egorova, Dmitry Vilensky, and others Claire Fontaine (fictional conceptual artist)-- A Paris - based collective including Fulvia Carnevale and James Thornhill CPLY — William N. Copley Diane Pruis (pseudonymous Los Angeles gallerist)-- Untitled gallery's Joel Mesler Donelle Woolford (black female artist)-- Actors hired to impersonate said fictional artist by white artist Joe Scanlan Dr. Lakra (Mexican artist inspired by tattoo culture)-- Jeronimo Lopez Ramirez Dr. Videovich (a «specialist in curing television addiction»)-- The Argentine - American conceptual artist Jaime Davidovich Dzine — Carlos Rolon George Hartigan — The male pseudonym that the Abstract Expressionist painter Grace Hartigan adopted early in her career Frog King Kwok (Hong Kong performance artist who uses Chinese food as a frequent medium)-- Conceptualist Kwok Mang Ho The Guerrilla Girls — A still - anonymous group of feminist artists who made critical agit - prop work exposing the gender biases in the art world Hennessy Youngman (hip - hop - styled YouTube advice dispenser), Franklin Vivray (increasingly unhinged Bob Ross - like TV painting instructor)-- Jayson Musson Henry Codax (mysterious monochrome artist)-- Jacob Kassay and Olivier Mosset JR — Not the shot villain of «Dallas» but the still - incognito street artist of global post-TED fame John Dogg (artist), Fulton Ryder (Upper East Side gallerist)-- Richard Prince KAWS — Brian Donnelly The King of Kowloon (calligraphic Hong Kong graffiti artist)-- Tsang Tsou - choi Klaus von Nichtssagend (fictitious Lower East Side dealer)-- Ingrid Bromberg Kennedy, Rob Hult, and Sam Wilson Leo Gabin — Ghent - based collective composed of Gaëtan Begerem, Robin De Vooght, and Lieven Deconinck Lucie Fontaine (art and curatorial collective)-- The writer / curator Nicola Trezzi and artist Alice Tomaselli MadeIn Corporation — Xu Zhen Man Ray — Emmanuel Radnitzky Marvin Gaye Chetwynd (Turner Prize - nominated artist formerly known as Spartacus Chetwynd)-- Alalia Chetwynd Maurizio Cattelan — Massimiliano Gioni, at least in many interviews the New Museum curator did in the famed Italian artist's stead in the»90s Mr. Brainwash (Banksy - idolizing street artist)-- Thierry Guetta MURK FLUID, Mike Lood — The artist Mark Flood R. Mutt, Rrose Sélavy — Marcel Duchamp Rammellzee — Legendary New York street artist and multimedia visionary, whose real name «is not to be told... that is forbidden,» according to his widow Reena Spaulings (Lower East Side gallery)-- Artist Emily Sundblad and writer John Kelsey Regina Rex (fictional Brooklyn gallerist)-- The artists Eli Ping (who now has opened Eli Ping Gallery on the Lower East Side), Theresa Ganz, Yevgenia Baras, Aylssa Gorelick, Angelina Gualdoni, Max Warsh, and Lauren Portada Retna — Marquis Lewis Rod Bianco (fictional Oslo galleris)-- Bjarne Melgaard RodForce (performance artist who explored the eroticized associations of black culture)-- Sherman Flemming Rudy Bust — Canadian artist Jon Pylypchuk Sacer, Sace (different spellings of a 1990s New York graffiti tag)-- Dash Snow SAMO (1980s New York Graffiti Tag)-- Jean - Michel Basquiat Shoji Yamaguchi (Japanese ceramicist who fled Hiroshima and settled in the American South with a black civil - rights activist, then died in a car crash in 1991)-- Theaster Gates Vern Blosum — A fictional Pop painter of odd image - and - word combinations who was invented by a still - unnamed Abstract Expressionist artist in an attempt to satirize the Pop movement (and whose work is now sought - after in its own right) Weegee — Arthur Fellig What, How and for Whom (curators of 2009 Istanbul Biennial)-- Ana Dević, Nataša Ilić, Sabina Sabolović, Dejan Kršić, and Ivet Curlin The Yes Men — A group of «culture - jamming» media interventionists led by Jacques Servin and Igor Vamos

The new «digital light» is the main medium used to transfer what is left of reality into a circulating digital visual culture.

The structure of the new medium itself played an important role in addressing questions about female identity in relation to art, pop culture, and dominant feminism movements at the time.

The exhibition features new works across a number of collection categories, including European Art before and after 1900, American Art, Asian, pre-Columbian and Native American, and African and Oceanic, and demonstrates artistic connections across medium, style, time periods, and cultures.

Based in New York, Hank Willis Thomas is a conceptual artist who uses the medium of photography to focus on themes of perspective identity, history, race, commodity, popular culture and class.

Her curatorial projects include Immune Stability, a collaboration between Amalia Ulman and Lauren Elder, Steve Turner Contemporary, Los Angeles; Maybe New Friends, a social media satire viewable on American Medium TV; Art Object Culture, Cirrus Gallery, Los Angeles and Rhizome ArtBase.

«Songs for Sabotage» at the New Museum February 13 — May 27 Questioning how individuals and collectives address the connection of image and culture, «Songs for Sabotage» features 26 artists across mediums.

(127 x 243.8 cm) Medium: Digital chromogenic print Credit Line: Purchased with funds from the Art Trust Fund Endowment Object Number: 2013.13 Culture: Irish Marks: Label at verso lower right in window adhered to support: JACK SHAINMAN GALLERY / 513 WEST 20TH STREET NEW YORK NY 10011 / TEL: [phone] / FAX: [phone] / RICHARD MOSSE / LOVE IS THE DRUG, 2012 / DIGITAL C - PRINT / 50 X 96 INCHES / 52 X 98 X 3 FRAMED / EDITION 3 OF 5 WITH 1 ARTIST PROOF / RIM12.015.

Extending across the entirety of the museum, the exhibition allows for free association between artists and the themes they address: at once playful and dynamic, works from Ryan Gander, Institute for New Feeling, Liu Wa, and Yangzi invite audiences to explore a wealth of possibilities through combinations of meditation and wry humor; classical mediums of sculpture and painting are reinvented by Yngve Holen and Austin Lee; insidious implications of our hi - tech society are skewered by Lawrence Abu Hamdan and aaajiao; the powers of synthetic materials over human desire are brought to the fore by Sean Raspet and Pamela Rosenkranz; and products of Internet culture are given to refined study with Gillian Wearing and Amalia Ulman.

2014 Instagram as an Artistic Medium, Art Basel, Salon: Digital Talk, Miami, US Life - Representation, Visibility Online and the Self, Foam, Keizersgracht, Amsterdam, NL E-Performance «Real Self», Post Digital Cultures Symposium, Lausanne, CH NeoImpressionism Workshop, Swiss Institute Contemporary Arts, New York, US 89 + Marathon of the Americas, Fundación JUMEX, Mexico City, MX

In the group exhibition «The Projective Drawing» at Austrian Cultural Forum New York (ACFNY), curator Brett Littman applies Evans's theory, which is skeptical of drawing at its core, to challenge our understanding of how the medium of drawing operates in contemporary culture by highlighting both Austrian and international artists whose drawings require viewers to activate a matrix of complex and nontraditional ideas in order to interpret the works on view.

Examples of their visions of how aspects of our culture can be re-staged via the revived medium, have been gathered together with that of many others, for new major exhibition in Germany highlighting the stories behind the development of this form of presentation, alongside a chronology of events that took place in parallel to it.

In the context of the proliferation of photography, film, and new media in contemporary culture, the exhibition showcases the variety of styles and strategies artists have engaged to breathe new life into painting and to explore the medium's expansive possibilities.

The exhibition features new works across a number of collection categories, including European Art before and after 1900, American Art, Asian, Pre ‐ Columbian and Native American, and African and Oceanic, and demonstrates artistic connections across medium, style, time periods, and cultures.

And in the autumn, Tate Modern will stage the first exhibition to include all the mediums used by German artist Sigmar Polke — painting, drawing, photography, film, sculpture, notebooks and Xeroxes — and examine the impact on his work of his interests in global cultures and travels in Afghanistan, Australia, Brazil, Pakistan and Papua New Guinea.

Art Museum, University of Oklahoma, Norman; Cleveland Center for Contemporary Art, Cleveland Examining Pictures: Exhibiting Paintings, UCLA Hammer Museum, Los Angeles Age of Influence: Reflections in the Mirror of American Culture, Museum of Contemporary Art, Chicago A Century of Innocence (Kulturbro 2000 — A Biennial of Art and Culture in the Oresund Region), Center for Contemporary Art, Malmo; travelling to Liljevalch's Konsthall, Stockholm Blurry Lines, John Michael Kohler Arts Center, Sheboygan Walking, University Galleries, Illinois State University, Normal; travelling to Bucknell University Art Gallery, Bucknell University, Lewisburg The Message is the Medium, Teachers Insurance and Annuity Association / College Retirement Equities Fund, New York Georg Kargl, Vienna

Once poised as the medium best suited to bridge high and low cultures, film is now, arguably, more divided against itself than ever; and what remains of art according to this new configuration is...

IN 2002, SHIFTING HIS focus to the technologies so prevalent in contemporary culture, Guyton took up digital inkjet printing as his primary artistic medium, which provided countless new options for his image - making.

Mira Schor is a New York - based artist and writer noted for her advocacy of painting in a post - medium visual culture and for her contributions to feminist art history.

This new medium creates a better sense of location and culture which buyers love.